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The World as I Remember It and 100,000 Poets for Change, 2018



“It is from numberless diverse acts of courage and belief that human history is shaped. Each time a [wo]/man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope, and crossing each other from a million different centers of energy and daring, those ripples build a current that can sweep down the mightiest walls of oppression and resistance.” ~ Robert F. Kennedy South Africa, 1966


I was born smack-dab in the middle of the last century when military men and women had come home from fighting the Second World War and when it seemed that most women on the home front took up childbearing and housekeeping again, leaving their paid employment to the men. Many ex-military went back to school – to college – on GI loans. Families moved from the cities to newly blossoming Levittowns and “atomic” kitchens were all the rage. Ambitious young people relocated from the country to the city to find employment and foster careers. In that post-war America, everyday citizens were doing their best to heal and to modernize for both good and ill. Life is never easy or fair though for the poor and minority.

Emmett Till before and after the lynching on August 28, 1955. He was a fourteen-year-old boy in Chicago who went to spend the summer together with his uncle Mose Wright in Money, Mississippi, and was killed by white men for allegedly whistling at a white woman. Photographs courtesy of 5EmmettTillAfter under CC BY 2.0 license

Family farms were still going concerns and our food system was  in the relatively early stages of its current degradation. I don’t remember the morbid obesity of today. Our world wasn’t as rife with allergies, gluten enteropathy, inflammatory disease, auto-immune disorders or diabetes 2 or 3. Our food then was still comparatively clean. So was the air, the land, the oceans and the rivers. We could fish and go swimming in places where you wouldn’t dip a toe in the water now. Roundup – Glyphosate -didn’t hit the ground until 1977.

The big supermarket chains that were founded in the late 1800s and early 1900s were expanding. Our first Safeway arrived when I was seven. This huge, fancy well-lighted store introduced us to TV dinners and frozen food, so-called convenience foods with all their dangerous chemical additives. This monster-sized store was the beginning of the end for the little mom-and-pop neighborhood groceries run by friends and neighbors who would sell to us on credit, using an index card file to keep a tab on each family’s debt. I have a vague – perhaps inaccurate – memory of Harold Robbins writing rather poignantly about the loss of family run groceries in the introduction to one of his books.

First Edition, 1957

The recession that started in 1948 flowed into the third quarter of 1950. Another recession came in 1953. There was the Korean War and the Vietnam War and, unforgettably, that geopolitical tension we call the Cold War. It inspired some thrilling espionage novels and movies. My mother wasn’t a reader and didn’t track my reading habits. Left to my own devices, I cut my spy-novel teeth on Ian Flaming’s work. Meanwhile, poor boys in skin-tight black pants sang a capella on our street corners at night.

As we moved into the ’60s the neighborhoods and occupational arenas were still as strictly delineated as a checker board. Some neighborhoods were referred to as “dark,” meaning browns and blacks lived there.  Shrafft’s hired “Irish girls just off the boat” to wait on elderly white women with silvery-blue rinses in their faded hair. The kitchen “help” was generally “colored.”  At Nedick’s and other food purveyors the food prep and wait-staff were always black or brown. If you could pass for white you probably did. It’s about survival. Management was uniformly white male wherever you went.  Women got low-paying clerical jobs in pink-collar ghettos.

First Edition, 1944

Sometime in the early to mid sixties I read an article about W. Somerset Maughm in Life magazine. The author referred to Maughm as a misogynist. I had to look the word up. How, I wondered, could someone write a good story if he or she hated half of humankind? To see, I got copies of The Razor’s Edge and Of Human Bondage. It turned out, of course, that “misogynist” was code for homosexual and sadly disrespectful of this compassionate and talented man. But the times they were ‘a-chaining.

The African-American Civil Rights movement that began in ’54 gained traction with sit-ins and marches and the continued heroic and dedicated work of Dr. Martin Luther King, Jr. and others.  There were heart-rending events but there was also some legal and social progress.

Betty Friedan (1921-2006) American writer, activist and feminist

In ’63 Betty Friedan’s The Feminine Mystique was published by W.W. Norton. The reaction was mixed. Women who were minorities and/or poor or lower middle-class (that would be me and mine) found it difficult to sympathize with Friedan’s privileged suburban housewives. Nonetheless, the book is credited for initiating the “second wave of feminism.”

The late sixties was marked by “consciousness raising,” a style of activism encouraged by American feminists. Things did get better. Not everyone appreciated diversity in their neighbors and coworkers, but many did and learned to work for and with “others” and to hobnob in racially/ethnically mixed neighborhoods and social organizations. Windows opened and employment, education and housing became certainly not perfectly fair but more equitable opportunities then they’d been in the past.  People were aware and vocal in their moral objections to inequality, to racial/ethnic, sexual and sexuality prejudice, to environmental degradation, to wars and conflicts. So many of us were dreamers and we had hope that one day “the world will live as one.”

Though the world continued to reflect human imperfection, we retained a certain optimism. We’d made progress that enabled us to envision and work for even more gains toward peace, social justice, environmental stewardship and environmental justice. These days, we need to remember our history. We can’t let  optimism die in the face of the fallout from the last U.S. election and the violence we see in so many areas of the world. If we do, all is lost and that guy, his cronies and others who think like him will win.

We poets, writers, other artists and our friends and supporters have a powerful vehicle for old-fashioned consciousness-raising and change: 100,000 Poets (and other artists and friends) for Change, a global movement founded by Michael Rothenberg and Terri Carrion in 2011.  Michael and Terri are wonderful at creating opportunities for activism and advocacy. Link HERE to learn more about what they’re doing and HERE to the official site. Become involved. Touch hearts. Speak truth. Embrace hope. Small steps – as our history teaches us – can lead to progress. Poem on …


Protecting a Free and Open Society: PEN America speaks out about the Facebook debacle

PEN America nonprofit logo courtesy of Mltellman  under CC BY-SA 4.0


“It’s difficult to imagine the power that you’re going to have when so many different sorts of data are available.”– Tim Berners-Lee, father of the World Wide Web

In response to last week’s revelations on the use of Facebook consumer data to target voters in the United States and abroad, PEN America Chief Executive Officer Suzanne Nossel issued the following statement:

PEN, Exc. Dir. Suzanne Nossel

“This week’s revelations about the uncontrolled flow of consumer data from Facebook to unscrupulous influence peddlers determined to manipulate voters in the United States and abroad have jolted the public into really recognizing that platforms we delight in for communication and connection can pose grave risks to our privacy, our discourse, and our democracy. That company and other leading platforms need to be far more aggressive in protecting data, vetting their business partners and customers, and offering the public the transparency and accountability necessary to restore trust. While Americans have the choice to forswear Facebook in favor of other channels, elsewhere in the world it is virtually the only route to online access. Having secured its own ubiquity and preeminence, Facebook now owes it to the public to prove that it is worthy of the position it has staked.”

Find out more about PEN America’s position on personal data and privacy, the protection of open discourse, and the transparency and accountability online platforms owe their users HERE.

****

PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. PEN champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible. pen.org


ABOUT THE POET BY DAY

SUNDAY ANNOUNCEMENTS: Calls for Submissions, Contests, Events and Other News and Information


Excuse the modesty and lateness of this week’s announcements. I’m still in the process of unpacking and settling in after my recent relocation. Good luck with your submissions. / J.D.


CALLS FOR SUBMISSIONS

Opportunity Knocks

ABYSS & APEX MAGAZINE publishes fiction, flash fiction, poetry and small press reviews.  Next fiction deadline is February 2019. The reading period for poetry opens this May. Details HERE.

NINTH LETTER accepts submissions of fiction, poetry and essays from September 1 – November 30 for its print edition. Details HERENinth Letter is interested in submissions of fiction, nonfiction, and poetry for a special online edition to be published at ninthletter.com in Winter 2018.  Submissions (poetry and short fiction or nonfiction) will be open from September 1 to November 5. Details HERE.

SPLICKETY PUBLISHING GROUP “fills gaps in the modern reader’s day with concise, poignant fiction under 1,000 words. We want stories that hit fast and strike hard––stories that, no matter the genre, can cut through the day’s troubles and grip readers with short attention spans.” Paying market. $0.02 per word. Submissions Guidelines HERE.

THE BeZINE’s next issue is scheduled for June 15, 2018 and the deadline for submissions is May 10, 2018. More details to come in a post next week.  Meanwhile, please read to prepare for submissions.

TIFERET (tiff-éh-ret), Fostering Peace Through Literature & Art is “a non-sectarian, non-dogmatic publication and community at the nexus of literature and spirituality.” The editors consider fiction, nonfiction, poetry, art and photography. This journal is published twice yearly. Submission guidelines HERE.

Image may contain: fire and text


CONTESTS

Opportunity Knocks

NINTH LETTER LITERARY AWARDS is open through April 30 for submissions of fiction, poetry and creative nonfiction. Cash award: $1,000. Publication in Fall/Winter 2018-19 issue. Entry free $17. Details HERE.

SEQUESTRUM’S LITERARY JOURNAL 2018 Editor’s Reprint Award is $500 to writers of fiction, nonfiction, and poetry. Prose and poetry are judged separately, with a first-prize winner and a minimum of two runners-up per genre.  Deadline: April 30, 2018. Details HERE.


EVENTS

  • DISABILITY POETRY WORKSHOP. Poetry of Disability, Thursday, March 29, 5-7 p.m CDT Room 200A of the Library of Health Sciences – Chicago UIC, 1750 W.Polk Street, Chicago, Illinois 60612. “All experience levels are welcome to a discussion and creative writing workshop led by Poetry Foundation Library Coordinator Maggie Queeney. In March, we will read and discuss poetry of disability. A creative writing workshop, where participants will be guided through composing an original poem, concludes the session.”
  • POETRY OFF THE SHELF hosted by the Poetry Foundation & Poetry Magazine and featuring Jorie Graham on Thursday, March 29 from 7 p.m. – 8 p.m. CDT at 61 W Superior St. Chicago Illinois.
  • JASON BAYANI IN LOCUS OF CONTROL hosted by the Poetry Center San José at Cafe Stritch, 374 S. 1st St. San Jose, California. Tickets HERE. Early purchase: $10. At the door: $15. Directed by award-winning performing artist, Kat Evasco, the show explores the lives of Filipino immigrants in America, taking you through Bayani’s hip-hop inspired youth, club-going college days, and turbulent adulthood. Locus of Control navigates his experience dealing with race, mental health, addiction, and his status as the first American-born child in his family. Utilizing poetry, storytelling, music, and multimedia, Bayani pieces together the different threads of his life while struggling to make sense of Walter Benjamin’s notion of redeeming the past in present time.

Jason Bayani is the author of Amulet (2013 Write Bloody Publishing). He’s an MFA graduate from Saint Mary’s College, a Kundiman fellow, and works as the Artistic Director for Kearny Street Workshop. Jason performs regularly around the country and recently debuted his solo theater show, “Locus of Control” in 2016. His second book, Locus, is forthcoming from Omnidawn Publishing in 2019.

  • MIKE McGEE, SANT CLARA COUNTY POET LAUREATE INAUGURATION, April 7, Noon – 2 p.m. Milpitas Library Auditorium, 160 N. Main Street, Milpitas, California 95035. A celebration of the beginning of Mike’s two year term as Poet Laureate, 2018 to 2020. Enjoy a lively performance by the Poet Laureate, Mighty Mike McGee, international poetry slam champion and local artist and icon. Free. (408) 262-1171

Image may contain: cloud, sky and text

APRIL 10, 2018, 7:30 PM – 10 PM UTC+03. The arc 25 public reading in Tel Aviv. Hosted by Mark L. Levinson and Lois Michal Unger at 17 Rashi Street, Tel Aviv


CELEBRATING INDEPENDENT BOOKSTORES WITH

CELESTE NG

500 STORES ACROSS THE U.S.

Food, Music, Books, Books, Books


YOUR SUNDAY ANNOUNCEMENTS may be emailed to thepoetbyday@gmail.com. Please do so at least a week in advance.

If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:

  • send PDF to jamiededes@gmail.com (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything. Thank you!)
  • nothing that foments hate or misunderstanding
  • nothing violent or encouraging of violence
  • English only, though Spanish is okay if accompanied by translation
  • your book or other product  should be easy for readers to find through your site or other venues.

TO CONTACT ME WITH ANNOUNCEMENTS AND OTHER INFORMATION FOR THE POET BY DAY: thepoetbyday@gmail.com

TO CONTACT ME REGARDING SUBMISSIONS FOR THE BeZINE: bardogroup@gmail.com

PLEASE do not mix the communications between the two.


Often information is just thatinformation – and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my regular Sunday Announcements or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.


ABOUT THE POET BY DAY

a yellow bee whispers poems in my good ear



Setting-up a garage sale one Saturday provided me with enough exercise to last a week. I needed Sunday and Monday to recuperate. Because I was too intimidated to advertise, business was slow. The best part of the day – like the best part of life – was spent visiting with my sturdy helpers, a friend and the CitySon Philosopher. We sat in the sun, traded stories and observations, and enjoyed a faint breeze.

Turns out that my friend likes Sunset’s cookbooks too. The recipes are always kitchen tested, and the books are compact, don’t take up much real estate. We talked about monks of any religion and their habit of eating once a day. My world is at once stable and ephemeral. A little yellow bee whispers poems in my good ear …

The wall-eyed gentleman sees double

A great mountain becomes a demarcation

or perhaps it’s a divination in stone

By moonlight I watch my shadow dance

 where matter ends and pure energy begins

© 2018, stray thoughts, Jamie Dedes, All rights reserved; Photo credit; Anna Langova, Public Domain Pictures.net


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