Sonnet of State Secrets … and other responses to the last Wednesday Writing Prompt


These are the responses to the last Wednesday Writing Prompt, January 17, Dancing Toward Infinity. It garnered a neat collection of responses, including work by three poets new to these pages: Carolstar286, Pamela Ireland Duffy, and Pleasant Street. Welcome to all!  Back for this round and in stellar form are: Paul Brooks, Renee Espriu, Sonja Benskin Mesher, Mike Stone and Anjum Wasim Dar.  Enjoy! And do join us tomorrow for the next prompt.


Sonnet of State Secrets

As I told the State the other day, I rarely
dance but when I do I dance some Latin
sort of thing, like a salsa, in which one seems
never to stop moving, which makes it more difficult to pin
me down. My hips sometimes get tired so I have
to stop; two days later I ache but I am that much
closer to the goal, the infinite, the end-that-is-not-
the-end. The State is very goal-oriented,
hence the two questions that must be asked
of everyone with only four possible answers.
I almost always want to invent my own
responses but there you have it: no other
possibilities. Frustration ensues. Occasionally
I have thoughts of threats, murder, assassination.
The solution is to look up, to contemplate clouds, or stars
that look like lively souls in their dance to infinity.

© 2018, Carolstar 236


“Old lady dancing”

Not much music
at the end of the line
in this half-world
of might-have-beens
and time run out
but still she dances
on iridescent water
oil spillage not dreams
but still she dreams
of other universes
other lives
of endless possibilities
where words change worlds
and her grandchildrens’ laughter
is real
and she is dancing in her sleep
daring to dream
of somewhere
where the music
never stops.

© 2018, Pamela Ireland Duffy

Pamela Ireland Duffy

PAMELA IRELAND DUFFY is interested in Qi Gong, reading/lecture, writing/écriture, poetry/poésie. Pamela is also published on on “I am not a silent poet” and in “L’Inventoire”, She studied at the University of Leeds and at Larkhill House School, Preston, Lancashire. She currently lives in Périgny, Poitou-Charentes, France and is originally from Macclesfield. 


‘Do you fear the fire’
(for my mother, 1940-1997)

Walking through the woods
my mother spoke of fire–
of course I had noticed it
a lack of green, and the scent
of the foray of pitiless flames
in a matter of months
and the ashes beneath our feet

Was it a dream? Perhaps–
upon opening my eyes
seeing her feet, immaculate
walking amongst the flames
in a frantic dance for life–
and afterward, the renovation–
her attempt to cover it up
with a smile and a flower

Overjoyed to see something
colorful and blooming
my jaw went slack, while the flower fell
from where she had taped it
to the scorched vine, fooling me
with the comfort of red petals
amongst the endless black.
‘But black is your color.’

Black had been the color
of cool and calm, during a time
when I could not settle myself–
tailor-made for me, the crisp lines
of white cotton over black silk
were enough to blur the vision
of soot smudges
on her cheek and forehead

I had not been there for her.
I wanted to stay.

And, bending to grab at the rose
I moved too quickly
a thorn piercing my finger–
‘You have blood on your
shirt”, she said
‘you have work still to be done–
wake up.’

© 2018, Pleasant Street (Are You Thrilled)

PLEASANT STREET is a mother, baker, and poet. She has been writing poetry since fourth grade. Now she is writing a neo-noir thriller and a collection of poems about the seasons of life and God’s abundant and ever-changing earth. She thinks too hard and feels too deeply, and appears to be stuck in 1948. She is still dreaming up a way to use baked goods as legal tender.

Pleasant lives on a tree-lined street where nothing seems to happen on the outside, but she is certain many thrillers are contained behind closed doors. She is often carried away by flights of fancy, but that suits her very well.


once such night black

was a chance to gather strength
for the coming day; to invade
the stars in order to appropriate
their pinprick energy;
now its curious restless oblivion
is merely a rehearsal for the long sleep
that’s to come – the living out
of trillions of years
with nothing to think about

it tosses & turns and sometimes
dreams of swimming again amongst
those stars so often gleaming
through the apple trees of youth

come spring and I suppose
I will contrive to fling the curtains
wide once more to greet the sun
for the beginning of time once more
but now I hardly dare to wake
into this familiar night black

© 2018, Colin Blundell (Colin Blundell, All and Everything)

 


On A Road  

a wick young lad meets Devil.
Wise with old tales

he goads Devil.
“Before I do owt for you

I want tha soul.” Devil gobsmacked
replies “I have no soul

of my own. Only souls of others.”
“Then gi me those.” answers

lad and I’ll do whatever tha hankers for .”
Devil hands him a mobile.

“This phone contains all my souls.”
“There is a woman who
would have your tongue. I ask
you visit her and take hers.”

“God didn’t sleep with me.
He chose that cow Mary.”
Devil put you on to me,
Young un’ tell you I need
Your tongue and you need
To take mine.

“I offer you hunger,
wrinkles, short life
and disease, and me
as an ugly bitch.
Except
on Saturdays when
I look like a model
and you have eternal life,
youth and health.
Manage your expectations.”

Young chuff replied
“To me you’re beautiful
for six days. Only a monster
on Saturdays when you’re a serpent
from waist down. Accept this mobile.
It contains all Devil’s souls.”

And young man returned
To Devil with her stories
“Accept the Sibyl’s tongue.”
He said and Devil scowled
at this young buck’s cleverness.

© 2018, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)


Angels Infinite

A symbiotic relationship in
a universe stretching infinite
where stars are like angels
their wings as chariots
taking flight becoming
a safe harbor for the soul
now desolate with grief
now hungry for peace
now joyous in its’ vision
however brief that it too
will be immersed
in that infinity

© 2018, Renee Espriu


::air::

layered in air

we dance with glass

small souls with small lives

rise

to the challenges

she says you know we do not gets what we want

we gets what we get

really

ours has been much easier than so many others

*listen to the radio

they threw them all on the fire

there

© 2018, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA and Sonja’s Drawings)


“A Poem about Nothing”
(Raanana, October 24, 2015)

This is a poem about nothing
How it happened that
Today nothing happened.
I didn’t turn on the radio
Well maybe I did for a moment or two
But then I turned it off again
Before something happened.
I slipped on some jeans and
Took Daisy for a walk
She still had a slight limp
From the night before
And I said a silent prayer
To the One who Barks at Infinity
That she’s not getting old on me
Remembering her shivering
First time I held her to my heart.
Then I thought about Dad
For no good reason on this earth
When I’d laid him gently down into the ground
How all the prayers we say
Were meant to send him on his way
But all I wanted was to call him back
Some prayers will never pass my lips.

© 2017, Mike Stone  (Uncollected Works)

“Saint Yellow’s Gate Revisited”
(Raanana, March 24, 2017)

Through light Saint Yellow’s gate I’ve fled
Leaves long fallen, trees long dead
To come full circle as she said
No meaning, only clues instead.

Clues pointing to eternity
Open graves to see through pity
Stilted men walk through the city
The death of rationality.

What say you now of dreams my friend?
Succubi make love pretend
Climax waking in the end
Nothing left to comprehend.

© 2017,Mike Stone  (Uncollected Works)

“Walking to the Moon”
(Raanana, September 1, 2012)

Sometimes you have to walk a poem
To see the shadows of it go in front of you
And then behind you,
A funny kind of locomotion
Walking crablike, orthogonally.
It’s been so long since I’ve written,
You must have thought I’d forgotten,
If you thought about me at all.
No, I hadn’t. Couldn’t. Ever.
These were the dimensions of your loveliness,
The smell of sunlight on a field of wheat in your hair,
The cool touch of my rough hand on your soft thigh,
The vibrations of your voice as your meaning danced across it,
But the publicity of your smile
For all around you to see,
Not just for me,
Meant the sunlight soft vibrations of you
Might as well be like walking to the moon.

© 2012, Mike Stone  (Uncollected Works)

“When a Poet”
(Raanana, June 30, 2017)

When a poet wakes up in the morn
He puts his pants on
One leg then another,
And when he buys his milk and wants to pay
He stands in line between
The woman with her screaming kids
And the foreign workers,
But when the poet looks up at clouds
Or the night-time constellations,
Orion’s scabbard or Cassiopeia’s tilted throne,
He sees encyclopedias never writ nor read
By the likes of you or me,
And when he loves,
It’s Trojan Paris
Who’s faced ten thousand ships
And went to war for naught but one.

© 2017, Mike Stone  (Uncollected Works)

“Life’s Cold Eye”
(Raanana, January 7, 2016)

Hello Orion my old friend
I’ve come to battle you again
Though your sword is in its scabbard
You hold above my head the tides of time
And bury me under the horizons of eternity
But I’ll defeat you with love’s clarion call
And life’s cold eye on death.

© 2016, Mike Stone  (Uncollected Works)


waltzing on

spiral galaxy in Constellation, Coma Berenices, 60 million light years from Earth

waltzing on the melodious
music, feather like, rising
gliding,  embraced by light-
the Earth is All Bed
Sky all dome, a roof
shining in the day
glittering at night-
to show us the way

Boundless infinity oceanic
no end in sight,timeless,
and we mortals in oblivion
think about being en-gloved,
encircled we dance immersed
in  perpetual  meditation

we shall, in cool shadows be
with obedience and charity
for good we did, in year past
what good we do now, to last,
our hearts, swirling constellation
a nucleus smooth, unfurled silk

in time dissolved, myriads to
dust, rising spiraling merging
with countless orchestras in
harmonic symphonies of the
milky way, unknown infinity
like the never ending sea in oceans

cycling fresh blessings in motion
warming steam to vapors, floating
to infinity in dancing drops in
rotation, creating revolution
from sky to sand, and we say
rain falling, cooling drowning

IMG_20180117_135517_311

and I say Blessed, drenched in
peace like the circling dervish
one with nature,in stillness bent
‘in my beginning is my end’
Light makes me light,boundless
flight, I say I am embraced…
Embraced in Eternal Heavenly Light

© 2018, Anjum Wasim Dar  (EternalLights, Life Style and Strange Stories and Poetic Oceans)


 

“it was after a journey” … and other responses to the last Wednesday Writing Prompt

If you look closely, you’ll see the little Rufus Hummingbird. Hummingbirds remind us that the sweetest nectar is within.

And here are the responses to last Wednesday’s writing prompt, posted late in the day – Tuesday – with my apologies. I know that for Kakali and Anjum it is already Wednesday dawn. Colin, Paul and Sonja are still fast asleep. In just a few hours bogpan will be getting up and getting ready for work. Only for Lisa, Miguel and me is it still Tuesday, around dinner time. Phew! It’s been that kind of day for this poet.

Last week’s prompt, Brightness Beckons, January 10, was about transformative moments and I believe these poets have risen to the occasion, some by a thread and some all-in, but each one delivered a well-considered work. Enjoy!

Do join us tomorrow for the next prompt. All are welcome, no matter the stage of your career.  It’s all about exercising the writing muscle and meeting other poets.


Released

In utter despair
heart-broken open
stroke after stroke,
water engulfs me,
cradling, warm,
absorbing goggle-trapped tears.

Released, they said,
from one hell to another—
not free, not free to go home,
released from youth jail
to adult jail to wait for trial,
released, they said, cruel sentence.

Swimming my prayer,
please,
I can’t do this any more,
his pain,
merging with mine,
drop into drop.

Ears to hear, broken open,
voice in my head:
You must continue
they need you
he needs you
you can do this

Who speaks?
imagination or God?
mysterious mentor,
self pity called out—
Lady Justice, Compassion, Love—
who speaks?

Stroking the white-blue water
image etched on liquid canvas,
heart sliced open,
blood drops falling,
gold needle pulling golden thread,
closes red pulsing flesh.

Water holds me,
windmill arms can’t stop,
thunder breaths hauled in
puffing past ears that hear,
scolded, emboldened, submerged—
resurrected.

He, sitting behind bars,
sixteen, innocent,
Me, swimming,
free,
I can do this. I must.
Water.

© 2018, Lisa Ashley  (www.lisaashleyspiritualdirector.com)


it was after a journey

of fourteen hours
by plane and train when
arriving at a lonely station
in the far North I approached a man
who’d obviously been
standing in the road outside
for a hundred years
and was therefore likely to know
his way around like the back of his hand

– I want to go to Etlic I said
– Etlic: you’ll need to go to Mrs Warrender
who runs the boat service; you see that trail…

he pointed down a long sea-embattled peninsular
down which the yellow trail snaked
into the distance; it seemed that Mrs Warrender
had a boatyard in some village
at the end of it

active mind in ailing body
set off along the track
which went though tunnels with deep puddles
over many stiles and up through manholes
which was entirely appropriate
for a man in a hole struggling
with many other pilgrims
intent on making the next boat to Etlic
which he failed to do

throughout the following day
I maintained an active image of Mrs Warrender
whom I must have met in some other life

***

Don’t ask me where ‘Etlic’ is. I dreamed about the place so it must be somewhere! It had a kind of Bright Hope attached to it!

© 2018, Colin Blundel (Colin Blundell, All and Everything)


Gustave Doré’s illustration of Canto III: Arrival of Charon; public domain illustration

Almost a Song

“Per me si va nella città dolente…”
Dante Alighieri

You haven’t forgotten
you won’t forget…
In ices is swelling
the river again and trawling
roots and weeds,
and foam.
It leaves the shores bent,
mirrors,
swamps and frost.
But on the day
it kindles a glow.
With movements
spiral of
the hands,
I’m folding the air
after the beasts –
to that one threshold
(what does it say
no, I don’t know).

And the death ones leave.

© 2018, bogpan Bozhidar Pangelov – (bogpan – блог за авторска поезия)

“Per me si va nella città dolente” … The Inferno, Canto III, “Through me the way to the city of woe”  


Vinegar

And a clean cloth is what she needs
to scrub the smeared pains of her heart

just as Jill needed vinegar and brown paper to repair Jack’s broken bonce

after he fell carrying a pale of water,
but her spirit is not in a bucket,

but in a pane of glass that needs cleaning so she can see clearly the obstacles

in her way and be a pilgrim
and wipe tears from her granddaughter’s eyes.

© 2018, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)

Every Key She

puts in the door is her 21st when she hauls her late five year old screaming

daughter to the dentists to get her braces tightened, folk looking askance

as the child shouts for help as if she’s being abused and milking the attention

and five years later after her final visit
to the hospital she puts the key into her

echoing house when she would have been glad to hear her daughter’s voice.

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

The Neighbour’s Traveller

crawls along a mountain’s shoulder,
down a verterbrae of spines,

into the leaf mould of birth
where it cradles a knapsack of beliefs

in a bonegirdle. Pioneer savage
come to swap gifts with half
dressed gentlemen.

His garden drystone wall
of philosopher’s stone

waits for an answer to a question
it has forgotten. Meanwhile spiders hunt

spaces between carefully placed slabs.

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)


Indefatigable

a sower here

— showed
a belief
as rising up

as change, as malleable

thought to call it god —

I spoke not knowing what I would say

just as easily —

the growing mountains of
refuse
mean something
equally
as insurmountable as speech
to really
satisfy

and that leaves the
obvious quiet

thematically dragged out on cue

— dream in cycles

each of these things committed
in silence — think
of the plethora —

guard as treasure

dub She

(c) 2018, Miguel J. Escobar 


#The Song Of A Dewdrop#

My chest twisted as a dying leaf
That had it’s last swing on  that grey hill
When suddenly I saw a dewdrop ,
A pearly corn on that dying leaf
In the rosy -pink light of dawn
fondling  a scarlet flower
Dazzling and giggling
in the wintry breeze .
Sparkling like diamond nose pin
That glitters and glistens on a queen’s nose
Or as a glossy prism  on the grassy leaf
It sang mirthfully
One beam of hope still  surpasses
That grey agonised mountain chest

©2018, Kakali  Das Ghosh


Post-Op. 2009

I’m roused from sleep again,
the nurse’s fob watch
twinkling silver
as she take my pulse.

She whispers an apology:
must do my obs.
check nothing’s come loose
and we grin.

I’m multi-tubed,lie flat
like a beached octopus.

I tell her I don’t mind.
I’m glad she disturbs
these drifting hours
between midnight and morning.

I’m glad of soft lights
above my bed,
glad of electric suns
along wide-awake corridors.

© 2018, Sheila Jacob 


.on spring #2.

black bird sings early, the same bird calls late.
new light drowns darkness, spring spins around.
black bird calls early, the same bird calls late.
sonnet sings ten beats to another’s spare sound.

who asks for word, who knows which hour it starts,
which minute, which rule of rhyme or reason.
making of lines , counting the breaks, our hearts
open. this is february, split season.
moon draws the tide, upper river pools
on spring, a note , a sonnet , a dance
where light or other prayers redeem fools,
those who rage the world sons may change perchance.

on spring we write in fourteen lines, to date,

black bird sings early, the same bird calls late.

© 2018, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)


Pilgrimage Toward the Light

     after Dr. Allama Iqbal’s poem, “Pilgrimage to Eternity”

O Restless spirit what seekest thou , since
awareness dawned, in innocence encased
bits of paper became letters symbolic ,
what messages were lost and  received
unknown unseen till strange sounds
sailed through the cool silent breezes
and the heart beat faster,fingers grew cold

eyes roamed the boundless skies, finding no cuts or breaks
birds flew trembling fluttering closer to each other
as the golden ball seemed to sink out of sight, finding darkness
behind the eyes turned to the skies again, behold, bejeweled
was the roof with diamonds arranged, twinkling for long hours
becoming small, disappearing from vision yet still present
‘Know that they are still there’ only hidden by Light’

Hidden by Light? and a voice called ‘Allah ho Akbar’
The Greatest is He, Prayer is better than sleep
prayer is better than sleep’ and the sight descends
to touch the earth,flat dry strong stony rough solid
The heart beat faster again…

‘feel the inner strength,the magnetic touch the Light’
slight pain in the back I felt, head down, bent in
body slipping instantly, invisibly flying to nowhere
in semi darkness, I reached a room square in shape
a small window opening near the ceiling, a single bed
lay in the center, on the floor…I smoothed the folds of
the white sheet, satisfied that all was set, I returned…
or was brought back…I awoke …the light streamed on

‘He made the day  for work and night for rest, and the
day allowing sight ‘there was no chaos, all was pure
clean ethereal and with great speed…

I heard another voice, ‘not now later’ a voice so clear
the night slipped away making way for the lightc
it grew brighter moment by moment, the eyes
roamed from one end of the to the other,seeking
what dost thou seek?
I still don’t know…

the light grew yet brighter till
the glow was whiter than any light , blinding…
the appeared small shapes like people sitting on
the floor bowing towards one point…brightest in the center
IMG_20170426_152958_467

and ‘the gleam increased’ unbearable light’
the Lamp as it shone revealed more Light
and I felt weak in the limbs…
where are the stars of the night?

the rainbow in the clouds
the colors on the ground
the amazing shapes in clouds
carrying holding water drops

I sailed through and through
flew like a bird, who holds their
wings,held me too, no desire for
food nor thirst for a drink just nothing
yet so much…yet felt only …
unseen purity “Light Of Divine Love’

© 2018, Anjum Wasim Dar  (EternalLights, Life Style and Strange Stories and Poetic Oceans)


ABOUT THE POET BY DAY

“the moses manifest” … and other poems in response the last Wednesday Writing Prompt


The variety of responses to the last Wednesday Writing Prompt “Archaic Torso of Apollo,” September 27 are a pleasure to read. Thanks to Renee Espiru, Sonja Benskin Meshery, Gary Bowers and Paul Brookes for coming out to play and sharing their fine work.

Join us tomorrow for the next Wednesday Writing Prompt. All are welcome to take part no matter the status of career. Beginners and experienced are welcome to come, be inspired, share their poems and get to know other poets.


A Life Betrayed

She lives the only life
she has ever known
inside someone else’s home

she wonders how she came to this
miles of fields and distance
a breeze touching her
now frail being

did someone leave her here
without her knowing and
will she wake one day
to find she’s dreaming

for she loved him so in her way
but was he a mirage or
just a ruse she wrote of
in her own knowing

before her body did betray
and stole her life
and youth

© 2017, Renee Espriu (Renee Just Turtle Flight and Inspiration, Imagination & Creativity with Wings, Haibun, AR, Haiku & Haiga)


..the flight to egypt..

Edwin Longsden Long RA was an English genre, history, and portrait painter.

**

there are many pictures at this house, two dimensional and more. how can I love one

child above another?

I had only one, so that was easy, then questioned if I loved the late arrival more, I said no just different.

so I talk out loud instead of writing .

a new prose. I talk of formative years, the safe place.

russell coates museum. have you been there? it was free on thursdays a haven from the rain,

the

pain.

indoor fish pond, quiet on the stairs, to the edwin long gallery. the flight to egypt. looking

back now, I never thought of it religious. immense it covered the wall.

I use the past tense, yet it is still in place.

on googling I see the topic is biblical, I remember the procession, the faces, the space as

if his meaning was hidden to me.

now by choice it is.

do I make such pictures? no.

weird stuff as if installed in a museum.

crying.

© 2017, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)


The Specificity of the Ordinary by Colin Blundell

in Iris Murdoch

the characters for the most part
get themselves into such a muddle
usually intent on mirroring
the messes & muddles of others
closely observed by scheming clowns
with special peculiar insights

how will they get out of the muddle?
a question which keeps you entranced
turning the pages rapidly
never really wanting an unravelling

no linearity just sets of closed circles
of rather bizarre impossibility

occasionally a character will experience
a bright moment of illumination
or clarity which I have come to call
the specificity of the ordinary:
the cat on the terrace dust particles
lizard on a sunny bank
bare gritty floorboards leaves in the wind
ivy climbing on a rock as it might be
to refer it all to myself measuring
the impact of the ordinary

if only the characters had listened
to their author’s commentary
more carefully they might all have been
able to rescue themselves

© 2017, Colin Blundell (Colin Blundell, All and Everything)


the moses manifest

he grips the tablets in his charge, this
courier of commandmenta, and takes umbrage or looks
askance at some person or
persons on
his left. on his head
are zigguratish lumps,
horns, that should have been
unsculptable rays of
light. julius the pope, the vicar
of christ, has left
his mortal remains entombed
here, and moses to guard
them. the likeness
of julius was to be
the capstone of the tomb
but it was never
done. the militant pope
had need of his hireling
visionary elsewhere,
as plasterer and muralist
for a now-renowned chapel.
the tomb was finished in 1545,
decades after julius’s promotion
to resident of Heaven.

© 2017, Gary W. Bowers (One with Clay, Image & Text)


 

The Hay Wain (1821), by John Constable (UK), (1776-1837)

Haywain

Her milkman Grandad often takes
her, his horse, cart and churns on his rounds
gifts her a small pony trap and horse.

Older she hangs a copy of “The Haywain”
above a dark brown oak dining table
with its curved back oak chairs

lit by white light French windows
on to a grey concrete slabbed patio.

She knows the smell of worked horse,
creak of cart and water’s rhythm,
much like milk slap and hooves on cobbles.

© 2017, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

Photograph by Paul Brookes

My Dali

A teenager, I was a poster
Christ crucified in a sky
above a cove
and dried blue tac
on my bedroom wall
lets Christ
lets me
fall at one edge.

I was a swan reflecting elephants
the need for it to be other
my fingers mirrored rocks.

I was a spoon on crutches,
anything but me.

© 2017, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

Golconde (1953), by Rene Magritte (Belgium), (1898-1967)

These Shapes

are not symbols.
Do not attach meaning.

Bowler hats and gentlemen
may fall on the page

in this frame. The words
do not mean the thing.

Magritte is a mark only.
All that attaches to it

is irrelevant. It does not help.
A birdcage is not a rib cage.

© 2017, ​Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

The Blood Serape and other ekphrastic poems by Paul Brookes


ABOUT THE POET BY DAY

“A Weather Bouquet” and other responses to the last Wednesday Writing Prompt


Here are the inspired responses to the last Wednesday Writing Prompt, July 26, 2017, orange fires at daybreak. I know you’ll enjoy this collection featuring the work of poets: Gary Bowers, Renee Espiriu, Sonja Benskin Mesher and Paul Brookes.


A Weather Bouquet

Sunny days and dispositions,
Cloudy shower-stalls and skies,
Rainy reigns and piled munitions–
These make heartleaps, sadness, sighs.

Eddies, tiny or galactic,
Swirl our joy and fear and grief–
Posit: hailstorm prophylactic:
Yields some hail to the Chief.

© 2017, Gary W. Bowers (One with Clay)


. the weather man .

i said it were a lovely day, i did not mean the weather.

i talk about the feeling, the mood that did not change, all day,

little tasks that please. planting chives in treacle tins, ironing pyjama pants,

and cotton handkerchiefs.

he warned me the rain would come, and when it did

heavy, we tucked in tight here, enjoyed the darker

green.

soon, the rain will stop.

© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, R.C.A.)

. weather man .

knows the wind will change,

the birds will fly.

while i know nothing.

©2017, Sonja Benskin Mesher (Sonja Benskin Mesher, R.C.A.)


The Divorce of Heaven And Hell

The excess of roads leads to the wisdom of palaces.
The wrath of tigers are wiser than the instruction of horses.

Multi gendered I hang wet washing
on the horse nebula. Iron 3d to 2d.

I have domestics with myself.
Air turns blue and galaxy neighbours
hear my gusty rant and rain rave

Bang on thin wall between
dimensions. Our star children

weep beneath my screams. Remind
myself never to drink and argue again.

Tell my other half it needs to pull
its weight. I can’t be aware of all

that happens or needs doing.
Neighbours are different sides to me.

Our star children turn from
wild blue things to yellow average kids
to red in the face before their fire dies.

I must stop falling out with myself,
as it is always me deals with the fallout.

I multi task a weather of constellations. I cope.
I’m multi versed. Too many different sides.

© 2017, Paul Brookes (The Wombwell Rainbow)

As Billpayer

Universe looks at the upkeep
of stars and planets,

heating and lighting costs,
orbital maintenance,

monitor of natural entropy
scratches its head, goes for a walk,

amongst birth and death, waits
for unexpected comet of a solution.

Tighten Orion’s Belt, slow down growth,
non interference, allow the inevitable.

Cosmic gusts are harsher in austerity.
It must calm the arrival of storms.

© 2017, Paul Brookes (Wombwell Rainbow)

The Lost Sock

The universe tries to find a lost sock.
Life is unbalanced with only one.

It is awkward over tiles, one foot cold,
the other warm, as if half in, half out the house.

Or in front of a fire, a part of you blisters,
a part freezes, a summer one side, winter the other.

How does one sock get lost in the wash?
Is it rammelled up in bedsheets?

No one else to blame when your not a multiverse.
Universe looks after itself in a bedsit of stars.

© 2017, Paul Brookes (Wombwell Rainbow)


Capricious Magician

Unpredictable
in ‘nature’ is she
dropping hints
with sun rays
peaking out
between
clouds

apparitions held
as fading shadows
become
cloudy
mirrors

and the next moment
a downpour of
rain filling gutters
a deluge
down
drain
spouts

a disappearing act
slight of hand
the earth drying
cracks in
hardened
clay

a capricious magician
prone to laughter
a comic relief
dancing
across a stage
of her own
making

© 2017 Renee Espriu (Renee Just Turtle Flight and Haibun, ART & Haiku)


ABOUT THE POET BY DAY