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time for the temple whores to sleep with insanity and take the war out of it, a poem … and your Wednesday Writing Prompt

800px-castle_bravo_blast



does it bloom, this horror,
from my nonEuropean roots
from the scent of cinnamon in my blood?
the brown and yellow tinges of my skin?
or is it just your old soul and mine and
this intuition we share on the ground
of one another’s battles, witness the fuming
anger feeding disenchantment in the street
and the acquisitive tendencies of the elite,
cowardly saber-rattling, cut off from authority,
from that innate expressively honest power
of our erotic selves, our instinctive selves,
the non-rational knowing that embodies
strength, nothing weak or pornographic
in its expression, a profound antithesis
to the pornography of war and hate that,
in the end, is about impotence, about the
emboli of narrow minds, grasping oligarchs
fomenting tribal dissents for their own ends
or dropping bombs like a child bangs pots –
to overwhelm the fear of thunder, a game
of chicken, of the hawk-hawk play
toward a mutually assured destruction . . .

just a matter of time 

as we stand the ground of one another’s battles
where peace would be revolutionary and
the unholy alliance of wealth and fear-mongering
might burn itself out, find its way into justice,
but here we are, once again, in thrall to the
sociopaths, they have us bloodied and bound ~
their eyes are the aged face of clockwork orange,
numb to the obscenities of maim and murder …
where is the will of the cup to overcome
the sword? time for the temple whores to
sleep with insanity and take the war out of it

© 2017, poem, Jamie Dedes; Photo credit ~ July 9, 1956 nuclear weapon test on Enewetak Atoll, an image of the National Nuclear Security Administration and as such in the public domain

Note: This poem is an excerpt from the March 2018 issue of The BeZine, Waging Peace. 


WEDNESDAY WRITING PROMPT

Where is the will of the cup to overcome the sword?  Why aren’t we succeeding in our efforts to bring wars and other violent conflict to an end? Share your thoughts … perhaps inspiration … in poetry. Leave your work or a link to it in the comments section below. All are invited – encouraged – to participate: novice, emerging or pro. Works shared on theme will be published here next Tuesday.  If this is your first time participating in Wednesday Writing Prompt, please send a brief bio and photograph to thepoetbyday@gmail.com. This will be used to introduce you to readers. You have until Monday, April 9 at 8 p.m. PDT to respond.


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::wonderland:: . . . and other poems in response to the last Wednesday Writing Prompt



The last Wednesday Writing Prompt, March 28, invited poets to write about place. Here are the interesting, intriguing, and sometimes poignant responses from poets: Gary W. Bowers, Paul Brooks, Kakali Das Ghosh, and Sonja Benskin Mesher. I’m touched though not surprised that home inspired a few of the poems featured today.

For some writers poetry may be a primary form of artistic expression but it is not the only one. You’ll note, I always include links to contributors blogs when they have them. I hope you’ll visit and get to know them or connect with them on Facebook. Gary, Sonja (an award-winning artist, so many I can’t keep up) and Kakali are stellar artists, very different in style but rewarding.  Paul (who often writes in regional dialet), Gary and Sonja are also photographers. Given Paul’s knowledge and love of art, he has distinguished himself with some very fine ekphrastic poetry.

Gary is sharp, original and unique. He honored me with one of his sketches. Thanks again, Gary!

jamie-dedes-02222017

I’m pleased beyond all the words with which we play to present these remarkably talented folks to you here, one of the gratifications of a “connected world.”  I hope you’ll share your own work with us tomorrow for the next Wednesday Writing Prompt.


the phoenix and phoenix

phoenix arizona lies
asprawl across the valley of the sun,
and that sun in summer stuns one
who is wise to heads indoors,

but the winters, mild and tasty,
bid a million phoenicians rise
and form a wing-flexing phoenix
of basking and bonhomie
and renewal.

© 2018, Gary W. Bowers (One With Clay, Image and Text)

the phoenix and phoenix

phoenix arizona lies
asprawl across the valley of the sun,
and that sun in summer stuns one
who is wise to heads indoors,

but the winters, mild and tasty,
give a million phoeni

© 2018, Gary W. Bowers (One With Clay, Image and Text)


Our Wombwell

sunbreaking brought bling jewels from overnight
rain, droplet tiaras/earrings trees, lampposts ankle bracelets.

On bus glimpse un netted/unblinded windows massive TVs window on window on corporate images: ogle goggle boxed.

Fresh grass laundered, barbeque wafts, rounding white clouds sky ablaze: Natural delights

cat trots downhill to bike shop. Black stringtied purse roadside. Folded bus pass at bus stop: ways home

© 2018, Paul Brookes (Wombwell Rainbow)

My Black Spot

A treasure island mark on a palm
for which mam says she has blankets
in the airing cupboard.

For any metal crashes
we might hear from
the busy A one.

A grey metal bridge
over the spot
I trundle my Raleigh bike

to meet with crystal set Duncan,
bright as the guards
on his new bike.

An overgrown cottage
with walls like broken teeth
and shattered windscreen glass

meets me at the footbridge bottom.
There is no blood,
only what’s left after the event.

On return footbridge
is now flyover, black spot removed.
Folk fly by too fast.

My old home is a turn off.
into village quiet.
A place folk glance at
on the way to elsewhere.

© 2018, Paul Brookes (Wombwell Rainbow)

Flinch At Cold, Cold,

sticky touch
of scaffold pole steel,
in the sunblaze,

negotiate unlashed wooden
planks of a half built brick house
opposite my Mam and Dad’s,

miss my foothold, bang my knees,
graze my elbows, dazed, brickdust gob,
lightblinded

see behind closed eyes, few years earlier,
another bright, warm summer,
my fall

fifteen feet from a branch
in a tall forest, to sharp earth,
concussed, bruised, rip

my jeans, leaf litter gob,
so mate John,
who I’ve played with

for months takes
me, where I’ve never been,
over the massive quiet

of the cricket pitch of a cut lawn
his dad’s garden,
crunch pristine, white gravel

to his big sandstone Hall,
John says “Take them off.”,
as he takes his shoes off,

I take off my forested sneakers,
through white barndoor
of a front door, smell fried onions,

pad over red tiled hallway,
into a bright, high frontroom,
bigger than our village school

assembly hall,
to a vast leather settee
and first colour tv I’ve ever seen,

looks small in the centre
of this space,
asks me to sit while his mam

fetches a warm
cup of tea in a china cup,
and asks if I want her

to fetch my mam or dad.
I say “It’s kind of you to say,
but, no. I’m ok.”

And sunblinded, sore,
bloody again, on the scaffold,
reluctant,

as mam said, “And don’t let me
catch you clambering over
that building site!”

© 2018, Paul Brookes (Wombwell Rainbow)


#It Was The First Time #

It was the first time
I was there
It was the first time
I felt his touch on my shoulders
Bay of Bengal :gazed at me with its profound look
With its stories untold for years immemorial
With its beach bathing under April sun
With its wavy dance dashing over boulders carving relics
It was the first time a heavenly child on a horse threw a celestial smile at me while passing through rocks
It was the first time he rehashed me
a statue spellbound
And it was the first time that tamarisk wood in the skyline
swayed each corner of my heart
My courage unfolded to say you -“I’m yours -just yours .”

© 2018, Kakali Das Ghosh


:: wonder land ::

it was a long winter

spring came, and i went to

wonderland

finished work, drove the hill,

there before me, misted,

pink polaroid,

pointy trees,

i could not breathe

for wondering.

plas newydd, the house

of lady friends

who flew from family

to nest in looking

glass.

a world away.

breathe came,

all there was in the

whole world was this place

yesterday.

pin pointed, pinhole,

and mindfulness.

© 2018, Sonja Benskin Mesher (sonja-benskin-mesher.net; Sonja Benskin Mesher, RCA paintings; sonja-benskin-mesher.co.uk)

.home.

to live in this place,

walk down to see fish,

waterboat men, dimpling

miniscus.

rest amongst bird

song, tapping the wood.

know you have

a piece of mind,

however fleeting.

to be in this place.

© 2018, Sonja Benskin Mesher (sonja-benskin-mesher.net; Sonja Benskin Mesher, RCA paintings; sonja-benskin-mesher.co.uk)

.this place.

enjoyed waiting with you, leaning on the fence.

quietly remember you who made this place. special.

© 2018, Sonja Benskin Mesher (sonja-benskin-mesher.net; Sonja Benskin Mesher, RCA paintings; sonja-benskin-mesher.co.uk)


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Two poems and your Wednesday Writing Prompt

 



Bay City, Poem I

San Francisco Bay. Seagulls plant themselves

near heavy metal, making tracks across a bridge.

It’s well know for its span and golden beauty.

Like a gothic cathedral, it spins toward heaven,

stops short, dips and trips to the other side.

Same story. Only the address has changed.

Bay City, Poem II

The seagulls spin and spiral and call.

They fly into the wind and over water.

Dawn catches them wings spread,

hang-gliding over ports and beaches.

© 2018, poems, Jamie Dedes; photograph courtesy of Petr Kratochvil, Public Domain Pictures.net.


WEDNESDAY WRITING PROMPT 

There are many reasons why place is important to poets and writers. The reasons include not just inspiration – though that may often be primary – but also to evoke mood, to underline theme, and often even as a “character.”  Write about a place you find particularly beautiful, meaningful, evocative or compelling in some way. Post your poem(s) or a link to it/them in the comments section below.  If this is your first time responding to Wednesday Writing Prompt, please be sure to email a photo and brief bio to thepoetbyday@gmail.com so that you might be introduced to readers.  This weekly theme-based prompt is all about exercising the writing muscle, showcasing your work and getting to know other poets. Please feel free – encouraged – to join in no matter the status of your career: novice, emerging or pro. All work shared in response to this week’s theme will be published next Tuesday.


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“Our Takeaway”…. and other responses to the last Wednesday Writing Prompt

 



My apologies to all those who shared poems in response to the last Wednesday Writing Prompt. I didn’t realize today was Tuesday and time to post your wonderful work for all to see. The reason – not excuse, as they say – is I am totally in airhead mode with this relocation. So, here we go … still Tuesday by me but I know for some of you it’s already a new day …

The last prompt, Wednesday, March 21, after the injera, the way, the niter kibby: tell us about a take away from your travels or vacation garnered us these lovelies. Thank you to Kakali Das Gosh, Pleasant Street, Paul Brookes, Sonja Benskin Mesher, and Reena Presad. Enjoy! 


Our Takeaway

always on a Friday. A menu
taken out of the kitchen drawer,

unfolded. Dad scribbles what everyone
wants. I choose egg fried rice.

Using phone on the phone table
in hallway Dad rings order through.

Sister and I chorus:
“Can I come when you go, Dad?”

After days of school meals,
meat and two veg. at home,

takeaway is exotic. In the car
usual casual joke “egg flied lice.”

Inhale fragrance of garlic,
soy and foreign voices far above

as we join the queue, Dad collects
a thin white plastic bag that bulges

with sharp edged foil cartons
on kitchen side carefully

extracts each box, bends back lips
releases plumes of spicy heat

to put on already warmed plates,
carried through to front room.

Empty cartons are placed back in white bag
rushed out to a bin so smell does not linger.

© 2018, Paul Brookes (The Wombwell Rainbow)

I A Glede

dark wraith,
elegant, rangy,
float russet and goldflash,
above winter’s woodland,

street cleaner,
snatch roadkill from gutters,
pavements, lobbed pizzas, chips,
knickers, jackets, teddy bears,
odd shoes, toy giraffes
rest with my feathered young,
decorate my nest.

© 2018, Paul Brookes (The Wombwell Rainbow)

Servant

For a time I do bother
to polish the surfaces,
hoover, wash and iron.

If only for myself,
but then myself is not enough.
Dust piles, crumpled clothes dirty.

I fall asleep among dirty sheets,
empty crisp packets,
half eaten cold pizzas,
stink of mice piss.

Awake to freshly laundered sheets,
clean carpets, clothes washed, ironed.
Surfaces polished smell of Lavender.
How could this happen?

Again I fall asleep while tv on,
amongst discarded chocolate papers,
left over cake on plates,
half drunk cans of lager.

Awake to tv off, rubbish binned,
plates washed, dried put away,
Citrus not stale beer and rotting smell.
I’m intrigued. Curious.

It takes no effort to be a slob, again.
Spill crisps down sides of chairs,
dribble tea into carpet, crumbs.
Energy drinks ready I stay awake.

Energy sup is the biz. Make
Me hyper so I see these two tiny
Folk, man and woman, like regular
Nanites sorting my crap.

Like my old man never were
this one hoovers up crumbs,
packs his black bin bag with cans,
busies, polishes, scrubs to his bones.

His old woman like mam, I guess,
dusts, scours a whirlwind devil.
Part of me says they do as they must,
the other sees what they lack.

Next night I leave them a gift
of nothing to tidy, to put away.
They seem contented as I watch
surrogate mam and dad leave for good.

© 2018, Paul Brookes (The Wombwell Rainbow)

I’m Man Enough

18 in 1980 week afore starting uni,
lads night out and your dressed
in Burton’s bright yellow like a canary,
socks, shoes, shirt, jacket, because it’s cool.

Lads boast they down 11/12 pints
of John Smiths bitter a night,
shag a lass then do same next night.
You’ve never done neither.

Follow lads round like fresh meat,
loud and brash, they talk of shagging
bints, fast cars, live bands you’ve
never seen coddled by your mam and dad.

Four pints in and your eyelids droop,
bitter makes you fall asleep, lasses
in short skirts with intentions nuzzle
up but loud music means you can’t listen

to what they’re saying and wouldn’t know
what to say. Lads jostle you. “We’re off
to neet club. A tha cumming?”. I shout
an apology. “Got to be in by 11.”

They get off. I leave the pub, buy
a pizza and pissed walk home uphill
chomping on greasy slices, cardboard
box too big, one side of road to another.

© 2018, Paul Brookes (The Wombwell Rainbow)


# I’d depart this land #

His visage is still vivid in this misty evening
Those eyes
Those pink hands
Those lips
Those jowls
Those days in Kashmir
still call me in this lonely evening
That crystal lake
That stream
Those golden apples
Those flower boats
Those diamond peaks
Are playing in my weepy eyes
His words
His kisses
His smile
His last touch
Perhaps still have retained a token of our fancy
In the last cherry tree of that garden
I’d depart -I’d depart this land
To searh for those flying hairs
Those heavenly fingers
Embracing me
in that florid houseboat…

© 2018, Kakali Das Ghosh


. it is a holiday .

they say, and close the stores.

it is complicated, to do with floor space and employees rights.

we had chocolate eggs, worked hard, let our arms loose.

warmer now, the sun shone, people came, visited,

smiled, fondled the wool, spoke of age and weaving.

he said there were many looms in his day.

he is eighty eight, he told me many times.

© 2018, Sonja Benskin Mesher (sonja-benskin-mesher.net; Sonja Benskin Mesher, RCA paintings; sonja-benskin-mesher.co.uk)

. permanent traveller .

having had a few days off, no not from honest work,

yet writing, rests the mind, i find that everyday

things, mote well on my behalf.

i heard the cock crow early,

looked for swallow flight, seeing none,

cleaned, tidied, then came to write.

it has been a pleasant morning.

© 2018, Sonja Benskin Mesher (sonja-benskin-mesher.net; Sonja Benskin Mesher, RCA paintings; sonja-benskin-mesher.co.uk)


You Do The Math

(what I wrote while traveling
back to the town we met in and fell
in love, and back again)

dancing tall in my living room
to George and Elton
(does it really happen
if no-one sees it
like that tree in the forest)
he says sometimes I never go out
(could tell him stories about 1985
when I lived ten years in 12 months)
and I dance and dance

my head full of 1990
(wonderwall,hammer,hit me baby)
one more time–let’s dance as one
I’ll lead this time–you follow
if you still have that notion
that 1+1=1
and 2+1=no end of joy

perhaps we will find
a new kind of happy-
ness, wrapped in understanding
and lessons learned
(old flames, new rites of passage)
let’s not forget, and dance to now
(rhianna, poison, blended with
the Beatles, Eagles, and 21
pilots, shaken and stirred)

once I thought it was most crucial
to fly without a net
but I believe
the trick
is
to not let go

© 2018, Pleasant Street (are you thrilled)


AESTIVATION

The road is an arid breath
wheezing through barren boughs

I unpacked you on the green bed
My hair flying wild
Bees humming about silken valleys

We left together to explore the trail
of a dust-swept summer
Drunk bees still buzzed in hordes
till a flycatcher caught up with us

Your summer, a mirage
A shimmering wall of sorrow
Dry-eyed, I listened to its howl
They lamented in Nizwa and Sohar
yet you held your sorrow in
waiting for Khareef

The Hajar mountains twisted to get
a glimpse of tourists
fooled by bursts of paper blooms

Parched, we returned
A white eye of a flycatcher followed us
The wall wept then at my infecundity

But in my rucksac, carefully preserved roots lived
To soak in tap water at leisure
and bring forth a trail of sprouting greens

I smelt then
the base notes of a buried south-westerly monsoon
feeling buds of earthy love
from this land of hidden green
burst open beneath dry skin

© Reena Prasad (Butterflies of Time – A Canvas of Poetry)
originally published in GloMag May 2016


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