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A Little Bit of Magic: That’s what happens when a singer/songwriter and a poet team up

What’s it like for a poet and a singer/songwriter to pool their talents and produce an album? That’s something I’ve wondered about. I thought perhaps some of you have as well.  When I found out that Diane Barbarash and Allison Grayhurst did just that, I asked them to share their experience with us here. / J.D.


Diane Barbarash:

The collaboration for the album River began on New Year’s Eve 2016 when I was reading Trial and Witness –Selected Poems by Allison Grayhurst.

I should first explain that Allison and I were extremely close friends back in Toronto, my old hometown. Several years ago I moved 3,000 miles west, landing in Vancouver on the west coast of Canada. I think it’s hard to maintain friendships with such distance so over time we focused more on our private lives and lost our regular communication.

Sometime in 2016 Allison and I reconnected, and it was as if we had never skipped a beat. I truly felt a piece of myself had returned and so it followed that I downloaded her compilation and was immersed in the book on that auspicious New Year’s Eve. I don’t even know what possessed me, but I remember the moment clearly. I suddenly picked up my guitar, scanned the poem I had just read and a verse flowed from a few of the lines like magic. It came so easily; musically it sounded like “something.”

So I went to another poem and had a similar experience. I should insert here that I was at that time fresh off of a three-year creative block in which I was only able to write a few songs, not many for such a time period. When these two random verses came forward from Allison’s poetry I felt more alive than I had in a long time. I can’t tell you how I knew but I knew something big had opened. The following day I contacted Allison and proposed the project. She very kindly gave me her blessing and her trust, and then I got to work!

The first poem that became a song was Animal Sanctuary. I think I sent Allison the first half, just to see how she felt. She loved it. I remember feeling nervous because I had changed the wording of course, the order of things, because a song is going to demand its own unique rhythm and one that flows with the chord progression. Even with just a half a song, we knew we had something. The writing of the album continued from January until July 2017. It was recorded in four days in August and mixed and mastered that same month.

River has been the most beautiful artistic relationship I have ever experienced. I’ve previously co-written with other musicians and one other Canadian poet, so I have had some collaborative experience, but mostly it’s been a solo road, writing my own material. I admit I am biased here… I think Allison is truly a great writer and I have not read poetry that moves me so deeply into my human rawness as hers does. It’s an honor that I’ve been able to bring her work out into the forefront.

Songs, like other art, cannot be forced by the mind. They have to come from the heart and you have to give yourself over to them as they flow out. This is how I’ve always known I am in the presence of true love, the unexplainable lyrical and musical combination that gives birth to what becomes a song.

Composing with Allison’s poetry became this kind of pure-heart experience. I am changed because of this album and definitely hope that there is more to come.

– Diane Barbarash


DIANE BARBARASH started writing songs even before she learned how to play guitar at thirteen. She was an active performer in Toronto’s folk club circuit before moving to Vancouver where she perused her love of recording. She has released three albums prior to River but considers River her true debut.

River songs from the poetry of Allison Grayhurst was released in October 2017 and is available on Bandcamp, iTunes, and Amazon.  Diane’s Amazon page is HERE. . . Diane on Soundcloud.


Allison Grayhurst:

When Diane first approached me about this project, my initial response was surprise and trepidation, along with excitement. I didn’t think such a thing was possible – for although there is a natural rhythm in my poetry, I didn’t think there could be music. I was nervous that I wouldn’t like what I heard. Even though I completely trusted Diane and was already a fan of her musical abilities, I was full of scepticism. However, after hearing how Diane combined her musical gifts with my poems to create separate identities – songs – I was blown away. I never imagined such a thing possible and I can’t imagine that anyone but Diane could have tuned in so well to my poems, creating songs from my poems that I would be happy with. Her instinctual genius, both musically and vocally, astounds me and resonates in complete harmony with my poetry. She has honoured my work every step of the way. I am in awe of Diane’s talent and brilliance.
 
Diane wrote the songs using my poems. Once the songs were complete, Diane sent me each song as an mp3 and a word file of the lyrics. I went over the lyrics meticulously and got back to her with any changes I wanted. There weren’t many changes, but there were a few that I felt necessary to keep true to the poems. Diane made the changes upon my suggestion – sometimes sending me back several versions. We did this until it fit musically for her and I was happy with it lyrically. As we both mutually respect each other’s artistic integrity, the process was quick and easeful.
 .
– Allsion Grayhurst
 .

Three poems by Allison Grayhurst

 .
River
 
I will run my breath across your eyelids,
go to you, trace the edges of your hands,
finding infinity inside your torment. I will
drift into you like wind and you will not mind
my lips like a concentrated shadow on your skin,
darkening but leaving no weight. You will let me
be inside your picture, a background to your lyrics,
softly at first, I will heal the red in the whites of your eyes.
I will release my wardrobe for you and you will be the mania
that I climb through to reach tranquility. I will
cup your flesh and stretch you through this intimacy because
I own you as you own me and it is not a bad thing, not
blasphemy or anything
to fear. It is your hands, mine – these
poignant burial grounds that have been excavated,
these days of standing close, depending upon the ease
of our mutual exposure. I will speak in your ear and you
will step into my voice
like stepping into a river.
 
First published in InnerChildPress

Now I am Two

 
It is this way, togetherness:
A covenant with tenderness and speaking thoughts
only glimpsed.
The snow falls like rain as the afternoon moves
without time, our hands pressed as one,
lips and then, something better. Always
miraculous, unexpected, awakening. Always
us, vanishing and then re-emerging with these things
of harmony and friction engulfing our scent and path. Soon,
the tiger lilies will bloom and being just us will be made difficult
with the children gathered in our arms. But this ‘difficult’ is
whole and adds to our liberation – making coffee, laughing
at things shared and only ours.
It is what was prayed for, what years and hardship has not
diluted, but has fused into an unbreakable bond – us –
the summoning of all our parts – ancient, immediate
so that even when death comes or fate and terrible sobbing,
neither of us will ever be again
without the other
alone.
 
First published in Anchor & Plume: Kindred, Issue 5, Nest

Animal Sanctuary

 
He turns his hawk head
to view the shells of turtles streaking
the still-shroud of water in tanks
as blue as sky.
 
He lifts a leg and talons tensed,
pivots to defend against an enclosing shadow.
 
With whitish eyes and an impossible urge
to fly, he hops along his man-made perch toward
the cages where squirrels leap
from metal to wood, scattering like leaves
in unpredictable flurry.
 
He listens to the ducks’ lipless sounds.
 
Spring, he will never experience again, nor know
the scent of a pent-up life released like
sunflowers blooming, or the feel of the moon,
colder but more comforting than being touched.
 
He is without time or tribe,
and like fire, he haunts
by just being.
 
First published in UC Review, 1996/1997
.
All three poems are © Allison Grayhurst, All rights reserved, posted on The Poet by Day with Allison’s permission.
 

ALLISON GRAYHURST (Allison Grayhurst.com)  is a member of the League of Canadian Poets. Three of her poems were nominated for “Best of the Net” in 2015, and one eight-part story-poem was nominated for “Best of the Net” in 2017. She has over 1125 poems published in more than 450 international journals and anthologies. Her book Somewhere Falling was published by Beach Holme Publishers, a Porcepic Book, in Vancouver in 1995. Since then she has published sixteen other books of poetry and six collections with Edge Unlimited Publishing. Prior to the publication of Somewhere Falling she had a poetry book published, Common Dream, and four chapbooks published by The Plowman. Her poetry chapbook The River is Blind was published by Ottawa publisher above/ground press December 2012. In 2014 her chapbook Surrogate Dharma was published by Kind of a Hurricane Press, Barometric Pressures Author Series. In 2015, her book No Raft – No Ocean was published by Scars Publications. More recently, her book Make the Wind was published in 2016 by Scars Publications. As well, her book Trial and Witness – selected poems, was published in 2016 by Creative Talents Unleashed (CTU Publishing Group). She is a vegan. She lives in Toronto with her family. She also sculpts, working with clay.  Allison’s Amazon page is HERE.


ABOUT THE POET BY DAY

Art, Architecture and ‘Reicha Rediscovered’ by UK poet, Linda Ibbotson

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, Canaletto, about 1738. The J. Paul Getty Museum, Los Angeles / This photograph of the painting is in the public domain.
 I stood in Venice, on the Bridge of Sighs,
    A palace and a prison on each hand:
    I saw from out the wave her structures rise
    As from the stroke of the enchanter’s wand:
    A thousand years their cloudy wings expand
    Around me, and a dying Glory smiles
    O’er the far times, when many a subject land
    Looked to the wingéd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!
Lord Byron (1788-1824), Childe Harold's Pilgrimage

I’ve been so enjoying Linda Ibbotson’s Facebook and blog posts about her travels, art and poetry readings and thought some of you might enjoy her site as well. She’s done a wonderful post on Contemplating the Muse, Linda Ibbotson/Poet, inspired by a recent adventure in Venice, a taste of which is included below today. To read the entire post and see the fabulous photographs she included link HERE. You can link to pianist Ivan Ilić’s site HERE. / J.D.

Meanwhile, with LInda’s permission …


“When I seek another word for ‘music’, I never find any other word than ‘Venice’.” Friedrich Nietzsche.

When pianist Ivan Ilić announced his cd Reicha Rediscovered was to be launched in Venice at the magnificently restored Palazzetto Bru Zane, (The Centre de musique romantique française) it was music to my ears and the catalyst that awakened my desire to attend this wonderful momentous occasion. It was also an exciting opportunity for me to rediscover Venice!

Venice, known also as La Serenissima is shaped like a fish, 118 small islands spanned by over 400 named bridges and resembles a theatre of stone!

Visually, a masterpiece! From the ancient splendour of Baroque, Byzantine and Moorish influenced Gothic architecture, particularly in the Chiesa’s (churches), the delicate Murano artisan glass chandeliers, the prodigious work of Renaissance artists such as Carpaccio, Titian and Tintoretto, influenced by light and play of light on water (a legacy to European art) to the contemporary Venice Biennale spectacularly captured in 2017 by Lorenzo Quinn’s giant hands of Support at Ca’ Sagredo Hotel.

After viewing the impressive Piazza San Marco and the Rialto, paradoxically, the only way to find Venice is to lose yourself in the labyrinth. You will discover timeless haunts such as Caffè Florian est. 1720, famous for its delicious hot chocolate and where a plethora of artists, musicians and writers; Byron, Verdi, Hemmingway to name a few frequented, the renowned Libreria Acqua Alta bookshop where books are kept safely afloat in a gondola and bathtubs, Hotel Danielli, the location for The Tourist movie and where George Sand stayed, the decorative mask and costume shops Marega and Ca del Sol well as quieter residential areas of Santa Croce and San Polo where the early morning washing hangs from windows to dry.

The Finale, another glorious concert as Interpreti Veneziani play Vivaldi at Chiesa san Vidal near the Accademia bridge. The final fading notes of a cello, fragrance of a nearby oleander, the creaking crowded Grand Canal night vaporetto indelibly etched in my mind.

Venice is compelling, the ultimate lure for the artistic and intrepid traveller!

© 2017, Linda Ibbotson

Reicha Rediscovered is the first in a series released by Chandos; one of the world’s premiere classical record companies , produced by Swiss National Radio and supported by the Palazzetto Bru Zane. Antoine Reicha was a contemporary of Beethoven and many of his compositions unpublished, stored in France’s National Library. / L.I.


Linda Ibottson

LINDA IBBOTSON is a poet, artist and photographer from the UK, currently residing in County Cork, Ireland. Her poetry, artwork and photography has been published internationally including Levure Litteraire, Enchanting Verses Literary Review, Irish Examiner, California Quarterly , Fekt and Live Encounters, also read on radio and performed in France by Irish musician and actor Davog Rynne.

Her painting Cascade featured as the cover of a cd. She writes a poetry and arts blog Contemplating the Muse.

Linda was invited to read at the Abroad Writers Conference in Lismore Castle, Butlers Townhouse, Dublin and Kinsale.


ABOUT THE POET BY DAY

 

Announcing a Refreshing New Kid on Our Literary Block: Vita Brevis


I am so taken by this graceful and peaceful new effort that in spite of their fledgling status I sent them some poetry, see Wabi Sabi today (inspired by Leonard Koren, Wabi Sabi for Artists, Designers, Poets & Philosophersand One Lifetime After Another on Tuesday next.  

Introducing the new kid on our literary block:

VITA BREVIS

Ars longa, vita brevis” (art is long, life is short). This maxim so moved us that it seemed only right to title our literary magazine after it. It may seem curious that we chose Vita Brevis (life is short) as our title instead of Ars Longa (art is long). But this choice was more than appropriate; after all, the aim of our magazine is to publish work that shows a keen awareness of not only art’s beauty and immortality but life’s toils and finiteness. We want to revive and nourish the rich existential literature that forms when art and the human endeavor collide.

“Our team is small, young, and not one for the spotlight. Perhaps, you will never know us by name, but know that we will be reading and analyzing your work from our university dorms, fixated on bringing it to as many readers as possible–fixated on inspiring the second wave of existentialist literature. With that, we give all literary poets and writers our call-to-arms–send us your best work, and let us see what it can do!”

The Vita Brevis Team

Give them some love: visit, read, “Like,” comment, submit work, promote, donate and encourage them. Theirs is a clean and clear effort with what promises to be well-curated poetry and art. They’re off to a fine start and with little noise about it and no self-aggrandizement.

Opportunity Knocks:

Vita Brevis has an open call for submissions and clear guidelines. No deadline.

Vita Brevis is sponsoring a three-line (eighty word) writing contest. Again, the guidelines are clear. The deadline is December 10th.


ABOUT THE POET BY DAY

Charlie’s Legacy, a short short-story for the day

As he settled near me on the park bench, I caught his scent: whisky, unbrushed teeth and unwashed clothes. Dirty nails poked through the frayed fingers of his wool gloves. At first he just sat there, happy for the company, enjoying the muffled sound of foghorns in the distance and the rhythmic music of waves hitting the seawall below. “Snow’s coming,” Charlie said, more to himself then me. He freed a bottle from his jacket pocket, opened it and drank. Except for knowing it wasn’t good for him, I didn’t mind his drinking. Charlie was my friend.

He asked what I was reading. It was part of our ritual. I pulled the book from my schoolbag. I thought it was just a girls’ book, but he’d read it too. That was Charlie. Was there anything he hadn’t read? I wondered. He quizzed me, another part of our ritual. “What does Johnny’s singing represent? Why was reading and writing important to Francie?” Charlie would go on and on like that with a cascade of questions about every book.

“Now you want to be a writer,” Charlie said one day, in affirmation not question. It was huge that I could talk with Charlie about my big dream, something I would never dare share with my parents. My mom and dad said they wanted “stable” careers for their kids. I was sure that writing wasn’t stable and that stable meant boring. Writing seemed to hold the promise of freeform and full of surprises. Besides, there’s nothing better than a good story.

Whenever I was with Charlie I lost track of time but as the chill in the air deepened and the sky began to go dark, I realized it was getting late. It was Friday and my mom thought I was at the library, which closed at four-thirty on Fridays. “Don’t worry your mom and dad,” Charlie said, suggesting that I leave for home. As I left the park I turned to look back at him. He was watching me. He smiled and I smiled and waved. A wash of sadness passed through me. I shrugged it off to the cold air whispering of transitions. Summer over. Fall passing through. Winter on its way.

*****

Our apartment back then made me think of railroads. The rooms were laid out in sequence on the left of a long hallway. My parents’ room came first and the bathroom next. These were followed by the bedroom I shared with my older sister, Serena, and Mighty Manfred, our ancient Yorkie. Then came my mom’s alchemical kitchen and finally our living room, which had windows on two sides, left and back. At night the living room doubled as my kid brother’s bedroom. With the addition of folding card-tables and chairs, it morphed into a dining room when we had company.

During the day my dad sold appliances and two nights a week he went to college on his GI loan. When it wasn’t a school night, he was home for dinner and encouraged us to talk about our day. With Joey it was all science and math and with Serena it was religion. For me it was English. My dad knew I was reading and getting ready to write a report on A Tree Grows in Brooklyn. He asked me almost the same questions that Charlie had. Every year Dad would read all the books on my required reading list. If it happened that he’d already read them, he’d read them again “to refresh my memory,” he’d say. He would grill me on the fine points. He was relentless.

For my mom’s part, she turned budget-wise groceries into food good enough to tempt even my minimalist appetite. All that summer and fall, I’d been stealing from her stash of leftover dinner rolls, tortilla Espanola, fruit and whatnot to take to Charlie. He loved the way my mom made potato salad with a lemony dressing and minced red onions and celery, bits of red and green peppers and oily black olives. “Nothing trite about that salad,” Charlie would say. He smiled over the small Tupperware bowls filled with left-over gazpacho, one of mom’s summer staples to this day.

*****

Monday came round again and after school I waited at our bench for Charlie. He never arrived. He didn’t show on Tuesday either, nor Wednesday or Thursday. I held my breath for Friday. No use. Days and weeks passed. A month. Two months. Midterms. By Thanksgiving I was tortured with worry. I struggled to get up the courage to tell my dad everything and ask him to help me find Charlie. Despite my anxiety, I kept loosing that battle.

The year Charlie disappeared was the same year a blizzard hit our region in mid-November. Thanksgiving, always celebrated at our place, arrived on the wing-tip of a too-early winter. That year my Aunt Tessa brought her new boyfriend for us to meet. His name was Brian James O’Connor, a musician. The guests came dragging in the crisp and cold out-of-doors. It sat on their hats, coats and boots and mingled with the steam hissing from the radiators and the warm scented air from my mom’s kitchen. Warm and cold met in a silent crash that turned into fog on our windows.

Aunt Tessa brought her not-world-famous-but-it-should-be New York cheesecake, “guaranteed to win her a husband,” my dad said. Nana arrived with her monster wooden salad bowl full of vegetables, cheeses, salami, olives and seasoned croutons made from her own homemade bread. Gramp came with his signature ear-to-ear grin and two bottles of Spanish wine, one white and one rosé.

Dad and Joey had already retrieved the tables and chairs from our basement storage locker. I’d pressed the folds out of Mom’s white damask and Serena decorated the tables, which we pushed together in the middle of the living room. Serena had a gift for styling things and had gone early to the park to dig branches and pine cones and other nature gifts out of the snow for a centerpiece. She popped my mom’s little blue votive candles in it here and there. It looked more like Christmas peace than Thanksgiving gratitude, but that was okay.

Joey was crazy about “horsey doovers” and there were lots to munch on as we visited and waited for dinner. I thought of Charlie. I was worried and wished I knew where he was. I’d bring him some of my mom’s turkey and a piece of my Aunt Tessa’s cheesecake.

Finally Mom and Aunt Tessa brought on the big feast. Dad carved the turkey. Nana dressed the salad. Gramp opened the wine. We prepared to go from nibbling hors d’oeuvres to eating in earnest. We were passing the platter of turkey and bowls of mashed potatoes and yams when Aunt Tessa said to my dad, “Diego, didn’t Charlie Aldofierio go to Eisenhower High with you?”

“Yes! He did. Haven’t heard from him in a couple of years though. He disappeared after Daisy and the kid died in that accident. Poor guy. I should make an effort to track him down.”

“You didn’t see his obituary then. It was in last Sunday’s paper. He died the night the storm hit. They found him huddled in the doorway of Baracini’s.”

Something was buzzing.

It started in my ears. It spread to my brain and filled my eyes and all the room.

It took my breath away.

Suddenly, the world was spinning and just as suddenly there was nothing.

*****

The apartment was almost silent. It still smelled like Thanksgiving but it didn’t feel like it. Mom had her arms around me in bed and Dr. Kowalski was sitting on the edge and holding my hand. He looked down at me with a frown. “How are you feeling, little girl?” I looked at him, confused. Then I remembered about Charlie. I started to cry.

I barely noted the looks that passed between my parents. “Yuilia,” my dad said, “Sweetheart, how did you know Charlie?” I told them. I told them how I met Charlie at the park one day last spring when he asked me what I was reading. I told them how we talked four or five times a week and became best friends. I confessed to wanting to write and apologized for disappointing them. It all came out in a jumble of tears and hick-ups and nose blowing. I even confessed to stealing food for Charlie. I heard my mother sigh. She knew about the missing food and puzzled over my apparent need to steal and sneak. She wasn’t mad that I took food to Charlie. In fact, it seemed my parents were glad that I did.

At some point, Aunt Tessa came in with a hot cup of tea. My dad just sat there, his brow furrowed with worry. I think Dr. Kowalski gave me something to sleep. When I woke up again, Serena was fussing with my cover and Daddy was sitting in a chair by the bed. I stayed inside for the rest of the holiday. I didn’t go to church on Sunday and missed the first two-or-three days back to school.

The family hovered. My mom fed me chicken soup with bitter greens and potatoes and lots of onions. My dad talked to me about Charlie and his wife and about the little girl who would be just a few years older than me. Serena read me the rest of Tree. Joey sat at the end of my bed and shared his books and toys, even his much-loved fire truck. Except for food and walks, Mighty Manfred lay glued to my side. His eyes filled with worry and woe.

*****

My dad did a little digging and connecting and found that no memorial service was organized for Charlie. All that was left of his family was his father, Charlie senior. With Mr. Adelfiero’s permission, Dad and the others who’d graduated with Charlie organized a memorial that was held at Charlie senior’s house. Another storm hit on the day the memorial was scheduled. It didn’t keep anyone away. They arrived, school friends, war-time comrades in arms, neighbors and people from church. They arrived in singles and in groups, from a few blocks away and from out-of-state.

Mom, Nana and Aunt Tessa had organized a potluck and Aunt Tessa’s new boyfriend, Brian, volunteered himself and friends to provide chamber music. Raymond MacLaine, also a fellow graduate and by then a Jesuit priest, officiated. One-by-one people shared their memories of Charlie and his wife and child.
Finally, at the end, it was Charlie senior’s turn and mine. Charlie’s dad couldn’t talk for his pain. I took his hand in mine the way I thought Charlie would like me to. I told everyone what a friend Charlie was, how he gave heart to my dreams even though, as I now knew, his own heart was broken.

*****

That was a long, long time ago. Charlie the elder is gone now. So is my dad, my grandparents and my Aunt Tessa who did marry Brian. My mom lives with me and still feeds me from her budget-wise kitchen. Serena is a nana several times over and Joey, a math teacher at Eisenhower High, is getting ready to retire. Several more pups have stolen our hearts since Mighty Manfred’s days. And, as you may already know, I am the author of twelve mystery novels and countless short stories.  I teach writing classes at adult ed too. You won’t find me on any best-seller list but I have built a life and made a living around stories just as I dreamed of doing. When I look back across the years of the slowly flowering ambitions I first shared with Charlie Adulfiero, I know he was more than a friend. He was the patron saint of a skinny little girl with a passion for stories.

This is a fiction and any resemblance to anyone living or dead is coincidence.

© 2017, Jamie Dedes, All rights reserved