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Fishing Trip, a poem …. and your Wednesday Writing Prompt

fishing-boat-13513304494ma

Good things come to those who bait.



We left before any glimpse of a daffodil sunrise,
meandering off to the bay on the wisp of a dare
The vessel reeked of years at sea, but we boarded,
kept company with philistines and fishing rods,
sights set on a sun-sparked lime-green ocean where
the contents of our untrained stomachs made chum
The boat splashed its way, cold christening us with
salt water spray; feckless, we spun our reels, chance
landing four fat salmon, legal limit, beginner’s luck

© 2011, Jamie Dedes, all rights reserved; Photo courtesy of Junior Libby, PublicDomainPictures. com

WEDNESDAY WRITING PROMPT

Beginner’s luck may be a rare thing but it does happen and it is often worth memorializing in poetry, sometimes if only for the humor of the occasion. Tell us about your own experience of beginner’s luck. Leave your poem/s or a link to it/them in the comments section below. All poems shared on theme will be published here next Tuesday. You are encourage to join in not matter the status of your career: novice, emerging or pro. You have until Monday evening, April 30 at 8:00 pm PDT to respond.

If this is your first time participating in Wednesday Writing Prompt, please send a short bio (NOT your poetry) and a photograph to thepoetbyday@gmail.com.  These are always published for new contributors by way of introduction.

Thank you! 🙂


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“Rainy Day Comfort”. . . and other poetic responses to the last Wednesday Writing Promp

“You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.” Madeleine L’Engle … perhaps one can even say this applies to poetry.



Tuesdays are among the most popular days for people to visit the The Poet by Day and that’s because of the quality of work our poetry community produces and the fascination I believe we all have with the variety of reactions to a prompt. Such delight.  So here today are the responses to the last Wednesday Writing Prompt, April 18, The Taste of Baklava. 

Thanks to these talented, often visionary, and intrepid poets for coming out to play: Irene Aaron (a.k.a. Irene Emanuel), Paul Brooks, Sheila Jacob, Frank McMahan, Sonja Benskin Mesher and Pleasant Street. The artful Sonja has shared her illustrations as well.  

Do join us tomorrow for the next Wednesday Writing Prompt. All are welcome – encouraged – to participate no matter the status of your career: novice, emerging or pro.  Meanwhile, read on, enjoy, and be inspired.


RAINY DAY COMFORT  

Afternoon rain,
steam on tar;
liquid leaves litter rain-sparkled grass.
School-shoe leather
splashing sweet-water puddles,
spraying the grey air with promise.
Homeward bound
after school, comfort food
beckons with tempting smells.

Batter on griddle,
sizzling pancakes
drowned in farm butter and maple syrup.
Olfactory senses
unlock fragrances of
security and warmth,
a taste of childhood days.

© 2018, Irene Emanuel

*A special welcome today to Irene Aaron, new to Wednesday Writing Prompt. Irene’s pen name is the lovely Irene Emanuel. Irene didn’t have a chance to email her bio and photo. When she does, I’ll add it to this post as is tradition with writers new to The Poet by Day, Wednesday Writing Prompt.


My Mam’s Spice

Our home were spiced up,
when she were well.
Mam put wooden pots
of her favourite fragrances
on the tiled hearth,
strung garlands
on the hallway walls.

Allspice, cedar wood shavings
cinnamon bark and cassia bark
cloves, cypress wood shavings
fennel seed, incense-cedar
wood shavings, jasmine flowers
and oil, jujube blooms,
juniper wood shavings.

I thought it magic,
‘ cause it didn’t rot,
lavender leaves,
lemon balm leaves,
lemon peel, marjoram leaves,
mignonette leaves, mint leaves,
mugwort, orange peel,

sweet citrus infused all rooms,

pelargonium leaves, pinyon pine
shavings and cones, rose flowers,
hips, rosemary leaves,

even on the gusty winter day mam died,
and the sharp tangs were stench
and the pots were emptied,
garlands binned, odours dissipated
from rooms but not memory.

© 2018, Paul Brookes

Dad Never Only Considers Most

relevant part of a map.
When he gets lost, he stops,
at the entrance to the busiest junction,
sometimes, before a roundabout,
and unfolds a view of the world
to its fullest extent to find his way.

Perhaps, at work when he changes
one tiny part of the system he traces
its effect on a detailed draughted whole diagram
of council offices, hospitals
or nuclear subs where he has installed
new heating waste management services.

And I at work or home cursed with the same
need for thorough deliberation,
find bosses, wives and workmates sigh
at my slow, detailed examination
of an issue, that had I rushed,
as when angry, only find confusion.

My dad and I bring the whole going on
to a brief stop as others
who wish to get on, hoot, cringe,
whistle and toot their dismay.
We ignore them all to, quietly,
stubbornly, slowly map our way.

Original publication in “Verse Virtual.”

© 2018, Paul Brookes


Blowing bubbles

We lean into a breeze skittering
off the hills, send bubbles
soaring through plastic rings.
Our grandsons cheer-
their turn next and we caution
mind you don’t trip
don’t run into the road
but they’re sure-footed, stay
close, race one way then another
across an ellipse of lawn.

* * * * *
I recall dandelion-clocks
in a long ago garden.

puff-breath count the seeds
watch them fly tell the time
one o’clock two o’clock
tick-tock mind the nettles
rub a dock leaf on stings
hold a buttercup under your chin
loop a daisy-chain over your wrist

* * * * *
I feel a child’s arms around
my waist, kiss his blond head.
His brother runs to me:taller,
raven-haired, I hug them both,
wipe soap-sticky hands
and the four of us chase
fresh bubbles, catch some
on our palms, pop the highest
with our fingertips, let others melt
into trodden tufts of grass.

© 2018, Shiela Jacob


PEBBLE

I choose a pebble from the beach

and  lick a fleck of salt

from  the red/brown round. Pebble

to cherish through this journey. Grit

 

and strength and wit must all combine

to carry out this pledge.  Northwards.

Find the first hill. Grief lies

beyond evasion and found  me in moments

 

of repose between fell and crag,

peat bog and flooding stream. Two

hundred miles, one sea left behind,

the other found. Sunlight then spindrift,

 

one last steep hill falling between the red-tiled

homes to the flat,grey sea.  A membrane bursts,

spilling everything distilled:

sorrow  and ache and pride. Jolted,

 

I gasp and clutch a rail, salt burns

my cheek. Walk, walk. I place the pebble

on my boot. A wave inspects

and takes its tribute. I turn and climb, talking

again in silence to one unseen.

© 2018, Frank McMahan

 

. a vision request .

early while driving.                     omen repeating

 

sometimes the sun comes lower after the crest

 

one moment

 

imagine them marching,           slow & white.

 

will you name them?

 

in the wake all things come clear.

 

slow & white.

 

later below the peaks i tell him. he said it is

the dark crystal.

 

© 2018, poem and illustration (below), Sonja Benskin Mesher

 

shot_1336199156760.jpg

. a moment .

when the world runs cold,

water freezing, eyes held

from the words.

 

moments with the old story,

knowing it will be understood.

 

each day a moment to be

shared out here.

 

the poetry circle is closed.

 

now.

 

do not believe all you read.

 

© 2018, poem and illustration (below), Sonja Benskin Mesher

 

spoon

 


Falling Star, 1989

I didn’t belong there and I knew it
how you were not mine yet
and she did not know you were there
with me
letting something grow
that was for keeps
in time
keeping time, and
holding on tightly
so that no one could sever our bond
looking upwards
that fierce green streak
putting a stamp on it
on us
and for once
I believed in signs

© 2018, Pleasant Street


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EMPOWERING WRITERS AND JOURNALISTS: PEN America launched “Online Harassment Field Manual” . . . While the content is geared toward writers, much of the advice and techniques are relevant to anyone confronting hostility online.

PEN America nonprofit logo courtesy of Mltellman – under
CC BY-SA 4.0 license.

On Friday PEN America launched its Online Harassment Field Manual, a first-of-its-kind resource to equip and empower writers, journalists, and all those active online with practical tools and tactics to defend against hateful speech and trolling.

Research with more than 230 writers revealed alarming findings that highlight the relevance of the Field Manual and the threat that online harassment poses for free speech: two-thirds of those trolled reported reactions including refraining from publishing their work, deleting social media accounts, and fears for personal safety; over a third avoided certain topics in their writing. Writers were targeted for their viewpoints, but also based on their race, gender, and sexual orientation. Those belonging to marginalized communities or speaking out on injustice faced more egregious forms of online hate.

PEN, Exc. Dir. Suzanne Nossel

“Online harassment poses a clear threat to free expression, as evidenced by the results of our survey,” said PEN America Chief Executive Officer Suzanne Nossel. “When certain voices are muzzled, when people choose not to write about topics that matter, and when they remove themselves from the public debate, everyone loses. As an organization of and for writers, PEN America is especially disturbed by the ways in which online harassment affects their work. Journalists and writers whose web presence is a professional imperative can’t be left defenseless in the face of rampant digital intimidation, provocation, and vitriol when they dare to stick their heads above the parapet.”

The Field Manual offers a one-stop bank of advice, guidance, and resources on cyber-stalking, doxing, hate speech, and other forms of digital vitriol, intended to fortify writers and journalists with the best available methods and means to protect themselves and secure their own freedom to write.

The Field Manual also offers recommendations directed to employers, tech companies, and law enforcement on the parts they need to play to prevent online harassment. While the content is geared toward writers, much of the advice and techniques are relevant to anyone confronting hostility online. Manual highlights include:

  • A number of first-hand accounts of online harassment and their aftermath
  • Step-by-step guides for enhancing cyber security and preventing doxing
  • An online harassment glossary with proposed responses
    Ideas for leveraging online writing communities to combat online harassment
  • Tips for combating hate speech with counterspeech
  • Guidelines for allies and witnesses interested in intervening in online harassment
  • Best practices for employers of writers and journalists to improve institutional support during episodes of online abuse
    Information about online harassment and the law

    “In the digital age, all writers and publishers of online content are vulnerable and susceptible to web attacks,” said PEN America Journalism and Press Freedom Project Manager Laura Macomber. “Those facing online harassment must make an impossible decision: engage and put themselves at risk, or disconnect and miss out on important online discourse. Our goal is to equip writers and their allies—especially those whose livelihoods are at stake—with resources to push back against online hatred and harassment so they can continue to do their jobs.”

The Online Harassment Field Manual launched Saturday in New York City during a panel discussion on combating online hate, which is part of the PEN World Voices Festival. To continue the conversation, PEN America and the National Press Club Journalism Institute will host a panel about journalists fighting back against online harassment on April 27, the day before the White House Correspondents’ Dinner, in Washington, D.C.

The Online Harassment Field Manual is available at https://onlineharassmentfieldmanual.pen.org

***

PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. The organization champions the freedom to write, recognizing the power of the word to transform the world. Our mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.


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SUNDAY ANNOUNCEMENTS: Calls for Submissions, Contests, Events and Other Information and News

“Keep close to Nature’s heart… and break clear away, once in awhile, and climb a mountain or spend a week in the woods. Wash your spirit clean.”  John Muir

HAPPY EARTH DAY!
May all the residents of Mater Terra find peace.



CALLS FOR SUBMISSIONS

Opportunity Knocks

ALASKA QUARTERLY REVIEW, a literary journal of the University of Alaska, Anchorage with the Center for the Narrative and Lyric Arts, encourages new and emerging poets and writers. Of interests: short stories, novel excerpts, poems, literary nonfiction, and photo essays. Experimental styles are welcome. The reading period for unsolicited manuscripts closes on May 1.  Details HERE.

FURROW MAGAZINE publishes fiction, poetry, nonfiction art, and comics and the next reading period will open on December 1, 2018 for the 2019 issue. Details HERE.

NEW LETTERS reviews submissions of essay, novel chapter, poetry, short story, book review and art submitted between December 2 and April 30. Payment and contributor copies. Details HERE.

MiDWAY JOURNAL reading period for prose, poetry, and art/ephemera/multi genre/interview through May 31. Submission fee. Details HERE.

THE MOTH, arts and literature, invites submissions of poetry and prose from around the world . Details HERE.  Note: There’s also a junior edition, The Caterpillar, with an open call for poetry.

ORISON BOOKS “seeks to publish spiritually-engaged poetry, fiction, and nonfiction of exceptional literary merit.” Submissions are welcome year-round for nonfiction, poetry and anthology proposals.  General fiction is accepted in October only. Submission fees. Details HERE.

TERSE JOURNAL invites submission of the following themes: “worlding, futures, identity, technology, hyperreality, embodiment, healing, mourning, the tarot/divination, memory, small press culture, captivity/confinement/incarceration, disability” expressed in “poetry (erasure poetry, found poetry, experimental poetry, all poetry!), collage, critical essays (academic-style essays are considered), reviews, interviews, mixed media, audio recordings, visual art (drawings, paintings, photographs), creative non-fiction, science fiction, flash fiction, letters, mix tapes.”  This is a volunteer run publication with no submission fees and a rolling submission policy. Details HERE.


The BeZine

Call for submission for the June issue.

THE BeZINE, Be Inspired, Be Creative, Be Peace, Be. Submissions for the June issue – themed Sustainability –close on May 10 at 11:59 p.m. PDT.  

New rules: Please send text in the body of the email not as an attachment. Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text. Send submissions to bardogroup@gmail.com.

Publication is June 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.

No demographic restrictions.

Please read at least one issue and the Intro/Mission Statement and Submission GuidelinesWe DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples. 

  • June 2018 issue, Deadline May 10th. Theme: Sustainability
  • September 2018 issue, Deadline August 10th, Theme: Human Rights/Social Justice
  • December 2018 issue, Deadline November 10th, Theme: A Life of the Spirit

The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration. 


CONTESTS

Opportunity Knocks

THE MOTH SHORT STORY PRIZE invites submissions of up to 5,000   words. Entry fee €12 per story. Cash awards: 1st prize €3,000; 2nd prize week-long writing retreat at Circle of Misse in France plus €250 travel stipend; 3rd prize €1,000. Deadline 30 June 2018. Details HERE.

MiDWAY JOURNAL’S -1,000 BELOW FLASH PROSE AND POETRY CONTEST closes May 31st. There is a $10 submission fee. Cash awards: First Prize: $500 + publication in Midway Journal; Second Prize:$250 + publication in Midway Journal; and, Third Prize: $50 + publication in Midway Journal. Details HERE.

NEW LETTERS & BKMK Press is offering $5,500 in awards for writers | Deadline: May 18, 2018: the $2,500 Conger Beasley Jr. Award for Nonfiction for the best Essay; The $1,500 New Letters Prize for Poetry for the best group of three to six poems. Submission fees. Details HERE.

THE ORISON ANTHOLOGY AWARDS IN FICTION, NONFICTION, AND POETRY is open for submission through August 1. Cash award and publication. Entry fee. Details HERE.


EVENT/S

Accessible anytime from anywhere in the world:

  • The Poet by Day always available online with poems, poets and writers, news and information.
  • The Poet by Day, Wednesday Writing Prompt, online every week (except for vacation) and all are invited to take part no matter the stage of career or status. Poems related to the challenge of the week (always theme based not form based) will be published here on the following Tuesday.
  • The Poet by Day, Sunday Announcements. Every week (except for vacation) opportunity knocks for poets and writers. Due to other Sunday commitments, this post will often go up late in the day.
  • THE BeZINE, Be Inspired, Be Creative, Be Peace, Be – always online HERE.  
  • Beguine Again, daily inspiration and spiritual practice  – always online HERE.  Beguine Again is the sister site to The BeZine.

OTHER NEWS and INFORMATION

 Not the continent with 54 countries

AFRICA IS A COUNTRY was founded by Sean Jacobs in 2009, growing out of the blog Leo Africanus (2007-2009). It started as an outlet to challenge the received media wisdoms about Africa from a left perspective, informed by his experiences of resistance movements to Apartheid.

Since then it has grown in size to include a larger geographic scope and, crucially, launched the careers of a number of young African and diaspora writers, scholars and artists to a point where as the South African newspaper Mail & Guardian concluded:

Try as you might, it is hard not to turn an online corner in Africa without bumping into Africa is a Country.

*SEAN JACOBS, a native of Cape Town, South Africa, holds a Ph.D. in Politics from the University of London and a M.A. in Political Science from Northwestern University. He is currently writing a book on the intersection of mass media, globalization and liberal democracy in post-apartheid South Africa. He is co-editor of Thabo Mbeki’s World: The Politics and Ideology of the South African President (Zed Books, 2002) and Shifting Selves: Post-Apartheid Essays on Mass Media, Culture and Identity (Kwela Books, 2004). His most recent scholarly articles have appeared in Politique Africaine(2006) and Media, Culture, and Society (2007); and has contributed reviews and opeds to The Guardian, The New York Times, Volkskrant, The National and The Nation. Previously he taught African Studies as well as communication studies at the University of Michigan in Ann Arbor. He also worked as a political researcher for the Institute for Democracy in South Africa. Jacobs founded Africa is a Country.Today it features online commentary, original writing, media criticism, videos, audio, and photography, becoming one of the leading intellectual voices in the African — particularly from the left — online media sphere.

© 2018, words and photograph, Sean Jacobs and Africa Is Not a Country


Good Books Cooking

Pski’s Porch is almost ready to welcome Spring time, shake the snow and dry pine needles off, and sit in the morning sun. But before we can do that, BOOKS.

What books? Well, we started a quarterly journal with Catfish McDaris and Mendes Biondo a while back, the Ramingo’s Porch. Each issue is bursting with literary wonderment, too much quality for too few units of currency: Ramingo 1   Ramingo 2, and Ramingo 3 is on the way. No subscriptions available, since we don’t know how long it will last, or in what form, making each issue even more precious,

We also published Constimocrazy: Malafricanizing Democracy, by Nsah Mala, a sharp, thoughtful collection from Cameroon. These are excellent, funny, fiercely political poems meant to provoke and instruct and inspire in equal measure.

In March, we set free Jay Passers’s they lied to me when they said everything would be alright, the first collection of poems from a Bay area poet who whispers in his reader’s left ear while barking in the right, “like a bear with a chain on its bullring, both the pain and desire for freedom are connected in the expression the poems manifest,” as Ben John Smith so eloquently put it. Still surprised, here at the Porch, that this is Jay’s first book, but glad we could help him put out.

In April, we have the privilege of publishing Guinotte Wise’s latest book of poems, Horses See Ghosts. Wise’s poems set the reader aflame in a field of tall grass and waits for the fire to work down the hill toward town. This is the second of Guinotte’s books we have had the opportunity to publish, and the first to feature Ben Carmean’s meticulous, engaging design skills.

So much good stuff on the way: new books from John Doyle, Peter Clarke, Marianne Szlyk, John Lambremont, Sr., Ryan Quinn Flanagan, and more….

Books are good people–

Pski’s Porch Publishing


YOUR SUNDAY ANNOUNCEMENTS may be emailed to thepoetbyday@gmail.com. Please do so at least a week in advance.

If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:

  • send PDF to jamiededes@gmail.com (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything.Thank you!)
  • nothing that foments hate or misunderstanding
  • nothing violent or encouraging of violence
  • English only, though Spanish is okay if accompanied by translation
  • your book or other product  should be easy for readers to find through your site or other venues.

TO CONTACT ME WITH ANNOUNCEMENTS AND OTHER INFORMATION FOR THE POET BY DAY: thepoetbyday@gmail.com

TO CONTACT ME REGARDING SUBMISSIONS FOR THE BeZINE: bardogroup@gmail.com

PLEASE do not mix the communications between the two.


Often information is just thatinformation– and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my regular Sunday Announcements or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.


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