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I Didn’t Apologize to the Well … Palestinian Peace Poet, Mahmoud Darwish

Palestian Poet, Mahmoud Darwish (1941-2008)
Palestinian Poet, Mahmoud Darwish (1941-2008)

With the largest number of migrants the world has ever seen – 244 million in 2015 – people who are displaced by exile, violence, poverty and environmental issues resulting from climate change, it’s hard not to think of poets like Darwish who lived or live large portions of their lives in exile from their homelands.

“. . . he says I am from there, I am from here, but I am neither there nor here. I have two names which meet and part… I have two languages, but I have long forgotten— which is the language of my dreams” Mahmoud Darwish’s farewell to Edward Said (1935-2003), professor of literature at Columbia University, a public intellectual and founder of the field of postcolonial studies. Said was educated in the Western Cannon. He was a Palestinian-American born in Mandatory Palestine and a citizen of the United States through his father, Wadie Saïd, a WW 1 U.S. Army Veteran

Born in Mandated Palestine, Mahmoud Darwish has been called a poet of peace in times of war. He was a regarded as the Palestinian national poet. Darwish used Palestine as a metaphor for the loss of Eden, birth and resurrection and he wrote of the anguish of dispossession and exile. He has been described as incarnating and reflecting “the tradition of the political poet in Islam, the man of action whose action is poetry.”

You can hear the lovely lilt of Arabic even in the English translations of this internationally know and recognized award winning poet. His awards included the Ibn Sina Prize, the Lotus prize from the Union of Afro-Asian Writers, France’s Knight of Arts and Belles Lettres medal, and the Prize for Cultural Freedom from the Lannan Foundation.

I didn’t apologize to the well as I passed by it.
I borrowed a cloud from an ancient pine and squeezed it
like an orange. I waited for a mythical white deer.
I instructed my heart in patience: Be neutral, as though
you were not a part of me. Here, good shepherds
stood on air and invented the flute and enticed
mountain partridges into their traps. Here, I saddled
a horse for flight to my personal planets, and flew.
And here, a fortuneteller told me: Beware of asphalt roads
and automobiles, ride on your sigh. Here, I loosened
my shadow and waited. I selected the smallest stone
and stood wakefully by it. I broke apart a myth
and got broken myself. I circled the well until
I flew out of myself to what I’m not. And a voice
from deep in the well spoke to me: This grave
is not yours. And so I apologized. I read verses
from the wise Qur’an and said to the anonymous presence
in the well: Peace be with you and the day
you were killed in the land of peace and with the day
you’ll rise from the well’s darkness
and live…

– Mahmoud Darwish

Darwish has many published collections, which are available through his Amazon page.

Photo credit: Mahmoud Darwish at University of Bethlehem in 2006 by Amer Shomali under CC BY-SA licence.


51hlj5jhdkl-_sx329_bo1204203200_The recommended read for this week is Robert Pinsky’s Singing School, Learning to Write (and Read) Poetry. No rules or recipes here just learning by studying the pros. Charming. Fun.

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ORWELL MATTERS, “A Little Poem” and … “Power is not a means. It’s an end.”

George Orwell (1903-1950), BBC Photograph in the public domain an curtesy of Penguin Books, India
George Orwell (1903-1950), BBC Photograph in the public domain, curtesy of Penguin Books, India

A LITTLE POEM

A happy vicar I might have been
Two hundred years ago
To preach upon eternal doom
And watch my walnuts grow;

But born, alas, in an evil time,
I missed that pleasant haven,
For the hair has grown on my upper lip
And the clergy are all clean-shaven.

And later still the times were good,
We were so easy to please,
We rocked our troubled thoughts to sleep
On the bosoms of the trees.

All ignorant we dared to own
The joys we now dissemble;
The greenfinch on the apple bough
Could make my enemies tremble.

But girl’s bellies and apricots,
Roach in a shaded stream,
Horses, ducks in flight at dawn,
All these are a dream.

It is forbidden to dream again;
We maim our joys or hide them:
Horses are made of chromium steel
And little fat men shall ride them.

I am the worm who never turned,
The eunuch without a harem;
Between the priest and the commissar
I walk like Eugene Aram;

And the commissar is telling my fortune
While the radio plays,
But the priest has promised an Austin Seven,
For Duggie always pays.

I dreamt I dwelt in marble halls,
And woke to find it true;
I wasn’t born for an age like this;
Was Smith? Was Jones? Were you?

– George Orwell


POWER IS NOT A MEANS. IT’S AN END.

The current state of affairs has many pulling 1984 and Animal Farm off their bookshelves, dusting them off and reading them again, probably for the first time since school days.

“Now I will tell you the answer to my question. It is this. The Party seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power, pure power. What pure power means you will understand presently. We are different from the oligarchies of the past in that we know what we are doing. All the others, even those who resembled ourselves, were cowards and hypocrites. The German Nazis and the Russian Communists came very close to us in their methods, but they never had the courage to recognize their own motives. They pretended, perhaps they even believed, that they had seized power unwillingly and for a limited time, and that just around the corner there lay a paradise where human beings would be free and equal. We are not like that. We know that no one ever seizes power with the intention of relinquishing it. Power is not a means; it is an end. One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish the dictatorship. The object of persecution is persecution. The object of torture is torture. The object of power is power. Now you begin to understand me.” George Orwell, 1984


51fgdfc5bl-_sx315_bo1204203200_Eric Arthur Blair (pen name George Orwell) “was born in 1903 in Motihari, Bengal, in the then British colony of India, where his father, Richard, worked for the Opium Department of the Civil Service. His mother, Ida, brought him to England at the age of one. He did not see his father again until 1907, when Richard visited England for three months before leaving again until 1912. Eric had an older sister named Marjorie and a younger sister named Avril. With his characteristic humour, he would later describe his family’s background as “lower-upper-middle class.” MORE

MIXTURE, a poem and art by Sonja Benskin Mesher

2013-02-26-11-31-55good mix, bit of this,
bit of that, healthy
living.

bit of quiet, new friends,
old friends, young in years.

i tried that. it mostly works.

i usually stop, let others,
move around. risk no life.

it is a better road now.

© Sonja Benskin Mesher

SONJA BENSKIN MESHER, RCA UA submitted this poem and associated artwork in response to the last Wednesday Writing Prompt, Tears Into Light.

sonjabenskinmesher2011Sonja is a British artist and writer.  She says about her visual art that  “The work is my statement.  I have worked full time as a visual artist since 1999, and have spent those years exploring ways to communicate thoughts and concerns with my paintings and drawings. Its not all you see on the surface, it goes deeper than that. The work goes back touched and collected. My present surroundings, here in Wales, and that of Cornwall where I spend much of my time, inform the work, and inspire the subject matter. Then with the work I remember, and try to make sense of it all.”

Sonja also designed the covers for two poetry collections that were featured in Reuben Woolley Is Not A Silent Poet.

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Your may read more of Sonjia’s poetry and view her artwork – I love her dancing mouse – at this sites:

© 2017 poem, artwork and photograph, Sonja Benskin Mesher, All rights reserved


Also in response to last week’s prompt, Clare attached the link to her poem. She said, “It doesn’t exactly fit your prompt, Jamie, but I just wrote this wee poem this morning, and then read your post, and it kind of fits…”  It’s a lovely poem and her site, Nest of Mist,  is charming and thoughtful. Bravo, Clare!


51qqbcpwhul-_sx332_bo1204203200_The WordPlay shop offers a selection of books and tools especially selected for poets and writers.  Sales from the shop go to support the maintenance of this site.  Suggested reading this week – a read for these times – is the Rev. Dr. William J. Barber’s The Third Reconstruction: How a Moral Movement is Overcoming the Politics of Division and Fear

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tears into light, a poem … and your Wednesday Writing Prompt

Only in art will the lion lie down with the lamb, and the rose grow without the thorn. Martin Amis
“Only in art will the lion lie down with the lamb, and the rose grow without the thorn.” Martin Amis

if my voice was an angel voice
i’d sing you into ecstasy
if my hand was a healing hand
i’d touch you into grace

would that i could measure poems
to turn tears into light
to put dance in your feet
if i knew my own soul, i could
touch the tarnished silver of yours
and bring your smiles back again

© 2017, poem and photograph, Jamie Dedes, All rights reserved

WRITING PROMPT

Write a poem about what you would do or what you would like to do in the hope of healing someone else’s pain.  When you are done and if you feel comfortable, leave the URL to your poem in the comments section below so I and others might read it.


51cipgnflbl-_sx331_bo1204203200_The Wordplay Shop offers a special selection of books to inspire beginning and emerging writers as well as recommended poetry collections and other books or materials of interest to poets, writers and readers.

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