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THE SUNDAY POESY: Opportunities, Events and other News and Information

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CALLS FOR SUBMISSIONS

Opportunity Knocks

PLOUGHSHARES AT EMERSON COLLEGE is in its 45th year and one of the most prestigious literary magazines in the US. It is published in quality paperback three times a year: January, April and July. Each issue is guest-edited by a prominent writer – usually writers who have been awarded Nobel and/or Pulitzer prizes, National Book Awards, MacArthur and Guggenheim fellowships, and numerous other honors.  Guest editors explore personal visions, aesthetics, and literary circles. Ladette Randolph is editor-in-chief. Guidelines for the journal are HERE.  Guidelines for Ploughshares Solo Series are HERE. Guidelines for the Look2 essay are HERE.

NARRATIVE is a relatively new publication (2003) that was established to “advance literary art in the digital age. … Our online library of new literature by celebrated authors and by the best new and emerging writers is available for free.” Nonetheless, it is a paying market for writers and poets. It publishes fiction, nonfiction and poetry. Submission categories and guidelines are HERE.

NOSY CROW is a UK publisher of books for children: bound, iBooks, and multimedia, interactive apps for tablets, smart phones and other touchscreen devices. Submission guidelines are HERE.

SOUTH/85 is aa semi-annual online literary journal of the Converse College Low-Residency MFA Program. This journal publishes fiction, non-fiction, poetry, reviews, and art by new, emerging, and well-established writers and artists. The editors say “we are especially interested in pieces that demonstrate a strong voice and/or a sense of place.” Details HERE.

SOUTHERN INDIANA REVIEW accepts manuscripts between September 1st and April 30th for annual fall and spring issues. The magazine publishes drama, fiction, nonfiction, poetry, art and photography. Details HERE.

THE WALLACE STEVENS JOURNAL (John Hopkins University Press) “welcomes submissions on all aspects of Wallace Stevens’ poetry and life. Articles range from interpretive criticism of his poetry and essays to comparisons with other writers, from biographical and contextual studies to more theoretically informed reflections. Also welcome are previously unpublished primary or archival material and photographs, proposals for guest-edited special issues, as well as original Stevens-inspired artistic and creative works.”  Details HERE.

MACSWEENEY’S INTERNET TENDENCY publishes on its website and in its quarterly as well as through its book publishing arm. Its book-publishing arm is not currently accepting submissions for children’s books or for poetry.  Details HERE.

THE BeZINE, a publication of The Bardo Group Beguines will review submissions for the December issue, themed The Healing Power of the Arts, beginning on December 1.  Submit poetry, essay, nonfiction, creative nonfiction, photography, music videos and art or photography by December 10 to bardogroup@gmail.com.  Please review the publication first and the submission guidelines.

CONTESTS

Opportunity Knocks

PLOUGHSHARES EMERGING WRITER’S CONTEST is open to writers of fiction, nonfiction, and poetry who have not had a book published or self-published. The winner in each genre will be awarded $2,000.  The contest opens on March 1, 2017 and closes on May 15, 2017 at noon EST.  There is a $24 entry fee, which includes a one year subscription. Details HERE.

EVENTS

PALM BEACH POETRY FESTIVAL January 16 – 21 includes workshops, readings, talks on the craft of writing poems, manuscript conferences, panel discussion, social events and more in downtown Delray Beach, Florida. Former US Poet Laureate and Pulitzer Prize winner, Charles Simic, is special guest. Poetry Writing Workshop Faculty includes: David Baker, Laure-Anne Bosselaar, Tina Chang, Lynn Emanuel, Daisy Fried, Terrance Hayes, Dorianne Laux, Carl Phillips, and Martha Rhodes. Apply to attend. Details HERE.

WORLD POETRY DAY,  Tuesday, March 21, 2017 celebrates and supports poets and poetry around the world.  It is an initiative of the United Nations Educational, Scientific, and Cultural Organization (UNESCO). Details HERE.

StANZA 2017  (Scotland) is scheduled for 1-5 March, 2017. The themes for next year are The Heights of Poetry and On the Road. Sixty poets are scheduled for nearly 100 events. Details HERE.

THE POET BY DAY SUNDAY POESY

Submit your event, book launch and other announcements at least fourteen days in advance to thepoetbyday@gmail.com. Publication is subject to editorial discretion.

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“My Joy Is Like Spring” … The poetry of Thich Nhat Hanh

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ZEN MASTER THICH NHAT HANH (his students call him Thãy) is a revered spiritual leader, a poet and a peace activist.  Martin Luther King called him an apostle of peace and nonviolence and suggested Thãy for a Nobel Prize, which Thāy never received.

Thāy is sometimes called the other Dalai Lama.  His key teaching is that, through mindfulness, we can learn to live peacefully in the present moment.

The featured poem (below), Please Call Me by My True Names, moves us to compassion. It reflects the Buddhist concept of interdependent coexistence for which Thāy coined the term “interbeing.”  In it he seeks to remind us that we are one with each other and with nature. His poetry is gentle and his word-pictures and pacing tend to sooth and heal. His many published works include several poetry collections.

Thãy lives in Plum Village in France, where he is recuperating from a stroke.

Thích Nhất Hạnh (Nguyen Xuan Bao) b. October 11, 1926). Vietnamese Buddhist monk and peace activist. He coined the term "Engaged Buddhism"
Thích Nhất Hạnh (Nguyen Xuan Bao) b. October 11, 1926. Vietnamese Buddhist monk and peace activist.

Please Call Me by My True Names

Don’t say that I will depart tomorrow—
even today I am still arriving.

Look deeply: every second I am arriving
to be a bud on a Spring branch,
to be a tiny bird, with still-fragile wings,
learning to sing in my new nest,
to be a caterpillar in the heart of a flower,
to be a jewel hiding itself in a stone.

I still arrive, in order to laugh and to cry,
to fear and to hope.
The rhythm of my heart is the birth and death
of all that is alive.

I am a mayfly metamorphosing
on the surface of the river.
And I am the bird
that swoops down to swallow the mayfly.

I am a frog swimming happily
in the clear water of a pond.
And I am the grass-snake
that silently feeds itself on the frog.

I am the child in Uganda, all skin and bones,
my legs as thin bamboo sticks.
And I am the arms merchant,
selling deadly weapons to Uganda.

I am the twelve-year-old girl,
refugee on a small boat,
who throws herself into the ocean
after being raped by a sea pirate.
And I am the pirate,
my heart not yet capable
of seeing and loving.

I am a member of the politburo,
with plenty of power in my hands.
And I am the man who has to pay
his “debt of blood” to, my people,
dying slowly in a forced labor camp.

My joy is like Spring, so warm
it makes flowers bloom all over the Earth.
My pain is like a river of tears,
so vast it fills the four oceans.

Please call me by my true names,
so I can hear all my cries and laughter at once,
so I can see that my joy and pain are one.
Please call me by my true names,
so I can wake up
and the door of my heart
could be left open,
the door of compassion.

– Thich Nhat Hanh

Poem from Being Peace by Thich Nhat Hanh

Thāy’s photo courtesy of Duc (pixiduc) under CC BY SA 2.0

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ADVERTISEMENT FOR THE WALDORF ASTORIA HOTEL, Langston Hughes

Langston Huges (1902-1967), American Poet, Writer, and Social Activist
Langston Hughes (1902-1967), American Poet, Writer, and Social Activist

Even as I sorted through books one day – including cookbooks – in preparation for a garage sale to be held before moving into disabled-senior housing, a new cookbook enters. A gift from my son, it’s Oscar Tschirky’s (1886-1950) recipe collection. Oscar Tschirky was the famous maître d’hôtel at the Waldorf-Astoria, which has some special meaning for me. Occasionally my mom liked to go to the café there for blueberry pancakes. It was as close as she could get to being an elegant respectable lady as the world defines such. The book reminds me of her and the poem that follows.

Langston Hughes wrote the poem after walking past the Waldorf during the Great Depression. I’ve read that it was originally published in New Masses magazine, a long defunct American Marxist publication that was the literary organ of the cultural left during and after the Depression.

“The hotel opened,” Hughes wrote in The Big Sea: An Autobiography, “at the very time when people were sleeping on newspapers in doorways, because they had no place to go. But suites in the Waldorf ran into thousands a year, and dinner in the Sert Room was ten dollars! (Negroes, even if they had the money, couldn’t eat there. So naturally, I didn’t care much for the Waldorf-Astoria.)”

ADVERTISEMENT FOR THE WALDORF-ASTORIA HOTEL

Fine living . . . a la carte?
Come to the Waldorf-Astoria!

LISTEN HUNGRY ONES!
Look! See what Vanity Fair says about the
new Waldorf-Astoria:

“All the luxuries of a private home. . . .”
Now, won’t that be charming when the last flop-house
has turned you down this winter?
Furthermore:
“It is far beyond anything hitherto attempted in the hotel
world. . . .” It cost twenty-eight million dollars.
The famous Oscar Tschirky is in charge of banqueting.
Alexandre Gastaud is chef. It will be a distinguished
background for society.
So when you’ve no place else to go, homeless and hungry
ones, choose the Waldorf as a background for your rags–
(Or do you still consider the subway after midnight good
enough?)

ROOMERS
Take a room at the new Waldorf, you down-and-outers–
sleepers in charity’s flop-houses where God pulls a
long face, and you have to pray to get a bed.
They serve swell board at the Waldorf-Astoria. Look at the menu, will
you:

GUMBO CREOLE
CRABMEAT IN CASSOLETTE
BOILED BRISKET OF BEEF
SMALL ONIONS IN CREAM
WATERCRESS SALAD
PEACH MELBA

Have luncheon there this afternoon, all you jobless.
Why not?
Dine with some of the men and women who got rich off of
your labor, who clip coupons with clean white fingers
because your hands dug coal, drilled stone, sewed gar-
ments, poured steel to let other people draw dividends
and live easy.
(Or haven’t you had enough yet of the soup-lines and the bit-
ter bread of charity?)
Walk through Peacock Alley tonight before dinner, and get
warm, anyway. You’ve got nothing else to do.

– Langston Hughes

Langston Hughes’ photograph is in the public domain. The poem may be in the public domain too given when it was written. 

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FOR MRS. WHITMAN, a poem … and your Wednesday Writing Prompt

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you left one winter day to balancé on sunbeams
and pirouette on the moon, artfully swirling
lunar dust and scattering it over our dreams,
sparking our lives with memory and a love of
dance, a legacy of delight for tiny ballerinas ~
see us now, as well-worn as your old toe shoes

© 2012, poem, Jamie Dedes, All rights reserved; Photo credit ~ pointe shoes by Lambtron via Wikipedia under Creative Commons Attribution-Share Alike 3.0 Unported license

WRITING PROMPT

Genius might be the ability to say a profound thing in a simple way.” Charles Bukowski

Growing old, the only way to escape it is to die young and most of us wouldn’t opt for that given a choice.  Write a poem that juxtaposes and fond youthful memory with your current place in life.  See if you can do it in brief. Brevity often lends itself well to clarity and deeper emotion.

I encourage you to share your poem with me and with other readers.  Click on the Mister Linky icon below and enter you name and the link to your piece so that we may all read and enjoy. (Please DON’T enter the link to your blog. DO enter the link to the relevant post.) I’ll check back on this week’s Mister Linky for two weeks. You don’t need to link in something today if you’re not ready.

To read Renee Espiru’s poem in response to a Wednesday Writing Prompt link HERE.