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Ramble Tramble … a BeAttitude from poet and writer, Joseph Hesch

Joseph Hesch
Joseph Hesch

“Each day I squeeze the contents of my heart over whatever expression I’m wearing & imprint it onto a notebook page–my version of St. Veronica’s veil.”

Joseph Hesch (A Thing for Words) lives in a beautiful region, upstate New York, at the confluence of my own beloved Hudson River and the Mohawk River.  It’s a fine setting for a poet.

This is a prequel to this month’s The BeZineIt’s on theme by a slender thread but profoundly supports the core objective of the Zine, which is to recognize that “other” isn’t other at all and to respect and honor all humanity. Enjoy! … and visit The BeZine on the 15th for our November edition, HUNGER, POVERTY AND THE WORKING CLASS AS SLAVE LABOR. Read more about our core-team member,Joseph Hesch, HERE.



When you’re in the middle of it, living and learning, learning about living, living as a means of learning, you don’t notice how you might be different from (or the same as) some guys across the ocean or across the room. You don’t notice much about anything but what’s inside the three inches of air surrounding your body.

They are Them, There, Then. You are You, Here, Now. Context is but a ghost, barely a specter of a concept through which you  your place in a wider world. You accept ideas, tenets, the virtual castle walls within which you secure your position as the center of the Universe. You don’t question. God just IS, He is a He and you need to toe his line in order to win the lovely parting gifts they hand you for completing the Home version of this dicey Game of Life.

The other day, I asked myself not only who I am, but what, forcing myself to look beyond myself as this sack of meat, its spark of intellectual and essential energy and the possessor of opposing thumbs that answers to Joseph, Joe, Joey and any of a hundred or so discrete alphanumeric identifiers that differentiate me from you. And you and you, as well.

I saw such a small thing, a cluster of cells both good and ill, beneficial and malignant, functional and inert, held modestly upright by some universally accepted beliefs that inherently make me superior to so much of the rest of the inhabitants of this blue marble upon which we stand as it falls, rises, or circles in the vastness of the Universe.

And so much of what I see is just a matter of dumb luck, some bit of kismet that Valentine met Maria and Patrick loved Lizzy and they all somehow decided to leave their homes in Europe to come to this coast-to-coast set of geographic coordinates that may make this the most varied and valuable piece of real estate on the planet. They came to this place where people can be free to become the monarchs of their own existence. Here in this nation established upon the premise that all men are created equal.

Except, of course, if you were on the wrong end of our “peculiar institution,” where white men owned black men who did the physical labor that either built or buttressed the Whites’ socioeconomic standing. And that sin was committed even in my hometown, tucked up here in the upper right corner of your map, which is the oldest chartered municipality in the country.

And also except if you were a member of the class of original inhabitants of this breadth of the continent. Then you were crushed in the essentially forgotten, if considered at all, dirty little secret of American’s Manifest Destiny, which included eviction, subjugation, military intimidation, interdiction and an open-air type of incarceration. And, quite often, our Euro-America’s God-blessed version of the final solution to the “Indian problem,” eradication.

Which brings us rambling back to my original premise. When you are so busy trying to make it from First to Twelfth Grade, from freshly minted believer to elder keeper of whatever Word you follow, from allowance grabber to worker bee and then retirement check-cashing senior, you don’t think of these things. You pretty much have to live within your insulated little castle keep, those walls of ideas and ideals I spoke of before.

It’s human nature. Self-preservation, self-centeredness, selfishness, maybe even a selective selflessness, draw blinders around us from which we might occasionally sneak a peek outside ourselves. Then we pull our heads back within the silken bonds of our own spiritual and intellectual cells. There in the comforting darkness we see house-of-mirrors reflections of ourselves, warm and fuzzy, clean and bright, dark and angry, volatile and violent. And we accept them or reject them with but a blink, a wink or a meditative, prayerful closing of the eyes.

Please forgive me this tedious ramble. I’ve been reading again, something I haven’t done as much as when I was younger. Back then it was hardcore youthful inquisitiveness, feeding the insatiable intellectual beast as much trivia, possibly necessary minutiae and winning team history it could take. Now, it’s my own version of sticking this silver-pated gourd out of the dusty crust of virtual Hesch topography to see what I missed. In my old age I’ve become another type of Self-something. Self-aware. It’s embarrassing and painful, yet somehow freeing.

I see the mistakes, poor judgments and failures I’ve made. I see the victories, loves and lucky guesses, too. On electronic and physical pages I’ve cast them out there like stars across a desert sky. And now I see how they tell stories and give necessary direction, even if I have almost reached my ultimate destination.

I just thought I’d pass this on to you, since you’re traveling that way, Slán abhaile.  Auf wiedersehen.  Safe travels.  Ramble Tamble. Down the road I go.

This started its life as a poem, then grew like some good ol’ southern kudzu, spilling all around the page, seemingly taking over everything from my writing hand to better judgment. By the way, Ramble Tamble is the title of the first cut on Creedence Clearwater Revival’s  classic 1970 album, Cosmo’s Factory. It’s one of the rockingest songs I know, a great road song and might be as good a fit for our current times as it was for my youth.

© 2017, essay and photograph, Joseph Hesch.


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SUNDAY ANNOUNCEMENTS: Calls for Submissions, Contests, Events and Other Information and News

SPECIAL REQUEST: More and more magazines are charging submission fees and these are in some cases going up. The highest I encountered recently was $23 for the submission of one poem. Sometimes the publication pays writers and poets. Sometimes it doesn’t. This is not new, of course. Its been going on for some years now. It makes me wonder how much of a barrier that creates for writers. I’m collecting material on how you feel about these charges as a poet/writer and/or editor. Fair? Not fair? Okay depending on rate? Okay depending on whether or not they pay poets and writers? That sort of thing. I do plan to share the results of this informal survey at The Poet by Day. I won’t quote you by name without first getting your permission. Please let me know your thoughts about submission fees in the comments section below or by email: thepoetbyday@gmail.com.  Thank you! J.D.

Related:


CALLS FOR SUBMISSIONS

Opportunity Knocks

AMBIT MAGAZINE is a quarterly literary and art magazine, published in London that accepts “unsolicited, previously unpublished poetry and short fiction.” Ambit is open for poetry submissions from January 1st through March 1, 2018 and fiction from February 1st – March 1, 2018. Payment in copies. No submissions fees. Details HERE.

ARTEMISpoetry Issue 20 (May 2018) deadline to be announced. “Women poets only, of any age. Unpublished poetry only and not out in submission elsewhere.  Strict limit:max 4 poems; the total number of lines in all should not exceed 200 lines (i.e. you could send a poem of 200 lines and this would restrict your submission to just one poem).  Two copies, A4 paper only [U.S. standard letter paper – 8 1/2 x 11 is the closest we have in the US to A4], typed or neatly handwritten.  Each numbered sheet to bear the poet’s contact details (name, address, telephone, e-mail). Artwork – Black and white photographs or line-art sketches are welcome for submission. Four max. Send to ARTEMISpoetry, ATTN.: Dilys Wood, 3 Springfield Close, East Preston, West Sussex, BN162 SZ.”

COFFEE, TEA and POETRY coffeeteaandpoetry dot net is a home for simple pleasures and features poets and their poems, specialty teas and coffees along with slow-carb grain-free recipes. Send food poems and brief bio to Jamie Dedes for consideration – thepoetbyday@gmail.com with Coffee, Tea and Poetry in the subject line. Recent Posts: A poem after Basho … and Genmaicha, the people’s tea and Research on Parkinson’s Disease … and Ketogenic Diet for PD; today’s poem is “Vision Quest.”

GULF COAST, A Journal of Literature and Fine Arts has a open call for writers to respond to Harvey. Poems, stories and essays may be sent through March 1, 2018.  The journal’s regular print submission period runs through March 1 as well.  There is a reading fee of $2.50 for regular submissions. Those fees are put toward providing “competitive honorarium” for authors published. Payment is $50 per page for poetry, fiction and nonfiction. Details HERE.

THE BeZINE, Be Inspired, Be Creative, Be Peace, Be December issue – themed Spirituality (Spiritual Paradigms, Awakenings, Miracles)  is now open and the deadline is December 10thSend submissions to me (Jamie) at bardogroup@gmail.com. Publication is December 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.  No demographic restrictions. Please read at least one issue and the Intro/Mission Statement and Submission Guidelines. We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples.

The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

I do consider previously published work if you hold the copyright and I encourage submissions from beginning and emerging poets and writers as well as pro. I am especially interested now in short stores, feature articles, music videos and art. / J.D.

INTERZONE, Britain’s longest running science fiction and fantasy magazine, accepts manuscripts of up to 10,000 words. There is an interest in art but not in unsolicited nonfiction. No poetry. No payment is mention but neither is there a submission charge. Details HEREThe publisher of Interzone also publishes Black Static (horror fiction “that pushes the envelope) and Crimewave (crime and mystery short stories). Details HERE.

SWIMM, Supporting Women Writers in Miami publishes a poem each day and delivers it to subscribers via email. Submissions are open from “women and women-identifying/femme-presenting writers. Women of all ages, races, ethnicities, cultures, orientations, and expressions are encouraged to submit their poems on a variety of themes, or subjects. The only criterion is outstanding work that makes the editors’ heads, well, swim.” Non-paying market. $2 submission fee. Details HERE.

OXFORD POETRY has an open call through 25th December 2017 for its Winter 2017/2018 edition. “As we end one eventful year, and cross into the seasons and stations of the next, The Editors invite submissions to Oxford Poetry’s Winter 2017-2018 issue on the theme of ‘crossings’: send us poems which cross the line, poems from the crossed-out and in-between.” Non-paying market. No submission fees. Details HERE.

WEST TEXAS REVIEW is open for submissions year-round  “poems, essays, flash fiction, and photographs that bring value to the page. We want work that is thoughtful, deliberate, and authentic. We want work that is concrete and direct, and can justify its own existence. Think of poets like William Carlos Williams, Anne Sexton, and Nikki Giovanni. Think of essayists like George Orwell. Think of short story writers like Donald Barthelme, Octavio Paz, and Jorge Luis Borges. We want your best work and, if you send us your best work, we will treat it with respect and care.” Non-paying market. $3 submission fee. Details HERE.


CONTEST

THE MASTERS REVIEW, a platform for emerging writers is hosting its third annual award. Call for Submissions closes on November 15. The winning story will be awarded $2000 and publication online. Second and third place stories will be awarded publication and $200 and $100 respectively. All winners and honorable mentions will receive agency review by: Amy Williams of The Williams Agency, Victoria Marini from Irene Goodman, and Laura Biagi from Jean V. Naggar Literary Agency, Inc. We want you to succeed, and we want your writing to be read. It’s been our mission to support emerging writers since day one.” Further detail HERE.

EVENT

  • SWWIM, Supporting Women Writers in Miami and The Betsy-South Beach present a night of poetry with visiting, acclaimed poet Allison Joseph and celebrated local poet Julie Marie Wade.  Held in The Conservatory at The Betsy-South Beach, the event is free and open to the public. Tickets are requested. (Please see the link below.) December 13, 2017, Details HERE.

Accessible anytime from anywhere in the world:

  • The Poet by Day, Wednesday Writing Prompt, online every week (except for vacation) and all are invited to take part no matter the stage of career (emerging or established) or status (amateur or professional). Poems related to the challenge of the week (always theme based not form based) will be published here on the following Tuesday.
  • The Poet by Day, Sunday Announcements. Every week (except for vacation) opportunity knocks for poets and writers.
  • THE BeZINE, Be Inspired, Be Creative, Be Peace, Be – always online HERE.  
  • Beguine Again, daily inspiration and spiritual practice  – always online HERE.  Beguine Again is the sister site to The BeZine.

KUDOS TO

Denise Fletcher (Poetry Curator) and Clarissa Simmens for their poems included in Bards Against Hunger 5th Year Anniversary Book. “Profits from the sale of this book will be going to help the Bards Against Hunger project which has raised thousands of pounds of food over the last 5 years to help local charities and food shelters in many different states.”


OTHER INFORMATION and NEWS


YOUR SUNDAY ANNOUNCEMENTS may be emailed to thepoetbyday@gmail.com. Please do so at least a week in advance.

If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:

  • send PDF to jamiededes@gmail.com (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything. Thank you!)
  • nothing that foments hate or misunderstanding
  • nothing violent or encouraging of violence
  • English only, though Spanish is okay if accompanied by translation
  • though your book or other product doesn’t have to be available through Amazon for review here, it should be easy for readers to find through your site or other venues.

Often information is just thatinformation – and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my regular Sunday Announcements or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.


ABOUT THE POET BY DAY

 

PERCEPTIONS OF TIME: a distance-learning poetry workshop delivered by the stellar English poet, Myra Schneider

English Poet Myra Schneider at her 80th Birthday celebration and the launch of her 12th collection

A full-day workshop (5 hours plus). Price: £8.  Details HERE.

“Time plays a central role in every aspect of our lives. The workshop explores ways in which we perceive time and how we represent these perceptions in writing.

“Past experience crucially influences how we view the present and future. Earth’s distant past, cosmological time are difficult to imagine … Clock time is fixed but our impressions of time are subjective – an hour’s enjoyable exercise session will seem to be over quickly, but the minutes drag during a boring lecture…” © Myra Schneider via Second Light Network of Women Poets, publisher of ARTEMISpoetry

To order, contact Administrator, Anne Stewart, +44 (0)1689 811394 / +44 (0)7850 537489 or editor@poetrypf.co.uk


Second Light Workshops

“We aim to fulfil our promise of ‘inclusivity’ for poets who are unable to travel to Second Light workshop events, however, our Remote Workshops are pitched at anyone wanting to enjoy a ‘work-out’ and/or kick-start a new selection of work. We also aim to keep our prices low enough for all to access.

“The workshops involve many varied exercises to stimulate new writing, some involving experimenting with formal forms and other approaches you may not have tried. They include notes and discussion points, simulating thoughts and comments of the sort that might be exchanged between participants in a ‘live’ workshop.

“Poems by women participants are eligible for consideration for ARTEMISpoetry, over and above any submission made under the general submission guidelines.” Second Light Network of Women Poets, further details on workshops HERE.


MYRA SCHNEIDER‘s latest and recent books are Persephone in Finsbury Park (SLP), The Door to Colour (Enitharmon); What Women Want(SLP). More at Myra Schneider website where you can also order Myra’s books.

HERE is a wonderful interview with Myra on the occasion of her 80th birthday earlier this year. Who wouldn’t want to gather and savor the voice of so much experience: thirteen collections of poetry, children’s books, author of Writing My Way Through Cancer and, with John Killick, Writing Yourself: Transforming Personal Material. Myra has collaborated on more anthologies than I can count, is a poetry coach and champion of women poets, a consultant to Second Light Network of Women Poets and a poetry editor.  Myra’s professional life seems like it is and always has been full and busy. Yet along the way – even when coping with catastrophic illness – Myra is able to take a breath, pick up her pen and inspire.

  • Myra’s Amazon page U.S. is HERE.
  • Myra’s Amazon page U.K. is HERE.

RELATED


ABOUT THE POET BY DAY

a pinch of here, a dash of there, a full-cup of fancy – a poem


write me long stories founded
on deranged times, mad men
and tough women, on loves lost
or unrequited, filled with agony

tell me tales with elms and oaks,
acorn promises and lively crocus
birthing new hope at springtime

spin long on victories weighty and
igneous as aged volcanic spew,
as stirring as a mother’s love

weave in the thrills of sharp minds,
other climes, indulgent feasts, and
cultured lives of purple privilege

take me on trips that spark tears
and joy like sunlight off ocean waves,
season with a wee pinch of here,
a dash of there, a full-cup of fancy

© 2017, Jamie Dedes


ABOUT THE POET BY DAY