“Your days are numbered. Use them to throw open the windows of your soul to the sun. If you do not, the sun will soon set, and you with it.” Marcus Aurelius, The Emperor’s Handbook
These responses to the last Wednesday Writing Prompt, In Lieu of Flowers (re: legacy and/or eulogy), October 17, 2018 variously prove a sense of humor, a spiritual leaning, and/or a practical perspective on the inevitable for all of us. Kudos and thanks to Gary W. Bowers, Paul Brookes, Deb y Felio (Debbie Felio), Tamam Tracy Moncur, Carol Mikoda, Sonja Benskin Mesher, and Anjum Wasim Dar. Special thanks and welcome to Jen Goldie, joining us for the first time. Well done, poets.
In addition to their words, I’ve included links to blogs or websites where available. I hope you’ll visit these poets and get to know their work better. It is likely you can catch up with others via Facebook.
Enjoy! … and do come out to play tomorrow for the next Wednesday Writing Prompt.
Unknown to Us
She left a legacy.
A legacy of love.
That’s all it was,
Simple and pure of spirit.
She left a legacy,
A legacy of hope.
That’s all it was,
Simple and pure of heart.
She left a legacy.
A legacy of caring.
That’s all it was,
Simple and pure of mind.
J.E. GOLDIE (Jen) tells us: The more I learn..the more I realize how little I know about myself….and others. I continue to learn.I’ve reached an age where knowledge exceeds impetuosity And where wisdom allows freedom, An age where unreasonable demands without question become irreconcileable. I give you this wisdom and take mine, as you go through the current demands of your life be sure this is your course, because if the course is not yours and is demanded of you, Be sure you want to accept the regret since You will change the lives and times of others. Are you ready? Unreasonable demands without question are irreconcileable. The atmosphere will be extremely stressfull for you if the course is not yours. .
What your head knows, your heart doesn’t always remember…..
An old/new friend showed this quote to me. It brought tears to my eyes.
“Never let success hide its emptiness from you, achievement its nothingness, toil its desolation. And so…keep alive the incentive to push on further, that pain in the soul which drives us beyond ourselves…Do not look back. And do not dream about the future, either. It will neither give you back the past, nor satisfy your other daydreams. Your duty, your reward—your destiny—are here and now.” Dag Hammarskjöld (1905–1961), Swedish statesman and diplomat, 1961.
bud and lieu
in lieu of flowers
have a beer
or soda water
sparkled clear
or pinetop freshness
golly gosh
or kiss enmeshness
(use mouth; wash)
for when i’ve died
and journey ends
i’ll be relaxing
with my friends
who went before
and saved a seat
or barstool where
we toast, complete;
so ixnay tears
omit that flower
and raise your glass:
it’s Happy Hour.
Sonja Benskin Mesher, RCA paintings (This is her Facebook page, so you can connect with her there as well as view photographs of her colorful paintings.)
The melodious singing of the church choir intensifies emotions replacing tears with a melancholy joy. I am on the outside peering in the dimension I vacated a week ago. In walks the bass striding to the beat of distant drums. My reasonably long life has come to an end as I prepare to make my transition. Piano lines racing and spacing…fingers flying… harmonic overtones filling in what was. I can hear the accolades,in lieu of flowers, the resolutions that say when I took Jesus in my heart was the start of new beginnings for me. Trombone sounds announce a life supreme…the tambourine marks time. I become the wife…the mother…the grandmother I should be. I am the teacher that cares for her students working diligently to enable them to succeed. I give back to the community…working to ameliorate poverty. Blue tones…chords dissonant…syncopated rhythms inspire my march against hatred…enabling me to poetically protest ignorance…racism…fanaticism…sexism and economic discrimination in the world’s richest nation. Last message to My Country Tis of Thee…choose God not money…choose God not money…choose God not money. God is LOVE! The bass takes my hand…stepping high. A crescendo of symphonic tones fills the atmosphere for God is near. Jazz stands on the horizon beckoning. The coffin is now closed on my life.
Diary of an Inner City Teacher “is a probe into the reality of teaching in our inner city school systems as seen from the front line. Over two decades in the trenches, educator Tamam Tracy Moncur exposes through her personal journal the plights, the highlights, the sadness, and the joys she has experienced as a teacher. Come to understand why the United States Department of Education and the various state departments of education must realize the teaching of academics cannot be divorced from the social issues that confront the students. Let s be innovative together and design new millennium schools that address the educational needs of the inner city students before it s too late! Our children s very existence is at stake! Laugh, cry, and become informed as you embrace the accounts of an inner city teacher.
Tamam Tracy Moncur
“Tamam Tracy Moncur was born in Oakland, California. She attended elementary school in Oakland, and attended middle and high school in Berkeley. She was a civil rights activist in San Francisco prior to relocating to the East Coast. She met her husband, renowned jazz musician Grachan Moncur III in New York City. They were burned out of their apartment in Harlem, and eventually her husband s grandmother was able to secure an apartment for them in Newark, New Jersey, in one of the high rise projects that existed at that time. Tamam in the past has worked with her husband arranging musical compositions and performing. In her spare time, she has self published several poetry booklets, co-produced a CD of music and poetry, and collaborated with her family to produce a play that her mother wrote. She also has written short stories and a novel, but this project, Diary of an Inner City Teacher, is very close to her heart. She invites you to walk with her on her personal journey so you can perceive the classroom experience from a different perspective and become an advocate for change in the development of innovative schools for the future.”
Tamam’s Diary of an Inner City Teacher is available HERE. I just got the Kindle version and look forward to reading it. / J.D.
Smile at Fear
Wait,
humbly,
for everything
to flow in this direction.
It’s not
a competition.
Wind and water may
want to rush past
but not when
I have created
a meandering path to draw them
around corners,
into nooks,
leaving traces of
energy.
In lieu of flowers,
please sing:
gather many
ensembles to set
the air
v i b r a t i n g.
Poet and writer, I was once columnist and the associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.
My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The River Journal,The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman
Thank you for sharing your love of words. Comments will appear after moderation.
“What is a poet? An unhappy man who hides deep anguish in his heart, but whose lips are so formed that when the sigh and cry pass through them, it sounds like lovely music…. And people flock around the poet and say: ‘Sing again soon’ – that is, ‘May new sufferings torment your soul but your lips be fashioned as before, for the cry would only frighten us, but the music, that is blissful.” Soren Kierkegaard, Either/Or: A Fragment of Life
Kudos and thanks to Gary W. Bowers, Paul Brookes, Bhaga d’Auroville, Irma Do, Deb y Felio (Debbie Felio), Sonja Benskin Mesher, and Anjum Wasim Dar.
I’ve included links to blogs or websites where available. I hope you’ll visit these poets and get to know their work better. It is likely you can catch up with others via Facebook.
Enjoy! … and do come out to play tomorrow for the next Wednesday Writing Prompt.
need’ll
in the dead man’s car a needle
on the dead man’s face foamed saliva
and an easy smile.
the total count of needles in the car
was sixty-Two.
squirrel-stashed here and there
in his guesthouse abode
were many more. one of his
saltshakers
contained in unsalt. his spare teeth
were in a falsebottomed container.
his pain and
his holes of loss
of fellow wretches and
a wife had
at last
evaporated
Hijab covered she arrives
at my till with her two young girls
What us that smell? She exclaims
Hashish, I answer.
Her small kids hold close to her dress.
There should be a law.
Especially with kids around.
They shouldn’t have to suffer this.
The aroma of the previous male customer
still hangs around after she’s left.
From a forthcoming collection “Please Take Change,” Cyberwit.net, 2018
FOR THOSE WHO MIGHT NOT BE AWARE: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.
The Old Town Hall is a pub
where a pint sups half full or half empty,
pedestrians intent upon their daily task
Pied wagtails twerk and pass by
green unicorns, the canal and mines
frozen in metal on a gate into a side street,
Air is made of warm Potters pie pastry,
Hashish cracks doors of perception.
Old gypsy nags snort past betting shops.
The day assembled of colour coded bones
so it stands upright and invites a spy
of its wears, whyfores and whatevers
And wagtail dodge and weave between feet.
Substance abuse?… I do not know
Of that myself – and this, although
I was born somehow right in time
For being a Hippie #metoo:
I loved ‘Hair’ (yes, I keep singing
Still ‘Let the Sun shine in’…),
I did study at La Sorbonne
And later lived ‘May 68’
When students and the young workforce
Did fraternize and reinvent
The French society, for a while.
I could then, as many others,
Have fallen into drug abuse,
Yet my soul kept me far from it
And never did I even try.
Cigarettes? I didn’t like them
And soon stopped wasting my money
Into packets my friends emptied
Before I remembered to smoke!
Alcohol? I’ll take a few drops
Of old rum drowned in cane syrup
And call that my own ‘Planteur Punch’…
More than that I wouldn’t enjoy,
So never got drunk, by God’s Grace!
My own addiction is much worse
For yes, I am in constant need
And require my fix all the time…
But far from destroying any
Of what I truly am, instead
It is making my whole being
Grow back ever more consciously
– And ever more blissfully too –
Into my deeper, truer Self,
My eternal and divine Self:
Right while being in this body
(And with all my dear body-cells
Taking their own share of the Bliss),
Addicted to Divine Delight
As to our natural birthright,
I make it my daily diet
And my more and more constant high
Except that I don’t get blissed out,
But rather blissed in, I would say!
It doesn’t require anything
External to my own being:
We’re all born with that potential
And can activate it at will.
Only, this is what we must choose
If this is what we want to have.
It is what we all truly crave
But most of us are never told
And hear only of outer drugs
When the Real Thing is in us,
Right in our own core, or also
Right around us, all around us,
Everything is bathing in it!…
The supply isn’t a problem
For the supply is infinite,
And yes, totally free to boot!!!
So here is my smiling advice
For true happiness as a vice:
Turn to this Divine Addiction
To Use Without Moderation,
Your sun then will shine from within
And make our world happier too!…
That’s what we all come here to do.
“While smoking may not seem as terrible as opioid addiction (it’s not illegal, it’s still somewhat socially accepted), it is still an activity that takes you away from your relationships, obligations and hurts your health. In fact, I think any activity – even ones that start off as healthy, like running – can become an unhealthy addiction.
“In this way, addiction has probably touched more lives that people might care to admit. Think of binge drinking in college or the even the use of smart phones – activities that people use as “coping skills” but, in reality, take people away from having real relationships and can cause serious mental and physical health problems. The mental and emotional components of addiction, as well as the physical aspects, has lasting effects, not only for the individual, but also for all the people in that person’s life.
“In my professional and in personal lives, I am keenly aware of “addictive thinking” and “addictive behavior”. Tragically, I had a friend who died from alcoholism that she hid very well from us for many years. There is still so much stigma around addiction but we can’t be quiet about it any more. People are dying and we can’t just “wordlessly watch and wait”.
it is a fine line we walk,
gently avoiding peptides,
only just a theory,
yet used independently,
alongside honest work,
for mending.
the film continues,
some of the old cast, new actors oblige,
ideas on lack of addictive ways.
simple days without receptors.
singing under breath, counting, unpacking boxes,
this is the lead. hints are posted, and may you believe them graciously.
for many times will you be tested.
there were subtitles, out of focus,
we could not read the other language.
the film continues…. peptides.
Sonja Benskin Mesher, RCA paintings (This is her Facebook page, so you can connect with her there as well as view photographs of her colorful paintings.)
The gentle Anjum Wasim Dar reminds us by implication how much we have in common as human beings/the one human race and how poetry and other arts cross boarders and console our hearts. / J.D.
c Anjum Wasim Dar
Dearest Friend just read your message to come out to play..surely I will ..it’s way past midnight here [Pakistan] and my thoughts and pen keep me company..spent some time watching Zorba’s dance ..these days I am rewriting , compiling in neat writing my Urdu poems…am surprised at what I have expressed …there was a time I loved ghazals* specially those which were on the theme of ‘drinking and forgetting the hardships of life’ drinking away the loneliness sadness and helplessness’ maybe with kids away and parents no more one feels as such..poetry and writing helped me move on in life..but sadly few people understand this …this part of the sub continent have seen many poets writers and ghazal poems singers…when you ask me to write in Urdu I feel so honored and feel overwhelmed and can feel the magnetic force of your call’ my Urdu poetry is by my side and I find a couplet which I dedicate to you …
ان کے خیال میں جو ساتھ دیتا ہنے دھواں میرا ، وو کہتے ہیں کہ برا ہنے اسے چھوڑ دوں
when your thoughts make me sad this smoke consoles me comforts me, you say it’s bad, leave it give it up…
If you are reading this post from an email subscription, you’ll likely have to link through to the site to watch the video above.
Mirza Asadullah Khan Baig Ghalib is considered the greatest and most influential poet of Urdu and Farsi ghazals / Public domain illustration
* “The ghazal ( Punjabi: ਗ਼ਜ਼ਲ, Urdu: غزَل , Hindi: ग़ज़ल, Persian: غزل, Pashto: غزل, Bengali: গজল) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain.
A ghazal commonly consists of between five and fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, the ghazal has proved capable of an extraordinary variety of expression around its central themes of love and separation.
“The ghazal is one of the most widespread and popular poetic forms, especially across the Middle East and South Asia. Readings or musical renditions of Ghazals are well attended in these countries, even by the laity. In a similar manner to Haiku, the Ghazal is gaining popularity among western poetry readers.” Wikipedia
Poet and writer, I was once columnist and the associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.
My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The River Journal,The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman.
Thank you for sharing your love of words. Comments will appear after moderation.
“No man can reveal to you aught but that which already lies half asleep in the dawning of your knowledge.
“The teacher who walks in the shadow of the temple, among his followers, gives not of his wisdom but rather of his faith and his lovingness.
“If he is indeed wise he does not bid you enter the house of his wisdom, but rather leads you to the threshold of your own mind.” Kahlil Gibran, The Prophet
The theme for Wednesday Writing Prompt, awakening on our rockey rebel road, June 6, 2018, was to share with us the poet in non-ordinary reality, the doorways that lead from the physical to the spiritual. This was perhaps not the easiest of prompts but these poets rose to the occasion with depth and panache. Lovely!
Thank you Gary W. Bowers, Paul Brookes, Sonja Benskin Mesher, Bozhidar Pangelov and Anjum Wasim Dar. Bravo!
A warm welcome to poet, writer and educator, Michele Stepto, new to The Poet by Day, Wednesday Writing Prompt. I included a link below to her book, which looks fascinating. It’s on my reading list.
Enjoy this fine collection with its profound delights and do join us tomorrow for the next Wednesday Writing Prompt. Links to each poet’s site are included below so that you can visit, read more of their work, and get to know them.
Fog
She received as a gift a carpet
with fog in it and moved
the furniture and rolled
the carpet out in the middle
of the room and found
that fog was rising out of it
in little wisps
and that when she stood
at the edge of it it
was just like standing at the edge of a cliff
high up over the ocean in the evening
when the fog is coming in
She moved the furniture back
and it did not
fall through the carpet
it did not disappear
she sat down in her old
armchair next to the lamp
and thought
she was floating in mid-air
on a foggy day
or flying a plane in the fog
everything feeling pleasantly
cold and damp as she closed her eyes
She sat there for a long while
dreaming about trees seen in fog
and things coming toward you
out of the fog small birds
who stayed put and didn’t fly in the fog
as she was staying put
now in her chair
their heads tucked
under their wings and dreaming
as she was of paradise
of their own Shambhala
high in the mountains
girdled in fog
or clouds
it hardly
mattered
MICHELE STEPTO: I have taught literature and writing at Yale University for many years, and recently at the Bread Loaf School of English in Vermont. My work has appeared online at Verse-Virtual, What Rough Beast (at Indolentbooks.com), Ekphrastic Review, NatureWriting, Mirror Dance, Lacuna Journal, and One Sentence Poems, which nominated “The Unfinished Poem” for a Pushcart Prize this year. Along with my son Gabriel, I translated from the original Spanish Lieutenant Nun: Memoir of a Basque Transvestite in the New World.
„Убийството на Марат“, Бодри, (1868)
“Miss Corde was reading Plutarch by night the books then used to be taken seriously” Zbigniew Herbert
(Adam Lux – Meditations)
Miss (or already, why not, Missis)
is reading.
So did she before getting married. The revolution of 1960s All is Love is over.
She used to sleep in tents. Why not?
The freedom has to be defended.
Drums, fires, the screams:
“Down with! Who doesn’t jump is.”
Rumble behind the walls. Marat is. Alive? Death? Used to live?
The time is traveling. The crown’s refined hat.
The hair short. With all the colors.
“In a dress like a blue rock.”
Obelisk? Yes! of passing from
necessity to
necessity (for survival).
Mrs. Corde, is reading. The Game of …
She’s dreaming. “All is love”.
The day is the most usual.
Charlotte?
She administrated justice.
The falling stars are glowing.
Democratic changes in Bulgaria started after the Berlin Wall in 1989 Jean Paul Marat, a prominent French Revolution. Charlotte Conde is his murderer. https://shortprose.blog
Sleep deprivation
May lead to conversation
That you wake up inthemiddleof
Even though it is you who is talking.
The Goddess of Sleeplessness
In that other underworld
Has made you an emissary of her
Realm,
And conferred on you
The demigod’s trick
Of creating monsters.
Taillights
Become eyes…
is ugly. Trace beauty
in bloody edges of scars.
Tattoo your face and hands
with raw wounds. Glow.
Bruises brighten your looks.
Pimples and spots mark sexiness.
Wrinkles entice awe.
The look is all in scabs.
Containers
do not contain. Vacuum
is packed with it all.
I wish you were more obtuse.
I can’t understand this clarity.
All is tightly enclosed in open space.
All is nebulous.
Please talk in riddles. Plain
Sentences confuse my head.
Exactitude is imprecise.
Clarity is obscurity.
Distance is not a measure.
I need you to be woolly with words.
Only The
incompetent do their jobs properly.
Ensure you are only partly trained.
Half skilled emergency services save lives.
It’s what you don’t know that counts.
Amateurs are the only professionals.
Fully trained and experienced cause accidents.
Complete competency leads to lack of trust.
Once experienced you are useless to society.
Successful people are always trainees.
They are oil in the cogs, ensure smooth running.
Mistakes ensure a job is done thoroughly.
They ensure society is rectified.
Be Promising
There are no promises.
Money does not exist.
Nothing to breach.
No agreements or vows.
One can never be broken.
You can never be on one.
No laws, no lines can’t be crossed.
You promise not to promise.
Sonja Benskin Mesher, RCA paintings (This is her Facebook page, so you can connect with her there as well as view photographs of her colorful paintings.)
There is someone who talks to me
And keeps me waiting-
If only I could see The Spirit
Which I feel close by, yet so far
A bar on thoughts and actions,
I cannot think because my mind is quiet
And not moving or stirring
Lest the sweet words of The Spirit
May not find their way in-
And I may crush the tender layer thin
In between which keeps us bound,
I cannot let go the joy
I have found in my heart
at hearing the mellifluous melody
of the affectionate aura around,
which seeps into my soul to make peace
and washes smoothly away the tears
and the fears so deep,
I can now sleep with ease
For I cannot speak of the
Good Night Prayer
That descends in time so rare
my soul, to repair
And I cannot say that if I wake
Life may be like a snow flake
White and pure and sure, as
The Angels will come to Heaven, take.
“Whereas story is processed in the mind in a straightforward manner, poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It’s the crack cocaine of the literary world.” Jasper Fforde, First Among Sequels
Where does your poetry come from? How do you receive it? That was the essential prompt for last Wednesday, The Witching Hour, May 23, 2018. What a fun and fine response. Clearly almost all of us think there is something rather magical or mystical happening. So here today, I’m delighted to share the work of old and new friends with their old and new poems, sometimes connected to the theme by a slight silken thread and that’s okay. All good. I know you’ll enjoy yourselves as much as I have.
Thanks to poets John Anstie, Paul Brookes, Marta Pombo Sallés, Frank McMahan and Anjum Wasim Dar and a warm welcome to Neeldip. Be sure to visit these poets and get to know them. Links to their sites are included. If they have no blog or website, you might catch up with them on Facebook. Congrats to our prolific Paul who keeps those chapbooks and collections coming at a breathless rate. Bravo!
Please do join us tomorrow for the next Wednesday Writing Prompt.
A Fairy in Disguise
Meadows turned to mist even the azure’s smiled,
lights were blinded till a distant mile,
when she walked down the morning aisle.
Fireflies were her companion when she sang along nightangles,
Moonlight was her curtain,
As she strolled through the shrouded forest,
Midst the starry fountain.
Neeldip has sent a bio yet, but when he does, I will post it. Meanwhile he was invited in by Mart Pombo Salés. She said to him, “Beautifully written. Love how you recreate this mysterious atmosphere in the world of fairies and goblins. This is also the world of the Muse that whispers something in the poet’s ear. Is this why you say “A Fairy In Disguise”? Your poem carries something similar to a mystical experience. The ending is very powerful with the “starry fountain”. Isn’t that the fountain of life and inspiration? I think it would be perfect for the next Wednesday Prompt … ”
The Dream of a Poet
I woke up with a start some time ago;
A very familiar path;
from sleep infused, in semiconscious state,
with dreams of the unpleasant,
into a slow and rude awakening.
Was it a mystery magician or
con artist, the evil one,
who managed to deprive me of my freedom;
usurp my own free will;
transport me where I never want to go.
And then, somehow it dawned on me that I,
apropos my own illusion,
had written words that weren’t exactly true?
I’m not sure how this is…
But missive written. For poets. How to write!
Astonishing!
The anti-hero in my fated dream
insisted I capitulate
and turn my trade to more constructive end
by which it sought the truth
of why I wish to make my dreams come true.
It asked me who I thought I was and then,
without so much as by
your leave, it pulled me back into oblivion.
It also didn’t hear me
when my stentorian protest made no sound.
It was a vision; a reverie that spoke
of fantasies; woolgathering.
It is, in truth, as truth is meant to be
none other than my conscience,
speaking of the will to write and dream.
If answer there is one, I do not know;
so often out of our control.
The only thing I have to say is this:
it’s always up to you.
Only you can judge what’s best… for you.
By your own best devices, you don’t need
to take advice from where
there is no guidance better than your own
…save rules, and even they
can be ignored once you have mastered them.
Dream of spelt and salt cake I fire for you, and before you can seek future from way I burn clean my fireplace, clear your head.
Old ash and cinders block gust makes for poor-burning, makes for poor-thinking prepare my gob for my tongues my gob packed with ash piled ash in my grate piled ash in my head crumbles like walls from incendiaried homes
stop wandering off when I’m talking to you!
ash up against my fire-bars makes them overheat makes you overthink
so they sag and “burn through” make me virginal something to focus on something for focus recall collecting ears of spelt in reaper’s baskets
I said stop wandering!
rake remains of my last fire the last fire between my temples so ash falls through my grate train steam in your nostrils pick-off the cinders for re-use.
My lightweight dark lumps, not my powdery un-burnable pieces of roasted shale my exhausted voice.
Clear my fire-bars of small cinders, clear all my ash, clear all the dead, dry bones out of my head recall the crush, grind
then roast the ears of spelt, yeasty like a pint of beer
Concentrate! You are lighting me fill my gob
with dry, unfinished paper cheap-newsprint not glossy magazine-print.
screw sheets into rough balls packed into this brain space not too tight, but not too loose.
Keep the paper open & crinkly don’t pack paper into hard nuggets, make them roughly spherical.
Should cover my grate with plenty of space to allow gust to blow away, focus these eyes, only one layer, as my tongues lick paper down everything on top will drop, roof falling in around my ears leave it at a couple of inches. Recall salt prepared pound crystals from brine
from a salt pan in a mortar, pack and inhale seafret. Cut lump with an iron saw.
I’ll not tell you again!
paper is to ignite the wood (next)
the next thought only enough, too much will clog fire-bars cause stack-collapse as your paper doesn’t burn well, stuff a loose sheet under my grate under my thoughts light it let my little tongues loose stuff sheets underneath burn them recall forbidden reading, books in flame, memories of things not spoken discarded ideas
I can be dangerous!
break up my ash with a poker. Recall stir of salt and spelt into carried spring water pure never touched the ground into meal that must be rested my pulped treeflesh.
I will lick away a support for my woodflesh. I lick away a flicker of an idea, a first layer
of contemplation.
(From “The Headpoke And Firewedding”, (Alien Buddha Press, 2017)
my thought needs substance crouched supplicant
to our hearthmind layer my gob can’t light my coal with paper my wood layer is for coal as my paper is for wood layer on my paper small pieces of wood (kindling) watch for splinters embed in your fingers for all day pain or a heated steel pin to remove. Carefully make a wooden pallet a raft of images on balled up paperwaves support my coal so imagination flares as I burn to speak.
Pray raft holds. Criss-cross wood, a cohesive structure.
You’re making my fireplace,
My head layered.
My gob layered.
Geology reversed.
Paper from trees. Dead trees made coal graduations of image, thought and idea.
When paper gone hold stays, mixture of thick and thin considerations.
Thin ideas burn easily, produce heat, thick sustains in depth delights my imaginations coal
(From “The Headpoke And Firewedding, Alien Buddha Press, 2017)
like wood is my imagination solidified sunblaze trapped voices, stories trapped build a pile of imagination on top of my wood-raft stuffed into my gob have a nice pile in middle.
Concentrate!
Choose pieces too small air-flow round my head restrict visuals. I cannot breathe. Choose pieces too big don’t get enough licking heat from the wood. Ignite my images , ensure fire-front removed for maximum air-flow, ignite the paper from underneath, ignite heads images underneath.
Focus!
in multiple places – get as much litlick quickly as possible, heat feeds between ignition points
if you will not put your mind on me I’ll burn your house down my water in the wood coal makes sulphuric acid lick surface off your brick funnel .
Images sear . Imagination needs time, fire blaze, cornfield stubble, while wood and paper left, this cellulosefuel heats imagination -fire to self-sustain your hard images buried deep, pressured become harder, blacker used in locomotives, steam ships, pitsweat, minehacked proppedimages your soft images nearer surface browner nostalgic soft focus biscuit tin tender.
Imagination produces smoke and tar when heated only,
when “dried out” get red-hot carbon fire makes imagination so hot. Recall tar melting on roads in sunblaze, sticks to soles coal tar soap photosynthesizes calls back its days as a plant.
I can be dangerous!
once my fire lit poke gently, release ash, break-up images stuck together by tar sticky mind coagulate.
Arrange cinders around the edge, add more images around fires periphery around
minds periphery. Don’t throw a bucket of imagination on my flametongue.
Always put a bit at edges or in middle. Images poked.
Poke my licking.
so ash falls through firebars so ash fall through the head.
Lift my burning images, ensure ash removed from under fire bars.
Imagination needs time to warm up.
Don’t smother with cold-images.
Kill lovely heat.
Longer to burn up. Pile it up around the edges, when it starts burning: poke and rake it into centre gradually.
When lit you give me a voice, a gob and tongues. Listen to my stories, record my voices, divine futures from decay of food thrown on me.
How virgin cakes of salt and spelt bake towards decay in heat tongueflicked wild jig of ideas before I ashreturn lose my tongues.
(From “The Headpoke And Firewedding, Alien Buddha Press, 2017)
Who knows where they have come from? No
summer rains to fill the limestone
caverns, no spring time residue
and yet the tongues of water spread
in new directions,loosestrife by
the water’s edge; and willow herb.
Across a once-ploughed field,
mineral insinuation
feeding the tangled hedgerows and
forcing the flush of hawthorn’s white.
Folded in dew, summer might bring berries;
fieldfare and redwing on winter’s winds.
(Seven Springs is a real place just north of us which feeds the River Churn that runs past my allotment and through the middle of town. So…)
Words and thoughts felt in transparency, unknown, unseen,
senses benumbed, as vision scans nature’s changing vapors
against a canvas, bordered by shivering trembling green leaves
of stretching, bound, firmly rooted growth, shaping into one
strong trunk…strange is the form yet studded with beauty …
as feather like as water drops, soft, in feeling, a medium,
which passes through, touching the body soul and spirit
breaking the trance to discover, an idea ‘arranging deepening’
in the mind, revealing a song’ or a story’ or poetic drama’
so ‘poetry should be naturally expressed’ though along the way-
‘there are places that beckon us to stop or warn that these lines
are true,these thoughts good, let the words flow’, in early drafts
don’t try to control the poem’, feel free to alter the facts’,yes,it is
easy then, but it is work, hard work, the idea comes from the unseen
it is then from ‘me ‘ to something real outside ‘ in order, to craft’
sometimes it is Light’ spreading gold in the sky on hills and land
cutting darkness to glory divine’ when green goes dark looks grand
mind stirs wonders eyes gather images and thoughts seek words
to amalgamate colors, beauty serene, majestic mystical hills of sand
who made them? how much more beauty must be in His Domain !
a poem can be, just be, it comes in moments, in time, at night
sometimes nothing descends for days, nothing inspires, a lone
still, lifeless object, may strike the soul, yet it all is formed only
when the mind in its richness of language receives the ‘order’
‘a divine gift ‘it is as poets have revealed in the past across ‘border’
Mirza Ghalib wrote’
‘ Aate HaiN Ghaib Se Yeh MazameeN Khayal MeiN Ghalib Sarir-e Khamah Nava-e Sarosh Hai
When mysteriously topics or subjects come in ones thoughts,
Then the sound made by the pen, resonates like the voice or sound of angles.