HAPPY HALLOWEEN! Wishing you all treats and no tricks … and here’s your first treat of the day, a poetic Halloween celebration courtesy of Paul Brookes, Sonja Benskin Mesher, Colin Blundell, Renee Espiru, Kakali Das Gosh, and John Anstie with a link to Joseph Shaw’s audio of John’s poem to music. Enjoy! … and do join in tomorrow for a prompt from a special guest poet. All are welcome, no matter where you come from or whether you’re beginning, emerging or pro. The last Wednesday Writing Prompt was “Twas All Hallows Eve, October 25.
Time Fetches
Received English version
Watch yourself as it’ll soon be time
that the tall hawthorn hedge
that bars you from other worlds
becomes thin this season
in it’s cloud ghosted ditch
so folk from the other side
can bleed through to ours
and you’ll see these weird folk
walk outside your door.
Burn a candle in your home
and light lanterns, jack o’lanterns,
candles outdoors to show
the weird folk, spirits and all
the direct way back. We don’t
want them to detour where
they are not welcome. Respect them
and they’ll respect you.
This night light a fire
in your hearth
to protect yourself
or better yourself.
Write on a scrap a paper
a part of your life
that you wish to be rid off,
such as anger, a baneful habit,
misplaced feelings, disease.
Throw it in the flame
so you may lose
that part you’re ashamed of
Yorkshire Dialect version
Watch thee sen as time fetches on
as tall hawthorn hedge that bars
tha from t’other worlds
in its cloud ghosted ditch
gets thin this season so as folk
from other side can fetch them
sens over an bleed through to ours
and tha’ll see these weird folk
take a stride outside thee door.
Blaze a candle in tha home
and set a flicker lanterns, jack o’lanterns,
candles outdoors to show
the weird folk, spirits and all
direct way back to where
they bide from, so as they don’t
detour where they’re not welcome.
Respect them, they’ll respect thee.
This night light a fire
in tha hearth
for to protect thee sen
or better thee sen.
Scribe on a scrap a paper
a part of thee life
tha wish to be rid on
anger, a baneful habit,
misplaced feelings, disease.
Lob it int flame
so tha may lose
that part tha ashamed on.
This Samhain, All Hallows Eve
place on your table a skull,
small animal skeletons
of shrews, mice, rats disgorged by
forest owls. Lay your gravestone
rubbings as welcome placemats.
Down the centre carved pumpkins,
squash, carrots, swede amongst pine nuts,
walnuts and berries, and dark
breads, rye, pumpernickel, dried
yellow, red leaves, open fir cones.
Fill a cornucopia
with abundant fruit, apples, pears,
leeks. Fill each cup with apple cider,
sweet wine, or honey mead.
Light all with fragrant candles,
to flicker over the plenty.
The table is a thankyou,
a blessing on the goodness.
Go outside, collect dead plants,
to twist and turn and mold a man
or woman to bring inside,
and place on the table.
Give thanks to them and your dead
ancestors before you eat.
that compels you: perhaps it’s the flames
that leap and curl (free engulfing spirits)
or lick gently at the dead waste
calming to eat away at the centre of things
throughout the empty night
perhaps it’s the isolation –
you and Fire alone in the dark night
in which reflecting fires hang forever
perhaps it’s purification –
sterilisation of assembled dross… its reduction
to a usable commodity associated with
the neat feeling of arranging a garden
in the midst of the wilderness
perhaps it’s like death – convenient
tidy cleansing eradicating…
my father knew what he was doing ordering
‘No Mourners’: if they’d been there
it would have been attenuated
hypocritical unholy
It was the time of coming winter after fall
And she came from a ball
It was a Halloween evening
She loved and groped that Eve harmonizing
It was the time for feast
She loved the spirit though came from the east
It was the time for fun
She wore gleaming costumes with a bun
It was the time to unfold new spirit
The air blowing felt different autumn waved and heart enlightened bright
It was the eve when the pall between worlds was sleazy
And to rhyme melodies of worlds was so easy
It was the time to taste candy
She relished its flavour with a brandy
It was the time to sense eerieness lurking around the corner
And the eastern country girl addicted to all unknown being just a learner .
LUKE PRATER‘s poetry is ever fascinating to me. He will tackle – as he has here – the same subject in more than one poetic form. Dedication, keen intellect and a singular irreverance are the hallmarks of this thirty-five year old English poet who took a degree in English lit with creative writing and performance and subsequently went to SOAS, London to study ethnomusicology at the master’s level. At twenty-seven he took up poetry, which he says saved his life – a thing it has done for many of us. More recently Luke added “iPhoneography” to his formidable list of accomplishments, shooting pictures and “editing the hell out of them.” J.D.
“They say a picture paints a thousand words; I’d argue the opposite.” Luke Prater
Fat Neverland (I’m Loathin’ It) – villanelle
Factory-farm ‘em on rainforest land,
jab ‘em with jittery antibiotics, in
serving a hoodwinked world’s worst burger-stand.
Nutrient nadir damn should have you banned,
even when just drunken teens in your night-kitchen
sucking down scared meat from rainforest land.
Wretched obese bloat and roll at your hand;
farmers on statutory antidepressants been
plying, supplying world’s worst burger-stand.
Consciences slip through ringed fingers like sand.
Wallets are plump; I’m still wondering why? (you grin)
greenlighting greenfelling greenforest land.
Golden the arches, but ain’t worth a grand;
Ronald’s grave future sees past catching up with him –
homeless – McCuster’s last fastburger-stand.
Clown let the kids party Fat Neverland,
Tinkerbell grounded by chow she’s demolishing.
Cattle confused grazing rainforest land,
passed off as food at world’s worst burger-stand.
Fat Neverland (I’m Loathin’ It) – Pushkin Sonnet
The cattle farmed where once was leafage,
force-fed with drugs unfit for us,
supplying world’s worst burger beefage
by farmers in disguised disgust.
Nutrition nadir should be outlawed,
to spare the trees the rasping chainsaw;
to spare the cattle cheap mince fate;
to close the flooding fast-food gate.
In wilful ignorance we swallow,
in sucking down scared meat with Coke.
Obese, they bloat in oily soak,
in lack of self-esteem they wallow.
Let kids carouse Fat Neverland,
at Ronald’s clowning, cloying hand.
Fat Neverland (I’m Loathin’ It) – free verse
Factory-farmed on rainforest land;
force-fed with antibiotics to serve a
hoodwinked world’s worst burger-stand.
A nutrient nadir that should have
them banned, even when just drunken
teens in their night-kitchen, sucking
down scared meat with cardboard and Coke.
Wretched obese bloat oily soak, in
triple chins of self-loathing they wallow;
farmers swallow disgust and
statutory antidepressants
supplying mass substandard beef.
Consciences slip through
ringed fingers like sand.
LUKE PRATER is a seriously talented English poet and musician. Many of you may be familiar with his work. (And I believe his dad was a fairly well know and highly regarded musician in England.) Luke founded Facial Expression Poetry and Critique and WordSalad blog, both of which are gone now. He shared the piece above with readers here several years ago. I present it as an example of his work for those of you who haven’t read him. He’s a very worthy man. If you can help a bit I hope you’ll consider doing so. / J.D.
I’ve been seriously unwell for a very, very long time. Fourteen years, in fact. Some of you know this, others don’t. For Facebook friends, and old friends I haven’t seen since school or my early/mid twenties, the truth is I have often made it seem like nothing is wrong. Which is possible on the internet, and with the crutch of a lot of medication. It almost feels like I’ve been living a lie for years, (when not completely absent), because I just wanted to snatch a few minutes of normal. To pretend everything’s okay. The point I’ve reached is this: I cannot continue — the years slipping away, existing rather than living, the continual pain, dis-ease and discomfort. Therefore my family (including sisters Susie Ro Prater and Joy Prater) are fundraising so I can go for treatment at a private clinic in Germany that specialises in chronic and degenerative diseases using stem-cell therapy and other protocols. We’re two thirds of the way there! Here is the link to the fundraising campaign –
Last Wednesday’s Writing Prompt, The Scent of Ma’amoul, October 18 was to write about favorite winter memories and these poems are mostly just that. All are well done. Welcome to Anthony Carl and Lisa Ashley, newcomers to Wednesday Writing Prompt. A warm welcome back to Renee Espiru, Kakali Das Gosh, Colin Blundell, Paul Brookes, Sonja Benskin Mesher and Ginny Brannon. Enjoy this weeks collection and visit the poets at their blogs as well. Join us tomorrow for the next prompt. Everyone are welcome to share their work, no matter the stage of career: beginning, emerging or experience.
winter offering
the first frozen
day and my whole
world is swallowed
in snow. quiet air
chills my bones
as i draw each breath.
exhale.
every grey puff
is winter’s sacred
meditation chime,
an invocation
of gratitude as time
fades quickly away.
ANTHONY CARL majored in English Literature and has worked in the financial services industry for twenty years. Poetry is his outlet for creativity and staying sane. He is the author of one collection of poetry, Awaiting the Images, and his work appears in publications such as Borderlands: Texas Poetry Review, Panoply, and Empirical Magazine.
Snowball Wars
Red rubber boots, unlined and stiff, crackling with the cold,
stuffed with small round snowballs at days’ end,
attached to our snowpant cuffs
like the thistle burrs in summer to our socks,
we seven heedlessly dumped it all out on the kitchen linoleum,
pulling off those puffy clown pants,
draping wet woolen mittens, grandma knit,
over the wooden rack in the corner.
The mittens and hats never dried between forays
into that foot-deep,
knee-deep white stuff,
yet back on they went, wet and clammy next day
our enthusiasm warming the wet threads.
We never tired of building the snow forts
creating our cover, our barricade for attacking the neighbor kids,
defending our clan against them all,
my job to form the balls,
keep the pyramid pile stacked
so my brothers could jump up and fire them
over the top of the u-shaped fort.
I cowered from the enemy’s rock-hard snow bullets,
happy to make the ammunition behind the front line.
Were we catching a sense of what a war would be like,
years before my brother was sent to Vietnam?
I tried hard to follow directions,
pack the snow hard,
slapping the balls together in my smaller hands.
They were older, my brothers, like savages sometimes,
so maybe that’s why they invented the ice ball—
snow dipped in a bucket of water,
then surrounded with more snow—
so dangerous when they connected.
Perhaps our padded clothing kept us safe,
the ice ball dipping the source of their soaked mittens.
Gram had hot chocolate on the stove sometimes
when we came inside in the twilight
on the best winter days.
And no, my balls never measured up to theirs.
The dash says 53 today,
not bad for January.
I glance across the street
into the opening of his tent
pitched there
on the sidewalk
under the overpass.
What tethers his tent there?
His body? His belongings?
He’s a white man, balding.
I can’t stop looking at him.
I check the light.
I invade his tent again.
He’s putting on his shoes, I think,
his tent flap rolled up
to catch the morning light.
Cars move through the intersection
rolling by one after the other.
It’s my turn to go.
Winter’s cut crystal breath
blasts concrete city
and clement countryside alike
as darkness drops down.
We live mostly inside these days.
Some live outside,
connected without choice
to nature’s moods and rhythms.
Gelid wind rushes ‘round corners
down brick and steel canyons,
sneaks beneath crackling tarps
pitched in peril
on grass-barren ground.
Mean homes huddled together,
snugged up behind a stone pole,
the metal dumpster,
a frigid freeway barricade
in hopes of blocking sleety rain.
Who blows on numb hands
inside these rimed plastic walls?
He lies on back-breaking sidewalks
night after night,
hears stiff tarps snapping
with the same indifference
as the taps of sharp-soled boots
skirting his home.
It’s colder than a witch’s tit out there,
we tell each other
over a drink at the bar
while hundreds
hunker down
that frozen-in-time night,
shivering,
waiting for morning
when the tent flap can roll up.
LISA ASHLEY, MDiv, Spiritual Director, Chaplain with incarcerated teens at the King County Detention Center, story-catcher and emerging poet, lives on Bainbridge Island, WA, where she meets with clients, writes and blogs at www.lisaashleyspiritualdirector.com She has also written for The BeZine.
#None keeps promise #
That scarlet evening beside Shilabati is still sleepless
That earthen road through which we did wayfaring
is still waiting for you
That deck bridge across the river
is abiding still now just for you
Some wintry leaves are flying on its chest agonized
On that severe brumal evening
lights of sideway poles were reflecting from the crystalline rivulet
After a long walk we settled on a giant pebble
Grasses -sedges and bamboos were grown most for their foliage
Remains of some aquatic plants were kissing our mortal feet
Divers waterbirds were peeping through hydrilla
You uttered softly witnessing the pole star
,”Jhimli -we will come here again during the next fall of dew .”
and touch the last pole
Now it is a wintry evening anew
I’m tramping again restless and lonely here
Tears rolling down my cheeks are amalgamating with crystalline water of the rivulet
You haven’t kept your words
The mild bridge is calling me
saying -“Don’t wait anymore -none would come –
none would wipe your tears -none keeps promise .”…..
that now perceives a full moon in darkness
slightly hazy behind the thinnest of cloud coverings
behind the stark grasp of wintered branches –
a something – but in reality an absolute nothing
dreaming inconsequentially that it’s a something
by reason of the idea that it guides the scudding pen
across the page in the way it learned long ago to do
to produce a modicum of words – just sufficient
to say that there’s a something that perceives…
and so on and on; there will come other occasions
when it will choose to allow itself to be beguiled
into imagining that grand & conspicuous heaps
and heaps of words make some kind of sense –
all the stout metaphors and the dancing images
circumlocutions qualifications periphrastics…
but in these bold moments before this winter dawn
it has a sudden understanding that between words
– whatever words you so carefully choose –
and the infinite scintillations of externality there are
gross mucky swamps and dire deserts monstrous
mountains & galaxies that can never ever be traversed
Gray chalk hills fade one behind another
until they dissolve into oyster sky.
Ice crystals dance on gelid air,
glisten highway’s edge, and settle
in the crooks of sleeping maples.
Evergreens bend with the weight
of their thick winter shawls.
In spite of its bleakness, we are taken by
the stark frost-coated beauty of it all.
Northbound…
my core senses those timeworn mountains
long before my eyes discern them.
Yet, it is not these ancient mounds
that draw me back, but the folks therein
I long to see—those I love who wait for me.
With each mile passed, the years begin to dissipate;
like those hills now veiled by mist and gloam;
my pulse beats faster as this heart anticpates
that final stretch of road that leads me home.
A sudden snow shower,
flakes fly past the panes,
we watch in silence
mugs in hand; steam rising.
You turn on an old movie—
one seen a dozen times,
maybe more…
we laugh in unison,
quoting favorite lines,
echoing off each other,
anticipating what comes next…
as the steam rises
So many takes on growing old: gifts, beauty and downsides. These are responses to the last Wednesday Writing Prompt, October 11, Once Upon a Time When They Were Old. Welcome to Billy Antonio, here for the first time and thanks to Billy, Ginny Brannan, Renee Espiru, Iulia Gherghei , Colin Blundell, Gary W. Bowers, Kakahli Gosh, Lady Nimue, Sonja Benskin Mesher, Paul Brookes for so beautifully rising to the occasion and so generously sharing their work. Find some smiles here, a giggle or two, a sigh, a tear … and a load of talent and wisdom.
shriveled rose petal
the intricate veins
on mother’s hands
BILLY ANTONIO is a poet, writer, and public school teacher. He is the author of the mini-chapbook In a Country with Two Seasons (a haiku collection)published by Poems-For-All. His short story, The Kite, has been broadcast on 4EB-FM, 98.1 in Brisbane, Australia. Some of his fiction and poetry have been published in Tincture Journal, Red River Review, Poetry Quarterly, Akitsu Quarterly, Anak Sastra, The Cicada’s Cry, Frameless Sky, The Mainichi, Scifaikuest, Star*Line, The Asahi Shimbun, Sonic Boom, among others. His poetry has won international recognition. He lives in the Philippines with his wife, Rowena, and his two daughters, Felicity and Asiel Sophie.
Old age
prisoner of my bad temper
in search of my light past
when I used to laugh my tears out
everything was a reason for laughter
jokes on everyone
I was the soul of the party
the champagne was sparkling into my eyes
now the joke is on me
I’ve suddenly realized that
laughter had abandon the ship
I enjoy only the sound of a quiet evening
alone…
Now it’s a time in my life when my engines
run slowly
In fact I have energy just to watch others pass by
to watch leaves turning green
to really breathe the air and sense the fragrance of a fresh born flower
Now I run the movie of my life backwards
I’m stunt how always in a hurry I used to be
obsessed to be free, nobody to interfere in my way
Now when I am tired, and maybe smarter
for sure older
I stopped by the river side, stare at my reflection in the fluid mirror
And silently shared a tear
Why so alluring this argil is !
Why so mysterious this forest is !
Clasping dusk in a swan’s wings
Groping the falling darkish with shedded coniferous leaves
In the twilight of life when each spirit waits for someone
Eyes brim with tears
Birds retire to their nests flying over the blue ocean
Defraying moistures in their slender feathers
Flute of a shepherd boy sway my old heart
The night comes through stairs of mist
Through my watery old eyes
Agony switches apiece
But today in this watery moonlit night someone is at my door
Someone has reposed his eyes in my old eyes
In this assembly of life
O my unknown love
Please never renounce my crooked hands
Life crinkles body shrinks
But Love is endless – eternal
Please love me dear till
My last breath
Saying I’m pretty in your eyes
with my grey hair
Dry lips and vague vision
Kissing me upon my doom and cheeks
With Crisscross streaks …
on the outside (he says) counting the hours
that have fled all too quickly
a ripple in time
way beyond into the future
I’ve been awaiting something (he says)
for which I had to sit
in a comfortable anteroom
listening to the sounds of music
and laughter from inside the great hall
on the inside (he says) I’m still wondering
what I’m going to be when I grow up –
how I will frequent the literary pubs
& sit writing poetry at beer-stained tables
being a constant mystery
to the anxious youth at an adjacent table –
myself when young
I stride through all the Magic Cities;
I conduct my own symphonies of sound
and enter the soul of these two new cats
He comes to visit each day,
reminding us as he enters that he’ll
be taking her home as soon as she’s
better, as soon as she’s stronger;
his dear sweet wife.
He lives for this woman, now mute
regressed in her memory–
holding tightly to a baby doll
perhaps for comfort, or perhaps
lost in vision of childhood
long past.
He gently wheels her through the halls
as though on some grand tour–
then he sits on the sofa in the hall
and lovingly clasps her pale parchment hand.
Talking softly, he asks
“Do you know what day today is?
It’s New Years eve day”
……”Can you hear me?”
……“Do you know who I am?”
and I wonder…
When I am old and lost in my thoughts
will someone come to see me each day,
gently take me by the hand–
and quietly remind me who I am?
coddled in wool blanket drifts
Sun sears baby eyes through bright windows,
hospital paths cleared tall walls
of snow either side. I howled
a gust down shop aisles, on street
to the dentists. Crowds frowned.
Summer bike rides in country lanes
Spring divorced winter.
Summer was another dialect. Coarser,
to play was to laik, sweets were spice.
Wide games in a silver wood, ventured
into cold huts. Fun with sausages and custard.
Hull hunkered in Christian winter, relieved by Summer gamelan and hope for a vocation
to last manual work and taking the pillock.
It didn’t. Winter of closing pits.
Bristol summered in performance
Classes on interview technique, teach
Teenagers how to think into a job.
beyond unemployment benefit office screens
Spout words over dripped lager louts,
Back in summered day buzz of words clapped,
then winter cancered into debt
and prodigal return. No fatted calf
only steroid fatted bald mam and chores
in garden until I met my future wife
for a bet in breaks between admin.
Summered teach adults write and history.
A winter that lasted twelve years headset
yoked ears bent to abuse from wronged
Customers and peddled official lines.
Summer came with an unwanted death,
A years enjoyment of travel and delight.
Summer comes in to autumn with cash gone.
Life a priority. Bills must be paid. Work
only part time, buzz when I help customers.
Jamie Dedes' THE POET BY DAY Webzine 