ART & LITERATURE MAGAZINE, THE MATADOR REVIEW, A QUARTERLY MISSIVE OF ALTERNATIVE CONCERN, IS NOW ACCEPTING SUBMISSIONS FOR THE FALL 2018 PUBLICATION.
The editors seek poetry, fiction, flash fiction, and creative non-fiction, inviting all unpublished literature written in the English language (and translations that are accompanied by the original text) as well as many forms of visual art. The call for submissions will end August 31.
The editors also seek work for their new arts and culture corner, The Matador Post. “We distribute articles that surround the following cultural topics: Television, Film, Music, Politics, Video Games, and Sex and Love.”
Poet and writer, I was once columnist and associate editor of a regional employment publication. Currently I run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers.
My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature, Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman.
My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”
Thank you for sharing your love of words. Comments will appear after moderation.
“Sappho (/ˈsæfoʊ/; Attic Greek Σαπφώ [sapːʰɔ̌ː], Aeolic Greek Ψάπφω, Psappho [psápːʰɔː]) was a Greek lyric poet, born on the island of Lesbos. The Alexandrians included her in the list of nine lyric poets. She was born sometime between 630 and 612 BCE, and it is said that she died around 570 BCE, but little is known for certain about her life. The bulk of her poetry, which was well-known and greatly admired through much of antiquity, has been lost; however, her immense reputation has endured through surviving fragments.” [Wikipedia]
When this post originally went up a few years ago, The Poet by Day didn’t have quite the following that is does now. Hence the repost. Both poet and organization are deserving of wide audience and big applause. / J.D., June 18, 2018.
Sunday: I began my dive into Dilys Wood’s Antarctica* (Greendale Press, 2008), spending my discretionary time engaged by this collection, which includes The South Pole Inn, a novella in verse.
“I dreamt I gave you the white continent
I wrapped it in white wedding wrap, embossed
with silver penguins and skiis …”
from Her Birthday Present in the section Love in a Freezing Climate: Four Poems
“Wherever I look, the bacillus of melt
weakens the floes.”
DILYS WOOD is a poet, an editor and the founder (“convenor” as she might say) of the London-based Second Light Network of Women Poets (SLN), which produces the biannualARTEMISpoetryand includes a publishing arm, Second Light Publishing. I first encountered Dilys thanks toMyra Schneider. That award-winning poet with eleven published collections is a consultant to SLN.
While Internet and email have a way of helping to cross borders and make affinity-based connections, closing the gaps in culture and miles – in this case some 5,500 miles as the crow flies – the tools are imperfect. It’s not the same as meeting, talking and observing in person. However, when you read what people write, when they risk themselves by putting their very souls on paper, you do get to know something about their values and passions. My strongest sense of Dilys was as the quiet persistent energy behind a women’s poetry collective and an apparently indefatigable advocate for women’s right – including women over 40 – to poetic voice.
At the point in which I first encountered Myra, Dilys and SLN, Dilys had collaborated on (mainly with Myra) four anthologies of women’s poetry. She had two collections of her own poetry published,Women Come to a Death(Databases, 1999)andAntarctica. That was, I think around 2010. Since that time, we are gifted through Dilys and Myra, Anne Stewart (poetry p f) and others on the SLN team with so many fine anthologies and magazines of women’s poetry, that I can hardly keep track.
Dilys is modest in presenting herself. Her Poet’s Page on SLN’s website says simply –
Dilys started writing poetry again after retiring from the Civil Service, where her jobs included being secretary of the Women’s National Commission. She shortly after founded Second Light, focussed on the needs of women reconnecting with writing after forty. Second Light Network developed into a support group and, on a small scale (though reviews suggest significant), publisher of women’s poetry. Together with her own writing (Antarctica, 2008; Women Come to a Death, Katabasis, 1997), Dilys has been the joint editor (mainly with Myra Schneider) of 4 womens poetry anthologies.
If The Poet by Day was a poem, its title would have to have the tagline after Dilys Wood. This site is not the product of collaboration and membership. Nonetheless, its commitment to sharing information on poets and poetry, including gifted if lesser-known poets, and promoting and encouraging poets who are marginalized by their gender, ethnicity, disability or age – is very definitely inspired by Dilys’ work and commitment to mature women and the work and commitment of Myra Schneider and the other SLN women as well as by my own love of poets and poetry and the whole of poesy history and culture.
This is Dilys in her own words as she “spoke” in a guest blog post here several years ago:
NEW SAPPHOS, CHALLENGES FOR WOMEN POETS
I run a network for women poets and naturally I want our members to be treated equitably, with recognition of any woman’s potential to be in the top flight of creative artists.
Some poets feel that ‘male and female he made them’ should not be an issue. I disagree because I want to celebrate and gain personal inspiration from the last fifty years. There has been a vastly increased involvement of women as students of poetry, published poets, book purchasers and consumers of ‘products’ such as poetry festivals. I also want it debated why this has not meant equality of treatment by journals.
Why do some leading journals publish fewer poems by women and use fewer women reviewers? What part is played by prejudice and what by our diffidence? Do we submit enough work and persist when submissions are rejected? Are there subtle shades of prejudice? Are we taken seriously on ‘women’s topics’ but not when writing about spiritual experience or politics?
A first step is to convince ourselves that there is no ceiling. Emily Dickinson surely lives up to the epithet ‘unique genius’? Her work is incredibly economical, dense, universal and deeply moving. She is totally original in style and thought. Her work alone ought to kill the slur that biology-based inferiority explains historical under-achievement.
So many more women have found now their voice. Let’s celebrate poets who excite us, from Emily Bronte (say) to Jorie Graham (say). We can also start thinking seriously about differences and about inflated reputations. Let’s be wary about ‘celebrity status’. This tends to narrows true appreciation. Read voraciously. Include lesser known poets and dead poets. You will be impressed by how much exciting writing is on offer.
– Dilys Wood
* “Antarctica,” Greendale Press, 2008 (all proceeds to Second Light Network funds). �5.95 through poetry p f (scroll down on the page to which this is linked)
Poet and writer, I was once columnist and associate editor of a regional employment publication, currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman. My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”
“You will hear thunder and remember me, And think: she wanted storms. The rim Of the sky will be the colour of hard crimson, And your heart, as it was then, will be on fire.”
Anna Akhmatova, The Complete Poems of Anna Akhmatova
I am formally affiliated with The BeZine (firstname.lastname@example.org) and The Poet by Day (email@example.com). Read guidelines below for The BeZine before submitting. The Poet by Day is by invitation only except for participation in The Poet by Day/Wednesday Writing Prompt or if you have news for Sunday Announcements.
Pleasedon’t send me submissions for other zines or magazines. The best I can do to help you get published is the info shared on this site, especially Sunday Announcements.
“Call for Submissions” means submissions through Submittable or via the magazine’s website or by eMail or snail mail. “Calls for Submissions” are NOT an invitation to telephone editors.
You’ll increase your odds of acceptance if you carefully read submission guidelines and one or two issues of a journal, zine or magazine to be sure that what you submit is appropriate and properly formatted.
Good luck and write on … ♥
CALLS FOR SUBMISSIONS
AFTER THE PAUSE publishes poetry, flash fiction and art online in March, June, September and December. Details HERE. (Note: responds in ten days!!!)
THE AMERICAN POETRY REVIEW publishes diverse poetry and literary prose (essays, book reviews, interviews). Editors read year-round. Submission fee: $3. Details HERE.
DRIFTWOOD PRESS publishes fiction, poetry, visual arts and comics, craft essays and interviews. Payment varies. Details HERE.
EUNOIA REVIEW publishes poetry, fiction and creative non-fiction and reads on a rolling basis. Reprints accepted if you retain rights. No submission fee and no payment. Details HERE.
GREY MATTER PRESS publishes dark fiction. Though there is no current open call for submissions, you can get on an author notification list to receive call alerts HERE.
METAPHOROSIS MAGAZINE publishes stories with science fiction or fantasy settings of up to 10,000 words, though 1,000 – 6,000 is preferred. Payment: one cent per word. Details HERE. There is also an interest in cover art. Payment: $50. Details HERE.
MOON PARK REVIEW is currently reading stories to 750 words for its fifth issue to be published this fall. No deadline is offered. Details HERE.
THE PENN REVIEW of the University of Pennsylvania is on summer hiatus but expects to open for general submissions of poetry, nonfiction, fiction and visual art around September 1. Mark your calendar to check them out HERE.
Call for submissions for the September issue.
THE BeZINE, Be Inspired, Be Creative, Be Peace, Be. Submissions for the September issue – themed Social Justice – close on August 10 at 11:59 p.m. PDT .
Please send text in the body of the email not as an attachment. Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text. Send submissions to firstname.lastname@example.org.
Publication is September 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.
No demographic restrictions.
Please read at least one issue. We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples.
September 2018 issue, Deadline August 10th, Theme: Human Rights/Social Justice
December 2018 issue, Deadline November 10th, Theme: A Life of the Spirit
The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.
Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration.
The Poet by Day
WEDNESDAY WRITING PROMPT
Response deadline is Monday, July 2, at 8 p.m. PDT. All poems shared on theme will be published on this site on Tuesday, the July 3. Details HERE.
AMERICAN POETRY REVIEW/Honickman First Book Prize. Submit manuscripts between August 1 and October 31, 2018. Final judge is Sharon Olds. Submission fee: $25. Cash award and publication by Copper Canyon Press through Consortium. Details HERE.
FRONTIER POETRY SUMMER POETRY AWARD‘s deadline is pending: July 15. Entry fee: $20. First prize: $2,000 award and publication. Honorable mention: $100 and publication. Details HERE.
THE PENN REVIEW (University of Pennsylvania) is offering a newly established poetry prize and submissions are accepted through October 31. Entry fee: $10. Cash award. Details HERE.
SIXFOLD is offering fiction and poetry prizes. $5 entry fee. Cash award. Unique: Awards are based on writer votes. Deadline: July 24. Details HERE.
OTHER INFORMATION AND NEWS
The latest issue of Levure littéraire/Magazine international d’information et d’éducaation culturelleHERE. It includes quite a number of poets and writers that you have met on this site. Three of my poems are HERE. Special thanks to Hélène Cardona and other members of the editorial board. Exquisite. Worth your time.
Words Without Borders(WWB) has been named a winner of the inaugural Whiting Literary Magazine Prizes, the Whiting Foundation announced today. The prizes recognize three magazines for their superb publishing, advocacy of writers, and importance to the literary community.
The poet Donald Hallrecently passed away. HERE is an interview – A Poet’s View … – from NPR’s special series on poetry. It was done in 2012.
“For 4 1/2 years now, I’ve hardly had a sad thought, except to curse a bit at my own clumsiness,” he says. “… I am physically handicapped, but I can sit at my chair and work at my writing, and I want to do it every day. I enjoy it. I have to do draft after draft. … It takes me a long time, but I love doing it, and I have to do it every day or I feel slack.” Donald Hall in the above referenced interview on NPR.
Accessible anytime from anywhere in the world:
The Poet by Day always available online with poems, poets and writers, news and information.
The Poet by Day, Wednesday Writing Prompt, online every week (except for vacation) and all are invited to take part no matter the stage of career or status. Poems related to the challenge of the week (always theme based not form based) will be published here on the following Tuesday.
The Poet by Day, Sunday Announcements. Every week (except for vacation) opportunity knocks for poets and writers. Due to other Sunday commitments, this post will often go up late in the day.
THE BeZINE, Be Inspired, Be Creative, Be Peace, Be – always online HERE.
Beguine Again, daily inspiration and spiritual practice – always online HERE. Beguine Again is the sister site to The BeZine.
If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:
send PDF to email@example.com (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything.Thank you!)
nothing that foments hate or misunderstanding
nothing violent or encouraging of violence
English only, though Spanish is okay if accompanied by translation
your book or other product should be easy for readers to find through your site or other venues.
TO CONTACT ME WITH ANNOUNCEMENTS AND OTHER INFORMATION FOR THE POET BY DAY: firstname.lastname@example.org
TO CONTACT ME REGARDING SUBMISSIONS FOR THE BeZINE: email@example.com
PLEASE do not mix the communications between the two.
Often information is just that–information– and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my regular Sunday Announcements or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.
Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman. My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”