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Fatwood … and other poems in response to the last Wednesday Writing Prompt

A Word is Dead

A word is dead
When it is said,
Some say.

I say it just
Begins to live
That day.”

Emily Dickinson, The Complete Poems of Emily Dickinson


Thanks today to Gary W. Bowers, Paul Brooks, Irma Do, Deb Felio (Deb y Felio), Jen Goldie, Anjum Wasim Dar, and new to our community, Maribeth Parot Juraska for responding with such well-considered and diverse perspectives to the last Wednesday Writing Prompt, On the Way to the Top, February 13, 2019.  A warm welcome to Maribeth. And, for value added, a special thanks to Irma Do for her stunning butterfly photographs and to Anjum Ji for her lovely illustration. Together they have enriched our day.  Well done!

Enjoy this unique and thought-provoking collection and do join us tomorrow for the next Wednesday Writing Prompt. All are welcome, no matter the stage of career – beginning, emerging or pro.


Fatwood

Buried by salt of dead sea;
one red maple perched atop patchy earth
grows narrowly
straight upside-down:

Roots in place of canopy,
poking upwards into sky’s electricity
like bed-head hair of old men,
fingers tangled in strands,
yanking, frantically, for just a few more
hours, floating somewhere with genies in bottles
of clouds risen from moisture
leaked out of their piss,
brown paper wrapper bags.

Branches budding into tunnels of earth,
burrowing like kangaroo rats into ground.
One whippoorwill singing,
“You’re doing it wrong.”
While chubby wind pummels, sound funnel of storm
rocking mud-tinged roots, taking two sapling capillaries,
every note of her song.

Even with renewed forms of ambition,
doubt, judgement,
trespass
never take long.

(Leaves, neither, never enough to cover
eggshells of empaths, mottled misunderstandings,
pioneering mistakes, despairing last breaths.)

And hence one red maple, topped by electrified scalp,
salty with sea brine, dives
where darkness becomes expectation,
not breach,
bringing what grains might help it adapt; and
sometimes, exhaling out impatience,
whispering wisdom to wriggly worms,
bites blindly, deeper into ground, misconceived as
growing its own matches, just another grave
mistake.

© 2019, Maribeth Parot Juraska

Maribeth Parot Juraska

MARIBETH JURASKA, Ed.D. debuted in the world of ISBN numbers with selected poetry pieces in American Poetry Anthology (Vol. VIII) published by the American Poetry Association. Dr. Juraska has earned an Ed.D., M.S.Ed., and B.A. in English, and is a former Training & Development Director and Professor/Director of teacher-candidate preparation. She has conducted research on multiple themes in T&D/Education, writing and presenting in areas of andragogy, performance assessment, candidate training, diversity, inclusion and social justice. She’s now a professional researcher/writer, dabbling in creative writing and spending other free time scoffing at cold winters and decaf coffe


cramberry sauce

crammed into the arena
are mostly men stunned
by the woeful reversals
bequeathed them
by the recession

they attend this
FREE!!!! motivational seminar
to get some steam back
and will hear a former first lady
and a former astronaut
several former ceos
and a silvertongued real-estator

and will be bucked up
and will fall for new schemes
and will spend
an average of $107.28
and will still not learn
the meaning
of FREE!!!dom

© 2019, Gary W. Bowers (One With Clay. Image and Text)


Born Top

of the heap, King of the hill.
Ambition when retire is pushing broom,

at the valley bottom where the river flows.
Work your way steadily down slippery slope,

responsibilities and job titles roll away scree
downhill, watch ground underfoot, see silver

of the river, get bigger, find the bristles
and whittle the handle, nail together.

From “A World Where”, Nixes Mate Press, 2017

© 2019, Paul Brookes, (The Wombwell Rainbow / Inspiration. History. Imagination.)

Be Complacent.

Take all for granted.
Be blasé. Let it all happen.

Smile sweetly as that car kills
that bystander. There’s nothing

you or I can do. We are not
in the car to stop the driver.

We are not by the pedestrian’s side.
We can only witness it all.

Don’t get involved. It will take up
all your life. Valuable time you cannot give.

You have work and family commitments.
Must strive to better yourself.

© 2019, Paul Brookes, (The Wombwell Rainbow / Inspiration. History. Imagination.)

Be Vague.

Recognition follows your
strive to be vague.
Lose sharp edges. Fade
A little at the corners.

This will define you.
Nothing must be prominent.
If it stands out make it sit down.
Don’t make an exhibition of yourself,

blend into background.
Urban camouflage expert.
Stealth worker. No loud clothes.

Self efface, deface your selfies,
if you must. Annunciate in whispers.
Mumble. Stay off the interweb.

It is only self publicity and aggrandisement.
Aver bright colours keep
to the colour of shadows.

© 2019, Paul Brookes, (The Wombwell Rainbow / Inspiration. History. Imagination.)

Achievement

“It’s a hobby.” he says
as he buys the latest adventure.

Level One: a half eaten pizza
goes cold as he outwits the foe.
Only 35 levels to go.

Levels Two-Ten: unopened bills
amass behind the front door.
He strives for a better score.

Levels Eleven-Twenty: The bath has
a black ring. Mice skitter dustclouds.
Over halfway and he is proud.

Levels Twenty-One-Thirty: He orders food
in on his mobile. His girlfriend left at level
Eighteen. If only he can reach the next level.

Level Thirty-One: He doesn’t hear or see the bailiffs
as they take his other tellies, cooker,
microwave and sundry furniture.

© 2019, Paul Brookes, (The Wombwell Rainbow / Inspiration. History. Imagination.)

Paul Brookes

FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few t

The Wombwell Rainbow Interviews: Jamie Dedes


Ambition – A Haibun

Does the caterpillar look in the sky and seeing a bird strive to soar upon rainbow hues wings? Does she eat and eat out of envy and frustration? Does she hide away in her chrysalis, depressed that she hasn’t reached her full potential?

No, the ambition of a caterpillar lies in her ability to become her true self. The hard work is being satisfied and doing her best with each stage of life, so that when metamorphosis happens, she is ready in mind, body and soul.

Ambition becomes

Wings unfurled, colors revealed

The truth of hard work

Jamie, The Poet by Day, challenged us to write a poem about ambition. I had many thoughts about this but was inspired by a visit to a butterfly garden yesterday. Humans ambition has both positive and negative aspects of it but for animals, ambition or that strive to be the best seems to be ingrained. Maybe this is another aspect that sets humans apart from other animals.

Since I myself am not a very ambitious person, writing about it was somewhat of a difficult task. True, I have hopes and wants but I am content with whatever comes my way. It’s not so much that I don’t strive or that I don’t work hard (because I do!) but that drive towards a goal is not a focus in my life. While this drives my partner nuts (not to mention my parents when I was growing up), my ambitious drive is just not that strong. And I’m ok with that!

Thus, this totally not ambitious Haibun about ambition.

©️ 2019, words and photographs, Irma Do (I Do Run, And I do a few other things too …)


Be the 1

And everyone threw away whatever was an inconvenience
that challenged themselves to something more than themselves
God was first – not because of who he was but because
others’ misrepresentations, misbeliefs and misunderstandings
better he was wrong than they were
what they chose to keep and what they emulated —
writings by others who would abuse and misuse
weak science based in opinion
backed by big money
colleagues strung out on substitute
mini gods – manageable at least
an all for one and one for all mentality
each believing they were the one and the all.

© 2019, Deb y Felio (Writer’s Journey)


If You Do Not Stop

If you do not stop
on the way to the top,
to brace your footing,
on the way to the bottom
there will be no ledges.

© 2019, Jen E. Goldie (Jen Goldie)


Ambition

ambition

a human thing good or bad,holocaust,
moon landing, power, kingdom in hell,

to be king is to be but born a king,
beauty by itself cannot royalty be,

or chance may crown a commoner
so  kill on , you may commit error

and gain the throne, the game is on,
bullets may rain at any cross roads

you may be martyred, but that risk
must be taken, for fame or notoriety~

11

in  man’s first disobedience, lies supreme ambition,
in delusions of grandeur,  in deceitful revenge  ~

man lives with countless desires, the heart may
rule mislead but mind  must think,  be smart,

a struggle between choices,of wishes noble and base.
of reason, courageous honor, of  lust greed and anger

ambition self centered is Daedalus, in dead darkness,
ambition worthy, ‘inordinate desire, with no spurs’

 

شدت خواہش نے کی چاند تک رسایؑ، انسانی اچھایؑ یا برایؑ
گر برایؑ تو ،  بادشاھت جھنم ، شیتانی طاقت یا عالمی تباہی

                         چاھت  کی  سزا  سخت ھے  انارکلی  ایک مژال ھے
                  اللاہ  کو یہ  شکواہ نہ  ھو  کسی اور کو دل  میں بٹھا  لیا

خوبصورتی سے تاج شاہی نھیں،  خاندانی پیدایش چاھیے   
یا قسمت  ھو  تو عام  شخص بھی ھاصل کر لے تخت شاھی

 جنوں خبط   کی کویؑ حد نہیں  ، کتنے قتل کروگے
    جبری  طاقت ،موت پا کر  جلد  نظر ھوتی ھے  گولیوں کی   

خواھشات عظیم    کے  دھوکے میں جنت سے ھم نکلے
بڑے بے  اؑ برو ھو ےؑ ،  لالچ  میں   باغ ازل  سے  عزت   گنوایؑ

    اللاہ  نے عطا   کی  جب عقل   تو اسے   استعمال  کرنا
سوچ  کر چاھت کرنا ، سیکھنا  مگر  پہلے، اداب باغے شاھی

،امنگ سورج  کی  طرف؟, جلا ڈالے گی ، مٹ جایںؑگی لاکھوں
،خواہشیں  سب ، مستیؑ ہوس  دنیا  کی   لزتیں ہیں ،  عارظی

نفس متمعنہ کی سعی جاری رھے انجم دنیا ےؑ فانی میں
آرزو ھو  محبت، اللاہ کے لیے،رھے بیچ میانہروی میں زندگی

“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL.” Anjum Wasim Dar

RELATED:


ABOUT

SUNDAY ANNOUNCEMENTS: CALLS FOR SUBMISSIONS, COMPETITIONS, AND OTHER INFORMATION AND NEWS

Live not for Battles Won.
Live not for The-End-of-the-Song.
Live in the along.

Gwendolyn Brooks, Report from Part One



PLEASE SUPPORT 100,000 POETS FOR CHANGE FUNDRAISER

Let’s make sure we can keep on keeping on ….

Michael Rothenberg II's photo.

Cofounder Michael Rothenberg, is celebrating his birthday by asking for donations to 100 Thousand Poets for Change. He’s chosen this nonprofitContinue Reading

$58 raised of $500 at the time of this posting.

100 Thousand Poets for Change
US 501(c)(3) Nonprofit Organization

CALLS FOR SUBMISSIONS

Opportunity Knocks

COPPER CANYON PRESS, a nonprofit dedicated to the publication of poetry collections and cofounded by Sam Hamill, opens for submissions at least twice yearly. Watch the site.  Submission fee/reading fee is $35, which includes two books of your choice. Details HERE.

FIYAH, Magazine of Black Speculative Fiction, opens for submissions (including speculative poetry)  to Issue #11 from April 1, 2019 – April 30, 2019.  Paying market. Details HERE.

THE GOOD MEN PROJECT, “The conversation no one else is having.”™ explores the changing roles of men in the 21st century has a top twenty-five calls for submission that are always open. Details HERE.

GREY HEN PRESS publishes poetry by older women, largely in its themed anthologies. Details HERE.

THE HEDGEHOG POETRY PRESS, The Home of Arfur & the Sticklebacks, is open continually for submissions of up to five poems.  Details HERE.

THE SHORE POETRY, an online publication, is open for submissions to its Spring 2019 issue through March 1, 2019.  No submission fee. No payment. Details HERE.

SYRACUSE CULTURAL WORKERS, Speaking for Justice ~ Giving Voice to Resistance since 1982 has open calls for submission of art for its 2020 peace calendar. Deadline March 15, 2019. Paying market. Details HERE.

RELATED:


THE BeZINE Be Inspired. Be Creative. Be Peace. Be.

CALL FOR SUBMISSIONS

Opportunity Knocks

Submissions deadline for the March issue – themed Waging Peace – is March 10  at 11:59 p.m. Pacific Standard.

Please send text in the body of the email not as an attachment. Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text.

Send submissions to bardogroup@gmail.com.

Publication is March 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.

No demographic restrictions.

Please read at least one issue.

We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples. 

The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.

Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration.


REMINDER:

The Poet by Day, WEDNESDAY WRITING PROMPT is HERE.  

Deadline for participation – all encouraged no matter the status of your career – is Monday evening at 8:00 p.m. Pacific Standard Time.

Photograph Beautiful Old Lady from Darap (Sikkim) Village courtesy of Sukanto Debnathfrom Hyderabad, India under licensed  Creative CommonsAttribution 2.0 Generic.


COMPETITIONS

Opportunity Knocks

Agha Shahid Ali Poetry Prize is awarded annually in memory of this Kashmiri-American  poet, sponsored by the University of Utah Department of English and the University of Utah Press, $25 entry feel. Cash award and publication of collection. Deadline: April 15, 2019. Details HERE

Alice James Award for poetry will open in April . Cash award and publication. Details HERE.

Autumn House Poetry Contest  offers poetry and fiction awards for full-length book manuscripts. Cash award and publication. Travel grant to promote book. Deadline: June 30, 2019. Details HERE.

Brittingham and Pollak Poetry Prize opens on July 15. Reading fee: $28. Cash award and publication. Details HERE.


OTHER INFORMATION AND NEWS


Accessible anytime from anywhere in the world:

The Poet by Day always available online with poems, poets and writers, news and information.

The Poet by Day, Wednesday Writing Prompt, online every week (except for vacation) and all are invited to take part no matter the stage of career or status. Poems related to the challenge of the week (always theme based not form based) are published here on the following Tuesday.

The Poet by Day, Sunday Announcements. Every week (except for vacation) opportunity knocks for poets and writers. Due to other weekend commitments, this post will often go up late.

THE BeZINE, Be Inspired, Be Creative, Be Peace, Be – always online HERE.  

Beguine Again, daily inspiration and spiritual practice  – always online HERE.  Beguine Again is the sister site to The BeZine.


YOUR SUNDAY ANNOUNCEMENTS may be emailed to thepoetbyday@gmail.com. Please do so at least a week in advance.

If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:

  • send PDF to thepoetbyday@gmail.com (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything.Thank you!)
  • nothing that foments hate or misunderstanding
  • nothing violent or encouraging of violence
  • English only, though Spanish is okay if accompanied by translation
  • your book or other product  should be easy for readers to find through your site or other venues.

TO CONTACT ME WITH ANNOUNCEMENTS AND OTHER INFORMATION FOR THE POET BY DAY: thepoetbyday@gmail.com

TO CONTACT ME REGARDING SUBMISSIONS FOR THE BeZINE: bardogroup@gmail.com

PLEASE do not mix the communications between the two emails.


Often information is just thatinformation– and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my regular Sunday Announcements or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.


ABOUT

NIGHTS WITH GHOSTS, POEM FROM A CHILD IN ZIMBABWE

 

“Poets Against War continues the tradition of socially engaged poetry by creating venues for poetry as a voice against war, tyranny and oppression.” Mission Statement of Poets Against War.



Back around 2008 when I started blogging, Poets Against War, founded in 2003 by American poet Sam Hamill (1943-2018) in response to the war with Iraq, was still going strong and some of my poems were accepted for online publication. This was my baptism into socially engaged poetry. The thousands of poems that were contributed to the database from poets around the world are archived at a university, the name of which I’ve long forgotten. There were some other great efforts including Poetry of Solidarity, which made use of the easy and economical outreach the Internet offers. These two sites have gone the way of all things. The links I saved for them now get a 404 error code. Today we have 100,000 Poets (and friends) for Change, founded in 2011 by Michael Rothenberg and Terri Carrion.

Fortunately, I did keep notes on some of the poetry and activities I encountered in those early blogging days. What follows is a translation of a poem written by a child in Zimbabwe after the government made war on its own people in June 2005. 200,000 people became homeless.  This poem was included in an article by American poet Karen Margolis in the now defunct Poetry of Solidarity.

nights with ghosts
.
dear samueri, my friend
i will never see you again;
maybe i will.
but i shall not know
until father finds us a new address
,
addresses!
we have none anymore.
we are of no address.
.
now that i have written this letter,
where do i post it to?
shall i say, samueri,
care of the next rubble
harare?

“I dream of giving birth to a child who will ask, ‘Mother, what was war?'” American poet, Eve Merriam


PEN’S WORLD VOICES FESTIVAL 2019 WILL ADDRESS THE BLURRING BOUNDARY BETWEEN PUBLIC AND PRIVATE

Programming Highlights for 15th Anniversary Edition of United States’ Leading International Literary Festival Include Events with Bridgett M. Davis, Jennifer Egan, Dave Eggers, Rodrigo Fresán, Sue Halpern, Isabella Hammad, Mohammed Hanif, Sheila Heti, Christos Ikonomou, Shiori Ito, Marlon James, Édouard Louis, Ma Jian, Emiliano Monge, Scholastique Mukasonga, H.M. Naqvi, Joyce Carol Oates, Tommy Orange, George Packer, Inês Pedrosa, Philippe Petit, Rodrigo Rey Rosa, Arundhati Roy, Sonia Sanchez, Elif Shafak, Dani Shapiro, Pajtim Statovci, Kara Swisher, Miriam Toews, Colm Tóibín, Tara Westover, Liao Yiwu, Shoshana Zuboff, Raúl Zurita, and many more …


PEN America presents the 2019 PEN World Voices Festival: Open Secrets (May 6-12), focusing on the dissolving boundary between the public and the private in the literary, cultural, social, and political realms.  A flowering of the genres of literary memoir and personal testimony has been accompanied by increased digital avenues for story-telling, revelation, and exposé before both designated and public audiences. Movements like #MeToo and continuing reports of abuse within religious organizations have demonstrated the political velocity of deeply personal revelations, surfacing suppressed experiences and forcing society-wide reckonings. Personal narratives and individual stories have become catalysts for social change.

Meanwhile, the digital revolution has enabled political micro-targeting and the leveraging of personal data in insidious ways that have the power to reshape attitudes, buying habits and even democratic decision-making.

In 60+ events in dozens of venues across New York City, the 15th anniversary edition of the festival will gather fiction and nonfiction writers, poets, translators, thinkers, and activists to discuss what we withhold and what we reveal, and the opportunities and dangers inherent in the rapid reconfiguring of the public and the private.

Arundhati Roy (b. 1961)

Yesterday PEN America announced highlights of the 2019 PEN World Voices, including its keynote speaker, an author whose work as an artist and activist has had a profound global resonance—the 1997 Man Booker Prize-winning author and activist Arundhati Roy (The God of Small Things, The Ministry of Utmost Happiness, My Seditious Heart). She will deliver this year’s Arthur Miller Freedom to Write Lecture, and will be joined in discussion by Siddhartha Deb (winner of the PEN/Open Book 2012 prize for The Beautiful and the Damned) on May 12.

Chip Rolley, Director of the PEN World Voices Festival and Senior Director of Literary Programs at PEN America, says “Presenting Arundhati Roy as the keynote speaker of this festival is nothing short of a dream come true for me. Throughout her illustrious writing career, encompassing fiction of arresting lyricism and essays of incisive urgency, Arundhati Roy has been one of the most valiant defenders of the rights of both the individual and the collective. She caps a week of events that confront our society’s fast-evolving approach to personal narrative, exposition, and exposé. Our participants include some of the most potent exemplars of how social norms governing gender, race, ethnicity, and sexuality have been up-ended by the sheer force of personal stories entering the public sphere. The festival offers audiences a ringside seat in witnessing the power of narrative in changing the world.”

Susanne Nossel

PEN America CEO Suzanne Nossel says, “The voluntary surrender of privacy in return for convenience, access, and human connection is fast reshaping expectations of what remains personal. As digital technologies steamroll forward, we aim through this Festival to hit the pause button to examine why these borders are being redrawn and how writers, creators, thinkers, and individuals can influence what aspects of our lives remain truly our own as well as how to shape narratives once they enter the public sphere.”

PEN America President Jennifer Egan says, “PEN World Voices offers an annual occasion for writers, artists, and intellectuals to pool resources for a weeklong exchange of creativity and ideas. In our era of global and national discord, such collaboration is essential—both as a refuge and a way forward.  We hope that this year’s exceptional line-up, applied to a timely theme, will prove revelatory for participants and audience alike.”

Amidst a surge in new platforms of communication, people have harnessed the mobilizing power of personal stories; exciting new voices have emerged and established authors have been emboldened to explore new territory. In It Happened to Me (May 11), Édouard Louis(Who Killed My Father), Scholastique Mukasonga (The Barefoot Woman), Pajtim Statovci(Crossing: A Novel), Grace Talusan (The Body Papers), journalist and filmmaker Shiori Ito(Black Box), and poets Romeo Oriogun and Paul Tran—all of whom have, in their work, embraced the often-liberating effect of disclosure—will present an evening of powerful testimony. On May 10, Shiori Ito, poet Gerður Kristný (Bloodhoof), Miriam Toews (Women Talking), Anne Summers (Unfettered and Alive: A Memoir), and journalist Rachel Louise Snyder(No Visible Bruises) will speak of why we need to bring domestic violence into the public realm, and how they’ve done this in their own writings, in Intimate Terrorism. In Secrets and Lives,memoirist Dani Shapiro (Inheritance: A Memoir of Genealogy, Paternity and Love) and Bridgett M. Davis (The World According to Fannie Davis) will share the secrets that defined their families (May 12).

Open Secrets will also include those who have boldly undertaken the dangerous—and monumentally important—work of exposing the abuses they themselves have experienced at the hands of governments. Thirty years after the Tiananmen Square Protests, the festival will feature Rise Up: Tiananmen’s Legacy of Freedom and Democracy (May 7), a celebration of the dauntless courage and youthful defiance that challenged China’s authoritarian establishment, spotlighting and honoring those who continue to fight for freedom around the world today. Participants will include Ma Jian, Tiananmen Square student protest leaders Zhou Fengsuo, Wang Dan, and Fang Zheng, poet, novelist, musician, and documentarian Liao Yiwu, musician Martha Redbone, and more. In a return of a bravura event from last Festival, Ma Jian, Chilean poet Raúl Zurita, Egyptian PEN/Barbey Freedom to Write Award recipient Ahmed Naji (Using Life), author and PEN International President Jennifer Clement (Gun Love), Ukrainian poet Marianna Kiyanovska (The Voices of Babyn Yar), and Russian poet Kirill Medvedev (It’s No Good: poems/essays/actions) will participate in this year’s Cry, the Beloved Country, offering eloquent accounts of the struggles in their respective countries, in their original languages with simultaneous translation on screen (May 9).

After Raúl Zurita’s imprisonment by the Pinochet regime in 1973, the legendary poet of resistance chronicled atrocities committed against the Chilean people, including attacks on their language; on May 8, Zurita will read his poetry, and join poet Norma Cole and poet/translator William Rowe in conversation. On May 9, in Essex Hemphill: Remembering and Reimagining, author/activist Darnell L. Moore (No Ashes in the Fire); writer, poet, and playwright Timothy DuWhite; interdisciplinary artist, performer and writer Ni’ja Whitson, and filmmaker and writer Michelle Parkerson will pay homage to Essex Hemphill, the incisively political poet who gave voice to the experiences of black gay men in America during the 1980s and 1990s.

Digital technology has the potential to democratize global politics, empower activists, and facilitate free speech, but recent events have also shown us how technology can also exert a sinister influence on democratic practices. In Orwell’s China (May 8), exiled Chinese-born novelist and dissident Ma Jian (China Dream) and journalist Leta Hong Fincher (Betraying Big Brother: The Feminist Awakening in China) will speak with Chip Rolley, addressing the heightening surveillance culture, police state, and attacks on feminism in China. Digital technology has also, of course, abruptly reshaped our personal lives; featuring Niviaq Korneliussen (Last Night in Nuuk) and Gabriela Wiener (Sexographies), Love in the Time of Tinder will look at how literature depicts the tumultuous digitized terrain of modern love and sexuality (May 7).

Highlights of the 2019 PEN World Voices lineup of challenging and enlightening contemporary writing include recent examples of some of literary fiction’s richest offerings from the U.S. and abroad. In Women Uninterrupted, Elif Shafak (Three Daughters of Eve), Inês Pedrosa (In Your Hands), and Pulitzer Prize-winning novelist and PEN America President Jennifer Egan(Manhattan Beach) will speak about writing unforgettable fictional female characters (May 11). Acclaimed Latin American authors Rodrigo Rey Rosa (Severina) and Rodrigo Fresán (The Invented Part) will discuss their work in The Library of Borges (May 7). Resonances—moderated by PEN World Voices co-founder Esther Allen—will feature Niviaq Korneliussen, Bridgett M. Davis (The World According to Fannie Davis), Gabrielle Bell (Everything Is Flammable), and Willivaldo Delgadillo reading passages from their own works as well as writing by authors who influenced them (May 9).

A festival that transcends genres and media, PEN World Voices will feature living legend Philippe Petit (On the High Wire)—who famously walked between the roofs of the Twin Towers in 1974; he has, in the words of Mikhail Baryshnikov, achieved “a precise balance of chaos and creativity,” and will share what it takes to do this with fellow artist Elizabeth Streb in Artists of the Air (May 7). George Packer (The Atlantic, former New Yorker staff writer) has written Our Man, a compelling biography of Richard Holbrooke, arguably the last great American diplomat, which he will discuss with PEN America CEO Suzanne Nossel in A Very American Diplomat(May 7). On May 10, PEN World Voices will feature the New York premiere screening of Kirill Serebrennikov’s film Leto, following Kino co-founding singer-songwriter Viktor Tsoi on his early journey from underground experimentation towards Soviet Union-wide stardom. With the film touching on Soviet censorship in the 1980s, and Serebrennikov currently under house arrest in Russia, the event will, on multiple levels, serve as a tribute to uninhibited creativity in the face of institutional oppression. In Countering Colonialism: A Queer Ritual of Healing, PEN World Voices turns toward yet another expressive form: queer Nicaraguan performance artist Elyla Sinverguenza will present their new work, Saint Peter Goose/Duck Pulling, reimagining a violent hyper-masculine ritual as a healing act (May 11).

On May 8, Soledad Castillo and Gabriel Méndez—who, through the oral history initiative Voice of Witness, shared their stories of border crossing to escape manifold horrors at home—will speak with the platform’s co-founder, acclaimed author Dave Eggers (The Parade), and the organization’s executive director Mimi Lok, in My Story, My Journey, My Freedom.

PEN World Voices’ Next Generation Now series of events for children and families this year includes the fun and fabulous Drag Queen Story Hour (ages 3-8, May 11) featuring Miz Jade, as well as the creative workshop Spellbound Theatre: Today I Will Be Fierce! (for children up to age 8, May 11), featuring story time with Nidhi Chanani (illustrator of I Will Be Fierce!).

PEN America will announce additional programming—featuring Sue Halpern, Isabella Hammad, Mohammed Hanif, Sheila Heti, Christos Ikonomou, Marlon James, Emiliano Monge, H.M. Naqvi, Joyce Carol Oates, Tommy Orange, Sonia Sanchez, Kara Swisher, Colm Tóibín, Tara Westover, Shoshana Zuboff, and many more—as the Festival approaches.

Photo credits: post header photo, ©Jamie Dedes; Arundhati Roy courtesy of Augustus Binu under CC BY-SA 3.0 license; Susanne Nossel in 2014 courtesy of PEN American Center

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PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. Our mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.