We’ve probably all been there and/or known someone who’s been there, thinking if they change where they live, who their married to, where they go to school, things will be better. Maybe they will, but probably not unless there are some internal changes. What’s your view or experience? Tell us in poem or prose. If you feel comfortable, share the link to your work in the comments section below or – if the piece is short enough – just post the piece. Work shared in response to this writing prompt will be featured here next Tuesday.
LESSON TEN: BELIEVE IN TRUTH “To abandon facts is to abandon freedom. If nothing is true, then no one can criticize power, because there is no basis upon which to do so. If nothing is true, then all is spectacle. The biggest wallet pas for the most blinding lights.” Prof. Snyder, On Tyranny, Twenty Lessons from the Twentieth Century
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SEQUESTRUM is accepting submissions for poetry for its Annual Editor’s Reprint Awards. Entry fee is $15. Deadline is April 30, 2017. Details HERE.
SEQUESTRUM is accepting submissions of Fiction and Nonfiction for its Editor’s Reprint Award. Entry fee is $25. Deadline is April 30, 2017. Details HERE.
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WEDNESDAY WRITING PROMPT, April 12, 2017 (1) Vacations: Well, this one is akin to the first composition assignment on returning to school after summer vacation: Tell us about your most fondly remembered vacations. Perhaps you enjoyed it because it involved family and childhood. Perhaps it was a dream vacation come true. Or, maybe it was an unexpected adventure. Or, perhaps your best vacation is the one you are planning now.
To Italy
you never expected this
we touch Florentine great black hog’s ringed cold snout
a ritual au revoir
taste best bitter coffee on the TGV
see snowed peaks of lower Apennine mountains
out of warm train windows
enter massive
Milan train Station
nine days coach trip
poke me in the side
when coach pace nods me off
stroll spiral down to medieval streets and a tilted horse race square
walk Rome’s cobbles amphitheatre
marvel at Vatican mosaics
we thought paintings
want to stroke cordoned vast
marble muscles
lilt up Venetian canals
wonder why when renovating buildings at home
builders don’t have picture tarpaulins
of the building beneath
you never expected this
for my fortieth
expected Wales or Scotland
then I request you order
a passport,
and live nine days
out of a suitcase
and thank your late father
our invisible companion
who made this possible
when one bottle of wine
seemed as if it was going to last forever;
the one I’m thinking of (purchased
one dinnertime in summer at 7/6d)
occupied a space in my life
a mile high and spanned the gap
all the way to Tibet; as you drank a glass
that dinnertime it seemed to refill itself
from the dregs of love
when one kiss would last
as long as the Rachmaninov cello sonata
whenever you put the record
on the turntable and let the needle fall –
obliterated in the so well-known cadences
which I could have been whistling
had my lips not been squashed against hers
when a bicycle ride would construct a day
down to the sea and back
across the long valley and over the downs –
magic ride often repeated –
I fill it from these dregs of memory
WEDNESDAY WRITING PROMPT, April 12, 2017 (2) Memories of those lost. Have there been people in your life that you don’t loose no matter what? Perhaps people like parents who are so much a part of you, you seem to sense their presence even after they have died. How good is that? Or, maybe you don’t think it is. Tell us about it in poem or prose.
One of My Tomorrows
for Celia
Our last goodbye was casual
as if I would see you again
on one of my tomorrows
I touched your arm
you flinched. In pain.
I felt persistent guilt
Born of carelessness
only nervous uncertainty
could freely demonstrate
Born of habitual presumption
that you were in charge
you weren’t. Not really.
You never were, save
your own sense of duty
to boss, nay care for everyone
Too much on small shoulders
that weren’t as strong as the
force of that inner being
the force that stopped being
that was someone once
whom I loved and miss
Some time after we’d helped you
to meet your God, one starlit night
I heard your voice as clear as the sky
O lamb of God, who takes away
the sins of the world, have mercy
and grant us peace. I swear
Lantern swinging down path —
I wonder if it is really there,
if that is you, or just some accident
of moonlight and wind.
How is it possible for the night
to be so black that no adjective
makes sense? Just black-black,
with shadows hovering and the wild phlox
lopped over reflecting greywhite back up.
No lantern, but there might as well be,
my heart lighting every moment,
bringing you back through memory
to stroll ahead telling me that story
I promised to never forget.
This is the first time Jennifer Cartland is featured on The Poet by Day. . She says of herself simply, “In between meetings, in between errands, seat cushions, and ‘oms’, I try to nab those little guys flying though my noggin’ and shake them up a bit, turn them into something humans can understand. Sometimes it works, sometimes not. Sometimes they are happy I did, sometimes they aren’t.”
Lavender & Whippoorwills
nasturtiums growing
in hollyhock fields
smelling of lavender
& blue whippoorwills
whose song bids me
follow the spirit
of you
entwined as we are
in consummate truth
i see you dancing
beneath the elm tree
with boughs your
dance partner
forever & free
as you slip transparent
from my view
the music plays softly
as it is never adieu
from the lemon bush
filtering meringue
soft dreams
to the orange orchard
citrus scenes
i knew you loved me
before i became a whisper
& held me near
before the dance…
taste of cinnamon cinders
nasturtiums growing
in hollyhock fields
smelling of lavender
& blue whippoorwills
Well, such wonderful responses to Wednesday Writing Prompts. I think it makes rather a lovely collection, which I hope you enjoy. I hope you’ll also visit these poets at their blogs and get to know them better. Look for another Wednesday Writing Prompt tomorrow.
LESSON NINE: Be kind to our languge. “Avoid pronouncing the phrases everyone else does. Think up your own ways of speaking, even if only to convey that thing you think everyone is saying. Make an effort to separate yourself from the Internet. Read books.” Prof. Snyder, On Tyranny, Twenty Lessons from the Twentieth Century
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the mindful peace of the cypress beckons,
she bows in the wind but doesn’t fracture,
she knows well the moments, but nothing of time
her poetry is written in presence, not words
in this business of life, of death and of poetry
yesterday is, i think, best forgotten ~
just a figment, after all, an old locked-room mystery,
stored among a million neurons, a trillion constellations,
sound proof, but for the occasional cerebral accident
with its quick crack of a gunshot fading into a yellow eye,
evaluating with a understandable skepticism
life, as it turns out, is a matter of imagination, or folly, nurturing the seesaw of grief and joy,
the contrapuntal pulls of yin and yang
we can reframe, but we can’t rewrite there are no encores
this business of life, of death and of poetry is what it is
and the past is not a salve nor the future a savior,
the same sun that warms words poemed into life
will dry our skin to leather and weld it to bone ~
moss, says Emily, will cover up our names
it’s best then, i think, to mimic the cypress
to let go the days, the clutter and the noise,
to bow from the winds but not shatter,
to know well the moments, but nothing of time
LESSON EIGHT: Stand Out. “Someone has to. It is esy to follow along It can feel strange to do or say something different. But wihtout that unease, there is no freedom. Remembr Rosa Parks. The moment you set an example, the spell o the status quo is broke, and others will follow.” Prof. Snyder, On Tyranny, Twenty Lessons from the Twentieth Century
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