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Congratulations to Hallmark of Harmony, a premier men’s barbershop, a cappella chorus in Britain, for achievement in Chorus of Champions Competition

c Hallmark of Harmony, 2019

“We are back up in Sheffield now after one of the best weekends in this chorus’ history. We’ve been absolutely overwhelmed with the messages of love and support that we have received over the last couple of days. The British barbershop community is a truly wonderful thing and we are so proud to be part of it. There are far too many groups and individuals to thank but to everyone that has helped us on our journey, to everyone who stopped one of our members at convention to say congratulations and to everyone that has taken the time to send us a message since the weekend; we are eternally grateful and hugely humbled.” Hallmark of Harmony



We’re proud of and absolutely delighted for our friend and member of The BeZine core team, John Anstie (My Poetry Library and 42), and his friends and colleagues in Sheffield’s Hallmark of Harmony (HH) , a premier men’s barbershop, a cappella chorus in Britain.

Hallmark of Harmony logo (posted under Fair Use)

As part of a British Association of of Barbershop Singers 2019 Chorus of Champions Competition, HH just achieved best score of 83.2% under the musical direction of Tim Briggs.

John Anstie

Here is a sampling of HH in action. If you are viewing this from an email subscription, you’ll probably need to link through to the site to view the entire post. John is the gentleman on your left, second row, with hand over heart. The Hallmark of Harmony website is HERE.



ABOUT

Recent in digital publications: 
* Four poems in “I Am Not a Silent Poet”
* Three poems in Levure littéraire
Upcoming in digital publications:
“Remembering Mom,” HerStry
“Over His Morning Coffee,” Front Porch Review

A homebound writer, poet, and former columnist and associate editor of a regional employment newspaper, my work has been featured widely in print and digital publications including: Ramingo’s Porch, Vita Brevis Literature, Connotation Press, The Bar None Group, Salamander Cove, I Am Not a Silent Poet, The Compass Rose and California Woman. I run The Poet by Day, an info hub for poets and writers and am the founding/managing editor of The BeZine.


“Every pair of eyes facing you has probably experienced something you could not endure.”  Lucille Clifton



 

Pine Cone, a poem by John Anstie for his granddaughter and to honor 100,000 Poets (and Friends) for Change

“Grandchildren restore our zest for life and our faith in humanity.” Anon



In the midst of turmoil,
our Mother Earth besieged
by bloody conflict,
in a world beleaguered
by well healed negligence,
humanity is laced
with latent evil …
its one great flaw.

Children are dying
We are dying with you.
I am crying for you.

Yet, whilst this goes on,
you walk the woods,
harvesting your pine cones
and put them in your wishing well,
your unconscious prayer
for a better world,
for love, for life,
that sow the seeds
of perfect purity
in heart and mind,
that will not fade with time.
This is the magnificence,
the magic of your spirit
that is untouched
by a tainted world.

Then, in one gesture,
one single act of generosity,
of utterly moving faith,
you beckoned me
come close to you.
You looked me in the eyes;
and I was hypnotised.
Then, you gave it to me,
one single piece of magic,
a piece of nature’s bounty,
and bade me keep its secret
as covert as a spy.

Each time I hold your gift,
when we are far apart,
I’ll think of you and
remember this moment,
by which you have renewed
my faith in all our futures.

You could melt the heart,
like chocolate on a Summer’s day.
You could soften steel
in hardened minds.
You and your magic
are our future.

© 2018, poem and words below, John Anstie, All rights reserved; photo illustration, male Cedar of Lebanon, courtesy of Rosser1954 and generously released into the public domain.

“Five years ago, my then 4-year old granddaughter gave me a pine cone. She had found it as we walked in the woods and called me to her, very secretively, and put it in my hand, confiding in me that it was magic secret and that I should tell no one. She bade me keep the secret, which I have done for five full years. Today, 29th September, is the annual celebration of the campaign that calls itself “100,000 Poets for Change” (100TPC), one of whose initiatives for 2018 is to read a poem to a child … finally I feel today is the day that I should share that magic moment with the world for the sake of the mission of Michael Rothenberg and Terri Carrion, who established the 100TPC and its mission of peace and sustainability; and for the BeZine and its founder and Chief Editor, Jamie Dedes, whose mission is to promote peace, sustainability and social justice. Let us appreciate, value and respect our more …

… thank you Jessica.”

AN INVITATION

COME OUT AND STAND FOR PEACE, SUSTAINABILITY and SOCIAL JUSTICE: This is just one sample of the work being shared by poets and writers for 100,000 Poets (and Friends) for Change (100TPC) Global 2018.  Join us at The BeZine Virtual 100TPC to read and to share. Support this extraordinary Global push for peace, sustainability and social justice.


John Anstie

JOHN ANSTIE (My Poetry Library and 42) ~ is a British writer, poet and musician –  a multi-talented gentleman self-described as a “Family man, Grandfather, Occasional Musician, Singer, Amateur photographer and Film-maker, Apple-MAC user, Implementation Manager, and Engineer”. He has participated in d’Verse Poet’s Pub and is a player in New World Creative Union as well as a being a ‘spoken-voice’ participant in Roger Allen Baut’s excellent ‘Blue Sky Highway‘ radio broadcasts. He’s been blogging since the beginning of 2011. He is also a member of The Poetry Society (UK).

Recent publications are anthologies resulting from online collaborations among two international groups of amateur and professional poets. One of these is The Grass Roots Poetry Group (Petrichor* Rising. The other group is d’Verse Poet Pub, in which John’s poetry also appears The d’Verse Anthology: Voices of Contemporary World Poetry, produced and edited by Frank Watson.

Petrichor – from the Greek pɛtrɨkər, the scent of rain on the dry earth.

HEADS-UP U.K.

As a part of his commitment to 100TPC John Anstie was at Grimm & Co.today reading poems to children and young people at lunchtime.

November 3, 2018

HALLMARK OF HARMONY

John is also a bass singer with Hallmark of Harmony. Mark your calendars for what promises to be a most enjoyable event.

Click on the posters to see all the details.


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

One of a Kind, a poem by John Anstie



(for Myrra)

Is she the last of a generation,
who lived through two centuries
of cataclysmic events and change;
a century that felt the consequence
of moving territories and boundaries.
From crowns to oligarchical republics,
from rags to riches beyond counting,
technological revolution, the benefits
of science, engineering and medicine,
a system of healthcare and welfare that,
despite the imposed failings of ideology,
looked after her so well … until she left.

Is she the last of a generation,
of whom we’ll be able to say:
“She’s the last of her generation”,
who fought childhood infection
by their own in-built immunity
– no pharmaceutical intervention
to compromise nature’s ways –
who fought for their country
with hope, fear and courage
as their constant companions
without leave for counsel or therapy
to help them through their days.

Malevolent, engineered conflict,
driven by and driving the revolution,
through deeply rooted anxiety
that keeps us at war with others,
with each other, with ourselves …
a continuum of change, so rapid
that we had no time to reflect on
its merits (or not) leading headlong,
steadily, insidiously, irreversibly..?
to a virtual, digital, designer world,
addicted to things that loosen our grip
on a life that once was, not so long ago.

A life more in touch with nature
in which they could roam free;
step out and walk wild for the day
in casual clothes and wellies, with a tin,
a packed lunch, made by their mums;
play games, whose names we forgot.
Walk shoulder to shoulder with a friend,
make daisy chains, mud pies and fish
with a stick in streams and wild rivers,
but virtual games carry young lives away,
so our smart phones all too often convey
in a digest of news, twenty four hours a day.

Is she the last of her generation,
gifted with ‘freedom’ from the toxic
stale air of hyperventilating media
or will we one day be able to say
in the eternity of time and space:
we are all unique, each one of us
was born of a time, from a special
exotic recipe of genes and place,
bringing our gift to the world by
the pull of the moon and the stars,
the physics and chemistry of life
that mould us into what we are …

… one of a kind.

© March 2018,John Anstie, Shared here with permission. All rights reserved.  You can visit John at My Poetry Library. John is also a member of The BeZine core team and you will find a piece by him in the June 15 issue when it is published.

[In her own words: “Born in Yorkshire in March 1919, Myrra Robb Anstie was educated at Southport Girls’ High School. She then won a scholarship for three years at Southport School of Art. She worked as a draughts-woman until the outbreak of WW2, when she enlisted to serve in the Women’s Auxiliary Territorial Service (A.T.S.). She lived, from the early 1960’s, in South Africa, New Zealand and Australia, where she worked as a teacher of Art, exhibited and sold her work. She returned to the U.K. in 1986, spending a few years teaching portraiture and oil painting for Adult Education in Leicestershire, before settling in Devon in 1991. She was then a member of the Exmouth Art Group. Her hobbies are golf, bridge, computers and sewing. Her favourite subject in art is portraiture.”

My words: Myrra was my step-mother, ‘mum’, and part of my life for nearly fifty years. She married my Father in 1963. I first met her in 1971. Born only a year after the end of WW1, she died in February just three weeks short of her 99th Birthday. She was a woman with a strength of character and opinion that made her a force of nature. She cites her hobbies as including golf. To say it was a hobby is a slight understatement. She was a very competitive golfer, in fact she was competitive at almost everything she did. She shared her passion for the game with my father for the 42 years they were married. Both of them had played from a very young age. She was also competitive as a Bridge player. Her mainstay, her profession, throughout her life was that she established herself as a talented artist, specialising in portraiture. She was a teacher as well as a practitioner of her art. My children and grandchildren benefitted from her teaching. She became a particularly major part of our lives after my Father died in 2005. She will be missed.

A few years ago, I wrote a poem for her that she was very rude about and told me never to write another one about her! I was offended, but, with hindsight, I confess and concede that particular poem was not my best work. To be kind, I guess she was applying her own high standards to my art, as she applied to her own. To honour her wishes, this poem is not about her; it’s about the age through which she lived. It is, nevertheless, dedicated to her.]


John Anstie

JOHN ANSTIE (My Poetry Library and 42) ~ is a British writer, poet and musician –  a multi-talented gentleman self-described as a “Family man, Grandfather, Occasional Musician, Singer, Amateur photographer and Film-maker, Apple-MAC user, Implementation Manager, and Engineer”. He has participated in d’Verse Poet’s Pub and is a player in New World Creative Union as well as a being a ‘spoken-voice’ participant in Roger Allen Baut’s excellent ‘Blue Sky Highway‘ radio broadcasts. He’s been blogging since the beginning of 2011. He is also a member of The Poetry Society (UK).

Recent publications are anthologies resulting from online collaborations among two international groups of amateur and professional poets. One of these is The Grass Roots Poetry Group (Petrichor* Rising. The other group is d’Verse Poet Pub, in which John’s poetry also appears The d’Verse Anthology: Voices of Contemporary World Poetry, produced and edited by Frank Watson.

Petrichor – from the Greek pɛtrɨkər, the scent of rain on the dry earth.


ABOUT THE POET BY DAY

“Vincent Van Gone” … and other poems in response to the last Wednesday Writing Prompt

 “I am fated to journey hand in hand with my strange heroes and to survey the surging immensity of life, to survey it through the laughter that all can see and through the tears unseen and unknown by anyone.”  Nikolai Gogol



The heartening responses to the last Wednesday Writing Prompt, the hanged man, May 30, which asked what people – well-known or not – inspire us. Thanks to poets Lisa Ashley, Gary W. Bowers, Paul Brookes, Sheila Jacobs, Sonja Benskin Mesher and Marta Pombo Sallés responded with work that is both beautiful and heartfelt.  Thanks to Sonja and Marta for also sharing their illustrations.

Welcome to the multi-talented Clarissa Simmens, making her debut here with Austisophobia.

I must also draw your attention to John Anstie’s homage to his stepmom, One of a Kind.  Read it HERE.

Enjoy! … and don’t forget to visit these poets and get to know them and to join with us tomorrow for the next Wednesday Writing Prompt. All are encouraged to share their work on theme.


AUTISOPHOBIA

Most people fear me
Now that I’ve confessed
My autism
Despite the internet
And other fonts of info
They think we all melt down
And want to commit violence
On anyone blocking our path
Even if we only know them virtually
When the main thing
We on the spectrum share
Is our despair
That we are unlovable
To others
Merely because
We don’t know
The right words to say
Or the correct facial expression
When we are thinking of what was said
And what we’d like to convey
I dislike pity
So when things get sad
I go into Warrior Mode
A secret code
That bids me to lift my head
Love myself
And most days (and nights) I do
But there are times
When I watch as others
Shower kudos on their
Sisters and Brothers
The Neurotypical
Who fit in
While the Neurodiverse
Like me
Suffer the penalty
Of being different…

(c) 2018 Clarissa Simmens (ViataMaja) (Poeturja)

CLARISSA SIMMENS (Poeturja)  Clarissa Simmens is an Independent poet; Romani drabarni (herbalist/advisor); ukulele and guitar player; wannabe song writer; and music addict. Her poetry is written simply, striving to compose musically, including talking blues, folktales, and memoirs of life. Facebook and Amazon. (photo © Clarrissa Simmens)


I have health and body challenges. This simply written narrative “homage” is trying to capture how it might be for my “Swim Buddy” and the thoughts that cross my mind about him as I swim and work out in the water. I hold nothing but admiration for him.

Swim Buddy

One random day he fell off a ladder.
Paralyzed on impact
never to walk again, they said.

What year ago did he appear
young man in a wheelchair
rolling into the water?

How many hours has he fought
his struggles unknown
to the likes of you and me?

What year did he appear one day,
legs booted and braced,
swaying from side to side?

He swims laps beside me most days now,
offers to loan his special chair—
my surgery is coming soon.

Some months with walker & cane for me,
sticks & braces for him forever,
we park side by side in the disabled spots.

We cross paths in the grocery aisle
sneaking looks at what we’ve chosen,
both leaning on our carts, canes tucked in.

He is greeted by many, a strange notoriety,
his story known on the island.
How many times a day does he say, I’m okay?

We speak hello by the locker room
noting the weather, he’s finished early today.
I don’t ask. We go our separate ways,
he to his truck, me to the water.

© 2018, Lisa Ashley


vincent van gone

john wayne took
kirk douglas to task
for playing vincent van gogh
“play real men, not queers”
is only lightly edited for conciseness

but vincent was a real man
not a very pleasant man
but none can deny that fierce passion
that took him to the coal mines as a lay preacher
and gave him to live as the miners did
In the wretchedest of poverty
(he was soon fired, of course,
for misrepresentation of a proper preacher)

humiliation and scorn were his daily lot
the townsfolk called him “crazy red”
and he lived squalidly

but he was a dreamer alchemist
and he distilled an elixir
of hurtsoul and seethy seeing
from his churning core
and spread the elixir on canvases

he is gone but not
rectangles of his psyche remain

© 2018, Gary W. Bowers (One with Clay, Image and Text)

 

I see the unexpected generosity of so called “ordinary people” as remarkable:

Caravan (Please Take Change)

Three women in the queue
The first empties her packed trolley.

Do you need any carrier bags?
I ask.

Three to start with. I have to sort out
What we’re taking in the caravan.
Why did I buy so much?

Help packing?

Yes please while I empty this.

We’ll do it for you offers one of the other women.
We’d love a caravan holiday. Don’t take up much space.

Five carrier bags full later she says. I’ll have to fetch my car round. I’ll never carry all this.

We’ll carry it for you. We’ve only got these odd goods propose the other two women.

I can’t have you doing that.
Yes you can.

A caravan of women carry bags
out the door.

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

“Don’t let it get away!”
my sister shouts as my Dad’s hot air
wrapped in rubber flaps up
over the ocean
in a cross gust.

We both climb in to steady it.
“We’re going out too far!
“I can’t see mum and dad.”
She shouts clambering back out.

She grasps the rope to pull
it forward but gust is too strong.
She lets rope go. “I’m going
back.” she shouts and swims away.

I try to paddle but gust is against me.
I get out, grab the rope, try to haul,
the current is against me. I climb
back in. Watch the beach, and mum
and dad disappear, till there is only
the gusted, grey green waves.

It is cold. In my trunks I curl
into a question mark
in the rubber dinghy.

Suddenly, a shout. A huge hand
gathers me and dinghy up.
I rise into air. Lifted
into a smelly fishing boat.

“Thought tha wa lost their lad.”
the sea god says.

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

Pied Wagtail

As I pack another’s bag
He says ” I were a packer

down pit. Tha’d have made
a good packer.”

I set each odd shaped stone
in place to hold back debris
hold up the pit roof so others
may have space to work.

As I pack her bag
She says “Aren’t they beautiful.
The pied wagtails”

She watches their skitter
and bob outside the shop
window. “My dad was

a blacksmith in the pits.
Well, he was a farrier,

But when they got rid
of the ponies he became
a blacksmith. He allus

told me Pied Wagtails
nested in pit prop piles
stacked outside the pit.”

My pit prop holds up
the roof that others
may safely work.

The pits are all closed
their memories are all open,
a black and white skitter and bob.

Packer:

Pack – Roof support made of stone. Large stones at the front, built up like a dry stone wall.
Packer (1) – One deployed to build the pack walls and fill behind with debris.
Packer (2) – A big piece of stone to use in the pack wall.
Packing – Act of building a pack wall and filling a void.
Packhole – Void at coal face to stow dirt either or both sides of the gate from the ripping lip.

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)


Showing them

i.m.Jacqueline Kennedy Onassis 1929-1993

They discussed her wardrobe for Texas.
Simple, elegant outfits, Jack suggested
especially on the Dallas trip – to show
those fur-hugging diamond -dripping
dowagers what good taste really was.

She showed them: chose a pink Chanel
suit, navy blouse and matching pill box
hat laid out the night before, accessories
hidden while she smiled to crowds along
Elm Street, waved a white-gloved hand.

When he frowned,suddenly,slumped
forward in the heat’s glare she hunkered
down, cradled his broken head in her lap,
scrambled across the limousine’s trunk
with white kid gloves polka-dotted red.

She lay on the back seat, her body draped
over his, wouldn’t let go until she reached
the Trauma Room of Parkland Hospital;
sat outside,refused to remove her gloves,
relinquish any more of him to strangers.

She showed them, showed the world as
L.B.J.swore the Oath of Allegiance on Air
Force One and she stood at his side, wore
blood-stained stockings and snags of dried
grey matter on her shocking-pink suit.

© 2018, Sheila Jacob


.the bull box.

 

i read Glyn Hughes, sometimes.

sometimes, i look at the photograph,

and wonder how it was that last year;

think of

how you wrote to me, sent

me your book

with a private inscription.

© 2018, poem and illustrations (below), Sonja Benskin Mesher

176210_10150167580116177_5315279_o.jpg

 

jon lord

the words came clearly, shining,

by the kettle early. knowing

i must write,.disappearance on

the stairs, may they drift in later

like a moth, soft and quietning.

now i write nothing, just

the shapes and patterns,

the notes on keys, tapping.

usually the same each morning,

until the differences,

show, and we are challenged.

john lord is gone, his words and sounds

remain.

© 2018, Sonja Benskin Mesher


I do not have any poem specially dedicated to a famous person for their courage, wisdom or whatever other qualities to admire, but I have a homage to some anonymous people that unfortunately are no longer among us:

Time and Human Cruelty

Time
cannot be changed
or escaped.
Time is a thief,
a friend to no one
and every day is
a gift.

You cannot change time
or travel back
to reverse those things which
should never have taken place.
People killed for no reason
or
is there ever a reason
to kill other human beings?

Those people did not get lost.
When you’re lost you’ll sooner or later
find the way back.
Or perhaps not.
But you’re not erased from Earth.

Those people were killed,
just a few compared to other countries
in our world.
None of them will ever return
to the world as we know it.
They’ve just been removed too soon,
swept away by the cruelty of others:
white supremacists, Muslim terrorists …

But which governments are orchestrating
such massacres in our world?
Who’s feeding the monsters
is equally a monster.

Let’s tackle the root of the problem.
Only this way we’ll be able to say:
I am not afraid!

Time and human cruelty
are friends to no one:
Charlottesville, Barcelona, Cambrils
and many more.
The outcome is always the same.

© 2018, poem and illustration, Marta Pombo Sallés (Moments)

2nd poem: A tribute to a Catalan allegorical figure, the Pescallunes, a moon fisherboy, and to those anonymous people following his example:

Moon fisherboy

Someone unplugged and unscrewed
the moon and the stars.
They were stolen away from us
and we were left with a dark blanket,
covering the surface of the Earth,
under which we must live our lives.

Amid the darkness, in the sky
of a salted night, some of us
sit by the same old sea,
or mountain, or field, or by that river,
where once a sickle moon reflected itself.

Soft wind combs the lonely fields
of broken dreams.

Some of us search for the lost moon and stars,
electricians looking for some spare parts
to screw and plug in again in our hearts,
in the sky of illusions.

Some of us have brushes in our hands
starting the repair job,
painting a new landscape.

Someone plugs in the sun
and when the night comes again
stars and moon begin to shine anew.

The mirror of the sickle moon
reappears on the river waters.

As the ancient legend tells
a fisherboy wants to fish the moon
and put it in his bucket.

Someone laughs at him
and at the impossibility.
But deep inside the boy knows
he is a pescallunes,
a moon fisherboy,
like any other inhabitant
of that small Catalan village.

The fisherboy knows deep inside
our world needs more moon catchers
like you and me,
people with plenty of illusions,
dreams and projects.

© 2018, poem and illustration, Marta Pombo Sallés (Moments)

And the 3r poem is again an allegory or personification:

silent-love-vs-boasting-vanity

A long time ago
I got used to living with
My open wounds,
The last withered while
I was staring at the sunset
In the middle of the fog.

Yes, you told me so many times
About your suffering,
How your heart shrunk
Fisted in bleeding red
While your eyes tasted
The salt of the ocean waves
And cristal pearls were running
Down your cheeks.

On that plane you felt
The freezing coldness
Where just one thing
Would not freeze:
The fountain of your tears.

Yes, indeed I remember
All the pain on that plane.
You sent me back to the
Land of rejection.

Yet I am a resilient rock
With my withered wounds
That I carry since ancient times
On this eroded earth.

But to exist is to resist
And so I dwell in human hearts
Who care for each other.
And may I receive your boasting waves
Crashing on my shores
Those hearts will restore me again
For I am silent love and not vain.

© 2018, poem and illustration, Marta Pombo Sallés (Moments)


ABOUT THE POET BY DAY