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THE SUNDAY POESY: Opportunities, Events and Other News and Information

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CALLS FOR SUBMISSIONS

Opportunity Knocks

RINKY DINK PRESS, micropoetry for the people: poems delivered in a 2.75 x 4.25 format ” so bigger than a credit card, but smaller than a postcard” that contains six pages.  The editors publish ten collections twice a year and it looks like their first collection was published this past April.  Next pub date is in November. The press is a “rotating collective of advanced creative writing students and established poets from the Phoenix area dedicated to promoting lyrical yet concise micropoetry, compact little messages with a punch.”  I’d say it’s worth your time to check it out if you’re into micropoetry.  Details HERE. Deadline: January 13, 2017

ACUMEN, Poetry Prose Reviews is published three times a year and editors seek poetry and feature articles. Submission by email or by postal service.  Details HERE.

THE BeZINE is reading submission for the next issue. The theme is The Healing Power of the Arts, which can be explored via poetry, essay, music, art – anything that can be delivered online.  Please check out the zine, the intro/mission statement and submission guidelines before submitting to bardogroup@gmail.com Deadline: December 10, 2016

Note the tight deadline at Spuyten Duyvil press:

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CONTESTS

Opportunity Knocks

CREATIVE NONFICTION, True Stories Well Told plans to award two prizes – best essay $10,000 and second prize $5,000 for works of up to 5,000 words exploring “the dialogue between science and religions.”  The deadline is tight: December 12, 2016. There is a reading fee of $20. Details HERE.

CREATIVE NONFICTION, True Stories Well Told plans to award $3,500 for best essay on adaption, “illuminating the ways in which the need to keep up with a rapidly changing world drives the work of scientists, designers, thinkers, innovators, farmers, soldiers, medical professionals, teachers, and others and affects the lives of prisoners, patients, refugees, students, travelers, and other citizens. As the world changes, so, too, do humans—whether in our approach to building things, developing new technologies (and adapting to the ways those technologies change our society), learning how to eat different kinds of foods, or learning how to dress differently. And of course adaptation is hardly limited to humanity; numerous other species—everything from viruses to plants and animals—have had to adapt to rapid changes in both global and local habitats.” Deadline: January 9, 2017. Reading free: $20.  Details HERE.

CREATIVE NONFICTION, True Stories Well Told plans to award three prizes, $10,000 for best essay and two $2,500 awards for runner-ups writing essays of up to 4,000 words written in the spirit of  Mary Wollstonecraft’s Frankenstein, that is “true stories that explore humans’ efforts to control and redirect nature, the evolving relationships between humanity and science/technology, and contemporary interpretations of monstrosity.” This contest is in conjunction with Arizona State University’s Frankenstein Bicentennial Project.  Deadline: March 20, 2017. Reading free: $20. Details HERE.

THE RESISTANCE POETRY WALL

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The RESISTANCE POETRY WALL “We want your poems! Share this information.”

A MESSAGE FROM 100TPC cofounders Michael Rothenberg and Terri Carrion.

“The RESISTANCE POETRY WALL has been opened in response to the call by many for an open place to post poetry about the recent USA elections. Poets from around the world are invited to post. Feel free to share this link. Post your poems in the comment box at the bottom of the page. Your poem will appear on the WALL in approximately 1 hour.”

En Español:
“Se ha abierto el MURO DE POESÍA EN RESISTENCIA como respuesta al reclamo de muchos por un espacio abierto donde publicar poesía relacionada con las recientes elecciones en los Estados Unidos. Se invita a poetas de todo el mundo a publicar aquí. Por favor compartan esta liga. Entren a la página y peguen sus poemas en la caja de comentario (‘comment’), al calce. Su poema apareceré en el MURO en aproximadamente 1 hora.”

“The poetry and art posted on the WALL are not limited to the USA elections. There are many issues that concern us all and we welcome your contribution.”

THE POET BY DAY SUNDAY POESY

Submit your event, book launch and other announcements at least fourteen days in advance to thepoetbyday@gmail.com. Publication is subject to editorial discretion.

LEADING IN DIFFICULT TIMES, Conversations Among the Clergy of San Mateo County, CA

2792b2bb-5918-4580-bf07-9355acdf4291It’s not poetry but it’s important.  As we struggle to understand, to digest pending or potential changes with the new U.S. administration, to figure out what we can do to help insure stability and to ease the pain of others, those who nurture our spiritual lives are struggling with the same questions.  Through interfaith collaboration clergy support one another, coming together in conversation, in protest and in solidarity as they stand in the love of our country, all people and the world.

img_2075On Wednesday, November 30, 2016, twenty-five clergy representing Islam, Judaism, Buddhism, Unitarian Universalism and Christianity responded to a call to meet for a working lunch at the Congregational Church of San Mateo to discuss Leading in Difficult Times. I was a butterfly on the wall with the good fortune to listen in.

They discussed the same concerns and fears that you are writing about in your poems, essays and editorials: scapegoating, suppression of free speech, immigration policy that will split families and is creating anxiety among children, Islamophobia, empowerment, economic distress, women’s rights and violence by individuals or orchestrated violence in the community/country.

One rabbi pointed out, “The to-do list for the world … we never imagined so much would be pressing us with the same sense of urgency. How do you know what to do first? With all that needs to be done, how do we make sure no one is left behind and that we don’t take away the dignity of others in our process? … How do we juggle all the needs?”

“later that night
i held an atlas in my lap
ran my fingers across the whole world
and whispered
where does it hurt?
it answered
everywhere
everywhere
everywhere.”
excerpt from “what they did yesterday afternoon”  Warsan Shire

Just as we ponder how to support one another in our art and activism, our clergy explored the ways in which they can support one another in their roles as spiritual leaders.

  • Show up for each other and stand by the values we share.
  • Keep the spark alive. Hear the spark, the spiritual spark, hopefulness and joy.
  • Create a safe place to talk about personal journeys relative to the times.
  •  Encourage one another in a clear sense of values and priorities … to act the way our traditions dictate and God wants. Stay grounded in a place of values and faith.
  • The heart has a need for practical things to do; we can echo the sorts of things other faith groups are doing so we can collaborate.

They explored faith at the intersection of shared values, the same values we share through The BeZine and under the banner of 100,000 Poets for Change.

  • Love of all humankind and the value of nonviolence.
  • Dignity and worth of all people.
  • Hope that all places of worship can be a safe space for everyone.
  • The value of listening.
  • The value of acting to move through the whole project without stopping.
  • The value of not leaving people behind. Blessing and curses go together so where there is a curse there’s a blessing and we create the blessing.
  • The sanctity of speech.
  • Concern for the poor and disadvantaged.

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“Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.”  Franklin D. Roosevelt

After the clergy meeting I attended a similar discussion among the members of my own congregation.  We broke out into groups to explore and agree on actions for a specific areas of concern: environment/climate change, racism and Islamophobia, women’s rights and immigration. I was in the group on immigration, where priorities are the school children now living in fear of being separated from parents or sent back to countries where their lives are at risk, the 65,000 undocumented youth graduating from high school each year and having conditional status in the States under The Dream Act*, and the brutality and aggression faced by illegal immigrants escaping violence in their countries of origin as they are rounded up for deportation by ICE officials. There is special interest in the Sanctuary Movement and making our church sanctuary. We are already a “Welcoming” community.

These have been among my activities as I took some time away from writing and poetry to think about what promises to be a different sort of world. We might have a long haul ahead of us and though . . .

The task [may not be ours] to complete,
. . . neither are [we] free to desist from it. Rabbi Nachman

* These are children who are culturally American and bilingual with only a tenuous connection to their countries of origin.

Clerics interested in connecting with the Planning Team for the San Mateo clergy group featured here today and professional journalists interested in covering their activities, please contact the Planning Team at clergyhousingsummit2@gmail.com.

These activities are what I think of as “Best Practices.” I share them here because they can be easily adopted by other communities.  I would encourage those of you who are part of our The BeZine: 100,000 Poets for Change Facebook discussion page to share information and/or links to initiatives in your community that might interest others. Our poetry like our prayers must have legs. The Facebook discussion page is one I moderate along with colleagues: American-Israeli poet, Michael Dickel and Rev. Terri Stewart, Associate Pastor at Riverton Park United Methodist Church, Seattle, WA

“I am only one, but I am one. I cannot do everything, but I can do something … and what I can do, by the grace of God, I will do.” after Edward Everett Hale by the Sisters of St. Joseph who were my teachers and role models

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RETURNING TO DREAMLAND

This video was created and posted on YouTube by BooUrns28. It’s a tour of Coney Island and includes some of his thoughts and memories delivered in sterling Brooklynese.  If you are viewing this post from an email subscription, you’ll have to link to The Poet by Day to see it.

The lagoon and tower at Dreamland Park, Coney Island, Brooklyn, New York, 1907.
The lagoon and tower at Dreamland Park, Coney Island, Brooklyn, New York, 1907.

One belongs to Coney Island instantly . . . “

I’m playing with writing a poem about the Coney Island of my childhood and youth. I know “the good old days” weren’t what they’re cracked up to be and nostalgia is an unhealthy indulgence. Occasionally, however, it provides momentary relief from the questions and tensions of the present.

The materialistic 50s and rebellious 60s: Lugging bags with bathing suits, the requisite portable radio, beach blanket and towels, hopping on the BMT, enduring summer’s outrageous heat and humidity, and heading for Stillwell Avenue and Coney Island, a place of delicously unhealthy food and all that is weird but engaging.

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The raucous Coney Island rides were never to my taste, but some of the strange shows, the boardwalk, the people-watching, the beach, riding the waves, the carnival games, Nathan’s Famous hot dogs and french fries, and holding out for Surf Avenue and Shatzkin’s potato knishes . . . . . . these were fascinations. 

The old Coney Island was once so much a part of American iconography and honky-tonk subculture that it’s probably on your radar even if you’ve never been there. It’s the stuff of artists rendering in everything creative: photography, movies, music, fine arts, books, and poems. Link here to a short film, In Memoriam, Coney Island 1952, which was an International Venice Film Festival prizewinner. The narrator is Henry Morgan. This movie catches the flavor of the place as I and my contemporaries knew it with its incredible crowds and all that is odd, funny, vulgar, dubious, kitschy …  and yet, somehow perfectly wonderful.

© 2016, words, Jamie Dedes; photo credits ~ Dreamland Tower, public domain photograph courtesy of the U.S. Library of Congress, Nathan’s Famous photograph courtesy of Willyumdelirious under CC BY 2.0 license.