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Religious Community, Social Justice, Incarcerated Youth: An Interview with Terri Stewart

I “met” Terri Stewart online in 2011 when I visited her blog Beguine Again, which at that time was entitled Cloaked Monk. “Beguine” Again – after the Beguines, a lay semi-monastic Christian order of the 13th-16th centuries in Northern Europe. It was committed to – among other things – caring for the sick and the poor.

I was impressed with Terri’s commitment to spiritual ritual and her openness to the wisdom and beauty in religious traditions, including traditions other than her own. I valued her respect for diversity, both social and spiritual, so I eventually invited her to become the Sunday Chaplain for what was then a blog entitled Into the Bardo.

Since that time, we’ve evolved into a group (The Bardo Group) of clerics and poets, writers and other creatives representing varied traditions and cultures and sharing the core values of respect and nonviolence. We work in the interest of peace, sustainability and social justice. We publish The BeZine. Our thirteenth issue comes out on November 15th. The theme is At-risk Youth. Terri is taking the lead for that issue, making this the perfect time for readers and colleagues to get to know her better. Hence this interview … Enjoy!

Youth Chaplaincy Program Founder, Terri Stewart. Christmas at the King County Youth Detention Center, Seattle, Washington
Youth Chaplaincy Program Founder, Terri Stewart. Christmas at the King County Youth Detention Center, Seattle, Washington

Jamie: I have a sense that you were committed to social justice long before you decided to study theology and become a minister. Is that correct? What was the stimulus and what was the first project on which you worked?

Terri: When I first joined the church in 2001, I was looking for a connection to community. What I discovered was inequality in the church and an avoidance of social issues that drove wedges between people. It was like that uncomfortable Thanksgiving dinner. Everybody is at the table, but only a few were allowed at the grown-up’s table. And! disagreements were glossed over for the sake of unity.

My biggest issue with the church was its lack of inclusion for LGBTQIAP individuals. In response to that, and as a mirror of the greater structure of the United Methodist Church (UMC) world-wide church, I founded the Church & Society committee. This was an attempt to get people talking and to be able to step into social issue learning and leadership. I soon found myself embroiled in controversy as two issues marched through Washington state. In 2004, there was a church trial in the town next to my home town that was an attempt to defrock a lesbian pastor. Also, just prior to the trial, I was involved in a march on the capitol in Olympia for marriage equality.

The upshot was that I was yelled at like I was a child! “Are you trying to destroy the church?”

Then, when I went to seminary, I chose a Jesuit (The Society of Jesus) institution. Liberation theology, post-colonial theology, process theology…all of these things continued to crack me open to the human condition and to the interconnectedness of all that is.

As my first forays into social justice was basically full inclusion for LGBTQIAP individuals within the UMC church, I would count myself unsuccessful. The UMC church continues to have harmful language in its official rulebook (the ominously named Book of Discipline). I continue to advocate and am on the national board of Reconciling Ministries Network. Our goal has been full inclusion. I think we are beginning to realize that we need a second goal, that of creating safe space.

Also! At the same time this was all swirling around, I started volunteering with Kairos Prison Ministry in 2003. Kairos provides spiritual renewal retreats within the prison setting. Working with Kairos (Ancient Greek for “the right time” as opposed to chronos which is “watch time”) started me on a path towards understanding the full systems that impact the lives of those who are incarcerated.

Jamie: How and when did the focus transition to incarcerated youth? What is the most important thing you would like us to understand about the youth being served?

Terri: As I worked with Kairos, I started out working with incarcerated men. Then with incarcerated women. And then with women whose loved ones were incarcerated. I worked my way into leadership positions. Eventually, we thought, “What about youth whose loved ones are incarcerated?” So we wrote a program just for them.

At the same time, I was called into ordained ministry. I went to seminary. In my second year of seminary, I was required to do an internship. My internship was at the King County Youth Detention Center (KCJDC), Seattle, Washington. I basically never left.

The thing to know about the youth at KCJDC and at the state level institutions I serve, is that they are traumatized youth. The average ACE (Adverse Childhood Experiences) score for incarcerated youth is 92 out of 100. Most of us would be in therapy with that high of a score! Instead, these youth are incarcerated. We could change that by having trauma informed teaching practices in communities where generational trauma has occurred or by having mental health centers with trauma treatment available. Destigmatizing therapy would be grand!

Jamie: Tell us about Youth Chaplaincy Coalition, how other ministers may get involved and what the public can do to help.

Terri: The Youth Chaplaincy Coalition developed out of my internship at KCJDC. We realized that there was a need to organize, train, and supervise religious volunteers so that the youth would get the best care possible.

While we started at KCJDC, we now are state-wide. I run a mentoring program called MAP that aids youth in developing transition plans for when they go home. Since the kids go home all over Washington, I need volunteers in every city!

My dream is to teach people across the world how the MAP program works and how easy it is to walk with those affected by incarceration. There is also a training called “Healing Communities” that teaches communities how to use their gifts in aid of those affected by incarceration. If every church was a Healing Community and every city had trained mentors, we could transform the world! Well, we could at least change one child’s life. If you want to be involved or talk to me, you can email me at YCC-Chaplain@thechurchcouncil.org

My biggest need is financial support. I take a very small stipend and am responsible for all my own fundraising needs. I often make decisions this way, “Should I do my work today? Or should I do fundraising today?” Although I should view fundraising as work, I often give it a lower prioritization! So donations would be especially appreciated. I persuaded the Church Council of Greater Seattle to adopt the organization so we are a legit 501c3 and we have an accountant doing all the financial stuff! That is a great gift to me!

Donations can be sent to:
Youth Chaplaincy Coalition
PO Box 18467
Seattle, WA 98118

Be sure and put YCC or Youth Chaplaincy on the memo line.

Jamie: What made you decide to go into ministry? What is the most rewarding aspect of that commitment?

Terri: When I first experienced a call to ministry, I thought I was going bananas. My first reaction was, “Who me?” or “I must be over-tired!” The call I experienced felt like a direct communication from the Divine telling me to go deeper. As I went deeper into understanding the call of ministry, I discovered it was a call to ordained ministry.

The most rewarding part of the commitment to a sacramental ministry is when I see a person’s eyes light up with the understanding that they are, indeed, holy and good—a living sacrament.

Jamie: Tell us about “cloaked monk” and the place of ritual in our lives.

The Cloaked Monk developed out of a commitment to daily spiritual practices in ordinary life (the monk part) and that I was kind of disguised—like wearing a cloak!

I believe that ritual marks out sacramentality in our daily lives. Sacramentality is that connection to one another and to the Divine. It is a way of marking time that moves away from chronological time (Greek: chronos) and into marking the fullness of time (Greek: kairos). It also allows us to fully be present without living in the past or rushing into the future. This is especially important in our transient age of moving here and there faster and faster. Rituals grounded in generational practices connect us through time and space to another age. There is also the place for new rituals created that uplift new and modern experiences that our ancestors would never have imagined. They can be a celebration, a grounding, a remembering, or a lament.

The ancient Celts had thin places. They were places that the veil between the earth and beyond seem especially vulnerable to one another. Places where the things of heaven could pass to the earth and where things of the earth could pass to heaven. Stonehenge is one such place. Or labyrinths. Ritual, when it is meaningful, creates this thin place.

Jamie: Why should readers care about people and issues that don’t seem to touch their lives directly?

Terri: Unfortunately, it seems that issues of justice and mercy do not intersect with ordinary lives. Incarceration seems far away from us. Refugees in Syria seem far away. Violence in Palestine seems so very far away. But it all tangles together like my bag of knitting yarn. I am a very poor knitter. My yarns always get tangled and I don’t know what to do. And when it is in my bag, it will suck in all the other little things in there! Resources or things I might need become tangled up in the yarn. Those are resources that I need. They might be resources that others need.

In Washington, we spend about $9,600 per student to educate them. We spend about $45,000 per prisoner to incarcerate them. What we know is that by reading scores in the 4th grade, we can predict incarceration rates because we do not fully fund our schools. What if we were able to direct our resources into education? All students would benefit.

I imagine that it is like boats rising in a tide. A rising tide raises all boats. Yours, mine, everyone’s!

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© 2015, most words and all photographs, Terri Stewart, All rights reserved

The BeZine, 15 Oct. 2015, First Anniversary Edition (Visual Arts), Table of Contents with Links

15 October 2015

Time does indeed fly and – almost unbelievably –  here we are publishing our first anniversary edition.  It’s been a lot of fun collaborating, batting around ideas, connecting with new contributors and producing a rather remarkable body of work over the course of the last twelve months.

Safe to say we are all grateful to be able to make a contribution – modest as it may be – to peace and understanding.  We are grateful too for the readers who make this work worthwhile. We’re especially grateful to those readers who participated in 100,000 Poets for Change (100TPC) this year.  Thank you! More on that soon.  Meanwhile … for our anniversary issue, the theme is Visual Arts: Shape, Color, Movement and Meaning …

00da8d_12fd11dad3344c89888ab297ac2fd005.jpg_srb_p_826_551_75_22_0.50_1.20_0.00_jpg_srbThe American graphic designer, Milton Glaser, has said that art is “terribly important” as a survival mechanism, as a means of cultural survival. Good art, he says, “makes us attentive.”  It inspires us to re-engage with what we think something or some circumstance is and see it for what it truly is. It seems our poets have decided to comment on art by using it as inspiration for poetry. Not surprising that. In the light of Glaser’s words, I think this “appropriation” of art for poetry helps to make an even stronger statement of culture and values and moves us closer to the truing of our vision.  “Why ask art into life at all,” asks poet Jane Hirschfeld, “if not to be transformed and enlarged by its presence and mysterious means?”

And so this month we present diverse works of art largely commented upon in poem – ekphrastic or otherwise – or used as a jumping off point and moved into new directions. In some cases the art is the poet’s own photographs or digital art.

New to our pages this month is professional photographer Donatella D’Angello with a set of poems in both Italian and English (translations in collaboration with Michael Dickel) as well as with her photographs, which inspired the poet in Michael.  Our wonderful cover photo (the header) is courtesy of Donatella.  You can enjoy more of her work HERE. Michael tells me “the photos are as shot in the camera. She borrows techniques the Futurists used for motion-studies of long exposures (and subdued lighting, often) and moves into and within the frame (or has her subjects move, but I used all self-portraits in the post).”

Italy stars in three pieces. Two are by Michael Watson who shares photographs and meditations from a trip to Italy. The third is a piece by Michael Dickel on his trip to Salerno this past June for the 100TPC summit.

We are also pleased to introduce Professor Aprilia Zank.  Aprilia is a photographer, poet and literature professor who coordinated the National Beat Festival in Munich this year. We hope to share more of her work here in the future.

We start with the graphics produced around the world to promote 100TPC and move on to Priscilla Galasso’s “Art, Time and Love,” which is as thoughtful and characteristically provocative as her work always is.  You’ll find two of Naomi Baltuck’s wonderful photo-stories, artwork by Corina Ravenscraft, and a flash fiction piece by Liliana Negoi … All alongside the aforementioned wealth of poems. Enjoy … Let us know what you think.

On behalf of The Bardo Group and Beguine Again and in the spirit of peace and community,

Jamie Dedes

THEME

VISUAL ARTS: SHAPE, COLOR, MOVEMENT, MEANING

Design Art: 100TPC Posters

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Posters are followed by some photographs of Mimes for Change in Egypt and then Michael Rothenberg’s flag to welcome refugees. (These are not the same posters that we displayed in a slideshow on the blog.)

Lead Features

Art, Time and Love, Priscilla Galasso
~ A Dragon’s Day ~, Corina Ravenscraft
An Autumn Photo from Spring, Michael Dickel
Salerno Like a Painting, Michael Dickel
Regretting Its Death by Drowning, Jamie Dedes

Fiction

bonds, Liliana Negoi

Poetry

Parallel Worlds, John Anstie
Decline, John Anstie
Battle Horse, John Anstie
Three Poems (Italian and English), Donatella D’Angello (translations with Michael Dickel)
her power leaps, Jamie Dedes
Cassandra, Jamie Dedes
A dream walker hands you the door, Michael Dickel
White Angel Feathers, Michael Dickel (with photographs by Donatella D’Angello
Framed, Joseph Hesch
Fields of Lavender, Joseph Hesch
a beautiful enigma, Charles W. Martin
war’s cold night, Charles W. Martin
Not That I Really Know, Charles W. Martin

GENERAL INTEREST

Essay

the land remembers, Michael Watson
Cinque Terra, Michael Watson

Photo-Story

Two Subjects (and one important thing to remember), Naomi Baltuck
Turning Night into Day, Naomi Baltuck

Special Feature

Imagine the Beats (Readings, Photography, Music), Munich, German, Aprilia Zank

BIOS WITH LINKS TO OTHER WORKS BY OUR CORE TEAM AND GUEST WRITERS

FOR UPDATES AND INSPIRATION “LIKE” OUR FACEBOOK PAGE, THE BARDO GROUP/BEGUINE AGAIN

MISSION STATEMENT

Back Issues Archive
October/November 2014, First Issue
December 2014, Preparation
January 2015, The Divine Feminine
February 2015, Abundance/Lack of Abundance
March 2015, Renewal
April 2015, interNational Poetry Month
May 2015, Storytelling
June 2015, Diversity
July 2015, Imagination and the Critical Spirit
August 2015, Music
September 2015, Poverty (100TPC)
100,000 Poets for Change, 2015 Event

100,000 Poets (and other artists and friends) for Change, 26 September 2015, event posters from around the world

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As of this writing, there are over 500 events scheduled around the world. To find an event near you or to register an event that you are organizing go to 100TPC.

Our own (The Bardo Groupand Beguine Again – publishers of The BeZine) virtual event is scheduled to be held at The BeZine blog on 26 September 2015. You are invited to join us by linking in your relevant work on poverty  (our theme this year) through Mr. Linky (directions will be included in the post that day) or simply by adding your link or your work in the comments.  You retain your own copyright.  All the links and works will be collected and posted in a Page at The BeZine and also archived at 100TPC.  So, think about and prepare something you’d like to share so you can have your say and feature your own work.

To “meet” our host for that event, American-Israeli Poet Michael Dickel, link HERE.

To “meet” the founders of 100TPC, link HERE.

100,000 Poets – and friends – for Change 2015, Update – 500 Hundred Events Scheduled World Wide

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These are busy days for Michael Rothenberg and Terri Carrion who founded 100,000 Poets for Change.  Michael announced yesterday that 500 events are now scheduled for September 26, 2015, the fifth anniversary of this global initiative for change; that is, for peace and sustainability.

For those who are just catching up with us100 Thousand Poets for Change, or 100TPC, is an international grassroots educational organization focusing on the arts, especially poetry, music, and the literary arts. It was founded in 2011 by Michael Rothenberg and Terri Carrion and is centered on a world-wide event each September. This past June the first World Conference on 100TPC was held in Salerno, Italy.

There are also several offshoots cropping up: 100,000 Photographers for Change, 100,000 Drummers for Change … and so on. A little searching on Facebook and you’ll find them, though the umbrella for all,  100TPC, does include a range of artistic specialties and friends of the arts and is not limited to poets and poetry.

We – that is The Bardo Group and Beguine Again, publishers of The BeZine are hosting a virtual event and you are all invited to attend and add links to your own relevent work.  The links will be collected and published in a Page on The BeZine site and also archived at 100TPC. Michael Dickel (Fragments of Michael Dickel) of The Bardo Group is the lead for this event. Michael is also the organizer of an event scheduled in Israel this October.  You can contact him via his blog or message him on Facebook if you have an interest in participating there.

By way of helping everyone to get to know Michael Dickel, I’ll post an interview of him here on The Poet by Day this Sunday along with a review of Michael’s latest book, War Surrounds Us (Is a Rose Press 2015).

Meanwhile, here is an introduction to the visionary founders of 100TPC, Michael Rothenberg and Terri Carrion:

MICHAEL ROTHENBERG was born in Miami Beach, Florida in 1951, and has been living in the San Francisco Bay Area for the past 37 years. Currently Michael is living and creating among the redwoods.

Michael is co-founder of Shelldance Orchid Gardens in Pacifica, which is dedicated to the cultivation of orchids and bromeliads. He is a poet, painter, songwriter, and editor of Big Bridge Press and Big Bridge, a webzine of poetry and everything else.

In 2011 he and Terri Carrion co-founded the global poetry movement 100 Thousand Poets for Change. His songs have appeared in Hollywood Pictures’ Shadowhunter and Black Day, Blue Night, and most recently, TriStar Pictures’ Outside Ozona. Other songs have been recorded on CDs including: Bob Malone’s The Darkest Part of The Night (Caught Up in Christmas) and Bob Malone (Raydaddy’s Blues), Difficult Woman by Renee Geyer, Global Blues Deficit by Cody Palance, The Woodys by The Woodys, and Schell Game by Johnny Lee Schell.

Michael’s poetry books and broadsides are archived at the University of Francisco, and are held in the Special Collection libraries of Brown University, Claremont Colleges, University of Kansas, the New York Public Library, UC-Berkeley, UC-Davis, and UC-Santa Cruz.

His most recent collection of poems is Indefinite Detention: A Dog Story (Ekstasis Editions 2013) and Murder (Paper Press, 2013) My Youth As A Train published by Foothills Publishing in September 2010.

TERRI CARRION was conceived in Venezuela and born in New York to a Galician mother and Cuban father. She grew up in Los Angeles where she spent her youth skateboarding and slam-dancing.

Terri Carrion earned her MFA at Florida International University in Miami, where she taught Freshman English and Creative Writing, edited and designed the graduate literary magazine Gulfstream, taught poetry to High School docents at the Museum of Contemporary Art in North Miami and started a reading series at the local Luna Star Café. In her final semester at FIU, she was Program Director for the Study Abroad Program, Creative Writing in Dublin, Ireland.

Her poetry, fiction, non-fiction and photography has been published in many print magazines as well as online, including The Cream City Review, Hanging Loose, Pearl, Penumbra, Exquisite Corpse, Mangrove, Kick Ass Review, Jack, Mipoesia, Dead Drunk Dublin, and Physik Garden among others.

Her collaborative poem with Michael Rothenberg, Cartographic Anomaly was published in the anthology, Saints of Hysteria, A Half-Century of Collaborative American Poetry and her chapbook Lazy Tongue was published by D Press in the summer of 2007.

Terri’s most recent projects includes collaborating on a trilingual Galician Anthology, (from Galician to Spanish to English) and co-editing an online selection of the bi-lingual anthology of Venezuelan women writers, Profiles of Night, both to appear in late August, on BigBridge.org., for which she is assistant editor and art designer. Currently, she is learning how to play the accordion. Terri Carrion lives under the redwoods and above the Russian River in Guerneville, Ca. with her partner in crime Michael Rothenberg, and her dogs Chiqui and Ziggy.