We love living in the shadowlands that ride our backs,
pregnant with dream demons and rhinestone illusions ~
On such days we come crashing at the abrading edges
of narrow channels and wide-open oceans
………………………………..’till we are
caught between moon-sight and sun-gold distortions
Easy then to precipitate bursts of chaos in the
hoary hibernation of our soul’s winter, denying the truth
in our own voices, the god-awful transience of our bodies
……………………….Yet here we are … ………………………………Yes! Here we are
awakening on our rocky, rebel road …
serving up our spiny poetry
like Don Juan his peyote buttons
Share with us the poet in non-ordinary reality, the doorways that lead from the physical to the spiritual. Leave your poem/s in the comments section below … or, you may leave a link to it/them instead. All poems shared on theme will be published next Tuesday. Please do NOT email your poem to me or leave it on Facebook.
IF this is your first time participating in The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com in order to introduce yourself to the community … and to me :-). These will be partnered with your poem/s on first publication.
Deadline: Monday, June 11 at 8 p.m. PDT.
Anyone may participate, no matter the status of your career: novice, emerging or pro. It’s about exercising the poetic muscle, sharing your work, and getting to know other poets who might be new to you. This is a discerning nonjudgemental place to connect.
“I am fated to journey hand in hand with my strange heroes and to survey the surging immensity of life, to survey it through the laughter that all can see and through the tears unseen and unknown by anyone.” Nikolai Gogol
The heartening responses to the last Wednesday Writing Prompt, the hanged man, May 30, which asked what people – well-known or not – inspire us. Thanks to poets Lisa Ashley, Gary W. Bowers, Paul Brookes, Sheila Jacobs, Sonja Benskin Mesher and Marta Pombo Sallés responded with work that is both beautiful and heartfelt. Thanks to Sonja and Marta for also sharing their illustrations.
Welcome to the multi-talented Clarissa Simmens, making her debut here with Austisophobia.
I must also draw your attention to John Anstie’s homage to his stepmom, One of a Kind. Read it HERE.
Enjoy! … and don’t forget to visit these poets and get to know them and to join with us tomorrow for the next Wednesday Writing Prompt. All are encouraged to share their work on theme.
AUTISOPHOBIA
Most people fear me
Now that I’ve confessed
My autism
Despite the internet
And other fonts of info
They think we all melt down
And want to commit violence
On anyone blocking our path
Even if we only know them virtually
When the main thing
We on the spectrum share
Is our despair
That we are unlovable
To others
Merely because
We don’t know
The right words to say
Or the correct facial expression
When we are thinking of what was said
And what we’d like to convey
I dislike pity
So when things get sad
I go into Warrior Mode
A secret code
That bids me to lift my head
Love myself
And most days (and nights) I do
But there are times
When I watch as others
Shower kudos on their
Sisters and Brothers
The Neurotypical
Who fit in
While the Neurodiverse
Like me
Suffer the penalty
Of being different…
I have health and body challenges. This simply written narrative “homage” is trying to capture how it might be for my “Swim Buddy” and the thoughts that cross my mind about him as I swim and work out in the water. I hold nothing but admiration for him.
Swim Buddy
One random day he fell off a ladder.
Paralyzed on impact
never to walk again, they said.
What year ago did he appear
young man in a wheelchair
rolling into the water?
How many hours has he fought
his struggles unknown
to the likes of you and me?
What year did he appear one day,
legs booted and braced,
swaying from side to side?
He swims laps beside me most days now,
offers to loan his special chair—
my surgery is coming soon.
Some months with walker & cane for me,
sticks & braces for him forever,
we park side by side in the disabled spots.
We cross paths in the grocery aisle
sneaking looks at what we’ve chosen,
both leaning on our carts, canes tucked in.
He is greeted by many, a strange notoriety,
his story known on the island.
How many times a day does he say, I’m okay?
We speak hello by the locker room
noting the weather, he’s finished early today.
I don’t ask. We go our separate ways,
he to his truck, me to the water.
john wayne took
kirk douglas to task
for playing vincent van gogh
“play real men, not queers”
is only lightly edited for conciseness
but vincent was a real man
not a very pleasant man
but none can deny that fierce passion
that took him to the coal mines as a lay preacher
and gave him to live as the miners did
In the wretchedest of poverty
(he was soon fired, of course,
for misrepresentation of a proper preacher)
humiliation and scorn were his daily lot
the townsfolk called him “crazy red”
and he lived squalidly
but he was a dreamer alchemist
and he distilled an elixir
of hurtsoul and seethy seeing
from his churning core
and spread the elixir on canvases
he is gone but not
rectangles of his psyche remain
“Don’t let it get away!”
my sister shouts as my Dad’s hot air
wrapped in rubber flaps up
over the ocean
in a cross gust.
We both climb in to steady it.
“We’re going out too far!
“I can’t see mum and dad.”
She shouts clambering back out.
She grasps the rope to pull
it forward but gust is too strong.
She lets rope go. “I’m going
back.” she shouts and swims away.
I try to paddle but gust is against me.
I get out, grab the rope, try to haul,
the current is against me. I climb
back in. Watch the beach, and mum
and dad disappear, till there is only
the gusted, grey green waves.
It is cold. In my trunks I curl
into a question mark
in the rubber dinghy.
Suddenly, a shout. A huge hand
gathers me and dinghy up.
I rise into air. Lifted
into a smelly fishing boat.
“Thought tha wa lost their lad.”
the sea god says.
I set each odd shaped stone
in place to hold back debris
hold up the pit roof so others
may have space to work.
As I pack her bag
She says “Aren’t they beautiful.
The pied wagtails”
She watches their skitter
and bob outside the shop
window. “My dad was
a blacksmith in the pits.
Well, he was a farrier,
But when they got rid
of the ponies he became
a blacksmith. He allus
told me Pied Wagtails
nested in pit prop piles
stacked outside the pit.”
My pit prop holds up
the roof that others
may safely work.
The pits are all closed
their memories are all open,
a black and white skitter and bob.
Packer:
Pack – Roof support made of stone. Large stones at the front, built up like a dry stone wall. Packer (1) – One deployed to build the pack walls and fill behind with debris. Packer (2) – A big piece of stone to use in the pack wall. Packing – Act of building a pack wall and filling a void. Packhole – Void at coal face to stow dirt either or both sides of the gate from the ripping lip.
They discussed her wardrobe for Texas.
Simple, elegant outfits, Jack suggested
especially on the Dallas trip – to show
those fur-hugging diamond -dripping
dowagers what good taste really was.
She showed them: chose a pink Chanel
suit, navy blouse and matching pill box
hat laid out the night before, accessories
hidden while she smiled to crowds along
Elm Street, waved a white-gloved hand.
When he frowned,suddenly,slumped
forward in the heat’s glare she hunkered
down, cradled his broken head in her lap,
scrambled across the limousine’s trunk
with white kid gloves polka-dotted red.
She lay on the back seat, her body draped
over his, wouldn’t let go until she reached
the Trauma Room of Parkland Hospital;
sat outside,refused to remove her gloves,
relinquish any more of him to strangers.
She showed them, showed the world as
L.B.J.swore the Oath of Allegiance on Air
Force One and she stood at his side, wore
blood-stained stockings and snags of dried
grey matter on her shocking-pink suit.
Sonja Benskin Mesher, RCA paintings (This is her Facebook page, so you can connect with her there as well as view photographs of her colorful paintings.)
I do not have any poem specially dedicated to a famous person for their courage, wisdom or whatever other qualities to admire, but I have a homage to some anonymous people that unfortunately are no longer among us:
Time
cannot be changed
or escaped.
Time is a thief,
a friend to no one
and every day is
a gift.
You cannot change time
or travel back
to reverse those things which
should never have taken place.
People killed for no reason
or
is there ever a reason
to kill other human beings?
Those people did not get lost.
When you’re lost you’ll sooner or later
find the way back.
Or perhaps not.
But you’re not erased from Earth.
Those people were killed,
just a few compared to other countries
in our world.
None of them will ever return
to the world as we know it.
They’ve just been removed too soon,
swept away by the cruelty of others:
white supremacists, Muslim terrorists …
But which governments are orchestrating
such massacres in our world?
Who’s feeding the monsters
is equally a monster.
Let’s tackle the root of the problem.
Only this way we’ll be able to say:
I am not afraid!
Time and human cruelty
are friends to no one:
Charlottesville, Barcelona, Cambrils
and many more.
The outcome is always the same.
2nd poem: A tribute to a Catalan allegorical figure, the Pescallunes, a moon fisherboy, and to those anonymous people following his example:
Someone unplugged and unscrewed
the moon and the stars.
They were stolen away from us
and we were left with a dark blanket,
covering the surface of the Earth,
under which we must live our lives.
Amid the darkness, in the sky
of a salted night, some of us
sit by the same old sea,
or mountain, or field, or by that river,
where once a sickle moon reflected itself.
Soft wind combs the lonely fields
of broken dreams.
Some of us search for the lost moon and stars,
electricians looking for some spare parts
to screw and plug in again in our hearts,
in the sky of illusions.
Some of us have brushes in our hands
starting the repair job,
painting a new landscape.
Someone plugs in the sun
and when the night comes again
stars and moon begin to shine anew.
The mirror of the sickle moon
reappears on the river waters.
As the ancient legend tells
a fisherboy wants to fish the moon
and put it in his bucket.
Someone laughs at him
and at the impossibility.
But deep inside the boy knows
he is a pescallunes,
a moon fisherboy,
like any other inhabitant
of that small Catalan village.
The fisherboy knows deep inside
our world needs more moon catchers
like you and me,
people with plenty of illusions,
dreams and projects.
And the 3r poem is again an allegory or personification:
A long time ago
I got used to living with
My open wounds,
The last withered while
I was staring at the sunset
In the middle of the fog.
Yes, you told me so many times About your suffering, How your heart shrunk Fisted in bleeding red While your eyes tasted The salt of the ocean waves And cristal pearls were running Down your cheeks.
On that plane you felt The freezing coldness Where just one thing Would not freeze: The fountain of your tears.
Yes, indeed I remember
All the pain on that plane.
You sent me back to the
Land of rejection.
Yet I am a resilient rock
With my withered wounds
That I carry since ancient times
On this eroded earth.
But to exist is to resist
And so I dwell in human hearts
Who care for each other.
And may I receive your boasting waves
Crashing on my shores
Those hearts will restore me again
For I am silent love and not vain.
One iced night mom took his hand
and led the boy to a no man’s land
And in the darkness of that night,
he came to know himself as blight
Born upside-down and on a tether,
no turned up way to make him clever
Both heart and memory came away
with jilted mom on that crazed day
Excess baggage he seemed to be,
surviving much-grudged care you see
Imagined poems filled his dreams,
soulful skimming of raw life’s cream
On winds of change other blows,
but joys embedded he has known
And in the end life’s still worthwhile
Life was precious to man and child
Upside-down fuels such rare view,
and capsized life is a lonely pew
But when time came to make a close,
only sweetness from a thornless rose
I was intrigued by this gracious man’s history: a breech birth and coincidentally his Tarot birth card was the hanging man, illegitimate, difficult life but no victim mentality, and a graceful acceptance of death when the time came. I’ve no idea why this came out rhymed. As I may have mentioned before, I don’t care for rhymed poetry and rarely write it.
“Jung looked upon the situation pictured in the hanged-man as an invitation to plumb new depths of being – a challenge rather than a punishment. ‘For the unconscious always tries to produce an impossible situation in order to force the individual to bring out his very best. Otherwise one stops short of one’s best, one is not complete, one does not realize oneself. What is needed is an impossible situation where one has to renounce one’s own will and one’s own wit and do nothing but trust to the impersonal power of growth and development.'” Jung andTarot: An Archetypal Journey by Sallie Nichols
WEDNESDAY WRITING PROMPT
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
Not everyone is delivered wrong-way into the roiling sea of life, but everyone is delivered into challenging situations at one time or another. Every day we meet heroic people who have overcome adverse circumstances or lived with them gracefully. Remarkable! Some people never cease to amaze. Who do you find admirable and why? Write a homage. Tell us in your poetry that you post in the comments section or via link/s to the poem/s on your blog.
All poems submitted on theme will be published here next Tuesday. Deadline is Monday evening, June 4, 8 p.m. PDT. If this is your first time participating in Wednesday Writing Prompt, please be sure to post your poem or link in the comments section but send your bio and photo to thepoetbyday@gmail.com to be used by way of intro to readers … and me! 🙂
All are encouraged to join in Wednesday Writing Prompt to exercise their writing muscle and make new poet friends.
“Whereas story is processed in the mind in a straightforward manner, poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It’s the crack cocaine of the literary world.” Jasper Fforde, First Among Sequels
Where does your poetry come from? How do you receive it? That was the essential prompt for last Wednesday, The Witching Hour, May 23, 2018. What a fun and fine response. Clearly almost all of us think there is something rather magical or mystical happening. So here today, I’m delighted to share the work of old and new friends with their old and new poems, sometimes connected to the theme by a slight silken thread and that’s okay. All good. I know you’ll enjoy yourselves as much as I have.
Thanks to poets John Anstie, Paul Brookes, Marta Pombo Sallés, Frank McMahan and Anjum Wasim Dar and a warm welcome to Neeldip. Be sure to visit these poets and get to know them. Links to their sites are included. If they have no blog or website, you might catch up with them on Facebook. Congrats to our prolific Paul who keeps those chapbooks and collections coming at a breathless rate. Bravo!
Please do join us tomorrow for the next Wednesday Writing Prompt.
A Fairy in Disguise
Meadows turned to mist even the azure’s smiled,
lights were blinded till a distant mile,
when she walked down the morning aisle.
Fireflies were her companion when she sang along nightangles,
Moonlight was her curtain,
As she strolled through the shrouded forest,
Midst the starry fountain.
Neeldip has sent a bio yet, but when he does, I will post it. Meanwhile he was invited in by Mart Pombo Salés. She said to him, “Beautifully written. Love how you recreate this mysterious atmosphere in the world of fairies and goblins. This is also the world of the Muse that whispers something in the poet’s ear. Is this why you say “A Fairy In Disguise”? Your poem carries something similar to a mystical experience. The ending is very powerful with the “starry fountain”. Isn’t that the fountain of life and inspiration? I think it would be perfect for the next Wednesday Prompt … ”
The Dream of a Poet
I woke up with a start some time ago;
A very familiar path;
from sleep infused, in semiconscious state,
with dreams of the unpleasant,
into a slow and rude awakening.
Was it a mystery magician or
con artist, the evil one,
who managed to deprive me of my freedom;
usurp my own free will;
transport me where I never want to go.
And then, somehow it dawned on me that I,
apropos my own illusion,
had written words that weren’t exactly true?
I’m not sure how this is…
But missive written. For poets. How to write!
Astonishing!
The anti-hero in my fated dream
insisted I capitulate
and turn my trade to more constructive end
by which it sought the truth
of why I wish to make my dreams come true.
It asked me who I thought I was and then,
without so much as by
your leave, it pulled me back into oblivion.
It also didn’t hear me
when my stentorian protest made no sound.
It was a vision; a reverie that spoke
of fantasies; woolgathering.
It is, in truth, as truth is meant to be
none other than my conscience,
speaking of the will to write and dream.
If answer there is one, I do not know;
so often out of our control.
The only thing I have to say is this:
it’s always up to you.
Only you can judge what’s best… for you.
By your own best devices, you don’t need
to take advice from where
there is no guidance better than your own
…save rules, and even they
can be ignored once you have mastered them.
Dream of spelt and salt cake I fire for you, and before you can seek future from way I burn clean my fireplace, clear your head.
Old ash and cinders block gust makes for poor-burning, makes for poor-thinking prepare my gob for my tongues my gob packed with ash piled ash in my grate piled ash in my head crumbles like walls from incendiaried homes
stop wandering off when I’m talking to you!
ash up against my fire-bars makes them overheat makes you overthink
so they sag and “burn through” make me virginal something to focus on something for focus recall collecting ears of spelt in reaper’s baskets
I said stop wandering!
rake remains of my last fire the last fire between my temples so ash falls through my grate train steam in your nostrils pick-off the cinders for re-use.
My lightweight dark lumps, not my powdery un-burnable pieces of roasted shale my exhausted voice.
Clear my fire-bars of small cinders, clear all my ash, clear all the dead, dry bones out of my head recall the crush, grind
then roast the ears of spelt, yeasty like a pint of beer
Concentrate! You are lighting me fill my gob
with dry, unfinished paper cheap-newsprint not glossy magazine-print.
screw sheets into rough balls packed into this brain space not too tight, but not too loose.
Keep the paper open & crinkly don’t pack paper into hard nuggets, make them roughly spherical.
Should cover my grate with plenty of space to allow gust to blow away, focus these eyes, only one layer, as my tongues lick paper down everything on top will drop, roof falling in around my ears leave it at a couple of inches. Recall salt prepared pound crystals from brine
from a salt pan in a mortar, pack and inhale seafret. Cut lump with an iron saw.
I’ll not tell you again!
paper is to ignite the wood (next)
the next thought only enough, too much will clog fire-bars cause stack-collapse as your paper doesn’t burn well, stuff a loose sheet under my grate under my thoughts light it let my little tongues loose stuff sheets underneath burn them recall forbidden reading, books in flame, memories of things not spoken discarded ideas
I can be dangerous!
break up my ash with a poker. Recall stir of salt and spelt into carried spring water pure never touched the ground into meal that must be rested my pulped treeflesh.
I will lick away a support for my woodflesh. I lick away a flicker of an idea, a first layer
of contemplation.
(From “The Headpoke And Firewedding”, (Alien Buddha Press, 2017)
my thought needs substance crouched supplicant
to our hearthmind layer my gob can’t light my coal with paper my wood layer is for coal as my paper is for wood layer on my paper small pieces of wood (kindling) watch for splinters embed in your fingers for all day pain or a heated steel pin to remove. Carefully make a wooden pallet a raft of images on balled up paperwaves support my coal so imagination flares as I burn to speak.
Pray raft holds. Criss-cross wood, a cohesive structure.
You’re making my fireplace,
My head layered.
My gob layered.
Geology reversed.
Paper from trees. Dead trees made coal graduations of image, thought and idea.
When paper gone hold stays, mixture of thick and thin considerations.
Thin ideas burn easily, produce heat, thick sustains in depth delights my imaginations coal
(From “The Headpoke And Firewedding, Alien Buddha Press, 2017)
like wood is my imagination solidified sunblaze trapped voices, stories trapped build a pile of imagination on top of my wood-raft stuffed into my gob have a nice pile in middle.
Concentrate!
Choose pieces too small air-flow round my head restrict visuals. I cannot breathe. Choose pieces too big don’t get enough licking heat from the wood. Ignite my images , ensure fire-front removed for maximum air-flow, ignite the paper from underneath, ignite heads images underneath.
Focus!
in multiple places – get as much litlick quickly as possible, heat feeds between ignition points
if you will not put your mind on me I’ll burn your house down my water in the wood coal makes sulphuric acid lick surface off your brick funnel .
Images sear . Imagination needs time, fire blaze, cornfield stubble, while wood and paper left, this cellulosefuel heats imagination -fire to self-sustain your hard images buried deep, pressured become harder, blacker used in locomotives, steam ships, pitsweat, minehacked proppedimages your soft images nearer surface browner nostalgic soft focus biscuit tin tender.
Imagination produces smoke and tar when heated only,
when “dried out” get red-hot carbon fire makes imagination so hot. Recall tar melting on roads in sunblaze, sticks to soles coal tar soap photosynthesizes calls back its days as a plant.
I can be dangerous!
once my fire lit poke gently, release ash, break-up images stuck together by tar sticky mind coagulate.
Arrange cinders around the edge, add more images around fires periphery around
minds periphery. Don’t throw a bucket of imagination on my flametongue.
Always put a bit at edges or in middle. Images poked.
Poke my licking.
so ash falls through firebars so ash fall through the head.
Lift my burning images, ensure ash removed from under fire bars.
Imagination needs time to warm up.
Don’t smother with cold-images.
Kill lovely heat.
Longer to burn up. Pile it up around the edges, when it starts burning: poke and rake it into centre gradually.
When lit you give me a voice, a gob and tongues. Listen to my stories, record my voices, divine futures from decay of food thrown on me.
How virgin cakes of salt and spelt bake towards decay in heat tongueflicked wild jig of ideas before I ashreturn lose my tongues.
(From “The Headpoke And Firewedding, Alien Buddha Press, 2017)
Who knows where they have come from? No
summer rains to fill the limestone
caverns, no spring time residue
and yet the tongues of water spread
in new directions,loosestrife by
the water’s edge; and willow herb.
Across a once-ploughed field,
mineral insinuation
feeding the tangled hedgerows and
forcing the flush of hawthorn’s white.
Folded in dew, summer might bring berries;
fieldfare and redwing on winter’s winds.
(Seven Springs is a real place just north of us which feeds the River Churn that runs past my allotment and through the middle of town. So…)
Words and thoughts felt in transparency, unknown, unseen,
senses benumbed, as vision scans nature’s changing vapors
against a canvas, bordered by shivering trembling green leaves
of stretching, bound, firmly rooted growth, shaping into one
strong trunk…strange is the form yet studded with beauty …
as feather like as water drops, soft, in feeling, a medium,
which passes through, touching the body soul and spirit
breaking the trance to discover, an idea ‘arranging deepening’
in the mind, revealing a song’ or a story’ or poetic drama’
so ‘poetry should be naturally expressed’ though along the way-
‘there are places that beckon us to stop or warn that these lines
are true,these thoughts good, let the words flow’, in early drafts
don’t try to control the poem’, feel free to alter the facts’,yes,it is
easy then, but it is work, hard work, the idea comes from the unseen
it is then from ‘me ‘ to something real outside ‘ in order, to craft’
sometimes it is Light’ spreading gold in the sky on hills and land
cutting darkness to glory divine’ when green goes dark looks grand
mind stirs wonders eyes gather images and thoughts seek words
to amalgamate colors, beauty serene, majestic mystical hills of sand
who made them? how much more beauty must be in His Domain !
a poem can be, just be, it comes in moments, in time, at night
sometimes nothing descends for days, nothing inspires, a lone
still, lifeless object, may strike the soul, yet it all is formed only
when the mind in its richness of language receives the ‘order’
‘a divine gift ‘it is as poets have revealed in the past across ‘border’
Mirza Ghalib wrote’
‘ Aate HaiN Ghaib Se Yeh MazameeN Khayal MeiN Ghalib Sarir-e Khamah Nava-e Sarosh Hai
When mysteriously topics or subjects come in ones thoughts,
Then the sound made by the pen, resonates like the voice or sound of angles.
Jamie Dedes' THE POET BY DAY Webzine 