Page 50 of 72

“Repenting Peter” (El Greco) …. and other responses to the last Wednesday Writing Prompt


This may be one of our finest collections yet, poetry written and/or shared in response to Ecce Panis [Take This Bread], Wednesday Writing Prompt, December 6, “What event or experience or time in your life (doesn’t have to be associated with religion) birthed for you the freedom to explore beyond the boundaries set for you?” These poets have certainly risen to the occasion. Much thanks to  Denise DeVries, Paul Brookes, Mike Stone, bogpan (Bozhidar Pangelov), Gary W. Bowles and Sonja Benskin Mesher.

Join THE NEXT WRITING PROMPT, JANUARY 3, 2018. Once I put The BeZine to bed on the 15th, I’ll be offline for family time and taking a rest until January 3. Many blessings for joy in this season that is sacred to so many and for your peace of heart in the new year.

Thank you for your support, kind comments and sharing through The Poet by Day site this past year. In a world gone mad, you are the hope, the grace, and the voices of sanity. Poetry is the flagpole around which we gather in compassion and acceptance.  You are valued.

All are welcome to come out to play for these writing prompts no matter the stage of your poetry career: beginning, emerging or pro.  It’s about sharing and friendship, discretion not judgement.


A Town Where Nothing Ever Happens

I lived in a small landlocked town
and would probably never go anywhere.
My parents rejected the foreign
language teacher’s offered lessons.
They didn’t like the looks of him.
Something could happen…
Years later, I find myself
in Central America, in a town
where nothing ever happens,
except me, trying to speak Spanish.
In the market, the black
head of a calf stares up at me.
A tiny tiny old woman in
native dress embraces me
and kisses my hand, speaking
a language I’ve never heard before.
Beggars wait on cathedral steps
for the priest to finish asking God
in his North American accent,
“Quita los pecados del mundo.
Danos paz.” The children want
to know why I am crying.

© 2017, Denise Aileen DeVries (Bilocalalia)


Path Of Seeds

O, Lady of the breath,
selfish and in control

you decide the path of seeds
you carry and drop in my grove.

Landscape architect place
an acorn here, a daisy here,
chestnut over there. No negotiation.

Blow my intricate clocks into half spheres,
my Sycamore immigrants spin
through your gusts.

Shoot moss into these worn mortared walls.
Broadcast grass between these carefully
laid pavements.

With you I have no choice
you deliver into me
whatever you hold.

I welcome your unexpected gifts

© 2017, Paul Brookes   (The Wombwell Rainbow, Inspiration, History, Imagination)

O, Lady Of The Breath (Six Vacanas)

1. You Rise

from my forest and leave
out of the gob and earth falls.

It shivers renewed,

welcomes a similar you
into my gob.

You excite my spring buds,
allow the earth to rise, again.

2. Can’t Let

you stay long in the dark,
or the earth will rot.

I can’t let you out for long,
or the earth will rot.

Let’s follow this pattern.
I’ll briefly allow you into my dark wood,

But please don’t take woodsmoke, car fumes,
coal dust, iron filings, water in with you,

else I’ll hack you out. These companions
quicken the rot.

3. Help With The

tasting snake in my cave
form the words I need to say.

Take my words out into air
loud enough for others to hear.

Please don’t say you are weak
and can’t carry such a weight.

Please don’t say I failed to welcome
enough of you into the forest.

4. My Dad Let You

in with pungent watercolours on his back,
stink of Clwyd cowpats and fresh mountain air,

but when he scraped boilers you secretly
took into his forest asbestosis strands

that speed his rot and ruin. I can’t understand
your thought in all of this

5. My Sister Threw You

out over her steering wheel,
her forest crushed by molded plastic.

She tried to welcome you back
but the wood was gone,

so you gust over her grave
under an overseeing tree.

O, my lady of the breath.
I welcome your coming and going.

6. Your Cheyne Stokes

delay before my unconscious Nanna
let you in.

I waited a minute, a 10-20
second episode of
stopped breath

suddenly her welcome
let you in

deeper and again
deeper in and out.

then delay

then delay

then delay

her welcome of you
and delay I watched seven days

until she refused your entry for good.

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)


“Beliefs”
(Raanana, December 4, 2016)

That I know what my wife is feeling,
That my love will be enough to protect her
From the lovelessness around her,
That my particular being might have some worth
In the eye of the Grand Schemer of Things,
That the sun will climb over the eastern mountains tomorrow,
That the ground on which I walk
Is as solid as any reality,
These are small beliefs I think
That won’t hurt anyone else,
At least I don’t believe so.
But there are grander beliefs
That grow stronger
With every man and woman who believes them,
That only the grandest edifices
Can house them,
These beliefs,
Like who’s a chosen people
And who’s a virgin, an only son, or a true prophet,
Beliefs that hurt those who don’t believe them.
These are the beliefs I don’t believe
Are any good for anything
That’s not a building.

© 2016, Mike Stone (Uncollected Works)

“An Agnostic’s Prayer”
(Raanana, January 23, 2014)

Just for the record
I don’t believe in you
So there’s no point in capitalizing, is there?
That doesn’t mean I don’t wish you were
Here, there, somewhere.
God knows I do,
Well, maybe not the you
Of everybody else.
You know exactly what I mean,
Someone who’s not always
Making clever excuses
Why he’s never around
When we need him.
I’d like to see you try that on my wife.
She wouldn’t fall for it.
She’d tell you
You’re either here or you’re not here,
So don’t bother trying to be
Somewhere in between.
She’d say if you want someone to believe in you
Then be there, front and center,
Instead of hiding behind the guy
Who’s hiding behind the curtain
Hoodwinking the true believers.
Then tell them they have only
One life in this godforsaken universe
And that one life is so gut-twistingly precious
That they should get up off their knees,
Walk out into the sunshine,
And smell just how blue the sky is.

© 2014, Mike Stone (Uncollected Works)


“A Lasting Image”
(Raanana, April 5, 2008)

Frozen shards of light litter the dusty ground and
The moon-colored skulls of creatures whose blood
Once warmed the earth and sated its thirst
If only for a moment.
There is a trail I must follow
Through this forest dark and mordant
That snakes its wending way from
The womb of my first love
To the parched throat of my last.
I think sometimes of the ancient ones
And the things of their world
Of which they were certain.
It is not so hard to believe in a God,
An animus for every animal
Or a hoary herald above the spheres.
But a monstrous God
Who plots to devour our innocence
And rend our hearts with the cruel beauty of its beings,
Indifferent yet demanding our prayers and oblations;
Such a God I believe in:
A God of holocausts and broken promised lands.

© 2008, Mike Stone (Uncollected Works)

“A Certain Silence”
(Raanana, September 22, 2015)

There is a certain silence
On a day like this
That carries you on its wide wings
But only those whose souls are weightless
A silence that muffles the shouts of children
And banal chatter of adults on mundane matters
But only for those whose souls are transparent
A silence that vows to be true
Even when we live among lies
But only among those
Whose souls are consumed by other souls.

© 2008, Mike Stone (Uncollected Works)


The Repentant Peter (El Greco c. 1600 Spain), Phillips Collection, Washington D.C., U.S., public domain photograph of the painting

Repenting Peter (El Greco)

since as
everything is Uttered
a land to even up
the eye
you touch grope about
the walls
more and more high
(on) cracks
the third road is the hardest
nowhere somewhere
the third road is the easiest
am I
I
cursed
cursing
swear
in net
(Peter)

“that the mighty angel tugs
along with net of fishermen”*

*Giorgos. Seferis (Greek poet and diplomate)

© 2017, bogpan  (bogpan – блог за авторска поезия)


Pheidippides Defiant

A legend has
A courier
Who ran and ran
And told, and died,
Per Lucian,
Pheidippides’
“We win–rejoice!”
The dying words
Of this young man.

A summer day
In ’84
Ten thousand ran
On Market Street,
And skirted San
Francisco Bay,
And saw through fog
The Golden Gate,
And past its Park,
And up a hill
So steep a man
In wheelchair
Went but four in-
Ches at a time.

We crossed the thrice-
Blessed Finish Line
At Union Square
To cheering crowds,
To honor dead
Pheidippides,
Who, truth be told,
Did not exist,
Or, if he did,
Not quite the way
The legend tells.

But there WAS strife
In ancient Greece,
And Persians died
At Marathon,
The site now known
As the event,
A footrace long
and arduous.
And when I ran
In ’84,
I briefly WAS
Pheidippides,
Defiant of
Impossible,
Horizon breached,
My battle won,
And I rejoiced
And did not die.

© 2017, Gary W. Bowles (One With Clay)


. no horizontal line .

early it came,where there are no roads, no silent killer.

spinning. set me free. let me see swallows return to

nest.

let us cause a reaction, turn our heads quickly. no one

is looking, there is no one here. we are not afraid of

the night.

we spin.

soft cottons, whimsy thread, mothlike.

turn about hour on hour. your time is

come.

we spin.

to spite silent killers.

© 2017, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)

. tudor .

it seems that in moving the body we can free the mind, from one place to another. slightly out of focus.

time is moving forward.

that is the theory……

© 2017, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)


ABOUT THE POET BY DAY

Ecce Panis, a poem … and your Wednesday Writing Prompt

ingres_the_virgin_of_the_host

In nomine Patris, et Filii, et Spiritus Sancti …

Clad in blue-gray woolly plaid, black oxfords
and pressed, pristine white uniform-blouse
on the morning walk from the dorms to the convent,
past the apple orchard dripping rubescent fruit,
past long-lashed benign cows gently grazing,
walking briskly across that green pasture land
into the greener wood rich in conifers and
the piney debris that crunches amicably under foot,
in single-minded pursuit of that brass-hinged door,
on into aprons, to Sister Mary Francis, the kitchen, bread.

… we therefore beseech thee, O Lord, to be appeased, and to receive this offering of our bounden duty, as also of thy whole household …

The romance was not with bread to eat,
but with yeasts to proof, batters to mix,
and dough to knead, and rest, and grow –
that beautiful, mystical living thing you have
before the baking and dying into bread, and with
the crackling timpani of wood-ovens firing up, pans crashing,
the rhythmic swish and sway of our community,
punctuated by the clicking of Sister’s rosary as she
monitors the students and novices in silent industry at bakers’ tables.
This is the sacred work of those meditative hours before Mass and school
and the business of music lessons and art classes and
the methodical ticking of Liturgical Hours until finally Compline, sleep and
the contemplation of that final sleep and dust-to-dust.
And this being Tuesday, the day to commemorate St. John the Baptist,
and the day to bake our bread for the week to come.

…order our days in thy peace; grant that we be rescued from eternal damnation and counted within the fold of thine elect. Through Christ our Lord …

The next bake day, Thursday, commemorates the Holy Apostles.
Oh, palpable Presence, we work in the silence of Adoration,
preparing pure wafers for a week of Masses.
In a solemn alcove reserved for this task,
we mix flour, salt, and holy water blessed by Father Gregory,
then the fragile process of baking on baking tongs,
silvery antiques, perhaps a hundred years old.

… which offering do thou, O God, vouchsafe in all things …

Receiving the Eucharist
knowing it was formed by my own hand.

…to bless, consecrate, approve, make reasonable and acceptable
that it may become for us the Body and Blood of thy most beloved Son,our Lord Jesus Christ…

Friday, The Cross and Theotokos (Mary),
mother of both God and man, Divine and human.
A girl, like me, perhaps a baker of breads.

…who the day before he suffered took bread into his holy and venerable hands, and with his eyes lifted up to heaven, unto thee, God, his almighty Father, giving thanks to thee …

Mysterious. Numinous. Inexplicable.
A lifetime ahead to figure it out.

Ecce Panis.

Take this Bread.

… he blessed, brake, and gave to his disciples saying: Take and eat ye all of this…

from the pastures and the woods, from the sky and the stream
from nature’s great cathedrals, everywhere present

... hoc est enim Corpus meum…

for this is my body

for this is my life

Amen.

“Where is God? Wherever you let him in.” Rabbi Menachem Mendel Morgensztern of Kotzk, Poland 1787

© 2011, poem rewritten in 2013, Jamie Dedes, previously published in The BeZine, All rights reserved; Virgin adoring the Host by Jean Auguste Donminique Ingres (1980-1867), public domain; Menachem Mendel Morgensztern bio.


WEDNESDAY WRITING PROMPT

What event or experience or time in your life (doesn’t have to be associated with religion) birthed for you the freedom to explore beyond the boundaries set for you? Tell us in a poem and share it or a link to it in the comments below.  All poetry on theme will be published here on Tuesday next. You have until Monday at 8:30 p.m. PST to respond.  All are welcome to come out and play no matter the status of your career: beginning, emerging or pro. Thank you!


ABOUT THE POET BY DAY

No Baloney Sandwiches, a poem …. and your Wednesday Writing Prompt

 


This is dedicated to all those people,
those who are blatantly themselves.
….[[[You know the ones I mean.]
Some, when seedlings, had family or teachers
who jabbed a finger yelling: You! You! You!
accusing them of being quintessentially themselves
. . . as though that was wrong.

They are the YOUs who come from multi-colored places
with varied dreams and
hearts woven of wonderlush
They are the womanly or manly,
childlike and wise.

They run from the gray streets to the green forest.

They take to long-lost roads and never-found pathways
with their song in a backpack and
a brown-bag lunch of no-baloney sandwiches.
When they elder they arrive back at the beginning

knowing who are they are

. . . and why.

© 2016, Jamie Dedes, All rights reserved

“The moon does not fight. It attacks no one. It does not worry. It does not try to crush others. It keeps to its course, but by its very nature, it gently influences. What other body could pull an entire ocean from shore to shore? The moon is faithful to its nature and its power is never diminished.”  Everyday Tao: Living with Balance and Harmony, Ming-Dao Deng


WEDNESDAY WRITING PROMPT

Write a poem about being being true to ourselves, true to our inherent nature.  If you feel comfortable, leave your work or a link to it in the comments section. All poems shared on theme will be published in next Tuesday’s poetry collection. You have until Monday night, 8:30 p.m. PST to respond.


ABOUT THE POET BY DAY

“ARIVA” … and other responses to the last Wednesday Writing Prompt


A wonderful collection today that illustrates just how complex relationships are, as complex as the human beings who compose them. These are the responses to the last Wednesday Writing Prompt, Hero of the Practicalities, November 22, 2017. Welcome and thanks to newcomer, Denise Aileen DeVries. Thanks also to stalwart participants: bogpan, Colin Blundel, Sonja Benskin Mesher and Paul Brookes.

Anyone who would like to join in tomorrow for the next Wednesday Writing Prompt is welcome to do so no matter the status of career: beginning, emerging or pro. All work shared on theme will be published in the next collection on the following Tuesday. Meanwhile, enjoy these …


Delivery

The dark and fire
of the linotype and the roar
of the press were safe for her,
more than the house, plastic-
covered from lampshades to floors.

At home, nothing was ever finished,
mute dishes dirtied themselves,
yolks broke in the skillet,
shirts weighted the end
of the ironing board.

She had nothing to prove
to men who thought they owned
the secrets of melted lead.
She knew the language of em and en;
she could read upside-down.

At home, my father’s mood
could tip the day,
luminous floors becoming
ominous, two silent children
eating her mistakes.

Work meant
achievement, putting words
to lead, to ink, to bed.
Newspapers of two small towns
passed through her hands
from formation
in cooled lead slugs
to inky rollers, to birth
off the end of the press,
delivery.

© 2017, Denise Aileen DeVries (Bilocalalia – talking about living in two places)

Marriage of two minds

Mind-reading in marriage is somewhat unpredictable. The other day, we were sitting in front of the TV, and I wanted my husband to get me some dessert. It took me at least 2 minutes of focused thought before he said, “shall we have some ice cream?” Yet, a few days later, while he was three miles away at the grocery store, I thought, “I wish I had some chocolate,” and when he came home, he handed me a bar of milk chocolate. Mind-reading seems to work best with food, but even after 20 years, it’s not infallible. I would have preferred dark chocolate.

Because we each grew up speaking a different language, mind-reading comes in handy when our vocabulary fails us. It’s quite normal for our dinner conversation to go something like this: “can you pass the…” “donde está el…” “next time we go to the tienda, hay que comprar…”

This is not to say that we think alike. In fact, the list of things on which we disagree is much longer than those on which we agree. This may be confusing for people who think that in marriage “two become one.” I’ve often been horrified by people’s assumptions that one of us can express the opinion of both. Especially if that opinion isn’t mine!

© 2017, Denise Aileen DeVries (Bilocalalia – talking about living in two places)

Denise Aileen DeVries

This is Denise’s first time responding to Wednesday Writing Prompt. (Welcome!) This is what she tells us, “I was the girl who squeezed through the barbed-wire fence behind the sheep pen and disappeared for hours all alone looking for cactus flowers and mariposas. The dry side of the dam is where I live now,
past all that water under the bridge, the history and humidity, reflections and memories all under water.”


that moment

when I said – this symphony
is so full of beautiful tunes
which just go on and on

you smiled such a caressingly
honest smile that I sensed
the light of your Being
touching mine (mine yours)

I expected the moment
to last forever

From my ‘Years Later’ (2016)

© 2016, Colin Blundell (Colin Blundell, All and Everything)


The Brandished Knife

One

A Filey clairvoyant:

“You will meet the Right Man

and know it in two years time.

His name begins with,

I can’t quite distinguish

a P or B or R.”

Well, I’d had a Bernard and Paul.

I feel sorry for Ray
tells me his fat
girlfriend just sits
around house,

no housework.
He prepares all meals.
She just sits
reading Mills and Boon.

drinks and sleeps
Never together when out.
She with her friends, he with his.

He goes out,
returns she’s brandishing a knife,
interrogates him

where he’s been.
He is a designer
witty with it.

Manager at my workplace
he sends me a picture
of an American Indian

with palm up
and five statements on how
we should get together.

How did he know
the guardian angel who appears
bottom of my bed
is a North American Indian?

Two

I ask
“Why haven’t you moved out?”
He says
“When my last marriage broke up
my wife got house and everything
and my girlfriend won’t move out.”
He makes sense.

I want a boyfriend with either
motorbike or a landrover.
He’s just sold his bike.

Landrover is soft topped.
Takes me and Ben out walking
to Dark Peak.

We enjoy pictures rather than
words.
He makes meals for the family.

My friends said if my last husband
turns up Ray
would not hesitate to lay him out.

We spend evenings planning places
things we can do, together.
He smokes
socially when he drinks, like me.

Suddenly,
Christmas he moves in.

On way out to a Parents evening
at Ben’s school I tell him
“We’ll talk when I return.”
On return I find all drink gone

him crashed out drunk in my bed.
In morning he says
“Please forgive me.”

Over the next month we go out
hold hands, and are gentle
down by the bridge while Ben plays
ahead with our dog.

Three

Over next month he fills my
wardrobes with his clothes
my shelves with his CD’s.

Then I notice
him going to pub straight after
work returns home crashes

out to sleep.

He works drinks sleeps.

Comes from work after pub
says he’s tired,
sleeps rest of night.

I wait for him downstairs.

I sit alone in house on an evening
or when he is in
he gawps at TV in bedroom.

He does not let me to go
out with my friends.

We go out again after I have words.
Two weeks later he is back
drunk and sleeping again.

On few occasions we go out
he leaves me on my own
he spends evening talking
to a biker or someone at bar.

I talk to his fat girlfriend Sophie.
She’d been holding a knife
because she was cutting veg
as she always did

preparing meals for him while he
went out and got drunk.
He catches me talking to her

says
“Don’t believe her, she’s a liar. She’ll say
anything to get me back with her.”

Tells me all the girls at work
are after him.
I talk to them.

They wouldn’t touch him.
He promises me he’ll not go drinking
starts excuses when I smell it on
his breath.

I tell him so.
I say
“I’ll go to a counselling session with you.”

He’s having none of it.
His tears when I phone him at local
pub and tell him

“Your stuffs in the driveway.”
Down on his knees he is,
tears and moans, begging me to

reconsider.
He says
“Your right in everything you say.

I’m at fault and I’ll change.”
He is really suffering.
I nearly break

but people never change.

I meet him a month or two later while out with my mates.

He comes in pub.
Sends one of his mates over to me
“Ray wants a private word”

I say
“Whatever Ray has to say he can say while my mates are present.”

Anyway he comes over.
I ask
“How’s Sophie?”

he tells me
“Eff off!”

I feel nothing.

Mark is the man for me,
but he is married
and she is kind.

I have known the family for ten years now.
It is only recently I admit to myself I love Mark.

I would not hurt their kids .
I have seen them settle down
round meal table of an evening.

I come home, collapse on sofa
and cry for I know we would be good together.

I want to settle down.
For a time with Ray I forget about Mark.

Ray never knew about him.
I see Mark less.

I will not move from this cul de sac
because I feel safe with Mark down the road

and the fabulous view of the moors.
Perhaps because I love Mark I find it difficult
to love anyone else.

I’ll keep looking.

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)

Married

comes home
atter long day at work
to find his lass
lugged art on lounger
in back garden

“a thort this is where ad find thee.”
he says.

“aye”, she says ” and friggin’ fairies
came art an hung all this, you grate
pillock!”

as she points to three lines
o’ washin hung art

*****

‘ome from shoppin’
his lass says ‘look what a bought.’
“temple balm. Where’s temple
rahnd ‘ere?”

she points to her crows feet

“a bow darn to them then.”
he says.

“tha will when a black thee eyes”
she says.

© 2017, Paul Brookes

Her Forgetting Him

Steve says his wife often
comes into their bedroom
and says “Where’s Steve?”

And he says to her.
“I’m here love. We’ve
been married forty years.”
And she says,
“Of course you are. We have.”
And she laughs.
“How did we first
get together?”

At the end of the next day,
when they’ve been out
to the shops and visiting
old friends she’ll say,
“What have we done today,
Steve?” And she remembers
none of it.

At mealtimes she picks
up her knife and fork
and holds them very close
to her glazed eyes.

Holds them
like javelins to eat
her meal.

(II)

You’ve stolen them.
Haven’t you?”
“Stolen what, love?”
“You know what.
Look?”

She shows him her
fingers, and he sees
they are no longer fat
but thin to the bone.

“Come on,love.
They must have dropped off.
I’ll help you look for them.”
He offers.
“In the place you’ve hid
them. I bet. I know
your game, Steve.
I’m wise to you.”

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)

The Fall

You’re such a klutz! She exclaims
as I pull out my wallet
and silver coin falls out.

I hold your warm hand
after all these years
and something passes,
something does not fall.

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)


Arriva

We do not know each other.
The fog is carving the ghostly
silhouettes of houses, people
and hopes.
And like a sound the hand is –
a semitone of the scream
of seagulls “Arriva … Arriva”
Nothing is coming.
Nothing has come.
I am trying to breathe –
in a time beyond.
In the gardens of the cascades
before the dawn and after the rain.
We do not know each other.
You’ve melted in the sun,
a sun in the fog
and you’ve never been here.
The paper remembers some passed
sounds come from the outer
world – Arriva.

In our eyes we are burning.

Arriva (ital)-arrives

© 2017, bogpan  (bogpan – блог за авторска поезия)


. humming gently .

quietly humming here,

from the hum book,

still thinking on that river.

flowing hard today, peat black,

down from the valley above,

rain soaked

turbulent, dark current blind,

yet silvered edged

to paddle.

disappointed at the madog flow,

tiding edging in , brought a yellow scum,

like badness in a marraige.

i hum in the dusk

at the pity of

of bandages through eyes

that cannot see

**( notes i cannot tag here) and if i could, who would you see?

small edges,

the voiced pledges.

© 2017, Sonja Benskin Mesher

ðɛːˈbʌɪ/

the importance of a partner/no partner.

answer me ?

when all around is singing,

why silence this?

the importance of anything

is relative, do not place

a value on something

that is not important.

ðɛːˈbʌɪ/ unimportant.

broaden the world.

© 2017, Sonja Benskin Mesher


ABOUT THE POET BY DAY