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The last Wednesday Writing Prompt July 12, 2017– The cold war: there was so much revealed by the singularity of that time. What crazy quirks do you remember or have you heard about from those you know who lived through it?
Here are responses from poets: Renee Espriu, Sonja Benskin Mesher, Paul Brookes and poet and writer, Dan Roberson. Bravo! 🙂
A Siren Wailing for No Reason
The sun had risen high in the blue sky
over rolling hills of farm country
causing a dry heat much as the roiling
heat of the home of her childhood
produced in waves upon asphalt streets
she knew the howl of a siren near by in
the close distance as she sat visiting
with her son her terrier mix at her feet
and he saw her puzzled look asking why
to glean the meaning of that sound now
for she recalled a time years past
in the elementary school days now gone
the drills that came, of getting down
upon the floor to hide beneath her desk
with her hands upon her head to wait
but as the memory flashed upon her face
her son smiled to say the neighbor
who lives not far likes to hear the siren
wailing as it does for not a reason
but he hears it every afternoon of a day
so she smiles with him to recall those
drills of her youth and hoping as she did
that her desk might shield her from harm
for it might come with her eyes shut tight
the all clear was given & she breathed a sigh
© 2017, Renee Espriu (Renee Just Turtle Flight and Haibun, ART & Haiku)
More Than a Cold War
It was easy to see a war
In someone else’s back yard,
But the cold war brought ideas
Of destruction to my street
And to places where my feet
Touched the ground.
I thought often about homes
Made of concrete buried deep,
So how could I sleep?
My thoughts were of the aftermath
Of a crazy war with nuclear blasts
Bringing a nuclear winter.
Safe in a shelter but outside nothing alive.
The fifties were a time when our land
Was divided by race
Separate but equal
As long as the white equal was more.
I remember small things,
A prize I won at age twelve
For having an answer to
Name the governor who blocked the door
Against black people who wanted more.
They wanted equality.
I saw street signs that said no blacks
After 6 p.m. in several towns.
The cold war was not somewhere else
But also a civil war within our own country.
I saw the war never ending
As long as we continued bending
Defining people by culture, language, or color
Or whatever differences are around.
We built shelters far underground,
And never to be found.
But someday we will want to breathe
The same air, feel the sun, hear music
And then the walls might come down,
Ending the cold war, ending the barriers,
Becoming the planet of the wise
Without a disguise.
Working and living together.
No cold wars, no hot wars, not even rumors of wars.
That’s my dream.
© 2017, Dan Roberson (My Blog)
The Cold War was a time of Self-Destruction
The cold war was not your usual war. World War II was over and soldiers were home straightening out their finances, their lives, and learning to laugh again. It was a time of flexing military muscle, USA vs. USSR. It was a time of threatened security and talks about spies. It was an era of hidden ICBM missiles, tucked away in secret places, a time of country pride. The fifties was stifling, no laughter in the hallways, no mini skirts, no flowers in the fields. After several years of exuberant laughter, the world prepared for war, prepared to hide everything under its wings, and everything good seemed suspect. The Soviet Union displayed its might in parades. The USA pointed fingers at suspected communist sympathizers and tapped phone lines. But the worst effects of the cold war were the squashed dreams and ugly suspicions, the kind of things that tore families apart and ruined friendships.
The fifties were nightmares waiting to happen. I remember a camping trip into the wilds. A friend and I drove hours looking for a deserted campground. We drove until dark, put out cots and listened to crickets and other insects singing. Just after three a.m. the ground began shaking and we leaped off our cots and prepared to fight.
We stood there for a few minutes waiting for a German tank to come crashing through the brush. It never came. We were duped by our own fears and nightmares. The Cold War created a false reality. My friend had seen tanks in action and they became part of his dreams. I dreamed of the future where families would have to fight their way out of nightmares and fears. The Cold War was filled with tension and waiting, a time that people talked about eating their own young to save them from the wars to end all wars.
© 2017, Dan Roberson (My Blog)
::cold war::
dampflight.
it will be today, and the plants are growing.
so they found a russian
yesterday
with codes and dvds
and while on holiday
fought and sat in trees.
while all is changing round us,
all is changing.
listen ,someone upstairs,
ready for tea
and appropriate bun,
and never mind the hour,
and the rain.
a thin mist,
damp coating
of the air,
and a snail in the garden.
we must not mind how it is,
we must make the best of things.
politics make not an ounce
of difference here, we are black and white,
and back before.
** (notes and cuttings)
with the new scissors………………
© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA)
..cooler morning..
she said it was a cold war, an iron curtain.
it seemed warm to me that summer, we listened
to the radio.
a lot.
we had patterened curtains, she did not like nets.
drawn if it was raining, drawn against the sun.
i could not imagine them metal.
i rarely draw my curtains here.
i live in the country.
© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA)
. fox hole.
colder in russia, that picture
shows soldiers froze
to death.
after the end
of that war.
second world war
there was that #coldwar.
© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA)
That M. A. D.
I recall CND.
Their sign that seemed
To a ten year old
three legs of the Isle Of Man
cut off at the ankles.
Cold war was parents divorcing.
Mutual agreement to keep the balance.
A wall is thought to help not hinder
with barbed wire, gun emplacements
watchtowers and divided lovers.
Berlin is always black and white,
divided into zones and checkpoints,
negotiating passages for spies,
and dark electronica where musicians,
poets and novelists
work out their nightmares.
Divorce is mutually assured destruction.
And Donna Summer sings “I will survive”.
© 2017, Paul Brookes (The Wombwell Rainbow)
The Dominoes
will fall into the evil empire.
Able Archer practices
War. How to tell it’s only
make believe? These black
doors with white dots
are an iron curtain
between supermarkets
bloated with items unobtainable
except through a black market
on streets steeped in austerity.
Act as if more material goods
improve life while other folk
say “We appreciated life more
when we were poor.” Keep
dominos from fall. Keep all upright
and correct and buying.
Material goods are freedom
from the tyranny of enforced poverty.
Rarity brings value and hope.
The fall of the wall of dominoes.
This was not imaginary.
Pieces of the wall are bought and sold.
© 2017, Paul Brookes (The Wombwell Rainbow)
Keep Off (A World Where 2)
Balance.
All must be unequal.
Walk one leg shorter
than the other. One eye
bigger, one ear lower.
A work/life imbalance brings harmony.
Male different from female.
Unsteady, ever keenly aware
ground uneven underfoot,
Steps up and steps down.
Heights varied keep you focussed.
A balanced life is unreal.
Accept un and imbalance
as necessary and needed
© 2017, Paul Brookes (The Wombwell Rainbow)
Note: Apologies to Renee, Dan, Sonja and Paul for the late posting. It was just that kind of day.
CALLS FOR SUBMISSIONSOpportunity Knocks
THE APPLE VALLEY REVIEW, A Journal of Contemporary Literature publishes a bi-annual zine (spring and fall) that accepts submissions of poetry, short fiction and essays on a year-round basis. Details HERE.
BLACK DANDY, a quarterly literary digest will debut later this year, publishing work “steeped in the long tradition of strange fiction. Based in New Zealand, with an international reach, Black Dandy welcomes readers and writers to worlds that seem right around the corner.” Submission guidelines HERE.
THE BeZINE submissions for the August 2017 issue – themed Theatre – closes at midnight PST on August 10th. Publication date is August 15th. Poetry, essays, fiction and creative nonfiction, art and photography, music and theatre (videos), and whatever lends itself to online presentation is welcome for consideration. Please check out a few issues first and the Intro./Mission Statement and Submission Guidelines. No demographic restrictions. We would especially encourage submissions from people who are involved one way or the other in theatre. Essays from theatre lovers on the impact of a specific show or the art in general on personal life or on culture in general are welcome, as is critique or historical perspective. Please keep in mind that we do not publish anything that promotes hate or violence. Special guest host is Richard Lingua, theatre aficionado, occasional actor and frequent lecturer. All submissions to Founding and Managing Editor, Jamie Dedes, bardogoup@gmail.com
THE CHAOS, Journal of Personal Narrative “is a new online literary journal of personal narrative. Personal narrative creates meaning and order from the chaos of life. It reveals who we are, who we want to be.” Personal narratives of 1,500 – 7,500 may be submitted at any time. Reading fee is $2 USD. Payment for published essay is $25 USD. Details HERE.
HEIGHTS MAGAZINES is a “New York City based literary magazine seeking poetry, flash fiction, and art/photography. We pay for all the submissions that we accept for publishing.” Submission guidelines HERE.
WORD FOUNTAIN, The Literary Magazine of the Osterhout Free Library has an open call for prose, poetry or a combination of the two for its Fall-Winter 2017 issue. Deadline: August 15. Global readership. Details HERE.
DIAPHANOUS PRESS, a journal of literary and visual arts, submission period ends on August 31. This journal features poetry, fiction and visual and multi-media art. Details HERE.
PROFANE JOURNAL’s reading period will end on July 31. An annual print journal, Profane publishes poetry, essays and stories. Details HERE.
THE POETRY COMMUNITY, Original Contemporary Poetry from Poets Worldwide focuses on “original, thoughtful, sophisticated, mature, urbane, nuanced poetry that possesses depth and refinement.” Submission details HERE.
BETWEEN THE COASTS is an online publication interested in “stories [that] are written by people who live in the so-called red counties with particular focus on the ways in which national trends and policies shape local lives . . . Between Coasts tells stories from the flyover country, local journalism with a national outlook. We are especially interested in deeply reported narrative journalism. Coming issues will focus on these topics, broadly interpreted: Bake Sales, Drugs, Weapons, Work, Home, Incarceration. Go to our website betweencoasts.org for a better sense of what we’re up to.”
PERSEPHONE’S DAUGHTERS a lit magazine dedicated to empowering women who have experienced various forms of abuse and degradation. The magazine is now closed to submissions but is open for submissions to the site’s Sunday Stories and Film Fridays sections. Details HERE.
DOOR IS A JAR MAGAZINE is an online publication that features poetry, fiction, nonfiction, drama and art work. “We publish well-crafted writing that has cadence, personality, and uses familiar language to take readers on a journey. Furthermore, we celebrate the diversity of our readers, artists and writers; no matter one’s social class, race, sexual orientation, lifestyle, religion, gender, education or experience, we want to publish your work and we invite you to read our publications.” Details HERE.
DOOR IS A JAR MAGAZINE (details above) honors two contributors that best represented the year’s submissions. Anyone who submits work to Door is a Jar Magazine has a chance at winning this award. Details HERE.
PROFANE JOURNAL hosts two annual prizes, nonfiction and fiction. $1,000 awards and publication. Details HERE. Deadline is July 31.
THE POETRY SOCIETY OF AMERICA, Louise Louis / Emily F. Bourne Student Award, $250 “Endowed under the wills of Louise Louis Whitbread and Ruth M. Bourne, this prize is awarded for the best unpublished poem by a student in grades 9 through 12 from the United States. Teachers or administrators may submit an unlimited number of their students’ poems, one submission per student. Entries must be postmarked between October 1 and December 22, 2017. Details HERE.
POETRY SOCIETY OF AMERICA, Book Awards for Publishers Deadline: October 1, to December 22, 2017. Books must be submitted directly by publishers. Details HERE.
COFFEE, TEA AND POETRYfeatured this past week
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“Indeed, that was an apt and true reply which was given to Alexander the Great by a pirate who had been seized. For when that king had asked the man what he meant by keeping hostile possession of the sea, he answered with bold pride, “What do you mean by seizing the whole earth; because I do it with a petty ship, I am called a robber, while you who does it with a great fleet are styled emperor”. City of God, St. Augustine
In another lifetime, my day job involved working with “special populations.” Initially I taught Welfare-to-Work and Career Development and over time moved on to work collaboratively within our community as a planning unit supervisor, designing and delivering programs that served refugees, at-risk youth, foster youth, and ex-offenders. Such programs are meant to assist in assimilation of refugees and in the transition from foster youth programs or incarceration to integration into the mainstream population.
These programs involved a range of services – General Education Diploma, English as a Second Language, vocational training, case management, mental health counseling and support groups. Because early in my career my work included training, I had first hand contact with clients, including at one point going into prisons to do some preliminary work toward successful transitions and lower recidivism rates. Later, writing grant applications and assisting in the development of Requests for Proposals required hosting focus groups with stake-holders, which included our prospective clients.
This experience was quite enlightening for a kid who was raised and educated in convent schools. I was equally appalled and inspired: appalled by the ways in which our culture and government and even well-meant social programs can entrap and inspired by the depth of faith and courage I witnessed in people who had crushing barriers to successful and sustainable employment and integration. Many of these barriers were artificially created by ill-informed perspectives and biases and sometimes cruelty on the part of the general population and by lawmakers.
“Every pair of eyes facing you has probably experienced something you could not endure.” Lucille Clifton
There were certainly a lot of clients who clearly had exercised poor judgement or simply (often devastatingly) had no idea of the impact their actions had on the lives of others; but, there were those many whose incarceration was born of poverty, lack of education and opportunity, lack of parental guidance and presence, racism, learning disabilities and mental illness. Among other things, the great lesson – and the great disappointment – of that period in my life was that the U.S. justice system was rife with injustice. That was true all those years ago and never more so than it is now.
Today, one of the great travesties is the move from publicly run prisons to corporate management and exploitation. You will often see prison management companies advertise the provision of education, training and other services meant to make the general public believe they act with good conscience. If you review stockholder materials, however, it is blatantly obvious that recidivism rates are a selling point. Privately managed prisons have a vested financial interest in high prison populations and a high percentage of returns to prison. Hence, the way prisoners are treated IS CRIMINAL. All things considered, this is a modern-day example of the view St. Augustine’s pirate held: “I do it with a petty ship, I am called a robber, while you who does it with a great fleet are styled emperor.”
© 2017, Jamie Dedes
As published in the July 2017 issue of The BeZine. Read the whole magazine HERE.
The video below provides an overview of the corporate prison complex.
If you are viewing this from an email subscription, you’ll likely have to link through to the site to watch the video.
July 15, 2017
This month’s publication focuses on Restorative Justice. This is a topic that is dear to me. I am the Director of the Youth Chaplaincy Coalition. I have been working with incarcerated folks and those touched by incarceration since 2003. I have seen the ripples of harm that have come. There is harm to the victim, of course. But there is also harm to the person who committed the harmful act, harm to their families, and harm to the communities that encircle all of these people.
Restorative Justice is an en vogue term. Everyone wants it but we don’t know much about how to do it. Most of us look backwards at the ancient ways of first peoples such as the Māori people of New Zealand or the Tagish and Tlingit First Nation people of the Yukon. We lift their practices and bring it forward into a defined court case.
This somewhat misses the point.
The circling process that the first peoples used far pre-dates the term restorative justice. At the same time, restorative justice has become a term to be used by the justice system. And so we create another circling process that is set aside for the courts, jails, and prisons to use.
Circling or Peacemaking Circles, the process given to us by the ancients, is to be used everywhere and with anything: healing, sentencing, discernment. And it involves the entire community. The entire circle of ripples affected by an act. It is a big process. And that’s why we relegate it to the justice system.
Because if we don’t relegate it to the work of the justice system, that means we will have to change and do better. The first principle of the circle: You can only change yourself. As long as we make restorative justice the property of the courts, we don’t have to change. We don’t have to be more welcoming, giving, or inclusive. We don’t have to mentor, feed the hungry, clothe the naked. But I have news! Great news of good tidings! Restorative justice, Peacemaking Circles, is, as the ancients say, the wisdom of the universe. It belongs to no one person and is there for all for the healing and transformation—not of the world, but of each one of us.
This issue about Restorative Justice and new forays into restoration is explored by our core team and guest writers. Each brings their own wisdom to the topic.
Writing on aspects of justice and restorative justice are: Myself, James Cowles, and Chris Hoke. Justice oriented creative writers are Lisa Ashley, Carolyn O’Connell, Paul Brookes, Rob Cullen, Charles W. Martin, Marieta Maglas, Sonja Benskin Mesher, Paul Brookes, Jamie Dedes and a short stories by Joseph Hesch, Lisa Ashley and Rachel Barton. Gail Stone offers a video that speaks to her faith and hope in restorative justice. I have also offered a moderated discussion that I led regarding zero incarceration for youth. Denise Fletcher teaches us how to put together Comfort Kit Baskets for the incarcerated.
We hope this issue will give you pleasure even as it provokes you. Leave your likes and comments behind. As readers you are as import to the The BeZine project, values and goals as are our contributors. Your commentary is welcome and encourages our writers. As always, we offer the work of emerging, mid-career and polished pros, all talented and all with ideas and ideals worth reading and thinking about.
In the spirit of peace, love (respect) and community and on behalf of The Bardo Group Beguines,
Terri Stewart, Guest Editor
How to read this issue of THE BEZINE:
Do You Hear What I Hear?, Terri Stewart
Justice the New Old Way, Terri Stewart
Hearing Voice Underground, Chris Hoke
Refuge, Reconciliation, Recidivism, James R. Cowles
Of Pirates and Emperors, Jamie Dedes
Comfort Kits, Denise Fletcher
Hope and Faith in Restorative Justice, Gail Stone
Zero Incarceration for Youth, Terri Stewart
Room at the Table, Terri Stewart
I Can Trust You, A True Story, Lisa Ashley
Walking Along the Edge, Rachel Barton
Comin’, Joseph Hesch
A Child’s Touch, Lisa Ashley
Full Buck Moon, Lisa Ashley
(ANGERONA) Sunstead, Paul Brookes
Prisoner, Paul Brookes
The Boy in the Park, Rob Cullen
Oscar Wilde in Prison, Marieta Maglas
Restorative Justice for Sale, Charles W. Martin
before it began … , Charles W. Martin
teach a man to fish …, Charles W. Martin
#what more do you expect, Sonja Benskin Mesher
.verdict., Sonja Benskin Mesher
Confrontation, Carolyn O’Conner
Sacrificial Lambs, Carolyn O’Conner
Except where otherwise noted,
ALL works in The BeZine ©2017 by the author / creator

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