Poets, Poetry, News, Reviews, Readings, Resources & Opportunities for Poets and Writers
Author: Jamie Dedes
Jamie Dedes is a Lebanese-American poet and free-lance writer. She is the founder and curator of The Poet by Day, info hub for poets and writers, and the founder of The Bardo Group, publishers of The BeZine, of which she was the founding editor and currently a co-manager editor with Michael Dickel. Ms. Dedes is the Poet Laureate of Womawords Press 2020 and U.S associate to that press as well. Her debut collection, "The Damask Garden," is due out fall 2020 from Blue Dolphin Press.
One iced night mom took his hand
and led the boy to a no man’s land
And in the darkness of that night,
he came to know himself as blight
Born upside-down and on a tether,
no turned up way to make him clever
Both heart and memory came away
with jilted mom on that crazed day
Excess baggage he seemed to be,
surviving much-grudged care you see
Imagined poems filled his dreams,
soulful skimming of raw life’s cream
On winds of change other blows,
but joys embedded he has known
And in the end life’s still worthwhile
Life was precious to man and child
Upside-down fuels such rare view,
and capsized life is a lonely pew
But when time came to make a close,
only sweetness from a thornless rose
I was intrigued by this gracious man’s history: a breech birth and coincidentally his Tarot birth card was the hanging man, illegitimate, difficult life but no victim mentality, and a graceful acceptance of death when the time came. I’ve no idea why this came out rhymed. As I may have mentioned before, I don’t care for rhymed poetry and rarely write it.
“Jung looked upon the situation pictured in the hanged-man as an invitation to plumb new depths of being – a challenge rather than a punishment. ‘For the unconscious always tries to produce an impossible situation in order to force the individual to bring out his very best. Otherwise one stops short of one’s best, one is not complete, one does not realize oneself. What is needed is an impossible situation where one has to renounce one’s own will and one’s own wit and do nothing but trust to the impersonal power of growth and development.'” Jung andTarot: An Archetypal Journey by Sallie Nichols
WEDNESDAY WRITING PROMPT
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
Not everyone is delivered wrong-way into the roiling sea of life, but everyone is delivered into challenging situations at one time or another. Every day we meet heroic people who have overcome adverse circumstances or lived with them gracefully. Remarkable! Some people never cease to amaze. Who do you find admirable and why? Write a homage. Tell us in your poetry that you post in the comments section or via link/s to the poem/s on your blog.
All poems submitted on theme will be published here next Tuesday. Deadline is Monday evening, June 4, 8 p.m. PDT. If this is your first time participating in Wednesday Writing Prompt, please be sure to post your poem or link in the comments section but send your bio and photo to thepoetbyday@gmail.com to be used by way of intro to readers … and me! 🙂
All are encouraged to join in Wednesday Writing Prompt to exercise their writing muscle and make new poet friends.
“Whereas story is processed in the mind in a straightforward manner, poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It’s the crack cocaine of the literary world.” Jasper Fforde, First Among Sequels
Where does your poetry come from? How do you receive it? That was the essential prompt for last Wednesday, The Witching Hour, May 23, 2018. What a fun and fine response. Clearly almost all of us think there is something rather magical or mystical happening. So here today, I’m delighted to share the work of old and new friends with their old and new poems, sometimes connected to the theme by a slight silken thread and that’s okay. All good. I know you’ll enjoy yourselves as much as I have.
Thanks to poets John Anstie, Paul Brookes, Marta Pombo Sallés, Frank McMahan and Anjum Wasim Dar and a warm welcome to Neeldip. Be sure to visit these poets and get to know them. Links to their sites are included. If they have no blog or website, you might catch up with them on Facebook. Congrats to our prolific Paul who keeps those chapbooks and collections coming at a breathless rate. Bravo!
Please do join us tomorrow for the next Wednesday Writing Prompt.
A Fairy in Disguise
Meadows turned to mist even the azure’s smiled,
lights were blinded till a distant mile,
when she walked down the morning aisle.
Fireflies were her companion when she sang along nightangles,
Moonlight was her curtain,
As she strolled through the shrouded forest,
Midst the starry fountain.
Neeldip has sent a bio yet, but when he does, I will post it. Meanwhile he was invited in by Mart Pombo Salés. She said to him, “Beautifully written. Love how you recreate this mysterious atmosphere in the world of fairies and goblins. This is also the world of the Muse that whispers something in the poet’s ear. Is this why you say “A Fairy In Disguise”? Your poem carries something similar to a mystical experience. The ending is very powerful with the “starry fountain”. Isn’t that the fountain of life and inspiration? I think it would be perfect for the next Wednesday Prompt … ”
The Dream of a Poet
I woke up with a start some time ago;
A very familiar path;
from sleep infused, in semiconscious state,
with dreams of the unpleasant,
into a slow and rude awakening.
Was it a mystery magician or
con artist, the evil one,
who managed to deprive me of my freedom;
usurp my own free will;
transport me where I never want to go.
And then, somehow it dawned on me that I,
apropos my own illusion,
had written words that weren’t exactly true?
I’m not sure how this is…
But missive written. For poets. How to write!
Astonishing!
The anti-hero in my fated dream
insisted I capitulate
and turn my trade to more constructive end
by which it sought the truth
of why I wish to make my dreams come true.
It asked me who I thought I was and then,
without so much as by
your leave, it pulled me back into oblivion.
It also didn’t hear me
when my stentorian protest made no sound.
It was a vision; a reverie that spoke
of fantasies; woolgathering.
It is, in truth, as truth is meant to be
none other than my conscience,
speaking of the will to write and dream.
If answer there is one, I do not know;
so often out of our control.
The only thing I have to say is this:
it’s always up to you.
Only you can judge what’s best… for you.
By your own best devices, you don’t need
to take advice from where
there is no guidance better than your own
…save rules, and even they
can be ignored once you have mastered them.
Dream of spelt and salt cake I fire for you, and before you can seek future from way I burn clean my fireplace, clear your head.
Old ash and cinders block gust makes for poor-burning, makes for poor-thinking prepare my gob for my tongues my gob packed with ash piled ash in my grate piled ash in my head crumbles like walls from incendiaried homes
stop wandering off when I’m talking to you!
ash up against my fire-bars makes them overheat makes you overthink
so they sag and “burn through” make me virginal something to focus on something for focus recall collecting ears of spelt in reaper’s baskets
I said stop wandering!
rake remains of my last fire the last fire between my temples so ash falls through my grate train steam in your nostrils pick-off the cinders for re-use.
My lightweight dark lumps, not my powdery un-burnable pieces of roasted shale my exhausted voice.
Clear my fire-bars of small cinders, clear all my ash, clear all the dead, dry bones out of my head recall the crush, grind
then roast the ears of spelt, yeasty like a pint of beer
Concentrate! You are lighting me fill my gob
with dry, unfinished paper cheap-newsprint not glossy magazine-print.
screw sheets into rough balls packed into this brain space not too tight, but not too loose.
Keep the paper open & crinkly don’t pack paper into hard nuggets, make them roughly spherical.
Should cover my grate with plenty of space to allow gust to blow away, focus these eyes, only one layer, as my tongues lick paper down everything on top will drop, roof falling in around my ears leave it at a couple of inches. Recall salt prepared pound crystals from brine
from a salt pan in a mortar, pack and inhale seafret. Cut lump with an iron saw.
I’ll not tell you again!
paper is to ignite the wood (next)
the next thought only enough, too much will clog fire-bars cause stack-collapse as your paper doesn’t burn well, stuff a loose sheet under my grate under my thoughts light it let my little tongues loose stuff sheets underneath burn them recall forbidden reading, books in flame, memories of things not spoken discarded ideas
I can be dangerous!
break up my ash with a poker. Recall stir of salt and spelt into carried spring water pure never touched the ground into meal that must be rested my pulped treeflesh.
I will lick away a support for my woodflesh. I lick away a flicker of an idea, a first layer
of contemplation.
(From “The Headpoke And Firewedding”, (Alien Buddha Press, 2017)
my thought needs substance crouched supplicant
to our hearthmind layer my gob can’t light my coal with paper my wood layer is for coal as my paper is for wood layer on my paper small pieces of wood (kindling) watch for splinters embed in your fingers for all day pain or a heated steel pin to remove. Carefully make a wooden pallet a raft of images on balled up paperwaves support my coal so imagination flares as I burn to speak.
Pray raft holds. Criss-cross wood, a cohesive structure.
You’re making my fireplace,
My head layered.
My gob layered.
Geology reversed.
Paper from trees. Dead trees made coal graduations of image, thought and idea.
When paper gone hold stays, mixture of thick and thin considerations.
Thin ideas burn easily, produce heat, thick sustains in depth delights my imaginations coal
(From “The Headpoke And Firewedding, Alien Buddha Press, 2017)
like wood is my imagination solidified sunblaze trapped voices, stories trapped build a pile of imagination on top of my wood-raft stuffed into my gob have a nice pile in middle.
Concentrate!
Choose pieces too small air-flow round my head restrict visuals. I cannot breathe. Choose pieces too big don’t get enough licking heat from the wood. Ignite my images , ensure fire-front removed for maximum air-flow, ignite the paper from underneath, ignite heads images underneath.
Focus!
in multiple places – get as much litlick quickly as possible, heat feeds between ignition points
if you will not put your mind on me I’ll burn your house down my water in the wood coal makes sulphuric acid lick surface off your brick funnel .
Images sear . Imagination needs time, fire blaze, cornfield stubble, while wood and paper left, this cellulosefuel heats imagination -fire to self-sustain your hard images buried deep, pressured become harder, blacker used in locomotives, steam ships, pitsweat, minehacked proppedimages your soft images nearer surface browner nostalgic soft focus biscuit tin tender.
Imagination produces smoke and tar when heated only,
when “dried out” get red-hot carbon fire makes imagination so hot. Recall tar melting on roads in sunblaze, sticks to soles coal tar soap photosynthesizes calls back its days as a plant.
I can be dangerous!
once my fire lit poke gently, release ash, break-up images stuck together by tar sticky mind coagulate.
Arrange cinders around the edge, add more images around fires periphery around
minds periphery. Don’t throw a bucket of imagination on my flametongue.
Always put a bit at edges or in middle. Images poked.
Poke my licking.
so ash falls through firebars so ash fall through the head.
Lift my burning images, ensure ash removed from under fire bars.
Imagination needs time to warm up.
Don’t smother with cold-images.
Kill lovely heat.
Longer to burn up. Pile it up around the edges, when it starts burning: poke and rake it into centre gradually.
When lit you give me a voice, a gob and tongues. Listen to my stories, record my voices, divine futures from decay of food thrown on me.
How virgin cakes of salt and spelt bake towards decay in heat tongueflicked wild jig of ideas before I ashreturn lose my tongues.
(From “The Headpoke And Firewedding, Alien Buddha Press, 2017)
Who knows where they have come from? No
summer rains to fill the limestone
caverns, no spring time residue
and yet the tongues of water spread
in new directions,loosestrife by
the water’s edge; and willow herb.
Across a once-ploughed field,
mineral insinuation
feeding the tangled hedgerows and
forcing the flush of hawthorn’s white.
Folded in dew, summer might bring berries;
fieldfare and redwing on winter’s winds.
(Seven Springs is a real place just north of us which feeds the River Churn that runs past my allotment and through the middle of town. So…)
Words and thoughts felt in transparency, unknown, unseen,
senses benumbed, as vision scans nature’s changing vapors
against a canvas, bordered by shivering trembling green leaves
of stretching, bound, firmly rooted growth, shaping into one
strong trunk…strange is the form yet studded with beauty …
as feather like as water drops, soft, in feeling, a medium,
which passes through, touching the body soul and spirit
breaking the trance to discover, an idea ‘arranging deepening’
in the mind, revealing a song’ or a story’ or poetic drama’
so ‘poetry should be naturally expressed’ though along the way-
‘there are places that beckon us to stop or warn that these lines
are true,these thoughts good, let the words flow’, in early drafts
don’t try to control the poem’, feel free to alter the facts’,yes,it is
easy then, but it is work, hard work, the idea comes from the unseen
it is then from ‘me ‘ to something real outside ‘ in order, to craft’
sometimes it is Light’ spreading gold in the sky on hills and land
cutting darkness to glory divine’ when green goes dark looks grand
mind stirs wonders eyes gather images and thoughts seek words
to amalgamate colors, beauty serene, majestic mystical hills of sand
who made them? how much more beauty must be in His Domain !
a poem can be, just be, it comes in moments, in time, at night
sometimes nothing descends for days, nothing inspires, a lone
still, lifeless object, may strike the soul, yet it all is formed only
when the mind in its richness of language receives the ‘order’
‘a divine gift ‘it is as poets have revealed in the past across ‘border’
Mirza Ghalib wrote’
‘ Aate HaiN Ghaib Se Yeh MazameeN Khayal MeiN Ghalib Sarir-e Khamah Nava-e Sarosh Hai
When mysteriously topics or subjects come in ones thoughts,
Then the sound made by the pen, resonates like the voice or sound of angles.
Levure littéraire is exceptional in so many ways. It’s worthy of your time and so clearly exhibits the thought, originality and hard work of its founder and editorial board, which includes Hélène Cardona and Aprilia Zank. The video below is an introduction to the 14th issue that will include three of my poems along with poetry, other writing and artwork by an impressive gathering of writers and artists. Roxanne Brousseau Felio created this stellar video. I don’t know when 14 will go up, but don’t wait to check it out. This international multilingual publication is not to be missed.
Vita Brevis is a relatively new online poetry venue I introduced to you here some time ago. I like the gentle grace of this modest effort and took a chance with the new kid on the block when it first crossed my radar. The reason I say “took a chance” is because if you have little or nothing to study as an example of style and values, you never know how things are going to turn out and it may turn out to be embarrassing. Vita Brevis is anything but embarrassing and is now open for submissions. I encourage you to visit, read and submit. You can read my submission HERE.
A CELEBRATION OF LITERARY WOMEN
OFFERS INSIGHT AND INSPIRATION
I recently discovered this delightful site, The Literary Ladies Guide to the Writing Life. I’m addicted. So very many old friends featured there and some new-to-me-writers. A fabulous and most enjoyable find. Lit Ladies is on FacebookHERE. The website is HERE. Enjoy!
“Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that this danger does lie in logic, not in imagination.” G.K. Chesterton, Orthodoxy
CALLS FOR SUBMISSIONS
Opportunity Knocks
ARTS & LETTERS, the national literary journal at Georgia College, is run by the schools MFA program and the reading period for poetry, fiction, flash fiction and creative nonfiction is August 1st through January 31st. $3 submission fee. Modest payment. Details HERE.
BRILLIANT CORNERS, national journal of Lycoming College with a focus on jazz-related literature, publishes poetry, fiction and nonfiction will begin reading unsolicited manuscripts in September. Details HERE.
THE BROKE BOHEMIAN, Bohemian Lifestyle Boutique was “Established in four different states, The Broke Bohemian seasonally publishes artists and writers all across North America and beyond. Our volunteer staff dedicate their time to discovering those whose words have gone unrepresented and disregarded. Whose art wanders freely, unbound, and liberated. We seek out those with the gumption to stand up and speak their minds, and we donate to those who can’t.Fifty-percent of all donations to the Bohemian are given to the ACLU!” The deadline for the summer issue is June 14. Interest is in submissions of short fiction, prose, essays, flash, micro-fiction, poetry or images. Submissions must be unpublished, original work. Details HERE.
CUTBANK, The Literary Journal o the University of Montana, reads general submissions of poetry, fiction and creative nonfiction beginning on September 15. $15 reading fee. Details HERE.
HARPUR PALATE, a literary journal published bi-annually by the English Depart of Binghamton University, publishes poetry, fiction and creative nonfiction.The reading period or the Winter issue is September 1 – November 15. Submission details HERE.
MAKE MAGAZINE is open for submission to its eighteenth issue, themed “Mad Science.” Submissions of poetry, fiction, nonfiction or ephemera representative of the sciences are welcome for consideration through deadline May 31. Details HERE.
OTIS NEBULA PRESS publishes a semi-annual zine and occasional print publications and ebooks. Submissions to the zine are currently open for poetry and prose. Details HERE.
PARHELION LITERARY MAGAZINE (first issue came out in April) publishes poetry, visual art, fiction and nonfiction and reads on a rolling basis, though the editors do not read in July and December. Unpublished submission from both new and established writers. No submission fee. No payment. Details HERE.
THE PARIS REVIEW accepts submission by snail mail only: include hard copy, stamped-self-addressed return envelope, cover letter and be sure to address your submission to the correct editor. Pitches for nonfiction stories on arts and culture for the online Daily should be submitted by email. Details HERE.
SMARTISH PACE welcomes submissions o poetry, translations of poetry, book reviews and essays on poetry and interviews with poets. Details HERE.
ZONE 3 Press and Journal reading period will open on August 1st and runs through April 1st. Editors are interested in poetry, fiction and nonfiction. Details HERE.
The BeZine
Call for submission for the September issue.
THE BeZINE, Be Inspired, Be Creative, Be Peace, Be. Submissions for the September issue – themed Sustainability – close on August 10 at 11:59 p.m. PDT .
Please send text in the body of the email not as an attachment. Send photographs or illustrations as attachments. No google docs or Dropbox or other such. No rich text. Send submissions to bardogroup@gmail.com.
Publication is September 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music (videos or essays), and whatever lends itself to online presentation is welcome for consideration.
No demographic restrictions.
Please read at least one issue and the Intro/Mission Statement and Submission Guidelines. We DO NOT publish anything that promotes hate, divisiveness or violence or that is scornful or in any way dismissive of “other” peoples.
September 2018 issue, Deadline August 10th, Theme: Human Rights/Social Justice
December 2018 issue, Deadline November 10th, Theme: A Life of the Spirit
The BeZine is an entirely volunteer effort, a mission. It is not a paying market but neither does it charge submission or subscription fees.
Previously published work may be submitted IF you hold the copyright. Submissions from beginning and emerging artists as well as pro are encouraged and we have a special interest in getting more submissions of short stores, feature articles, music videos and art for consideration.
CONTESTS
Opportunity Knocks
ARTS & LETTERS Unclassified Contest is open through July 31. Entry fee is $8. Cash award: $500. Details HERE.
NARRATIVE MAGAZINE 10th Annual Poetry Contest closes on July 15. Submission fee. Cash awards. Details HERE.
CUTBANK’s The Big Sky, Small Prose Flash Contest opens on August 16 and closes on September 16.Submission fee: $7. Cash award: $50. Details HERE. Scroll down on the page for 2018 Genre Contests.
The Poet by Day always available online with poems, poets and writers, news and information.
The Poet by Day, Wednesday Writing Prompt, online every week (except for vacation) and all are invited to take part no matter the stage of career or status. Poems related to the challenge of the week (always theme based not form based) will be published here on the following Tuesday.
The Poet by Day, Sunday Announcements. Every week (except for vacation) opportunity knocks for poets and writers. Due to other Sunday commitments, this post will often go up late in the day.
THE BeZINE, Be Inspired, Be Creative, Be Peace, Be – always online HERE.
Beguine Again, daily inspiration and spiritual practice – always online HERE. Beguine Again is the sister site to The BeZine.
WEDNESDAY WRITING PROMPT
Reminder
Response deadline is Monday, May 28th at 8 p.m. PDT. All poems shared on them will be published on this site on Tuesday, the 29th. Details HERE.
YOUR SUNDAY ANNOUNCEMENTS may be emailed to thepoetbyday@gmail.com. Please do so at least a week in advance.
If you would like me to consider reviewing your book, chapbook, magazine or film, here are some general guidelines:
send PDF to jamiededes@gmail.com (Note: I have a backlog of six or seven months, so at this writing I suggest you wait until June 2018 to forward anything.Thank you!)
nothing that foments hate or misunderstanding
nothing violent or encouraging of violence
English only, though Spanish is okay if accompanied by translation
your book or other product should be easy for readers to find through your site or other venues.
TO CONTACT ME WITH ANNOUNCEMENTS AND OTHER INFORMATION FOR THE POET BY DAY: thepoetbyday@gmail.com
TO CONTACT ME REGARDING SUBMISSIONS FOR THE BeZINE: bardogroup@gmail.com
PLEASE do not mix the communications between the two.
Often information is just that–information– and not necessarily recommendation. I haven’t worked with all the publications or other organizations featured in my regular Sunday Announcements or other announcements shared on this site. Awards and contests are often (generally) a means to generate income, publicity and marketing mailing lists for the host organizations, some of which are more reputable than others. I rarely attend events anymore. Caveat Emptor: Please be sure to verify information for yourself before submitting work, buying products, paying fees or attending events et al.
Jamie Dedes' THE POET BY DAY Webzine 