Poets, Poetry, News, Reviews, Readings, Resources & Opportunities for Poets and Writers
Author: Jamie Dedes
Jamie Dedes is a Lebanese-American poet and free-lance writer. She is the founder and curator of The Poet by Day, info hub for poets and writers, and the founder of The Bardo Group, publishers of The BeZine, of which she was the founding editor and currently a co-manager editor with Michael Dickel. Ms. Dedes is the Poet Laureate of Womawords Press 2020 and U.S associate to that press as well. Her debut collection, "The Damask Garden," is due out fall 2020 from Blue Dolphin Press.
“Today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups… So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.” Philip K. Dick
“Speculative poetry is poetry which falls within the genres of science fiction, fantasy, and supernatural horror, plus some related genres such as magic realism, metafiction, and fabulation. It is not easy to give precise definitions, partly because many of these genres are framed in term of fiction rather than poetry.” The Science Fiction & Fantasy Poetry Assciation
EnLIGHTEN is a print magazine of speculative poetry, illustrations, articles and reviews that is published twice-a-year. Submission guidelines are HERE.
MITHILA REVIEW, an international journal of science fiction and fantasy, publishes speculative fiction and poetry. Guidelines HERE.
MYTHIC DELIRIUM BOOKS is a small independent press that publishes speculative poetry and fiction journal and books. Details HERE.
STRANGE HORIZONS is a weekly magazine that publishes speculative fiction poetry, reviews, essays, interviews, roundtable discussions, and art. Details HERE.
Robert A. Heinlein’s Rules of Writing
When fellow writers, or fans, wrote Heinlein asking for writing advice, he famously gave out his own list of rules for becoming a successful writer:
You must write.
Finish what you start.
You must refrain from rewriting, except to editorial order.
You must put your story on the market.
You must keep it on the market until it has sold.
Ray Bradbury reading his poem If Only We Had Taller Been
If you are viewing this post from an email subscription,you’ll likely have to link to the site to view. Charming. Well worth your time.
What would you find pleasant or helpful on The Poet by Day in 2019? What have you found helpful to date? Link HERE to let me know.
Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman. My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”
“What if our religion was each other. If our practice was our life. If prayer, our words. What if the temple was the Earth. If forests were our church. If holy water–the rivers, lakes, and ocean. What if meditation was our relationships. If the teacher was life. If wisdom was self-knowledge. If love was the center of our being.” Ganga White, teacher and exponent of Yoga and founder of White Lotus, a Yoga center and retreat house in Santa Barbara, CA
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
Thank you for sharing your love of words. Comments will appear after moderation.
British writer, Virgina Woolf (1882-1941) 1902/public domain photograph by George Charles Beresfor
“Women have sat indoors all these millions of years, so that by this time the very walls are permeated by their creative force, which has, indeed, so overcharged the capacity of bricks and mortar that it must needs harness itself to pens and brushes and business and politics.” Virginia Woolf, A Room of One’s Own
PEN America released the longlists for its 2019 Literary Awards with 90 titles in the running for juried prizes honoring literary work including fiction, nonfiction, poetry, and translation. Conferred by the country’s only organization that both celebrates literature and defends free expression, the PEN America Literary Awards honor literary excellence and celebrate voices that challenge, inform, and inspire. Prizes for debut fiction, international literature, science writing, sports writing, biography, essay writing and more will be awarded at the PEN America Literary Awards Ceremony on February 26, 2019 at the NYU Skirball Center in New York City.
The majority of the semi-finalists this year are women, including in categories long dominated by men, such as biography, where seven out of the 10 books longlisted are by women and six are about women. Longlisted works include: Zadie Smith’s Feel Free (Penguin Press); Alexander Chee’s How to Write an Autobiographical Novel (Houghton Mifflin Harcourt); Nicole Chung’s All You Can Ever Know; Jenny Xie’s Eye Level (Graywolf Press); Esi Edugyan’s Washington Black (Knopf); Jhumpa Lahiri for her translation of Domenico Starnone’s Trick (Europa Editions); Morgan Jerkins’ This Will Be My Undoing (Harper Perennial); Eliza Griswold’s Amity and Prosperity (Farrar, Straus, and Giroux); and many more.
In a period of time marked by nationalism and isolationism the PEN America Literary Awards continues its long-standing recognition of the finest writing in translation, with awards bestowed for both prose and poetry. This year, Sevinç Türkkan’s translation of Aslı Erdoğan’s The Stone Building and Other Places (City Lights) is longlisted at an especially poignant time, as Aslı Erdoğan awaits trial in Turkey and PEN America advocates for her release.
“With a record number of submissions to our Awards, including from small, medium, and large presses, the competition for this year’s awards is more intense than ever,” said Nadxieli Nieto, PEN America Literary Awards Program Director. “The renewed interest in literature and translation in this political moment is a testament to the power of readers and writers to advocate for new ideas, challenge the old ones, and propose new futures. Coming during a year when so many women have broken their silence to tell long-suppressed stories, our judges’ choices reflect the strength and breadth of women’s contributions across every category of literature.”
Finalists for the 2019 PEN America Literary Awards will be announced in January, and winners will be revealed at the PEN America Literary Awards Ceremony on February 26 at the NYU Skirball Center in New York. Announcements about finalists and winners of the following awards are forthcoming: the PEN/Jean Stein Book of the Year Award, PEN/Nabokov Award for International Literature, PEN/Osterweil Award for Poetry, PEN/Dau Short Story Prize for Emerging Writers, PEN/Pels Theater Award, PEN/Magid Award for Excellence in Editing, and the PEN/ ESPN Lifetime Achievement Award. Ticket sales for the Ceremony go on sale today and are available to the public here.
For over 50 years, the PEN America Literary Awards have honored many of the most outstanding voices in literature across such diverse fields as translation, fiction, poetry, science writing, essays, sports writing, biography, children’s literature, and drama. With the help of its partners and supporters, PEN America will confer 22 distinct awards, fellowships, grants, and prizes in 2019, awarding more than $370,000 to writers and translators.
The full 2019 PEN America Literary Award longlists and more information about the Literary Awards program are available HERE.
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PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. This organization champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.
Wednesday Writing Prompt will return on January 16, 2019.
What would you find pleasant or helpful on The Poet by Day in 2019? What have you found helpful to date? Link HERE to let me know.
Poet and writer, I was once columnist and associate editor of a regional employment publication. I currently run this site, The Poet by Day, an information hub for poets and writers. I am the managing editor of The BeZine published by The Bardo Group Beguines (originally The Bardo Group), a virtual arts collective I founded. I am a weekly contributor to Beguine Again, a site showcasing spiritual writers. My work is featured in a variety of publications and on sites, including: Levure littéraure, Ramingo’s Porch, Vita Brevis Literature,Compass Rose, Connotation Press, The Bar None Group, Salamander Cove, Second Light, I Am Not a Silent Poet, Meta / Phor(e) /Play, and California Woman. My poetry was recently read byNorthern California actor Richard Lingua for Poetry Woodshed, Belfast Community Radio. I was featured in a lengthy interview on the Creative Nexus Radio Show where I was dubbed “Poetry Champion.”
“What if our religion was each other. If our practice was our life. If prayer, our words. What if the temple was the Earth. If forests were our church. If holy water–the rivers, lakes, and ocean. What if meditation was our relationships. If the teacher was life. If wisdom was self-knowledge. If love was the center of our being.” Ganga White, teacher and exponent of Yoga and founder of White Lotus, a Yoga center and retreat house in Santa Barbara, CA
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
Thank you for sharing your love of words. Comments will appear after moderation.
“Tell me, what is it you plan to do with your one wild and precious life?” ― Mary Oliver
What would you like to see more of here in 2019?
poetry
calls for submissions and other poetry/writing news and updates
how to features
poems and poets
reviews
or, you name it …
What are the current features you most enjoy and/or find helpful?
Sunday Announcements / general poetry/writing news and updates
Wednesday Writing Prompt
Tuesday collection of poems in response to the Wednesday prompt
Thank you for taking the time to help out. I’ve also put a rating feature above all blog posts so that you can “vote” using that as well. You will have to click on the post titles for that to come up.
Jamie
Thank you for sharing your love of words. Comments will appear after moderation.
The last Poet by Day, Wednesday Writing Prompt, to write about farms and farming (Conjuring Farmhouses), December 12, is covered quite broadly here with responses from Gary W. Bowers, Paul Brookes, Irma Do, Jen E. Goldie, Shiela Jacob, Frank McMahan, Mike Stone, and Anjum Wasim Dar. These will provoke some thought and much pleasure, spiked as they are with memoir, questions, humor, and insight. Enjoy!
Wednesday Writing Prompt will return on January 16, 2019.
three cow salute
walking to my high school meant walking past three cows
just as 61st avenue came to its
senses and straightened up
south of bethany home road
and what was then
a bobwire fence held back these bored cows
who stood and chewed or didn’t
and slowly turned
their
heads
in
unison
as
you
passed
they were the stolid
they were the stupefied
the stunned
the milkbaggy trio
the watchers of boys and girls
they needed a date with a frisky bull
or maybe they needed nothing
but daily relief from udder strain
grass
and me tweaking their monotony
into near monotony
couldn’t tell you
don’t know why those bored
and boring cows still lease space
in a pasture in my head
just know
the smell of horseshit does nothing for me
but
the smell of cowshit
has more than once filled
my stupid stolid eyes
with nostalgic tears
droplets of blood from the tail
of last October’s sacrificed horse,
ashes of the stillborn calves,
the shells of beans.
We are sprinkled with water,
wash our hands
in spring-water,
drink milk mixed with must.
Towards evening after shepherds
fed their flocks,
laurel-branches
are used as brooms
to clean their stables,
water sprinkled through them,
then stables adorned
with laurel-boughs.
Shepherds burn sulphur,
rosemary, fir-wood, and incense,
usher the smoke through the stables
and the flocks to purify them.
cakes, millet, milk,
and other food
is offered.
Hay and straw bonfires lit
cymbals and flutes play
as sheep and shepherds
are run three times
through the fire.
At an open air feast
we sit or lay
on turf benches
and sup a lot.
who plough
who prepare the earth
who plough with a wide furrow to bring water from the river
who plant seeds
who trace the first ploughing, reploughing as first did not work
who harrow
who dg
who weed
who reap
who carry the grain
who store the grain
who share the grain
who share their good fortune with us, the dead
FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.
The blue sky smelled of manure. Even the allure of coffee and raw milk, homemade bread with rhubarb jam and omelets plucked from their mother just that morning couldn’t overcome the scent that distinctly said, “You’re on a working farm.”
The distinct sound of a tractor pulled up to the farmhouse door. The farmer offered us a hay ride around the farm and explained the difference between hay and straw, silo versus barn. The farmer named each machine and it’s purpose, but not the animals.
That night, I briefly wondered if the chicken that gave her life for our pot pie dinner also sacrificed her progeny for our breakfast. And if the rooster that would wake us in the morning, knew what happened to his family.
Plastic and foam trays
Deception and protection
Farmers eat the truth
Yes, that’s me on a tractor – picture courtesy of one of my sorority sisters who posted some “throwback pictures” of a reunion we had a bed and breakfast in the Pennsylvania countryside a few years after we graduated college. I don’t think the tractor was actually moving for the picture, but it was a first for this city girl!
Coincidentally, Jamie Dedes’ Wednesday Writing prompt requested: This week share poem/s out of your own nostalgia, experience, impressions, gratitude, concerns, or convictions about farms, farming, or farm policy. Despite now living in “farm country”, I still don’t know about farming although I do appreciate the numerous farmers markets in our area.
One thing I do know: I am very appreciative of the men and women who work on farms because I know I don’t have the constitution or inclination to grow things or kill things to eat. Maybe because living in cities, I was never exposed to that reality and thus my aversion to being close to the true source of what I/we eat. Food came in a package and didn’t have faces. Maybe if more people were aware of the reality of farming, there would be less food waste and a better understanding of the need to conserve and protect the environment/nature and animals as finite resources. But what do I know…I’m just a city girl…
When Dad barked
You hopped to it,
Let’s go! In the car!
He loved the country.
One day, he said,
I’m moving to some
Small town,
Somewhere,
Someday.
Got my love of trees,
Wide expanses
And the smell of grass
From him
I guess.
Let’s go pick strawberries.
Get some fresh picked apples,
Some corn, if it’s ready,
Right from the field.
He always took the
Side roads
On our way to
Where he wanted
To be.
I marvel,
Now,
Where he was
Coming from,
Some secret desire,
Some past life,
Taking him home….
A tithed farm had flourished
since Queen Victoria’s reign.
Then the council needed acres
of land, built a housing estate
in the 1930’s for families like
us who couldn’t afford to buy.
Small, airy houses with an inside
toilet and coal shed, no running
hot water but spacious gardens
front and back.We made our home
here in the ’50’s and I walked past
apple trees to my first school.
Elderly neighbours recalled
the redbrick farmhouse, told
how they were sent there
as children and exchanged
a few pence for pats of golden
butter and hay-warmed eggs.
They felt the land’s closeness
despite shops and post office
and bus routes to the city centre.
Road names were echoes.
Farmcote Swancote
Old Farm Glebe Farm
And during the War,they dug
over their long back gardens.
Potatoes and turnips grew again.
Carrots were shaken free of soil,
peeled, grated and added to cake
mix instead of rationed sugar.
Hefting water out of the river to
feed the newly-planted.Long years since I
had to do the same on Uncle’s farm:enamel
white bucket hung from a windlass,sweet
water drawn from deep. I could lift but half
a pailful then. Brothers, neighbour’s girls,
rudimentary washes after endless
play; earth closet in the yard, potatoes,
their skins slowly curling in the cauldron
on the hearth.Somewhere a clock. Bored one day,
I stood beside the well and bawled for help.
Dad came running and rough chastisement
was love’s affirmation.
Brief check before I
swooshed down the hay bales in the barn, guiltless
until the straws in my hair betrayed me.
The years have added muscle, as I bend
and dip and lift from the grateful water,
remembering my boyhood’s guilty smile.
Sonja Benskin Mesher, RCA paintings (This is her Facebook page, so you can connect with her there as well as view photographs of her colorful paintings.)
The dark cloud squats heavily on the horizon
Undecided whether to drift slowly
Over our dusty fields with its fat bladder
Full of drought quenching rains
Or to drift up the coast a ways
To quench the thirst of our enemy’s fields.
O Lord, I know it makes no difference
In the grand scheme of things,
But I can’t help the fact
It would make all the difference in the world
To me.
The dead don’t envy the living
Any more than the living envy the dead.
Who’s to say what’s the best state
For matter to be in
In the long run?
I would think the best,
For one above ground,
Is to make the most of what you are
And, for those below,
To make the least.
Farm and village
soul and spirit
a nation’s harvest giver,
agri-armor of defense ,
lived in one,never,
but loved one where
Grand Dad lived
near the Jhelum River
A place, Sarai Alamgir
with tilled fields
lush green yields,
lands fulfilling needs
wells run by cattle
in circles, bound
pulling out water
round and round
and we so freely….
running in the fields
touching the trees
shouting and singing
with the breeze
But
When land is threatened by famine ,when food is scarce
by waywardness and sins,
when fuel is short
and dry are the streams
the farmer with his horse
and plough
is back in the fields-
the backbone of the people
he is following his dreams
or so it seems-
going back in time
working coping hoping
amidst blasts and screams’
Farmer Farmer get some coal
if you want your crop
and reach your goal
Farmer farmer get your horse
for salvation of the loss
Farmer Farmer get your plough
Let us work and fulfill our vow’
کسان اور گاوؑں
روح رواں زندگی
زرہ بکتر زراع و دفاع
رہنا فارم پہ کبھی نا ھوا
دادا کے گھر سے پیار ھوا
سراےؑ عالم گیر جھلم دریا
گاوؑں تھا پیارا سا
لھلھاتے کھیت و باغ
ھر سو سبزا سبزا ھوا
کوؑیں سے جوتے بیل
کھیت میں پانی ڈالے
ڈبے پے ڈبا ٓاتا جاؑے
اور ھم کھلے میدان میں
بھاگتے دوڑتے ھنستے
درختوں کہ چھوتے رہتے
مگر جب
زمین خطرے میں پڑھنے لگے
قحت و قلت ھو جاےؑ زیادہ
ایندھن کم اور ندیاں خشک
پھر کساں اپنا سامان لیکر
کھیت میں واپس جاتا ھے
گھوڑا جوت کہ ہل چلاتا ھے
اپنی قوم کی فکر ھے لاحک
اپنے خواب ادھورے پا کر
محنت کرنے لگتا ھے
بم دھماکے اور چیخوں میں
بھایو ٓاو آوؑ کوؑلہ نیکالو
اپنا اپنا کھیت اپنا ہل بچاوؑ
صلیب کو دیکھو مسجد جاوؑ
اپنا وعدہ پورا، خوب نبھاوؑ
شاید نجات مل جاےؑ شاید بخشے جاوؑ
“Let us all strive for peace on Earth for all. Let us make a better world. Write to make peace prevail.” Anjum Wasim Dar, Pakistani poet, writer, artist, educator, and parent.
Thank you for sharing your love of words. Comments will appear after moderation.