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“Birmingham, 1931” . . . and other poetic responses to the last Wednesday Writing Prompt

“For the city, his city, stood unchanging on the edge of time: the same burning dry city of his nocturnal terrors and the solitary pleasures of puberty, where flowers rusted and salt corroded, where nothing had happened for four centuries except a slow aging among withered laurels and putrefying swamps. In winter sudden devastating downpours flooded the latrines and turned the streets into sickening bogs. In summer an invisible dust as harsh as red-hot chalk was blown into even the best-protected corners of the imagination by mad winds that took the roofs off the houses and carried away children through the air.” Gabriel García Márquez, Love in the Time of Cholera



Cities certainly do stir the emotions as you’ll see from the passionate responses to the last prompt, Ciao Bella, Beloved, July 11, which was to write about the city in which you grew up or one that you grew to love.

Thanks and a warm welcome to newcomer Lexi Villa and thanks to stalwart regulars: Paul Brookes, Isabela DeLa Vega, Sheila Jacob, Frank McMahon, and Sonja Benskin Mesher.

Special acknowledgement to debasis mukhopadhyay, between ink & inkblot: Debasis’ latest collection is “kyrie eleison or all robins taken out of context(2017, Finishing Line Press ). I am unable to include his poem today due to some technical issues, but I hope to bring you more from this acute and prescient poet soon. Meanwhile visit his site and …

… enjoy these offerings below.

Do join us tomorrow for the next Wednesday Writing Prompt. All are welcome no matter the status of career: novice, emerging or pro. Responses to tomorrow’s prompt will be published here on Tuesday as is tradition and this week’s responses will also be considered for inclusion in the September issue of The BeZine, which is themed social justice.


Devastation to My Happy Place

I remember running across the street to the little old lady’s tiendita.
After a long day of exploring canals and giving in to vendors (who definitely overcharged me because of my pale skin), I was hungry.
Can you hear the rain tapping against my window?
Can you hear that old lady’s silence from across the street?
Can you hear my stomach growling?
It was cloudy & dark, but I wanted to continue my adventure.
I only had that interaction, or rather transaction, with the old lady.
But as I lay here in my home, I think about that sandwich I bought from her.
Ham, cheese, & jalapeños. No condiments.
I’m laying here now, where the worst I’ve experienced is 125 degree weather.
What happened to that city the day the earthquake hit?
What happened to the businesses run along the canals?
But above all, what happened to that little old lady?

© 2018, Lexi Villa

LEXI VILLA: “Hey! I’m Lexi, just turned eighteen and decided to participate. I only really dabble in poetry, I am not a professional. However, something I entered in a competition did get picked up for publishing. So I guess I must have a knack for it to catch the eyes of publishers right? I look forward to participating :)”


Even More Invisible Town

A paragraph/stanza difficult to read, then urge/ntly to know widens eyes, detail foregrounds, colour sharpens, shadows acute

No electric/gas light. Wood fires flicker at street ends, in single rooms shadow on walls, glorious stars and robbers abound

Every street must be a wasteland: broken bottles, discarded rubbish, rusty nails, decaying carpet. Belonging is discouraged.

Amount and weight not quality of jewellery you wear is sign of wealth/prestige. Piercings/tattoos admired/flaunted.

Violence is always acceptable. Non violence is cowardice, defeat admitted. Only big, strong survive. Bullying praised.

Freezing cold is welcomed. All animals slaughtered, every part used to build shelter, skins warmth, bone tools, percussion.

All surfaces are child friendly soft. All houses have slides, all workplaces ball pools. Play is work. Riotous creativity

dark corners are encouraged. It is an architectural trend to see how many can be made in one building. Cleaners despair.

where a buildings decay is encouraged as a haven for wildlife. People born/live/die in hides, record wildlife as heirlooms.

Nobody puts things back correctly. Compensation is unknown. Goods on wrong shelves. Kids to wrong houses. Fiction in non

.

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration. History. Imagination.)

A City In His Pocket

Searched his donkey jacket,
business suit and blazer.

Nowhere. In his dreams hand
in pocket it felt smooth like wet cobbles

his hobnail boots slipped on and faltered,
clattered and echoed in a cave of streets,

crammed with bread on the bake,
spicy curry and sweet dark chocolate,

or the top of a Christmas dome
you upturned to see snow fall

on gothic spires and picket fences,
or hand in pocket spiky and harsh

like police speed traps or his wife’s voice.
Pick pocketed now empty pocket.

Gust blew across the abandoned threads.
Aha! He’d put it in his hi viz jacket.

Previously appeared in The Coffeelicious

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration. History. Imagination.)

More Impressions of Wombwell

Backyard, eye swag silver, two joy, pica pica purplish-blue iridescent sheen wing feather green gloss tail

on train squeal chatter, vivid, green, blue, beavers, cubs, scouts, ventures: anarchy in uniform

unshaven bald man, open green raincoat, brown leather shoes, hauls local paper packed lime green trolley

old folk bench gab, mothers stroll babies down funeral paths eye gambolling squirrels, cemetery a parkland

bright cemetery leaves behind dark, Bakers window 6 loaves, 1 burnt, nurse boards bus, ‘I was miles away’

sunstruck leaf bunch drips bright molten green glass, other leaves luminescent silver stars in green matter, shade cut

patient silver hubcap rests under stone cemetery wall behind blue bus stop halo, full moon fall: day waits

Shadows pass over bus as if it is stop motion animated. I get on the animation. Hand held camera glare work journey

Town a small canvas tent unzipped tied back crowcall, fragrant grass, earth close, sun blue. Is on holiday

light quality early noon than morning, 3 patient full brown potato bags by grocers, cloud dispersal pends

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration. History. Imagination.)

Invisible Town on the Cards

At bus stop 6 playing cards played 3 of Diamonds, Queen of Diamonds face up. Empty coke can: a bus on the cards

Bus stop other side from morning Ace of Hearts 7 of Diamonds 5 of Spades 6 9 of Diamonds face up. Afternoons hand

Hill top Mrs Wood, grocers, coming down street cemeteries avenue hill bottom where pit used to be a lush forest.

In siling down bus is a big kid in wellies a splash laugh in every pothole puddle, hurriedly shops import goods

Slanted rain rolls down slanted roof slanted street each angle geometric downpour wet arithmetic blatant flashes

Estate Agents white box A4 copier paper door stop charity shop rush takes green leather sofa armchair out of rain

‘value’ ‘bonus’ ‘Low, Low Prices’ big on bright blue next to ‘On Offer’ ‘To Let” boarded, flagged market forces

Pale blue sweatered woman bent at right angles pushes her brown tartan square four wheel shopping trolley up hill

Greenery now over spoilheap less work less danger canal no longer used all leisure, industry moved into headsets

Young man in flak jacket grey snapback struggles to attach long fishing rod rest and shopping to bikes handlebars

Bright cool blue sky cafe puts out green plastic chairs stacked like plastic cups bakers window 4 loaves 2 burnt

© 2018, Paul Brookes (The Wombwell Rainbow, Inspiration. History. Imagination.)


A Tree Grows in Brooklyn

A tree grows in concrete

As such, a sight to see

I hadn’t given much thought

To how lonely it might be

One tree, weatherworn, twiggy bark

Hardly standing, day in and day out

Alone, trying to be burly strong

In need of care, no one did

City life, concrete at its’ feet

Rain, sleet and snow

No breaks, nothing but woe

Yet, there it stands for all to see

© 2018, Isadora DeLaVega (Inside the Mind of Isadora)


Birmingham 1931

I’ve come at this a bit slantwise. I see the city through my father’s eyes.

From the terraced
back-to-back
where he was born.
The poor end of town,
near Saltley gasworks
and sluggish canal
under the railway bridge.

Pigeon-roost on slate
roofs, sheen of starlings
in rain-puddles, hoot
and hiss of steam trains
spiralling smoke and grit,
roar of Saturday’s home
crowd at Villa Park.

Trams and buses trace
the city’s inner circle,
drop workers off
at Ansell’s Brewery,
Lucas’s,HP Sauce, streets
humming as he meanders
to school with his mates.

They’ll be fourteen, soon,
time for first suits
and steady jobs, they dream
football but know their
future’s in a car factory
needing ambitious lads
eager to learn a trade.

© 2018, Sheila Jacobs


QUIET CITY

Paris, Venice, Udaipur: noise, rainbow
glitter, sensory orgasmatrons yet
nothing called serenity or the bliss
of a child carefree on a swing.

Here is my city, patient work of seeds
and seasons, pink campion, knapweed
and hawkbit’s yellow, filling the meadows’
edge around the solitary ash. High

ridge on a clear day, chalk or clay
underfoot, silent, watch the hawk’s lift
and stoop to the clustered oaks, sheen
on clear spring water bubbling. Cross

an open field where the breeze lifts away
the dreck and bric-a-brac of cares and toils,
open and be filled with birdsong,
float in moments endless ethereal.

Here is my city.

© 2018, Frank McMahan


harrogate in the rain.

cheap umbrella broke,

a delightful shade of pink,

abandoned.

abandoned the street

for the parlour, the crown.

mourned my shoes, wet

and ripping.

dripping

white nubuck.

watched the trees,

falling leaves.

good coffee

opposite

the pumproom.

harrogate.

© 2018, poem and illustration (below), Sonja Benskin Mesher

20161016_115926

. oswald’s tree .

never fails to excite .with all the talk of leaves

here, falling, i am interested to see another breed

of folk that love and gather.

remind me of roseberry road, the younger days.

 

sat in the upper room, read a letter to his mum,

about the trenches, the first world war,  wished

to drown his sorrow in  that bloodied mud. the floor

tilted, a scrap lay crumpled.

 

each room has a different door.

we left, fell the last few steps.

© 2018, poem and illustration (below), Sonja Benskin Mesher

1002690_10152906887796177_5370599434980022329_n

# Oxford

lost in the ashmolean, lost
in antiquity.

i may have paid the price.

the museum is free.

accordingly.

as i spoke,
i could not help
but cry.

we do not often talk of it.

bound.

© 2018, poem and illustration (below), Sonja Benskin Mesher

shot_1410090348561[1]


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

Ciao Bella, Beloved …. and your Wednesday Writing Prompt

 

“Saints have no moderation, nor do poets, just exuberance.” Anne Sexton


Be well, be loved
I’m the pond in the park, swim in my heart

street]

[pebbled and gray

Memory, be loved
Campfires strewn across a night sky

snowflakes]

[angel kissed

Wild dandelions, atomic yellow
Bluejays call from a buried bell tower
Carry on their wings

[the City, ultimate bliss

© 2018, poem, Jamie Dedes, All rights reserved

WEDNESDAY WRITING PROMPT

Speak to or of your city of ultimate bliss: the city you grew up in or the city you grew to love.

Share your poem/s on theme or a link to it/them in the comments section below.

All poems on theme will be published next Tuesday. Please do NOT email your poem to me or leave it on Facebook. If you do it’s likely I’ll miss it or not see it in time.

IF this is your first time join us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com in order to introduce yourself to the community … and to me :-).  These will be partnered with your poem/s on first publication.

Deadline:  Monday, July 17 at 8 p.m. PDT.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, sharing your work, and getting to know other poets who might be new to you. This is a discerning nonjudgemental place to connect.


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

“I Am Not My Dad” … and other responses to the last Wednesday Writing Prompt

“Only those who will risk going too far can possibly find out how far one can go.” T.S. Eliot



Here are the oh-so-relatable poetic responses to the last Wednesday Writing Prompt, who are you, July 4, 2018.  Thank you to Gary W. Bowers, Paul Brookes, Debbie Felio, Kakali Das Ghosh, bogan (Bodhizar Pangelov), Sonja Benskin Mesher and to newcomer Rob Bowes, who steps out of the closet as a poet soul and debutes here today.  Well done all. 

Contributor websites/blogs are added so that you may visit and get to know one another. I hope you do. Some don’t have sites but you can probably catch up with them on Facebook.

Enjoy! … and do join us tomorrow for the next The Poet by Day, Wednesday Writing Prompt. All are welcome: novice, emerging and pro. 


The Creation

The radiant Sun rises,
Former black, empty shadows,
Reformed. Full. Colourful.
Exploding, popping, intriguing –
Spellbinding to Everyone.
Myself, mystified, bewildered, bemused…As it
Transformed, singular to plural, a whole
Intertwining of emotions,
Heart to heart throbbing, pulsing, pounding
Throughout our minds, bodies and souls.

The portrait of perfection before me;
An artist (unique) skilled to create a
Masterpiece.
By the Hand of God you breathe
The sweet succulent scent of hope and desire,
Humble (curious) as the spring bee I am drawn
Naturally my starving eyes feast.

Feeling of uncertainty and disbelief evaporate as
Real fireworks of emotion form and take over –
Controlling and honing the skies of senses to One;
With which the Moon rises to
Shadows now revealed, open and completely aware.
Alongside the vast peace and utter calm

I stand, wholly joined with

Love, hand in hand, heart to heart with

You.

© 2018, rjbowes (The Bowes Blog, Thinking out loud. Be creative)

Rob & Laura Bowes

ROB BOWES tells us, “I am a farmer and agronomist. I manage farmers crops for them and work in the North East of England, UK. My Grandfather was a published author and lived for writing, travelling and taking photographs, all of which have inspired me to do the exact same. My notepad and camera come with me on all of my travels. My only downside is I never do anything with my photographs or writing so this is the first step in being more open and showing everyone what I’ve got. Hope you like my poem I’ve popped on your comments section, thank you.”


whodunit

i at six
questioned the baskin-robbins ice cream pricing.
they wanted ten cents
for a cone with one scoop,
twenty for a cone with two scoops,
thirty for one with three.
why would anyone buy the three-scooper
when they could get three ones at the same price
and get two extra sugar cones?

i at seventeen
kissed the most splendid creature in the universe.
that was most of my life ago.
only two times since
have i been that happy.
i at twenty-one
crossed the finish line
at the 1984 San Francisco marathon.
my friend waiting there
asked me how i felt.
with my first breath i said,
truthfully,
“i feel terrible!!”
with my second breath i said,
truthfully,
“i feel great!!!”

at thirty-five i saw
the top of my newborn’s head
bookended by my poor then wife’s skull-tightened flesh.

today at sixty-three
I feel accursed by congestion of the nose
and blessed by what the day
promises.

© 2018, Gary W. Bowers (One with Clay, Image and Text)


I Am Not My Dad

“I can’t cope with babies.”
says my Dad.

“Now you’re nine I can talk to you.”
He wants me to play board

or card games, or build
Airfix Golden Hind,

I’d rather read or draw.
He does not know

how to step into my shoes.
My two year old granddaughter

on my knee we sing nursery rhymes.
She makes me a cup of tea

with her wooden cups, saucers,
and teapot. I drink the tea,

munch on her wooden pizza,
toast and tomatoes.

© Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination)

Our Identity

is unnecessary. Don’t
haul around the weight
Of what you are.

I am not defined by my roles,
Husband, grandfather, son, brother.

I am not defined by my choices
Whether to help others or not.

I not classified, regulated, defined
In law, financial position or clump

of negative biases. I am not programmed
from birth to contribute.

I am not what I say I am not.

© Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination)

Trace back
through father’s asbestos boiler lungs
a glaziers eye,
a solicitors assistant’s discretion
a linen merchants fingers
a hotelier’s welcome
a linen merchants touch
a coal merchants aroma
a farmer’s tread

he walk towards me
short coated in sky blue
a waterman of the River Wytham

© Paul Brookes (The Wombwell Rainbow / Inspiration. History. Imagination)


Self Search

I am not

myself

or the you

you were looking for.

parents with unfinished dreams

pour into new life

their old ones

friends looking for a place

to belong / to rest

seek you in their

desires

lovers needing love

to restore / affirm

embrace a possibility

without attaching

reality

I myself

only have myself

for moments

before transmuting

to another self

contained within

an aging, forgetting

mind and body

forgetting what it knew

where muscle

was held tight

and who

I was

supposed

to be

© 2018, Debbie Felio 


#Rejoinder Of The Mirror #

” Who am I? ”
Sprouting from my mother’s womb
I’m here to you ,
I belong to my parents like you ;
Is it enough for my identity ?

Then why I’m an escaped from hustle of all sounds ?
Then why I’m traversing a lonesome peak
Where the first ray of sun lights my heart ?

Then comes my child -part of my corpus ,
Entangling my all .

Time rotates -he finds out his own world ,
Then that query chases me asking-
“Who are you ?”

Approaching to a mirror my query goes ,
” Who am I ? ”
The mirror replies laughingly –
“you are the one with your own view-own judgement -own love -own passion and own perseverance .
You are not just a body evolving from genetic materials ,
Rather a heart -a spirit laid in the cluster of atoms
Of your own physique ;
Your footsteps on this earth
will fade with you ,
Just colors of your composition would subsist for ages . ” ;
But still I think ,
“Who am I ?”

© 2018, Kakali Das Ghosh


‘Head Above Water: A Swimmer’s Perspective’.

Metaphorically, i have spent much of my life, keeping my head above water.

Dealing with life facts and disappointments, not forgetting the quiet times to help the work along

I lived on the coast, played by the sea

As a child, I floated gently until all became spongey. Now I swim head above water, up and down obsessively counting, hoping all will come clear..

Friends in water talk more, baring much, reflecting their clothing

I am drawn to water, my work reflective. Writing, swimming, painting, drawing.

I collect cuttings of people in water.

“a diary, a personal relationship with the landscape.

“Shoreline would be more an exploration of the concept….shorelines more related to actual examples…..how about that?

Shoreline…..an ever-changing interface……between 2 media…..2
worlds…..can be crossed in both directions, but only temporarily?……but
aren’t we only here because something had the courage to cross
permanently…..something emerging from the sea is such a powerful
image….turtles, ursula andress in dr. no, monsters from the deep…..and
why do we find it such an attractive place to be
xx salty”

© 2018, Sonja Benskin Mesher

. i am the pin .

:: a book of pins :: handwritten, copied in a day.

the drawing, the written page.

i am paint and cotton

i am pins and details

codes and reasons

calm and seasons.

i am boxes, charcoal,

fires and birds.

i am hand writing.

i am the old house,

all things considered.

i am the joker, the radio,

the music.

i am four dots.

i am the folded page,

the falling face.

i am the picture, the painting,

i am the mouse, the little bird,

a monstrous woman.

i am a word document, a picture file.

i am the pin.

© 2018, Sonja Benskin Mesher


The Light Toy-Railway

The light toy-railway is traveling,
with the kids who aren’t anymore.

To Paris, to Brussels is traveling,
to the Black Africa too.
The light toy-railway is grieving,
for the fawn’s steps under Christmas tree,
for the luster in the eyes and
ah, for the toys.
For the Blue Bird, for the white photos,
for the hand that is putting the little star.
For the dream that’s coming true.

The light toy-railway is traveling.
Traveling.

© 2018, Bozhidar Pangelov (bogpan – блог за авторска поезия блог за авторска поезия)


ABOUT

Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded.  I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.

My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s PorchVita Brevis Literature,  Compass Rose, Connotation PressThe Bar None GroupSalamander CoveSecond LightI Am Not a Silent PoetMeta / Phor(e) /Play, and California Woman.

the transformation of things, a poem . . . and your Wednesday Writing Prompt

Zhuangzi Dreaming of a Butterfly, Ming dynasty, mid-Sixteeth Century – ink on silk



A Man sleeping …
A Butterfly flitting… 
Zhuangzi, dreamer of Butterfly,
ponders what joy there might be
in that tiny Butterfly brain

so subtle

too subtle to be perceived by I or eye

Is he dreaming me? Zhuangzi asks.
Imagine the Universe thus engaged.

THUNDER

a Cosmic Belly Laugh 

Ho! Ho!

Then Zhuangzi knows: He is silent,
flitting from flower to flower in eternal spring.

coming and going, going and coming

This is called the Transformation of Things.

©2011, Jamie Dedes

WEDNESDAY WRITING PROMPT

Zhuangzi dreaming a butterlfy, a butterfly dreaming of Zhuangzi

Zhuangzi dreaming of a butterlfy; a butterfly dreaming of Zhuangzi

I love this allegory from The Book of Zhuangzi, one of the two greatest books of the Chinese mystical Tao. (The other book is the I Ching.) The allegory is about chi (qi), the energy of creation, which some might call God. 

Write and share with us a poem or poems that illustrates your experience with or perception of transformation. It does not have to be related to religious or spiritual allegory unless that is what calls to you.

Share your poem/s on theme or a link to it/them in the comments section below.

All poems shared on theme will be published next Tuesday. Please do NOT email your poem to me or leave it on Facebook. If you do it’s likely I’ll miss it or not see it in time.

IF this is your first time participating in The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com in order to introduce yourself to the community … and to me :-).  These will be partnered with your poem/s on first publication.

Deadline:  Monday, July 2 at 8 p.m. PDT.

Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro.  It’s about exercising the poetic muscle, sharing your work, and getting to know other poets who might be new to you. This is a discerning nonjudgemental place to connect.

Illustration credits: first illustration courtesy of Lu Zui and in the public domain/ second illustration courtesy of About Qigong.


ABOUT