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Cooking Carrots . . . responses to the last Wednesday Writing Prompt


Such a wonderful mini-anthology of poems in response to the last Wednesday Writing Prompt, August 20, A Puppet Dancing in the Dark. Featured today are three poets new to the weekly writing prompt. They are Iulia Gherghei, Kakali Das Ghosh and Reena Presad and, since they are new to this activity, their photos and bios are included. Also this week are the remarkably productive Paul Brookes, Sonja Benskin Mesher and Renee Espriu. These poets are all experienced, smart, talented and devoted to this art.  It’s fun to see how differently they spin the prompt, though clearly they share some values.  Enjoy! and please support and encourage our poets with likes and comments and visits to their blogs.


Spinning Endlessly

We are spinning endlessly
Around the sun
A sun who
From time to time is hiding under the moon
Probably he is bored too
History, a book of tales
Bible, a book of tales
Ideologies, some well sewn tales

Why do they feed us with tales
Are they responding to a need
Our need?
The need to fill the time between two blinks of the sun…

© 2017, Iulia Gherghei, (Sky Under Construction)

IULIA GHERGHEI is a Romanian poet writing in English. Her debut collection is Prisoners of the Cinema Paradiso.  In 2014, Iulia received the Poet of the Year title from Destiny Poets, run by Louis Kasatkin. In 2015 she won the Blackwater Poetry Group contest with her poem Lost in Blue Curtains. Her poetry is featured in many anthologies including The Significant Anthology (2015) edited by Dr. A.V. Koshy and Reena Prasad.


#The grave of darkness#

The brightest of lights is obscuring my vision ,
An aroma of darkness is permeating my vein,
Please – come as storm addicted to rain and thunderbolt,
I have kept my tears in a camouflaged hidden in dew drops over grassy lawns,
Craving the dumb show be arranged as a farewell through the last faraway train,
I’m waiting lonely for your storm in this dark station
Descrying a tormentor’s kick in an impoverished stomach,
My acoustics is shattered in lakhs* with a cramped girl’s cry,
And witnessing to a stabbed sanguineous boy
lying down on the railway line;
A demon of darkness is swallowing me wholly,
Is everyone born deaf, dumb and blind?
None has illuminated a flare,
Whistles of the trains reverberating through the night are no more greeted;
Perhaps one more corse**
or corpses would be waiting to be evacuated,
I’m scaring of the fair of sky burial
And eagerly waiting for your storm with celestial light and pearly raindrops,
As I’m encountering a gloomy grave frantic for drops of blood.

© 2017, Kakali Das Ghosh

* lakhs – rupees
** corse – corpse

Self-employed poet and writer, KAKALI DAS GHOSH was born in and lives in India. She did both her undergraduate and graduate work in Personnel Management. Kakali also works as a teacher.


Asphyxiation

The jungle crow is truthful. When he caws, he is the grandfather
and great grandfather too. The soul doesn’t differentiate between
male bodies charred at different times. The feminine rots to mute dust.

The rat snake and the cobra are slinky eyes
crawling over female forms-young, widowed or both
Fertile coconut palms brood over the misogynist terrain

The curry leaf plant recognizes friend from foe. The *Koovalam
disapproves of monthly spurts. The lemon tree withers away
upon female touch but is immune to bird eggs in its straggly, green shirt

The kitchen steps face south. I must not sit there, elbows on knees
or chin in hand. It is mourning that they fear here, more than death.

I will lie in the clearing, strangled by the vengeful biota
and the temple priest will chant mournful curses to free the trees

© 2017, Reena Prasad (Butterflies of Time, A Canvas of Poetry)

(*Koovalam = stone apple tree)

REENA PRASAD is a poet from India, currently living in Sharjah (United Arab Emirates). She is the co-editor with Dr. A.V. Koshy of The Significant Anthology (2015). She writes poems looking in awe at the world from the seventeenth floor of a high rise in the Arabian desert. Her poems have been published in several anthologies and journals including The Copperfield Review, First Literary Review-East, Angle Journal, Poetry Quarterly, York Literary Review, Lakeview International Journal, Duane’s PoeTree, and Mad Swirl. She is the Destiny Poets UK’s, Poet of the Year for 2014.  More recently her poem was adjudged second in the World Union Of Poet’s poetry competition, 2016. Reena’s passionate essay about the comforts of poetry – Sanctuary – is popular here at The Poet by Day and in The BeZine.


Stained Glass Windows

She embraced the rituals of worship
of which practicing seemed to bring calm
to a personal life bereft of its’ being

whereupon entering a sacred place of
stained glass windows and the statues
of holy saints long dead brought
daily tests to question her soul

she watched men cloaked in white robes
garnished with vestments hung about
their necks symbols of their holiness

where the incense they spread in the air
afflicted her senses but must be done
for it was said it purified & cleansed
raising up the prayers of the faithful

but nothing addressed her innocence to
enlighten her of past holy wars that spread
death to those who believed naught the same

so she entertained a communion white veil
to be replaced later by a robe of red as
she promised to put her belief in those
words written by nameless faces of others

she believed in it all until the day her
faith stood the ultimate test of the reaper
causing her heart to have a hope of its’ own

© 2017, Renee Espriu (Renee Just Turtle Flight and Haibun, ART & Haiku, Inspiration, Imagination & Creativity With Wings)


Red The Strong Says

“Belief is a ship
on the fish flecked sea,
close hauled and tacking,
against this Christian gust.

It has a dragon’s head,
and aft a crook, which turns up,
and ends in a dragon’s tail.

Gilded carved work on each side
of the stem and stern.
I call this ship “The Serpent”
Its hoisted sails are dragon’s wings.

I’m brought before me boss,
who offers me baptism.
“And,” says he, “I will not
take thy property from thee,

but rather be thy mate,
if thou wilt make thysen
worthy to be such.”

I exclaim with all me might
against his offer, say
“I’ll never believe in Christ,
and this so called God.”

Boss was wroth, and says “Thee
shall die worst of deaths.”

He orders I be bound
to a beam of wood, me face
uppermost, and round pin of wood
set between my teeth
to force me gob open.

Boss orders an adder
rammed down my gob,
but adder shrinks back
when I breathe against it.

A hollow branch of angelica root
is stuck in my gob; others say boss
put his horn into me mouth,
and forces adder in
holds a red-hot iron
before me open gob.
So adder creeps into it,
down me throat,
gnaws its way out me side.

My last breath is a ship
on the fish flecked sea,
close hauled and tacking,
against this Christian gust.”

© 2017, Paul Brookes (The Wombwell Rainbow)

A Bridge

anastomosis [ah-nas″to-mo´sis] (pl. anastomo´ses) (Gr.)

It is bin day. Sound of breaking glass.

A vein.

between places,
one person and another,

A Bridge

anastomosis [ah-nas″to-mo´sis] (pl. anastomo´ses) (Gr.)

It is bin day. Sound of breaking glass.

A vein.

between places,
one person and another,
you and your kids,
a busy crossing between beliefs.
from wick to ash.
full to empty.

Broken, blocked, under investigation.

No link, information dammed,
Adamant your side is right,
other side apostate.
Bloodied metal sends a message,
via media bridges.

Bins must be wheeled back to their places.

a busy crossing between beliefs.
from wick to ash.
full to empty.

Broken, blocked, under investigation.

No link, information dammed,
Adamant your side is right,
other side apostate.
Bloodied metal sends a message
via media bridges.

Bins must be wheeled back to their places.

© 2017, Paul Brookes (The Wombwell Rainbow)

A Toleration

So I says to our Vicky
” ‘ow come thas back so soon lass.”
Well she were in a right towing.
says “I were right with him, only he weren’t with me, the wazzock.”

Well, I like a strong fella, misen,
makes us all soft inside and tha feels cossetted, but when as they start, demanding tha do this or that.
It’s a right pisser.

That lad, Olly, asking to wed her,
says to her, ” I think it best love, as tha abandon this pagan stuff so we’ve a regular going on.”

Vicky says, “I’ll not abandon my faith,
and that of folk afore me.
I don’t want thee to abandon thy Christian doings, either.” Understanding his predicament, like.

Well, laddo, sloshes her int face
with his glove. Tosser.
Well, she slaps him back,
as you would, and
comes back home, quicksticks.

Tha can only tolerate so much.

© 2017, Paul Brookes (The Wombwell Rainbow)


“1712 we write of wool”

again, and weaving.

listen to the coventry carole,

little tiny child, fingers tapping

in time, the medieval, the membrance

of cathedral . walking up hill chanting.

repeatedly. they moved the stairs.

we hold the cotton, the wool

for comfort.

© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA and Sonja’s Drawings)

white linen

.. cooking carrots, and thinking of belief ..

the other side of the mirror

orange.

it is a source of inspiration, and research. it is written, yet having writ. we use. imagination, add a dose of suggestion, slightly thinking this is fact we do not move on when perhaps we should. so moving on quickly……

cut them.

maybe we need to check our numbers at the end, see if one or more are missing. need to count them carefully, one side then the other.it is all a pattern, that keeps us safely, leads us onward.

simmer them.

what about this list, to do it before you die, well as she said, you probably can’t do it after. some may disagree – another belief. we try not to judge, yet that bucket was not worth five pound,so

we paid two.

strain them.
ready for later.

© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA and Sonja’s Drawings)

. magna carta .

is left behind with tiny writing. salisbury cathedral.

the back way. written in latin for those who matter.

those words and those words

an historian uttered sent me reeling outside.

where air is cleaner.

oh , by the way

left you both there too. were you trying to appease

the barons?

© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA and Sonja’s Drawings )


ABOUT THE POET BY DAY

“Parable of the Red Birds” and other poems by poets in response to last Wednesday’s Writing Prompt

Last Wednesday’s Writing Prompt (April 19,2017): “We’ve probably all been there and/or known someone who’s been there, thinking if they change where they live, who their married to, where they go to school, things will be better. Maybe they will, but probably not unless there are some internal changes. What’s your view or experience? Tell us in poem or prose.”

I think each of these poets did a fine job in responding. I enjoyed their work and know you will too.  Read on …

Parable of the Red Birds

The cardinals outside my window
Have two babies cuddled in the nest-
I peered in to see gray downy bundles
Rather ugly little fellows, mouths all agape.

Today, the fledglings are out of the nest.
The male cardinal has been vigilant,
Constantly flying to the little dears,
Dropping food in their open mouths.

While they flap clumsy tiny wings
The father flits about, devout in his care
Leaving me to wonder, where is Momma?
What is that Momma Cardinal up to?

After a little reading, I have discovered
No—she didn’t fly the coop with a lover-
She’s off to make her second nest of eggs.
The father is feeding her and the babies!

So what does this have to do with the grass
Looking greener over the fence? Nothing.
Sometimes everything is as it should be-
Your home is where your family assembles-

Either the family you’re been born with
Or the cackle of friends you’ve chosen
And gathered, dear one by dear one,
And it’s the place you build your wings.

© 2017, Sharon Frye (The Poetry of Sharon Frye)

Sharon is new to this exercise but not new to this site.  She was featured here as American She-Poet (12). Her new collection, Blue Lamentations (Cold River Press, 2017), is now available.


quite often these days

I focus on a moment from the past
identify strongly with it
and very soon find myself back there
pursuing a path that leads
from that moment into other moments
that just might have been

so that I am lost in passageways
I never took—corridors of time
I maybe only half-explored; it’s an effort
to wrench myself away back here
where all’s strange and unaccountable
& forlorn with a sense of great loss

so it was when I discovered (used as
a bookmark) a letter I never answered
asking me if I was happy now
I had left her and gone my own way—
if I could let her know (she said) she’d
rest content so I disappear into her

missing me and start wondering how
to reply—the letter is fifty-five years old
for god’s sake but as I said I’m prone
to follow up these distant naked leads
fully expecting the characters I bring to life
to make a response to me as I do to them

©Colin Blundell (colinbludell.com),  From The Recovery of Wonder published in 2013 under Colin’s Hub Editions imprint)


and…..

:: when ::

when small boys wake early,

when the journey is long,

the other disturbing the night

until all around is tired,

no real work done.

breaking backs.

have you really lost your arm,

have you really changed your life,

have you lost your sun glasses

in paradise?

do you know the people here,

who think i have sold my house,

who look after the dead,

© Sonja Benskin Mesher (Sonja Benskin Mesher, RCA)


FLIGHT OF A FASHION

She traveled north
with her husband she chose
based on society’s mores
his decision accepted based
on her need to fly

trading asphalt and concrete
for a similar landscape
peppered with evergreens

leaving behind her self
melting in the heat of day
preparing for a rain cleansing
her of tainted memories

she traded her self-identity
with the prospect of years
rearing children alone
in unfamiliar landscape
needing to fly

always tethered & wings clipped
by a ritual of custom
her wings a rainbow

coloring her inside and out
brightened by the sun
dampened by the rain
her self conflicted interests

birds fly home to roost and nest
innate to their very being
so each time she returned to
her place of birth she
fell into memories

coming to know her colored feathers
of self would always remain
inside no matter
the need to fly

© 2017, Renee Espriu (Renee Just Turtle Flight)


1.) Picked Apple Falls Hard On Him

Him On Her

agápē
apples, little earths
of laughtered kisses

of words that tickle
of giggle flesh,

deep red and green
or change in colour

from one to the other
windfall
or pick one.

Your apricots, peaches
and nectarines

a predatory sweetness
invites the unwary

as you feel slightly soft
and pull away easily

blackcurrant berries
swell to full size and turn

a shiny blue-black
incise deep past

the mantel to core
molten with sweet
juice oozes

over your tongue
out of the flesh

out of the month
through holes in the bones
life agape

Picked Apple, woodbride,
you tend gardens with skill,

devoted to orchards’ care,
love fields and branches

laden with ripe apples,
carry a curved pruning knife,

cut back scraggy growth,
lop limbs spread too far,

split bark, insert a graft,
provide sap from different stock
for trees bairns.

Will not suffer them being parched, waters twining tendrils o’ their thirsty

root. This is your love, your passion,
no need of lust. Workaholic, close

yourself off in an orchard, post a notice, ” No Men Allowed”.

2.) Her On Him

glance and you’re a scraggy girl darkened in denim,

a bespectacled man in a ballooned jumper, honeyed farmer, shy hunter,

mollusced fisherman.
I wake up to a tupped shepherd,

come back to a wick carjacker.
You’re everyone else, but yourself.

can’t pin you down,
my turning year,

first grape that darkens
on purpling bunch,

spiky corn-ear that swells
with milky grain; near my toes

you’re sweet cherries, autumn plums and a mulberry redder

in summer,
a change in the weather,

a new set of clothes,
an alteration in the air,
and I love you.

3.) My Seduction

A challenge. Never impress
you as myself.

Too young, no prospects.
Men have to invent

themselves to get anywhere.
I want to see you all the time.

So I turns up at your door
a rude farmer,

brought you a basket
filled with ears of barley.

Next, my forehead bound with freshly cut hay, as I might have been tossing new-mown grass.

“Sorry. No men. Busy.”

Another day I lumped horses
bridle in my stiff hand,

so you’d swear I’d unyoked
a weary team.

“No stables. Goodbye!”

With knife I were a female dresser
and pruner of vines:
“No vines here. I’m busy.”

Sometimes I’d carry ladder
and bucket a Window cleaner.

“No windows here. Goodbye.”

A scraggy girl darkened in denim,
beg a bunch of wildflowers
for her mam and you say
“Nothing wild in this garden, girl.
Sorry, mowed them all down”

A bespectacled man in a ballooned jumper, honeyed farmer, shy hunter,
mollusced fisherman.

“Sorry. Read the notice. No men allowed.”

4.) The Old Lass

I wrap my head with a coloured scarf,
lean on a staff, sprout grey hair, wrinkled

as a decaying fruit, caved in hollows,
thin skin, fungus faced, moles, brown

blotches, sour breath, stink of stale piss lingers, and a small spiky moustache.

She lets me in her well-tended garden,
to admire fruit and fruit of her

She a Pear’s sweetness
salves a searching tongue,

a Peach’s blush like sunrise
a Plum’s scent entices, smooth and laughing,

a Cherry’s scarlet lips rain sodden
a blossoming branch
makes bees dance

a secret orchard
‘You are so much more lovely’,

I snog her.
Then apologise.

Sit on flattened grass,
look at branches bend weighed
down with fruit.

Vine and Tree
There is an elm opposite,

gleaming bunches of grapes.
I tell her
“Remarkable tree, and its entwining vine.
But, if that tree stood there, unmated,

without its vine, it wouldn’t be sought after for more than its leaves, and vine

also, joined to and rests on the elm,
will lie on the ground,

if it were not married to it, and leaning on it.’

You reply “It is a tree. Marriage means nothing to me.”

“A thousand men want you,
you shun them, turn away.”

But, if you are wise,
if you want to marry well,

listen to me, an old lass,
as loves you more than you think,

more than them all, reject others
and choose Change to share your bed!

You have my pledge as well:
he’s not better known to himself

than he is to me: he does not wander
hither and thither, lives by himself

and he doesn’t love latest girl he’s seen.
You’ll be his first love, and his last.

He’ll devote his life only to you.
He’s young, blessed with natural charm,

can take on a fitting appearance, if needs be. Whatever you want,

though you ask for all of it,
he will do.

He doesn’t want fruit of your trees,
or sweet juice of your herbs:

he needs nothing but you.
Take pity on his ardour,

and believe that he,
who seeks you,

is begging you,
in person, through my gob.

I’ll tell you the tale
of Stone Lass

“Spunk sees Cruel lass from afar
gobsmacked by her looks
he gets smitten hard
and determines she’ll be hooked

Asks her mates for her mobile number,
and all her social media pages,
scours internet for details,
winds himself up in rages.

Gets his message through once
or twice but she mocks him
” Fancy me. You do right. I’m gorgeous”
and promptly blocks him.

Finds her home and knocks
and her Dad answers and says
“She don’t want to know, son.
Thinks your a stalker. Away!”

Writes his first letter and posts
it personally through her door,
it tells her she’s won and he’ll be gone
she can celebrate and more

she can see him lose his life
which is all he has left for her.
Cruel scoffs at this but goes along
for the crack and laughter.

She sees him throw a rope
already knotted around a beam
put his neck in the noose
and let out a scarifying scream.

Then she feels herself harden
stone thoughts
stone mouth
stone neck
stone chest
stone limbs
stone heart
calcified flesh and bone
she is a statue.”

Picked Apple has no reaction.
Change thinks stuff it

and becomes himself
young, virile and fresh.
Picked Apple falls hard for him.

© 2017, Paul Brookes (The Wombwell Rainbow)


THE WORDPLAY SHOP: books, tools and supplies for poets, writers and readers


We continue with the current recommended read: On Tyranny: Twenty Lessons from the Twentieth Century by Timothy Snyder. Left, right or center – American or not – it’s a must read.

LESSON ELEVEN: INVESTIGATE. “Figure things out for yurself. Spend more time with long articles.  Subsidize investigative journalism by subscribing to print media. Realize that some of what is on the internet is there to harm you.  Learn about sites that investigate propaganda campaigns (some of which come from abroad). Take responsibility for what you communicate with others.” Prof. Snyder,  On Tyranny, Twenty Lessons from the Twentieth Century


Go to art, not war.

Poem on …

From Older-Self to Younger-Self … Four poems in response to the last Wednesday’s Writing Prompt

WRITING PROMPT FOR WEDNESDAY, MARCH 8: As we celebrate International Women’s Day and our own lives, the lives of the women we know and the lives of the women who came before us and fought for our rights and the resulting benefits to our children, I wonder what you – male or female – would like to bequeath to the next generation and generations to come. What lessons would you want to share. To help yourself along imagine perhaps what you’re older self would like to tell your younger self. Share with us in prose or poem. If you feel comfortable, leave the piece or a link to it in the comments below so that I and others might enjoy it.

. the main thing .

is probably that there is none, maybe.

is all a mixture, some feel important,

others may seem like minor details,

yet part of that whole, that make us, makes

a life.

a small life maybe, yet some of those things

will be remembered.

© Sonja Benskin Mesher

. one thought .

torn paper
may be fish.

important work
or less.

crumpled,
memory
of silk.

to place in reverence
or start the fire.

i have learned
not to believe
all i think.

anna.

© Sonjia Benskin Mesher

sonjabenskinmesher2011Sonja Benskin Mesher‘s (sonja-benskin-mesher.net) is a woman of many talents including Asemic Writing. You’ll find samples of her Asemic Writing by rummaging around HERE. Sonja’s bio is HERE.


BEAUTIFUL IN FLIGHT

Be not one to tarnish
your self esteem by
climbing mountains
of others’ expectations

stand up for your beliefs
bring them into sunlit day
& out of darkest night

dare to dream your own dreams
lest you enter an abyss
of others’ nightmares
quagmires of doubt

tap into hidden strengths
& object to old school thought
& expound others’ worth

do not fear being rejected
based on the unacceptable
you are universally a part
of being beautiful

be recognized on your own merit
splendid & vast as oceans
quiet but fearless in all

sing out among starry skies
be brave as birds in flight
ply your wounds in love
be bold…you are here

© Renee Espriu

c796b9e96120fdf0ce6f8637fa73483cRENEE ESPRIU (Renee Just Turtle Flight) is a busy poet and artist. She’s the only other person I’ve ever met whose totem is Turtle (hence the title of her blog), an earthy symbol. Poetry is one of the more perfect vocations for a Turtle. Renee’s bio is HERE.


We Must Avoid

doors that open too smoothly,
scissors that open too well,
doors slam in your face,
scissors cut you to strips.

Words that come too easily,
stories that come ready made,
success handed on a plate,
accolades sent too soon

poetry that slips off the tongue,
without hard work and sweat,
words that bother the reader,
with too much work to do,

poetry without music and rhythm,
complicated images and phrases,
not asking if it’s boring,
not being entertaining enough.

© Paul Brooks

PAUL BROOKES (The Wombwell Rainbow).  A prodigious writer, Paul has held many day jobs, but still he poems on. Bravo, Paul! His bio is HERE.


The recommended read for this week for children, Pizza, Pigs and Poetry: How to Write a Poem by the children’s poet Laureate, Jack Prelutsky,  named the nation’s first Children’s Poet Laureate by the Poetry Foundation.

Pizza, Pigs and Poetry, How to Write a Poem is ideal for children grades 3-6.  He engages by sharing funny stories, light poems and creative technique, not forms. This seems entirely perfect for encouraging – not discouraging – this age group. Fun and funny Pizza, Pigs and Poetry would make great summer reading – and writing – and is perfect for a birthday gift or a gift for some other occasion.


By shopping at Amazon through The Word Play Shop and using the book links embedded in posts, you help to support the maintenance of this site. Thank you! (Some book links will just lead to info about the book or poet/author and not to Amazon.)

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Imagining the Divine Feminine…four poems by reader-poets in response to last Wednesday’s Writing Prompt

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These poets responded to last Wednesday’s Writing Prompt, which suggested imagining the divine feminine. 


birther

o god
thou residest betwixt r and t

god s be thy name
birther of us all
mixmistress of galaxies
crecher of clusters
ovulatrix of ylem

thy mother’s care is in the dew
thy admonishment is in the don’t
and when we want to play in the woods of reckless fun
thou respondest “we’ll see”
which almost always means “fat chance”

thy human smartalecks speak of heat death
it is merely a pause
in thy menopause
and soon thou’lt bake us cosmic cookies again

thanks for Ever
y
Thing,
maman

© Gary Bowers

unnamed-1GARY BOWERS (One With Clay) Born August 30, 1954, Daniel Freeman Memorial Hospital, Inglewood, California. Artist since the age of 2-1/2 (“Portrait of the Artist’s Mother with Ten Snaky Fingers”). Poet since the age of seven (“I was walking on the road./Then I saw a big fat toad./He was big and fat and round./Then he hopped along the ground.”). Limericist since the age of nineteen (“A Chinese chick went to Osaka/To meet up with a dude named Tanaka./He wined her and dined her/Seduced her, reclined her/But she, unimpressed, said ‘You baka [Japanese for “stupid.” My then girlfriend, taking a Japanese class at the University of Arizona, had as part of her homework a sentence to translate into Japanese that went something like “The Chinese girl is traveling to Osaka and will meet with Mr. Tanaka there.” When I saw that probably-unintentional rhyme, the limerick practically wrote itself. I knew a little Japanese from my Japamese-American girlfriend, including ‘baka,’ which she and her siblings called each other frequently].”), and Second-Place Winner of Roger Ebert’s Great Limerick Contest at the age of 55. Performing poet since becoming a “Monsoon Voice” for the Phoenix, Arizona Monsoon Voices event on September 18, 2007. Master of Ceremonies for “Sonora Bard Poetry Night” at Bards Bookstore from 2009 to 2011. Featured poet at Valley events Conspire, Caffeine Corridor, and Poetry at the Puppet Theatre. Creator of blog “One with Clay, Image and Text” which debuted December 3, 2012 and has has well over 1000 posts, usually illustration or poetry or both.

Day jobs have included warehouseman, busboy, dishwasher, receiving clerk, deliveryman, “Helpful Hardware Man, Tournament Office Manager for the Pyrex Tennis Championship, information analyst for Samaria Health Service Patient Financial Services and Scottsdale Healthcare.


Just She

No divine God is she

Nor gospel or ruler

Only a smile from the heart when a smile is needed

A root in the tree of knowledge with branches that reach out to all

The sparkle in crystal clear water that gives us life

A deep breath of air to calm us

The land that gives us solid footing

The beauty of a kind heart who gives love and respect to all who cross her path

She preaches nothing, nor writes down words to be twisted and controlled by man

She is never fear

Only a smidgen of a presence

Your own heart beating with each step that you take

© Dianne Turner

unnamedDIANNE TURNER (Pandamoniumcat’s Blog) lives in Hervey Bay, Queensland in Austraiia. In between studying and woking, she writes. She works in Education and Community Sector. Recently Diane completed a Bachelor of Professional Writing and Publishing with Curtin University. Her writing is inspired by nature and humanity. Her poetry is published in the 2015 Grieve Anthology for Hunters Writer’s Centre, The D’Verse Anthology for D’verse Poets, Freak Anthology for Pure Slush Books and other stories and poems under a previous name Buckman. Dianne has also appeared as a guest poet in The BeZine.


Omnipresence of Life

Her omnipresence is felt in the universe
transcending solar systems unknown
past the galaxy of the milky way
glittering within the aurora borealis

she embraces her duality always complex
orchestrating the life cycle
of a caterpillar from cocoon to butterfly
exquisite of design and beauty

she extends her arms as tree branches
taller than redwoods wider than mighty oaks
contained in the tiniest clover flowers
fragrant as fields of wild roses

she gives birth to both male and female
always with her heart and strength
loving with tender passionate acceptance
the uniqueness of all creation

she laughs in playful abandonment
as dolphins and otters of rivers and oceans
dispersed like a whale song balm
so tempers the opium of fear and hate

she is intertwined in fabrics’ existence
stronger than silk of worm or web of spider
will not be broken or manipulated falsely
without her there would be no life

© Renee Espriu

c796b9e96120fdf0ce6f8637fa73483cRENEE ESPRIU (Renee Just Turtle Flight) I am a daughter, mother, grandmother, great grandmother and seeker of Spiritual Peace and Soul Filled Freedom. I have been to graduate school at Pacific Lutheran University and have a Bachelors Degree in Sociology. I have also been to Pacific Lutheran Theological Seminary from which I acquired a Certificate in Theology. I have eclectic beliefs that encompass many faiths and believe Nature to be the basis of everything that is and that everything that is is also a part of Nature.

Due to emergent open heart surgery in 2015 I am now retired and devoting more of my time to writing, which includes the writing of a fiction book and one that is solely poetry. I have a Blog site at reneejustturtleflight where I have been posting my writing since 2011. I have been a guest contributor to The BeZine and participated in The BeZine 2016 100,000 Poets for Change virtual event. I also have a passion for art. I draw and paint.


To Biddy

Scatter radiances of milk
on her icy sod.
Let each brightness warm her earth.

Broadcast flames of oats
on her waters, stoke embers of fish.
Let her waves be ablaze with shoals.

Brush and scrub your home for her visit.
Put her bread and butter on windowsills.
Make her a bed of twigs for her rest.

Waxing light polishes
her crone wrinkles
into maiden’s roundness.

Make her a doll
out of primroses
and snowdrops.

© Paul Brookes

unnamedPAUL BROOKES (The Wombwell Rainbow) was shop assistant, security guard, postman, admin. assistant, lecturer, poetry performer, with “Rats for Love” and his work included in “Rats for Love: The Book”, Bristol Broadsides, 1990. His first chapbook was “The Fabulous Invention Of Barnsley”, Dearne Community Arts, 1993. He has read his work on BBC Radio Bristol and had a creative writing workshop for sixth formers broadcast on BBC Radio Five Live. Recently published in Clear Poetry, Nixes Mate, Live Nude Poems and others. Forthcoming in the spring 2017 an illustrated chapbook “The Spermbot Blues”, published by OpPRESS.


51ylkyldh7lThe recommended read for this week is Poems That Make Grown Men Cry: 100 Men on the Words That Move Them compiled by the father and son team, Anthony Holden and Ben Holden. I have to thank my good friend Linda F. for this recommendation. A moving book and a unique perspective. This is a poetry anthology in which 100 men from diverse backgrounds share the poems that they can’t read without being moved to tears and they tell us why.  The poems and poets featured span the centuries and the world. Definitely worthy of our time.

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