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An Homage to Our Critter-Friends in response to the last Wednesday Writing Prompt

Bob Seger Dedes

The sweetness of dogs (fifteen)

What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. Full tonight.
So we go

and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit,

I thinking how grateful I am for the moon’s
perfect beauty and also, oh! How rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up into
my face. As though I were
his perfect moon.”
Mary Oliver, Swan: Poems and Prose Poems [Recommended]



So many funny, sweet and poignant poems, well-considered and finally wrought, an homage to our critter friends in response to the last Wednesday Writing Prompt, Practical Cat on Cinco de Mayo, March 6, 2019.

Thanks to Paul Brookes, Irma Do, Irene Emanuel, Jen Goldie, Mike Stone, and Anjum Wasim Dar for this touching collection. Special thanks also to Irma, Jen, and Anujum Ji for sharing their delightful illustrations. Grab a tissue and enjoy another stellar collection from our intrepid reader-poets … and do join us tomorrow for the next Wednesday Writing Prompt. All are welcome to participate.

Apologies for the lateness of this post. Big tech issues. Sigh!  


The Gift

A small dark shape on kitchen tile
stared over by our cat,

Move closer. it is a sparrow bairn,
whose chest balloons out as my sigh releases.

Scooped up, as I take it out to the garden.
It stands on the plastic lip.

Over the fence our neighbour stands in hunched
dark tears “My mam won’t be coming out of hospital”

My breath caught.
The sparrow flies away.

From Paul’s second forthcoming pamphlet to be published in England probably later this year

© 2019, Paul Brookes (Wombwell Rainbow / Inspiration. History. Imagination.)

Coincidence

Every morning our tabby
sits beside the grave
beside the wall
of her black predecessor
Our lass and I joke
she is speaking
to her ‘grandma’

My Nana hates cats
who leave “messages”
in her garden
Don’t know how
people can live
with cat hair…

disgusting how people
let them walk
on surfaces.
She never visits us.

Cat and Nana never meet.
Their senses fail
at the same time.
Eyes, ears, mouth.

Something tells me
not long after our cat
goes Nana will too.

Arrivee from work
our cat rigor mortis stiff
across her armchair.

Three days later
I get a phone call
Nana has fallen.
I sit beside her
hospital bedside.

Arrive home to find
a new tabby cat
who asks me
to stroke her
in the way our
black cat did.

© 2019, Paul Brookes (Wombwell Rainbow / Inspiration. History. Imagination.)

My rough

tongue licks my sharp claws
as i see warm flesh canter up hill.

Haunches heavy with meat,
back heavy with rider.

I leap at the horses backside
claws gain purchase.

Rider crashes, hot meal gallops away.
I snarl at the dismounted man.

Human can be good meat.
He challenges me with metal.

My claws taste his blood,
again and again. He rushes

toward a spired house of stone.
Tries the locked door.

I am in the porch with him.
He a trapped animal like me.

We press on each other.
Neither tamed, die together.

Based on the local legend of “The Cat And Man”

© 2019, Paul Brookes (Wombwell Rainbow / Inspiration. History. Imagination.)

I Found Kittens In Our Settee

I had to trash
vintage settee

we’d just got
of off that thief Mavis.

We’d lost our fat cat.
Couldn’t find her for love nor…

Settee were making noises.
Used kitchen knife.

Found cat and new kittens
sat on £350.

Mavis hadn’t stolen it
after all. I’ll buy her some cheap wine.

© 2019, Paul Brookes (Wombwell Rainbow / Inspiration. History. Imagination.)

Barrage

You hear a blackbird trill,
stroked by a gentle wisp.
You inhale seeds and grass
and suddenly know why

your Grandad spent time
out of the house in the garden
away from the barrage,
snipes and aggro of his wife.

And as you weed the bricked path
to the front door your black cat complains
to be let in and you quietly advise
that he has a perfectly serviceable
cat flap at the back, until

your wife opens the front door
and let’s him in and scowls at you
as she shuts it.

© 2019, Paul Brookes (Wombwell Rainbow / Inspiration. History. Imagination.)

As Abandoned

black kitten lobbed out of joyrider’s car window
top of our street, always had bare patch
on her upper thigh, could not get enough
strokes, hugs, Daddy’s girl.

in her moving owner’s back garden for months,
new owner could not keep her
due to his chickens and dog, always her small
paws catch your clothes as you pass.

© 2019, Paul Brookes (Wombwell Rainbow / Inspiration. History. Imagination.)

If Only My Dead Dears

deliberately hid away

like our new kitten who disappears
so we cannot hear her bell,
her purrs.

We open cupboards, look under,
into, around
and sigh they’ve gone for good
this time

then smile.

And it is as if she says
he, he, couldn’t find me.

No matter how hard we look
we only find the dead in our heads.

And sometimes smile
as we remember them in a place
we had not thought to find them
for some time.

© 2019, Paul Brookes (Wombwell Rainbow / Inspiration. History. Imagination.)

Prolific Yorkshire Poet, Paul Brookes

FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.

The Wombwell Rainbow Interviews: Jamie Dedes

  • Paul’s Amazon Page U.S. HERE
  • Paul’s Amazon Page U.K. HERE

More poems by Paul at Michael Dickel’s Meta/ Phore(e) /Play


Sunning the Queen – a Nonet

Plump
Meow
Lick lick purrrr
Rumble grumble
Lazy eyes open
Head languidly turning
Anything interesting?
Oh no – just you – scratch my head now
The sun makes me sleepy. Time to eat?

This nonet was written for Jamie’s Wednesday Writing Prompt to write a poem about an animal companion. The original title for this poem was “Fat Cat in the Sun”, for indeed, Kassidy was a chubby wubby kitty cat, but she was also ruler of our home. My parents would do anything for Kassidy – come home early to feed her, go to a different grocery store to buy her special food, made sure she had several special beds to lie around the house. In return, she always greeted you at the door so you could scratch her head the minute you came in before you even got a chance to put down your keys. Kassidy died about 3 years ago yet she always will hold a place in our hearts.

© 2019, photo and words, Irma Do (I Do Run – And I do a few other things)


THE JUDGE 

My file was open on my desk,
I left it there a while;
I did not know a judge was close
and watching with a smile.

I started work on something new,
my file was out of sight;
the noise I heard alerted me,
I turned and got a fright.

The judge was sitting near my file,
his back was hunched and tense;
he threw-up on my poetry,
with careful negligence.

My poems must have turned his lunch,
he really was in pain;
that blasted cat disliked my work
and vomited again.

It seems my poetry is deficient,
I’ll watch TV instead;
but if that cat sits on my lap,
I’ll smack his furry head.

© 2019, Irene Emanuel


 

catpicture

 

This morning death was on

my doorstep, no one died

no one particularly,

 

Someone’s cat, someone’s

Dog, a birdie possibly,

Sadness overwhelmed me

 

So, I had my morning tea

As all those old memories

Flooded over me, my heart

 

began to ache and the new

days sun washed over me.

With pleasant memories.

 

I still can’t draw a cat.

© 2019, poem and drawing, Jen E. Goldie (Starlight and Moon Beams, And the Occasional Cat)

On the day of……….

as we prepared for….

as I prepared for.

 

You looked at me inquisitivly

 

 I had no answer….

for you this time.

what are

the tears for?

Where are

we going?

So many questions

Keep going

I took the day

so we

could

spend

time

together……………….

One

……….

Last

……….

Moment

………….

in

time………..

together.

In loving memory of Simon. Devoted, loving, steadfast, trusting and true. I’ll never forget you. ❤😔

© 2019, Jen E. Goldie (Starlight and Moon Beams, And the Occasional


The Day the Cat Stood Still

This is a story as told by me, that no fat

or otherwise cool Cat could deny. The

Day the Cat Stood Still was a catastrophe,

she made a cat’s paw of me, decidedly

deciding I’d not cat’ch on to her curiosity,

Where could the cat be, a cat’ch phrase

we all know constantly. She was playing cat

and mouse with me, no caterwauling, no

hell Cat catapulting, no cat nabbing at hand,

I calmly considered, there’s more than one way

to skin a cat, we’ll see which way the cat jumps.

And So, I with ears perked

roamed the room stealthily, when suddenly

I hear a meow, and there she was Kitty

cornered in a drawer, looking like the cat

that got the cream, cool cat on my cat pajamas,

kitty whiskers teasing me.

Cat got your tongue?

© 2019, Jen E. Goldie (Starlight and Moon Beams, And the Occasional Cat)

As always dedicated to my dearly departed friends of the four legged feline kind. 💗💕


.little dog gone.

oh you were so very small

hash tag

not a proper dog

was said.

oh you were good company

hash tag

not like a human

was said.

oh boy on a good day how you

would run.

hash tag.

more like scampering

was said and overheard.

little dog gone.

© 2019, Sonja Benskin Mesher


West Wind

Raanana, August 3, 2013

Her spirit rushes over the waving grasses
And the jittery tree leaves
Like the West Wind
Racing to fetch the stick
I’ve thrown so high and far
But the stick lies still
Where it has fallen.

© 2013, Mike Stone (Uncollected Works, Yes Another Book of Poetry and Stories)

Tears and Toys

Raanana, January 31, 2013

A poem is sometimes like a joke
Except instead of being funny
It’s so sad your heart leaps out of your chest
And you look around to see whether anyone else saw that
But they never do.
I once read a poem about my dead dog Chewy
How I buried her with my tears and her toys
Only I didn’t say her name or that she was a dog.
Some people came up to me afterward, a man and a woman,
And she told me how they appreciated my poem
Because they had buried their daughter too
With their tears and her toys.
Then I told them the punch-line
That my poem was about my dog Chewy
(I loved her so)
Because honesty’s the best policy.
The woman winced once, I think,
And then a curtain came down
Hiding their faces from me.
Now and then I hear laughter
And I look around
But don’t see any joke being told.
He seems to slap his knees at our sorrows.
Sometimes I get all mixed up about
Who’s God
And who’s the poet
And who’s burying their dead love
With their tears and her toys.

© 2013, Mike Stone (Uncollected Works, Yes Another Book of Poetry and Stories)

Worry

Raanana, June 21, 2013

What if they don’t come home?
I’ve been standing on the couch
I don’t know how long
Looking out the window …
What if they don’t come home?
Their cars aren’t there,
The black one or the brown one,
What if they don’t …?
It’s quiet and I’m so lonely –
What if …?
Nobody will give me water
And nobody will give me food
And nobody will love me
And nobody will come.
Don’t they know what could happen
When they say goodbye to me?
What if they don’t come home?
I’ll lie down to sleep
I don’t know how long.
At least I won’t think about
What if they don’t come home,
But I can’t sleep because
What if they don’t come home?
Don’t they know what I think?
Don’t they care?
If they only knew
How impossible it is to think like this
They’d never leave me.
What if they don’t come home?
Please come back … now.
What if they don’t come home?

© 2013, Mike Stone (Uncollected Works, Yes Another Book of Poetry and Stories)

The Service Revolver

Raanana, May 22, 2009

Sixty-six pounds of snarling anger
In the only path to safety
For six pounds of cold fear.
A chain squeezes suddenly around the honey-colored throat
And the anger moves on,
At first reluctantly, and then
Loping along at a goodly pace
Wet nostrils flared and quivering,
Ready to sift and scoop up
Anything of taste or interest
Along the dark and lamp-lit way.
Walking my dog Daisy
Whose name belies her vigor and strength
Barely controlled by a pact initialed
But never formally ratified,
She leads me through the valley of my loneliness
Which I measure in the scrape and echo
Of footsteps having no place to go.
Walking under an archway of sparse leaved bracken
And thick limbs of eucalyptus
Thoughts swarm around us
In no particular rhyme or meter,
Like the personal black hole
Pulling me towards an eventual horizon
In gossamer strands of infinity,
And another: at what point in our lives
Does it become reasonable
To contemplate suicide,
To feel the coolness and weight of one’s service revolver
Against the weight of continuing to be?

(c) 2009, Mike Stone (The Uncollected Works of Mike Stone)

Chewy

Raanana, February 4, 2007

I have a riddle for you:
‘When is a house empty, even though it’s full of people?’
She had more names than God Himself.
We should have called her Uhuru—
Freedom was the one thing she loved more than us
And finally she’s escaped the soft clutches of our love.
In our eagerness and innocence
We brought her home too soon
To be weaned from her mother,
A frightened little thing
No bigger than my fist.
She grew to love us though,
As fiercely as we loved her.
Some people were scared of her
But we’d give anything
For her to warm herself against us.
Last night her little heart burst its bounds
And she escaped her life
Running free at last through open fields
Photographed by death.
This morning when we buried her,
It rained cats and dogs.

(c) 2009, Mike Stone (The Uncollected Works of Mike Stone)

Mike Stone’s Amazon Page is HERE.


Dreaming Guard

cat1

More grey than white she was,
sensuously stirring,
if otherwise
sleeping or pretending
to sleep,
what attracted her, to peep
through the glass
then back down and pass
to the side to laze as if
in a drunken daze

daily visit , a long quiet look
then off to the nook,
satisfied with one ,
deep open eyed glance,
set her in the love trance,
no desire to roll or prance,
contentment replete, in form n fur,
silent breath, silent purr,
guarding the door, on barren floor,
profound faith, defying death_
my love have seen , no desire for more
to heaven I’ve been.
now oblivious of dogfights,rat races
she sleeps or pretends to sleep
snuggled cozily on the metallic bonnet
musing warmly on composing a sonnet
perhaps dreaming of a beloved  felidae.

© 2019, poem (English and Urdu, below) and Illustrations, Anjum Wasim Dar (Poetic Oceans)

بلی کے امور

خوابوں میں  ڈوبی یا سویؑ  ھویؑ ،

سفیدی مایل ،رنگ ھلکے کی زیادہ وہ لگتی تھی ،
جھوٹ موٹ دکھاوے کے لیؑے سویؑ ھویؑ بلی رانی

کس کی کشش  کھینچ لایؑ اسے کھڑکی تلے
نظر بھر کے دیکھا ، مسکرایؑ نشے میں ڈوبی ھویؑ

وہ روز روز آنا دوڑتے ھوےؑ  آنا، اک نظر کی تسلی
وہ دوستی نبھایؑ، سب پا لیا تو کرنے آرام وہ لیٹی

انوکھا پیار انوکھا کھیل قدرت کا میل کویؑ میاوؑن نہیں
محبت میں بھیگی خر خراتی ھویؑ ، ھے چوکیدار بنی

پرواہ نہیں موت کی نہ چوھوں کی چاہت و  خواھش
دنیا کرے جنگ یہ خوابوں میں کھویؑ سوچے اپنی شاعری

“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL” Anjum Wasim Dar


ABOUT

“Matador Review” & “Poetica Review” call for submissions; Erratum to 03/10/2019 announcement

“The Matador Review strives to be a cultural conservationist for the alternative world. In each issue, we offer a selection of work from both emerging and established artists, as well as exclusive interviews and reviews from creators who are, above all else, provocative.” The Editors



Alternative art and literature magazine The Matador Review is accepting submissions for the Summer 2019 publication. This review featured poetry, fiction, flash fiction, and creative non-fiction, inviting all unpublished literature written in the English language (and translations that are accompanied by the original text) as well as many forms of visual art. Submissions are open through May 31, 2019 for the summer issue.

The Matador Review is an online literature and art quarterly based in Los Angeles and Chicago. Founded in January 2016, the purpose is to promote “alternative work” from both art and literature, and to encourage respect for online publications. In each issue, we offer a selection of work from both emerging and established artists, as well as exclusive interviews and book reviews from creators who are, above all else, provocative. Recent contributors include Damian Van Denburgh, Rachelle Cruz, Heidi Seaborn, Jeremy Radin, Marguerite L. Harrold, and others.

Submission information can be found HERE.

RELATED:


POETiCA REViEW “exists to promote the work of new and older poets alike, the less fortunate, the dispossessed, those without a voice, but encourage the artistic talents of all, not just a privileged minority.” Submission guidelines HERE. Watch the site for upcoming competition announcement.


ERRATUM: Yesterday I announced that I set up The new Facebook The BeZine Arts and Humanities Group, a place to share all your arts activities and accomplishments, not just poetry, in the hope of inspiring one another and encouraging collaborations among the arts. Within this group you can announce publications, showings, events and so forth. You are encouraged to share your videos: music, poetry readings, photography, art, film and so forth. I also provided information on the long-established “The BeZine” 100TPC (and Friends) for Change group discussion page. I’ve corrected the email address provided in the post. And here today the correct email for submissions and communications for the Zine is bardogroup@gmail.com .


Note: Call for submissions to the March 15, 2019 issue of The BeZine is closed. We are currently reading for that issue and will respond to submissions shortly.  Calls for submissions will open again from April 15 through June 10 for the June issue, which is themed sustainability.  Thank you! 


ABOUT

Announcing the new “The BeZine” Arts and Humanities Group page; details on our well-established 100TPC Group

“Creativity is the most supreme form of love. When it flows from any heart flooded by truth and light, it can change all those who encounter its seductive vibrations.” Suzy Kassem, Rise Up and Salute the Sun: The Writings of Suzy Kassem



The BeZine now sponsors two Facebook Groups.  The first, established years ago, is The BeZine 100TPC 100,000 Poets (and friends) for Change. It was established to share best practices for facilitating change, to share good news and initiatives that might easily be implemented anywhere. It’s not a place to simply regurgitate the horror stories playing out around the world. It is a place to encourage positive action.

The new Facebook Group:  The BeZine Arts and Humanities discussion group is also unique. It’s place to share all your arts activities and accomplishments, not just poetry, in the hope of inspiring one another and encouraging collaborations among the arts. Within this group you may announce publications, showings, events and so forth. You are encouraged to share your videos: music, poetry readings, photography, art, film and so forth. No selling please … And . . . please keep it kind and supportive. Thank you!



Artwork by team member Corina Ravenscraft

Guidelines for the Facebook The BeZine 10OTPC, 2019 Group:

2019 NEWS & GUIDELINES FOR POSTING: We’re especially interested in filling a gap here by collecting info on practical initiatives – ideas for taking action – from anywhere in the world, “best practices” so to speak that foster peace, sustainability and social justice, especially those that might be picked up and implemented elsewhere. Examples from the past include a variety of initiatives taking place around the world to mitigate pollution and climate change, the churches that open their parking lots at night to the homeless, the restaurant owner who serves meals to the homeless; and, the barber who uses his days off to give homeless people haircuts and the group that put out clothing for people to take if needed. PLEASE DO NOT POST POETRY ON THE BeZINE 100TPC, 2019 discussion page. There are plenty of poetry groups for you on FB, now including the new Facebook is The BeZine Arts and Humanities Group.

We also offer other opportunities to share your poetry and creative work.

FOR WRITE-UPS ON SPIRITUAL PRACTICE for Beguine Again message Terri Stewart. Note: We have a FB page – The Bardo Group Beguines – where we provide Zine info, inspiration, notice of spiritual events of interest to seekers and links to work posted on beguineagain.com founded and managed by Terri.

SUBMISSIONS to The BeZine of poetry, essays, short stories, creative nonfiction, music videos, and artwork for – journal or blog – are considered via email only: bardogroup@gmail.com. Facebook message questions to G Jamie Dedes. Please don’t use FB for submissions.

The BeZine is published quarterly. Here are the schedule, themes, submission deadlines and publication dates for this year:

  • March 2019 issue, Deadline February 10th. Theme: Peace.
  • June 2019 issue, Deadline May 10th. Theme: Sustainability
  • September 2019 issue, Deadline August 10th, Theme: Human Rights/Social Justice
  • December 2019 issue, Deadline November 10th, Theme: A Life of the Spirit

SAVE THE DATE: SEPTEMBER 28, 2019, 100,000 POETS FOR CHANGE, GLOBAL, 2019 and THE BeZINE 100,000 POETS FOR CHANGE VIRTUAL EVENT

OTHER OPPORTUNITIES: Email me (thepoetbyday@gmail.com) if you have poetry news or essays on poetry to be considered for The Poet by Day jamiededes.com. For submissions (poetry and short fiction or creative nonfiction) for consideration by Michael Dickel for Meta/Phor(e)/Play https://michaeldickel.info message Michael.

The Bardo Group Begines is a twelve-member core team of poets and writers, artists and musicians, philosophers and clerics providing comfort, inspiration and information via The BeZine and Bequine Again. The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

– Jamie Dedes


ABOUT

Celebrating American She-Poets (34): Clarissa Simmens, A Passion for Shakespeare

Clarissa Simmens

“I adore social media.  FaceBook and WordPress have been incredible avenues of not only reading the words of poets world-wide, but also gaining friends, virtual but real  . . .The poets are people like me and you who want the same thing: respect, a safe and healthy environment for family and friends, and the freedom to have fun without being hurt or harming others.  I think the great [William Shakespeare] would have loved the world-wide web…” Clarissa Simmens



A couple of weeks ago The Poet by Day, Wednesday Writing Prompt was Spinning With Shakespeare. Readers were challenged to write a poem using phrases from Shakespeare that have come into general usage. It was fun. The poems were great. You can read them HERE.  Meanwhile, it happens that Clarissa Simmens has a passion for Shakespeare, so much so that she does a yearly poetic homage to WS, as she refers to him. She shared her 2018 homage with us in comments. Here (below) are those poems for you to read today along with an interview of Clarissa and her bio.   

Shakespearian Trivia: As I read through Clarissa’s responses to my interview questions, I had to chuckle.  Her intro to Shakespeare was in high school and included a local movie-theater-showing of Hamlet with Richard Burton in the lead.  I suspect Clarissa and I are of an age and may have seen the same show.  My intro to Shakespeare included the 1964 “electrovision” (early video/closed circuit TV) version of Hamlet at our own local movie theater. Apparently this presentation was being delivered to high school students all over the U.S. as an English literature course requirement. The production was directed by Sir John Gielgud. It was done sans period costumes and with minimal sets. It is said that Burton disliked the production and wanted the videos destroyed.  Apparently at least one copy survived. I found it HERE on YouTube.  Time has tampered with the visual but there’s nothing wrong with the sound. Close your eyes and listen. Enjoyable!

– Jamie Dedes


THE UNCERTAIN GLORY OF AN APRIL DAY…

Shakespeare’s Birthday Approximately April 23, 1564

In cold country I sadly plucked the lute
Shining in England, you the rising son {sun}
Seeking me in verse, yet remaining mute
Why don’t you know we are meant to be one

Oh, dear Will, you were fated to be mine
Although centuries separate us now
Twin souls formed by a heavenly design
Calling your name, but me you disavow

Yet I’ve glimpsed your soul somewhere in my space
Perhaps in a yellow striped bumble bee
And though you changed I recognize your face
But stung by your insensitivity

Wading through tears, my grief so prodigious
We’ve lost so much, love now sacrilegious

(c) 2018 Clarissa Simmens (ViataMaja)

AND HERE IS MY ANNUAL BIRTHDAY SONNET CREATED FROM THE FIRST LINES OF SHAKESPEARE’S SONNETS:

#60 Sin of self-love possesseth all mine eye
#88 When thou shalt be disposed to set me light
#66 Tired with all these, for restful death I cry
#80 O, how I faint when I of you do write.

#139 O, call not me to justify the wrong
#150 O, from what power hast thou this powerful might
#100 Where art thou, Muse, that thou forget’st so long
#28 How can I then return in happy plight

#43 When most I wink, then do mine eyes best see
#66 Tired with all these, for restful death I cry
#52 So am I as the rich, whose blessed key
#115 Those lines that I before have writ do lie

#56 Sweet love, renew thy force; be it not said
#71 No longer mourn for me when I am dead

© 2014 Clarissa Simmens (ViataMaja) and William Shakespeare

Characters from Shakespeare’s plays. Unknown artist.

INTERVIEW

JAMIE: When and how did your passion for Shakespeare start?

CLARISSA: I saw my first Shakespeare play in high school. It was a class trip to a local movie house showing Hamlet starring Richard Burton. This was a filming of a rehearsal with no scenery or costumes. There Burton was in a black sweater (my favorite clothing color) and without the distraction of a mise en scène, Hamlet suddenly became real to me:  just words and emotion. I then began reading his plays very carefully. Around that time, I bought a copy of MacBird!, the Macbeth satire centering around the theory that President Johnson was behind the JFK assassination. Once again, I saw the incredible relevance of WS. I began reading him for enjoyment, rather than to pass school tests and although not covered in class, I discovered his sonnets.  How I love the structure of a Shakespearean Sonnet! Everything WS wrote can be seen in a modern context and that was what I needed to learn in order to enjoy him.

JAMIE: What drew you to writing your own poetry?

CLARISSA: At about age 3 or 4 I had a Little Golden Book called A Bird Can Fly and So Can I.  There was about a line or two for a series of animals and my parents read it to me so many times that I memorized it and composed my own poem about a pig.  I don’t know if I had an innate sense of rhythm or if it is the autism, but although I was never a finger waver (we are all different on the Autism Spectrum) I was certainly a “counter” and loved flicking my fingers over numbers and syllables especially.  Rhyming poetry just suited me. Didn’t know the name, but when I finally learned about Iambic Pentameter (and all those other meters) I began writing my own sonnets. I mostly write open and free verse now, but I think the physical part of words has been replaced by my playing ukulele and guitar.  Something about pressing the chords and plucking them on string instruments reminds me of rhythmic, but structured, writing.

JAMIE: Who are the poets other than Shakespeare that you admire?

CLARISSA: The great Confessional Poet Sylvia Plath will always be my heroine because of the honest sharing of her mental health struggle. It is the reason why I mention my autism in many of my poems. Another is Emily Dickinson with her slashing dashes.  I tend to end my poems with ellipses because it is as if my voice is trailing off… But one day I wondered if I was unconsciously doing a passive-aggressive imitation of her. Marina Tsvetaeva who said “I know the truth” (and she did) has touched me no matter how many times I read her poems.  Allen Ginsberg’s Howl changed my whole opinion of poetry, indoctrinating me into a lifetime of so-called hippie-ism that can be interpreted as love of peace and tree-hugging. TS Eliot’s Waste Land, despite his bigotry in other works, has always remained one of my favorite poems (as you can see in my first poetry book Madame Sosostris Explains). Finally, I would add Bob Dylan. Once announcing to a Survey of American Lit class that he was the greatest contemporary poet, the class and the instructor howled with laughter, so all these years later I finally felt vindicated when he won the Nobel Prize in Literature.

JAMIE: What is the importance of poetry on the global scene?

I adore social media.  FaceBook and WordPress have been incredible avenues of not only reading the words of poets world-wide, but also gaining friends, virtual but real, nevertheless.  I don’t sell many poetry books on Amazon but am pleased to see that many of my books are borrowed in India and Japan.  Most of all, it is the only way to truly learn about different cultures. This is why I enjoy your associated Ezines including The BeZine and The Poet By Day, 100,000 Poets for Change, and other sites you have generously shared. Reading globally, and being able to comment on other works, are what I consider grassroots-level knowledge. These poems are not media soundbites or part of a political or monetary agenda. The poets are people like me and you who want the same thing: respect, a safe and healthy environment for family and friends, and the freedom to have fun without being hurt or harming others. I think the great WS would have loved the world-wide web…

Thank you for giving me this opportunity to share my thoughts with you!

© 2019, words and photo, Clarissa Simmens; Shakespearian characters illustration is in the public domain.

CLARISSA SIMMENS (Poeturja) is an independent poet; Romani drabarni (herbalist/advisor); ukulele and guitar player; wannabe song writer; and music addict. Favorite music genres include Classic Rock, Folk, Romani (Gypsy), and Cajun with an emphasis on guitar and violin music mainly in a Minor key. Find her on Amazon’s Author Page, on her blog, and on Facebook HERE.

Clarissa’s books include: Chording the Cards & Other Poems, Plastic Lawn Flamingos & Other Poems, and Blogetressa, Shambolic Poetry.


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