“Here I am alive, and it’s not my fault, so I have to try and get by as best I can without hurting anybody until death takes over.” Leo Tolstoy, War and Peace
There are open spaces in the plotting of a story
I print out for edit during the work hours
In the silence of creativity, a sweet lavender
lends its fragrance, color and calm
Outside squirrels skip, toddlers play
Grandmothers stand-watch in doorways,
chili stewing and stacks of tortillas, warm and
soft, rest and wait under clean kitchen towels
Spring is moving into summer and neighbors
tend their herb and vegetable gardens
They imagine the yield dressed in salads
They’re willing to share the harvest with friends
A world away soldiers download ordnance
synchronized to the hum and click of my printer
Bodies fall, hearts stop, eyes water and
the manuscript is blue-pencilled* by rifle fire
* For the younger generation: back in the day light blue pencils were used to note corrections to writing because they would not show up in the reproduction process. This is rarely seen now that we use computers for production.
WEDNESDAY WRITING PROMPT
What would the world look like if we called a global moratorium on murder, torture, separation, and starvation? How might we get to such a place ? How would the story of the human race change? Tell us in your poem/s.
Share them on theme in the comments section below or leave a link to it/them. All poems on theme are published on the following Tuesday.
No poems submitted through email or Facebook will be published.
IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.
PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.
Deadline: Monday, February 4 by 8 pm standard.
Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro. It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you. This is a discerning non-judgemental place to connect.
You are welcome – encouraged – to share your poems in a language other than English but please accompany it with a translation into English.
Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman. My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”
“What if our religion was each other. If our practice was our life. If prayer, our words. What if the temple was the Earth. If forests were our church. If holy water–the rivers, lakes, and ocean. What if meditation was our relationships. If the teacher was life. If wisdom was self-knowledge. If love was the center of our being.” Ganga White, teacher and exponent of Yoga and founder of White Lotus, a Yoga center and retreat house in Santa Barbara, CA
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
Thank you for sharing your love of words. Comments will appear after moderation.
“…the care of the earth is our most ancient and most worthy and, after all, our most pleasing responsibility. To cherish what remains of it, and to foster its renewal, is our only legitimate hope.” The Art of the Commonplace: The Agrarian Essays, Wendell Berry [recommended]
Monsters rose from scenes gone by
And things once green lie down and die
While hoary sighs from glaciers stream
Mountains shiver in warming steam
Bays, gulfs and oceans wealth abort
As oil spills spew, smother and thwart
And man leaves earth in sad deface
His husbandry a vast disgrace
Note: I generally dislike rhymed poetry and don’t particularly care for this. No idea why it came out this way but it does say what I want it to say. Please always feel free to respond in your own way and style to prompts. If you like rhyming poems, go for it.
I’ve had some requests for more prompts on environmental issues. So, as we dig into the new year and kick-off with the first prompt of 2019, I pulled this poem originally published 2016 (though I actually think I wrote it after the 2010 Deep Water Horizon Oil Spill) to get us going. The theme is simply “Environment.” You may address it from whatever perspective you choose. We’ll leave it pretty broad this week and see where Spirit moves us.
Share your poem/s on theme in the comments section below or leave a link to it/them.
All poems on theme are published on the following Tuesday. Please do NOT email your poem to me or leave it on Facebook. If you do it’s likely I’ll miss it or not see it in time.
IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.
PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.
Deadline: Monday, January 21st by 8 p.m. Pacific.
Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro. It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you. This is a discerning non-judgemental place to connect.
You are welcome – encouraged – to share your poems in a language other than English but please accompany it with a translation into English.
Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman. My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”
“What if our religion was each other. If our practice was our life. If prayer, our words. What if the temple was the Earth. If forests were our church. If holy water–the rivers, lakes, and ocean. What if meditation was our relationships. If the teacher was life. If wisdom was self-knowledge. If love was the center of our being.” Ganga White, teacher and exponent of Yoga and founder of White Lotus, a Yoga center and retreat house in Santa Barbara, CA
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
Thank you for sharing your love of words. Comments will appear after moderation.
“It’s entirely conceivable that life’s splendor surrounds us all, and always in its complete fullness, accessible but veiled, beneath the surface, invisible, far away. But there it lies, not hostile, not reluctant, not deaf. If we call it by the right word, by the right name, then it comes. This is the essence of magic, which doesn’t create but calls.” Franz Kafka, from his diaries
HAPPY KAWANZAA TO THOSE WHO ARE CELEBRATING.
Public domain illustration
REMINDERS:
Last chance to submit to the much-loved Glimmer Train (fiction): Editors Susan and Linda are accepting submissions through May 15, 2019 for the final issue to be published in October 2019.. For standard submissions: $2 processing fee. This is a paying market. The last contest is the Family Matters Contest, which closes on January 2. The contest entry fee is $18. Cash award. Details HERE.
The Poet by Day, Wednesday Writing Prompt will return on January 16, 2019.
Sunday Announcements: Calls for Submissions, Contests, and Other Information and News will return on January 13, 2019
What would you find pleasant or helpful on The Poet by Day in 2019? What have you found helpful to date? Link HERE to let me know.
Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman. My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”
“What if our religion was each other. If our practice was our life. If prayer, our words. What if the temple was the Earth. If forests were our church. If holy water–the rivers, lakes, and ocean. What if meditation was our relationships. If the teacher was life. If wisdom was self-knowledge. If love was the center of our being.” Ganga White, teacher and exponent of Yoga and founder of White Lotus, a Yoga center and retreat house in Santa Barbara, CA
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
Thank you for sharing your love of words. Comments will appear after moderation.
The last Poet by Day, Wednesday Writing Prompt, to write about farms and farming (Conjuring Farmhouses), December 12, is covered quite broadly here with responses from Gary W. Bowers, Paul Brookes, Irma Do, Jen E. Goldie, Shiela Jacob, Frank McMahan, Mike Stone, and Anjum Wasim Dar. These will provoke some thought and much pleasure, spiked as they are with memoir, questions, humor, and insight. Enjoy!
Wednesday Writing Prompt will return on January 16, 2019.
three cow salute
walking to my high school meant walking past three cows
just as 61st avenue came to its
senses and straightened up
south of bethany home road
and what was then
a bobwire fence held back these bored cows
who stood and chewed or didn’t
and slowly turned
their
heads
in
unison
as
you
passed
they were the stolid
they were the stupefied
the stunned
the milkbaggy trio
the watchers of boys and girls
they needed a date with a frisky bull
or maybe they needed nothing
but daily relief from udder strain
grass
and me tweaking their monotony
into near monotony
couldn’t tell you
don’t know why those bored
and boring cows still lease space
in a pasture in my head
just know
the smell of horseshit does nothing for me
but
the smell of cowshit
has more than once filled
my stupid stolid eyes
with nostalgic tears
droplets of blood from the tail
of last October’s sacrificed horse,
ashes of the stillborn calves,
the shells of beans.
We are sprinkled with water,
wash our hands
in spring-water,
drink milk mixed with must.
Towards evening after shepherds
fed their flocks,
laurel-branches
are used as brooms
to clean their stables,
water sprinkled through them,
then stables adorned
with laurel-boughs.
Shepherds burn sulphur,
rosemary, fir-wood, and incense,
usher the smoke through the stables
and the flocks to purify them.
cakes, millet, milk,
and other food
is offered.
Hay and straw bonfires lit
cymbals and flutes play
as sheep and shepherds
are run three times
through the fire.
At an open air feast
we sit or lay
on turf benches
and sup a lot.
who plough
who prepare the earth
who plough with a wide furrow to bring water from the river
who plant seeds
who trace the first ploughing, reploughing as first did not work
who harrow
who dg
who weed
who reap
who carry the grain
who store the grain
who share the grain
who share their good fortune with us, the dead
FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.
The blue sky smelled of manure. Even the allure of coffee and raw milk, homemade bread with rhubarb jam and omelets plucked from their mother just that morning couldn’t overcome the scent that distinctly said, “You’re on a working farm.”
The distinct sound of a tractor pulled up to the farmhouse door. The farmer offered us a hay ride around the farm and explained the difference between hay and straw, silo versus barn. The farmer named each machine and it’s purpose, but not the animals.
That night, I briefly wondered if the chicken that gave her life for our pot pie dinner also sacrificed her progeny for our breakfast. And if the rooster that would wake us in the morning, knew what happened to his family.
Plastic and foam trays
Deception and protection
Farmers eat the truth
Yes, that’s me on a tractor – picture courtesy of one of my sorority sisters who posted some “throwback pictures” of a reunion we had a bed and breakfast in the Pennsylvania countryside a few years after we graduated college. I don’t think the tractor was actually moving for the picture, but it was a first for this city girl!
Coincidentally, Jamie Dedes’ Wednesday Writing prompt requested: This week share poem/s out of your own nostalgia, experience, impressions, gratitude, concerns, or convictions about farms, farming, or farm policy. Despite now living in “farm country”, I still don’t know about farming although I do appreciate the numerous farmers markets in our area.
One thing I do know: I am very appreciative of the men and women who work on farms because I know I don’t have the constitution or inclination to grow things or kill things to eat. Maybe because living in cities, I was never exposed to that reality and thus my aversion to being close to the true source of what I/we eat. Food came in a package and didn’t have faces. Maybe if more people were aware of the reality of farming, there would be less food waste and a better understanding of the need to conserve and protect the environment/nature and animals as finite resources. But what do I know…I’m just a city girl…
When Dad barked
You hopped to it,
Let’s go! In the car!
He loved the country.
One day, he said,
I’m moving to some
Small town,
Somewhere,
Someday.
Got my love of trees,
Wide expanses
And the smell of grass
From him
I guess.
Let’s go pick strawberries.
Get some fresh picked apples,
Some corn, if it’s ready,
Right from the field.
He always took the
Side roads
On our way to
Where he wanted
To be.
I marvel,
Now,
Where he was
Coming from,
Some secret desire,
Some past life,
Taking him home….
A tithed farm had flourished
since Queen Victoria’s reign.
Then the council needed acres
of land, built a housing estate
in the 1930’s for families like
us who couldn’t afford to buy.
Small, airy houses with an inside
toilet and coal shed, no running
hot water but spacious gardens
front and back.We made our home
here in the ’50’s and I walked past
apple trees to my first school.
Elderly neighbours recalled
the redbrick farmhouse, told
how they were sent there
as children and exchanged
a few pence for pats of golden
butter and hay-warmed eggs.
They felt the land’s closeness
despite shops and post office
and bus routes to the city centre.
Road names were echoes.
Farmcote Swancote
Old Farm Glebe Farm
And during the War,they dug
over their long back gardens.
Potatoes and turnips grew again.
Carrots were shaken free of soil,
peeled, grated and added to cake
mix instead of rationed sugar.
Hefting water out of the river to
feed the newly-planted.Long years since I
had to do the same on Uncle’s farm:enamel
white bucket hung from a windlass,sweet
water drawn from deep. I could lift but half
a pailful then. Brothers, neighbour’s girls,
rudimentary washes after endless
play; earth closet in the yard, potatoes,
their skins slowly curling in the cauldron
on the hearth.Somewhere a clock. Bored one day,
I stood beside the well and bawled for help.
Dad came running and rough chastisement
was love’s affirmation.
Brief check before I
swooshed down the hay bales in the barn, guiltless
until the straws in my hair betrayed me.
The years have added muscle, as I bend
and dip and lift from the grateful water,
remembering my boyhood’s guilty smile.
Sonja Benskin Mesher, RCA paintings (This is her Facebook page, so you can connect with her there as well as view photographs of her colorful paintings.)
The dark cloud squats heavily on the horizon
Undecided whether to drift slowly
Over our dusty fields with its fat bladder
Full of drought quenching rains
Or to drift up the coast a ways
To quench the thirst of our enemy’s fields.
O Lord, I know it makes no difference
In the grand scheme of things,
But I can’t help the fact
It would make all the difference in the world
To me.
The dead don’t envy the living
Any more than the living envy the dead.
Who’s to say what’s the best state
For matter to be in
In the long run?
I would think the best,
For one above ground,
Is to make the most of what you are
And, for those below,
To make the least.
Farm and village
soul and spirit
a nation’s harvest giver,
agri-armor of defense ,
lived in one,never,
but loved one where
Grand Dad lived
near the Jhelum River
A place, Sarai Alamgir
with tilled fields
lush green yields,
lands fulfilling needs
wells run by cattle
in circles, bound
pulling out water
round and round
and we so freely….
running in the fields
touching the trees
shouting and singing
with the breeze
But
When land is threatened by famine ,when food is scarce
by waywardness and sins,
when fuel is short
and dry are the streams
the farmer with his horse
and plough
is back in the fields-
the backbone of the people
he is following his dreams
or so it seems-
going back in time
working coping hoping
amidst blasts and screams’
Farmer Farmer get some coal
if you want your crop
and reach your goal
Farmer farmer get your horse
for salvation of the loss
Farmer Farmer get your plough
Let us work and fulfill our vow’
کسان اور گاوؑں
روح رواں زندگی
زرہ بکتر زراع و دفاع
رہنا فارم پہ کبھی نا ھوا
دادا کے گھر سے پیار ھوا
سراےؑ عالم گیر جھلم دریا
گاوؑں تھا پیارا سا
لھلھاتے کھیت و باغ
ھر سو سبزا سبزا ھوا
کوؑیں سے جوتے بیل
کھیت میں پانی ڈالے
ڈبے پے ڈبا ٓاتا جاؑے
اور ھم کھلے میدان میں
بھاگتے دوڑتے ھنستے
درختوں کہ چھوتے رہتے
مگر جب
زمین خطرے میں پڑھنے لگے
قحت و قلت ھو جاےؑ زیادہ
ایندھن کم اور ندیاں خشک
پھر کساں اپنا سامان لیکر
کھیت میں واپس جاتا ھے
گھوڑا جوت کہ ہل چلاتا ھے
اپنی قوم کی فکر ھے لاحک
اپنے خواب ادھورے پا کر
محنت کرنے لگتا ھے
بم دھماکے اور چیخوں میں
بھایو ٓاو آوؑ کوؑلہ نیکالو
اپنا اپنا کھیت اپنا ہل بچاوؑ
صلیب کو دیکھو مسجد جاوؑ
اپنا وعدہ پورا، خوب نبھاوؑ
شاید نجات مل جاےؑ شاید بخشے جاوؑ
“Let us all strive for peace on Earth for all. Let us make a better world. Write to make peace prevail.” Anjum Wasim Dar, Pakistani poet, writer, artist, educator, and parent.
Thank you for sharing your love of words. Comments will appear after moderation.
Jamie Dedes' THE POET BY DAY Webzine 