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Cruel Legacy, Environmental Injustice, and the Growing Incidence of Interstitial Lung Disease

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I have lived now for nineteen years past my medically predicted expiration date. Every year or so I feel compelled to get on my soap box – this site, though the topic is off-theme – about lung disease, its increasing prevalence, and its debilitating effects.



At the time in our history when we started to see nature as something apart from us, when we gave up our shamanic instincts and in our hubris separated them from our growing science, when we devolved from stewardship and one-with to ownership and power-over, we set ourselves up for a world of multifaceted pain and disruption. One result in modern times is environmentally induced disease caused by xenobiotic substances that result in cancers, autoimmune disorders and interstitial lung diseases (ILDs).

My concern here – as a powerful and noteworthy example of the impact of industrial pollutants and of wars and other violence to the earth and its inhabitants – is interstitial lung disease. I have hypersensitivity pneumonitis, an ILD that can be caused by smoking. I am a lifelong non-smoker. Everyone – EVERYONE – is at risk of ILD, smokers or not, and so are other animals. We know that in the United States and England, the numbers suffering from ILD are growing. No matter where  in the world we live and what we do for work, we all need to recognize and acknowledge this as part of the complicated package of environmental injustices.

Our lungs are the only organs that are exposed and immediately vulnerable to industrial pollutants and inhaled chemicals, dust and other particulate matter in the air. One study tells us, “Lung cancer is the number one cause of cancer-related deaths in humans worldwide. Environmental factors play an important role in the epidemiology of these cancers.”

Consider the two hundred ILDs: These are diseases that affect the tissue and space around the air sacs (alveoli) of the lungs resulting in scaring (fibrosis). We – and other animals – can’t breath through scar tissue, which is not permeable. Hence the exchange of carbon dioxide and oxygen is inhibited. The result is a slow, horrifying and painful death by suffocation. This is mitigated for people like me who have access to healthcare, supplemental oxygen and medications like prednisone and mycophenolate mofetil. People living in poverty, in war-torn areas or working at risky occupations in third-world countries, get no such relief and no palliative care is available to them in the final stages. This is unimaginably cruel.

While the most common interstitial lung diseases are considered idiopathic, they can result from exposure to certain chemicals– including medications – and from secondhand smoke and occupational exposure to agents such as asbestos, silica and coal dust. They may also evolve from an autoimmune reaction (hypersensitivity pneumonitis) to agents in the environment, some of which might be naturally occurring and benign for many people.

Forbes Magazine cites lung disease as one of the continuing legacies of 9/11, the result of “toxic collections of airplane fuel, asbestos, fiberglass, metal, plastic, garbage, waste materials, fecal material, human remains and who knows what else.” In reading this description, one can’t help but think also of the people of Syria and other regions of war and conflict. It is not uncommon for soldiers returning from war to report newly developed respiratory disorders.

Industry, war and conflict, greed and denial, all combine to put the very ground we live on at risk, the air we breath, and the precious functioning of our lungs … We rightly worry about and advocate for issues of deforestation, pollution, hunger, dislocation, destruction of property and other issues of environmental injustice. Not the least of our motivations, concerns and advocacy must be for the sake of our lungs. It’s a fight for the very breath that enlivens us.

Note: The photograph is of my portable oxygen tank. I put it in a backpack and that allows me to walk for about a mile or to be away from home for short periods of time, a little grocery shopping, a library visit, doctor appointments. This need for supplemental oxygen makes it impossible for me to participate in poetry and writing communities other than online.  So, thanks to all of you for being a part of my creative community.  

© 2016, words and illustration, Jamie Dedes, All rights reserved; originally published in The BeZine.

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ABOUT THE POET BY DAY

SUNDAY ANNOUNCEMENTS: Calls for Submissions, Contests, and Other Information and News

“I walk through the old yellow sunlight
to get to my kitchen table
the poem about me
lying there with the books
in which I am listed
among the dead and future Dylans”
Leonard Cohen, The Energy of Slaves



CALLS FOR SUBMISSIONS

Opportunity Knocks

THE ASSES OF PARNASSUS, an online collection of “short, witty, formal poems.” Open submissions. Check it out HERE.

ACUMEN, Poetry Prose Reviews (U.K.) is one of the oldest literary journals, founded in 1985 and publishing poetry, articles and features.  Submission guidelines HERE.

ANIMA MAGAZINE, Poems of Soul and Spirit appreciates the works of writers who question the Western materialist paradigm. Watch the site for announcements of the next reading period, Issue 6.

BOMB MAGAZINE publishes fiction and nonfiction. The next reading period is from July 1 – July 31.  Details HERE.  No unsolicited pitches for interviews, portfolios or reviews.

CARTE BLACHE publishes fiction and nonfiction, to poetry and photo essays three-times-a year. The next period is: October 1 – December 31.  Details HERE.

GRANTA is not currently open for poetry submissions but will reopen for fiction sometime late this year.  The editors say: “After long discussions, we have decided to trial a service fee of £3/$4, equivalent to printing and postage, for prose submissions only. We will not be charging for poetry or art and photography submissions.” Details HERE.

HARPER’S MAGAZINE publishes fiction, nonfiction, art, illustration and photography. Query first for fiction and nonfiction. Details HERE.

JOYLAND MAGAZINE publishes short fiction, novel excerpts and essays, selecting stories regionally.  $4 submission fee. Paying market. Details HERE.

MUD SEASON REVIEW is open for submissions of poetry, nonfiction and art through July 1, 2018.  Details HERE.

NEW MADRID, Journal of Contemporary Literature of the Low-residency MFA program at Murray State publishes poetry, fiction, and creative nonfiction. Calls for submissions for the winter issue will open on August 15 and run through October 15. Theme: Total Eclipe. Details HERE.

THE NEW TERRITORY MAGAZINE publishes fiction, poetry, nonfiction, drama, comics and genre-benders relative to the Lower Midwestern U.S.  Submissions are not yet open for the fall/winder issue. Details HERE.

TAHOMA LITERARY REVIEW is open for submissions of short and long prose and short and long poetry through July 31 for its fall/winder publications. Submisssion fees are $4 or $5.  Cash payments: $50 for short works, $125 for longer works. Details HERE.

WTW PRESS BOOKS, “a 501c(3) non-profit, founded and directed by Peg Alford Pursell, that supports the artistic development of writers, fosters a thriving literary community, and inspires a passion for literature…”  is reading through June 30, 2018.  Unpublished manuscripts. Details HERE.



The BeZine

Call for submission for the September issue.

THE BeZINE, Be Inspired, Be Creative, Be Peace, Be. Submissions for the September issue – themed Sustainability – close on August 10 at 11:59 p.m. PDT .

Please send text in the body of the email not as an attachment. Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text. Send submissions to bardogroup@gmail.com.

Publication is September 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.

No demographic restrictions.

Please read at least one issue and the Intro/Mission Statement and Submission Guidelines. We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples. 

  • September 2018 issue, Deadline August 10th, Theme: Human Rights/Social Justice
  • December 2018 issue, Deadline November 10th, Theme: A Life of the Spirit

The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration. 



CONTESTS

Opportunity Knocks

THE BOOKSIE 2018 POETRY CONTEST grand prize and two runners-up. $6.95 entry fee. Cash award. Details HERE.

2018 CROSSWINDS ANNUAL POETRY CONTEST: reading period through December 31.  Entry fee: $20. Payment: Contributor copy.  Details HERE.

THE EYELANDS 8TH INTERNATIONAL SHORT STORY CONTEST is open through June 20. Up to 2,500 words. Theme: Luggage. First prize: holiday in Crete.  €10 entry fee. Details HERE.

HIGHLANDS AND ISLANDS SHORT STORY and FLASH FICTION COMPETITIONS: Both have a First Prize of £250; Second Prize: £50; Third Prize: £25. Closes on July 31. Details HERE.

PRAIRE SCHOONER is accepting entries to its Summer Creative Nonfiction Contest – essays up to 5,000 words –  through August 1.  Entry fee: $18. $500 cash award to the winner and publication. Details HERE.  Scroll down.

31 Free [Fiction] Writing Contests: Ligitimate Competitions with Cash Priszes,The Writing Life, Kelly Gurnett



Second Light [UK] Mary MacRae ‘Access to Poetry’ Memorial Fund

The Fund

The Mary MacRae ‘Access to Poetry’ Memorial Fund: many will remember the outstanding poet and Second Light member, Mary MacRae (her books As Birds Do and Inside the Brightness of Red are available from Second Light).

The Fund has been created in her memory, begun with a substantial donation from Mary’s family, with the intention of providing modest grants to enable members on low income, along with a travel companion if they are unable to travel alone, to come to Second Light events.

If anyone would like to make a contribution to the fund in Mary’s memory, all donations, however small, will be most welcome. Donate to the Fund.

Second Light Network 

Accessible anytime from anywhere in the world:

  • The Poet by Day always available online with poems, poets and writers, news and information.
  • The Poet by Day, Wednesday Writing Prompt, online every week (except for vacation) and all are invited to take part no matter the stage of career or status. Poems related to the challenge of the week (always theme based not form based) will be published here on the following Tuesday.
  • The Poet by Day, Sunday Announcements. Every week (except for vacation) opportunity knocks for poets and writers. Due to other Sunday commitments, this post will often go up late in the day.
  • THE BeZINE, Be Inspired, Be Creative, Be Peace, Be – always online HERE.  
  • Beguine Again, daily inspiration and spiritual practice  – always online HERE.  Beguine Again is the sister site to The BeZine.

WEDNESDAY WRITING PROMPT

Reminder

Response deadline is Monday, June 4th at 8 p.m. PDT. All poems shared on theme will be published on this site on Tuesday, the 5th. Details HERE.


YOUR SUNDAY ANNOUNCEMENTS may be emailed to thepoetbyday@gmail.com. Please do so at least a week in advance.

If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:

  • send PDF to jamiededes@gmail.com (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything.Thank you!)
  • nothing that foments hate or misunderstanding
  • nothing violent or encouraging of violence
  • English only, though Spanish is okay if accompanied by translation
  • your book or other product  should be easy for readers to find through your site or other venues.

TO CONTACT ME WITH ANNOUNCEMENTS AND OTHER INFORMATION FOR THE POET BY DAY: thepoetbyday@gmail.com

TO CONTACT ME REGARDING SUBMISSIONS FOR THE BeZINE: bardogroup@gmail.com

PLEASE do not mix the communications between the two.


Often information is just thatinformation– and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my regular Sunday Announcements or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.


ABOUT

Some Woman’s Child, a poem

“I have seen him climbing a tree while she stood beneath him in unutterable anguish; she had to let him climb, for boys must be brave, but I am sure that, as she watched him, she fell from every branch.”  J.M. Barrie, The Little White Bird



they say it was the year that changed a generation
the year they met at Nedick’s ordering orange drinks and hot dogs
fomenting righteous anger and rallying the women:
black, white, asian, and assorted berry-browns like me,
hetero and lesbian and some still trying to figure it out

Hey woman, they said to a worker clearing the counter
but they ignored the young man standing ready to serve,
mouths foaming, do you see, do you see one woman yelled,
but they didn’t, they didn’t see him, some woman’s child,
as he filled orders, poker-faced amid the cacophony

© 2018, Jamie Dedes


ABOUT THE POET BY DAY

Whitney Greenaway: A Poet’s Take on Letting Go; Poetry/Writing Contests; Resource on poetry contests with June deadlines

“Come sleep with me: We won’t make Love, Love will make us.” Julio Cortázar



The Cortázar quote is apropos of nothing except that I like his work and thought of that line (so fabulous!) after hearing this last evening on a PBS Brief But Spectacular Take on letting go by the new-to-me poet, Whitney Greenway. Sometimes the mind takes a strange turn on things. I’m getting old.  Anyway … THIS is the only piece of information I found online about her.  I’ll let her piece speak for itself except to say that I like it but have to add that sometimes we women disappoint men as well. The transcript is HERE.


HEADS-UP:

  • This is last-minute but it might work for you if you’re interested and you have something ready to submit: Boston Review’s Annual Poetry Contest closes tonight.  You can submit online or via snail mail, which must be postmarked June 1.  $20 entry fee. $1,500 cash award and publication in Boston Review. Details HERE.
  • THE MASTERS REVIEW, A Platform for Emerging Writers offers a list of fourteen literary magazines and contests with June deadlines HERE.
  • And in from Poet, Editor and Founder of Diaphanous e-Journal, Krysia Jopek“A mix of news / update: instead of a full-length journal of Diaphanous as in 2017, we are shifting gears to “diaphanous micro”: an e-journal of literary and visual art. Each micro issue will feature the work of one artist, often in more than one genre. Stay tuned! diaphanous 2.1 should be launched within the next two weeks! Thank you for all of those involved. It’s been lovely to collaborate with some of the writers and visual artists to be featured. There will be an interview with the artist included in each issue after their poetry, micro/flash fiction, art; links to all their books and some commentary about the work included. The first artist/writer to be featured is J Karl Bogartte; second, Francine Witte.”  Diaphanous Press facebook page and website.
  • From Kallisto Gaia Press team member, writer/journalist Tony Burnett: “Let’s get busy writing. Two new Summer Writing Contests Antonio Ruiz-Camacho judges in Fiction. Carrie Fountain judges in Poetry. $1500.00 in prizes!”

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Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.


ABOUT THE POET BY DAY