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MY GOOD WRITING ROOM

img_2099“At the end of the day, it isn’t where I came from. Maybe home is somewhere I’m going and never have been before.”  Warsan Shire

I was diagnosed with interstitual lung disease in 1999. It wasn’t until 2008, however, that the most dramatic adjustments to my manner of living were required. What follows was written in April of that year. It was originally published in the now defunct California Woman.

It’s a good writing room, this room into which I have downsized to accommodate my disabled body. The room is big enough for comfort and small enough to be easy – and quick – to clean.  Perfect!  It’s the master suite in a sprawl of a condo on the gentle sweep of a tree-lined street in Menlo Park, California, a long way from home . . .

That march of trees down the drive, by the way – the oak and maple and campertown elm – is important. I’m enamoured of trees. Their proximity influenced my decision to rent.

“Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.” ― Hermann Hesse, Trees: Reflections and Poems

img_2102-2This place has a solid, foursquare feel to it. There are no stairs inside the condo and no stairs to reach it, and this is an added attraction. The colors are soft and peaceful: creams, peaches and pistachios, maroons and deep green. My large and cherished statue of Quan Yin and two tall plants add grace to one corner. My pie crust table with a small forest of variegated greenery sits in the other. There’s a maple secretary, which is perfect for my laptop and family photographs, a shrine (or so my world-class daughter-in-law says) to those who sit at the center of my heart. I have tossed a white cloth of Brandenburg lace over my round bedside table. My stereo lives on top of the old oak dresser. There are two mismatched-bookcases, much valued by me. They are part of our family history.

Once, forty-some years ago and 3,000 miles away, I was addicted to Georgette Heyer‘s Regency romances. I think if she would have written about this room with its fine, healthy plants, good books, good music, and hodgepodge of furniture, she might have described it as “shabby genteel”. That’s okay by me. I’ve got no one to impress and it serves my body, my spirit and my latter-day ambitions well.

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I decided on a double-bed. It offers ample enough room to lay out books, pens and colored pencils, paper and even my laptop. My darling landlady’s two yellow-eyed black cats are also ample and like to hop on the bed for a visit. Executives both, they supervise and comment petulantly when I ignore their direction. I’ve had many kitty companions. My last was Pywacket. I’ve learned over time that cats, like moonlight, inspire the muse. They are very welcome in here.

There’s a washer and dryer inside the condo, so I don’t have to try to lug laundry to a garage or laundry room and back. The kitchen isn’t quite as bright as I’d like, but it’s clean – scrupulous – in granite and stainless steel. I enjoy cooking almost as much as writing. It’s an endeavor that feeds my soul as well as my body, though I admit I miss having the energy and opportunity to cook for others.

I’m all moved in and settled. If you peeked in at me, you’d think me a housefrau, not a bad thing, running the laundry while preparing dinner: creamy yogurt, enchanted broccoli with olive oil, garlic, and lemon, and cheery orange carrot-coins with fried onions and dill. I prepared a risotto with rose brown rice, shallots, and shiitake mushrooms. Later, a mug of  honeyed Citrus Chamomile for a restful night of writing and sleep.

From this stillness, this cleanliness, this simplicity, I will write, cook and love my people with reckless abandon. For the moment, there is safe harbor. Life is good and tomorrow is a new day.

© 2008 Jamie Dedes

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SUNDAY POESY: Opportunities, Events and other News and Information

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CALLS FOR SUBMISSIONS

Opportunities Knock

THE COSSACK REVIEW “accepts electronic submissions of new work all year. We respond within 60 days, usually much sooner. Work submitted will be considered for upcoming print and online issues.”  It has a rolling deadline. The review includes fiction, nonfiction, translation and poetry (3-6 poems in a single submission.) Details HERE.

BOABAB PRESS, Where good books grow “constantly strives to discover, cultivate, and nurture authors working in all genres. If you have a manuscript that you believe would be a good fit for our catalog, we want to hear from you.” Details HERE.

WILDNESS REVIEW “is an online literary journal that seeks to promote contemporary fiction, poetry and non-fiction that evokes the unknown. Founded in 2015, each thoughtfully compiled issue strives to unearth the works of both established and up-and-coming writers.” This review works on a rolling submissions basis. Poetry (under 80 lines) and prose (under 2,500 words).  Details HERE.

WORDRUNNER eCHAPBOOKs include fiction, memoir and poetry (no long poems) and will be considered for the spring 2017 echapbook anthology by multiple authors. Pub date:  March 2017. The anthology theme is “breaking barriers or pushing against boundaries.:   Submissions December 1, 2016 through January 31, 2017. Details HERE.

CONTESTS

Opportunity Knocks

THE WARE OPEN POETRY COMPETITION (UK) is accepting submissions for its anthology. Deadline is 30 April 2017. The judge is Hannah Lowe. There is an entry fee. Details HERE.

THE NEW AMERICAN POETRY PRIZE is awarded each year to a full-length collection of poetry. The winner receives $1,000 and a book contract, as well as 25 author’s copies and promotional support. The submission period is usually September 1 – January 1. The New American Fiction Prize is awarded each year to a full-length collection of fiction. The winner receives $1,000 and a book contract, as well as 25 author’s copies and promotional support. The submission period is usually February 15 – June 15.” Details HERE.

THE COLORADO PRIZE FOR POETRY (Colorado State University/Colorado Review) “is an international poetry book manuscript contest established in 1995. Each year’s prizewinner receives a $2,000 honorarium and publication of his or her book by the Center for Literary Publishing.”  Details HERE

THE FRENCH-AMERICAN 30th ANNUAL TRANSLATION PRIZE Deadline for submissions: January 15, 2017, 12:00 PM EST Details HERE. The French-American Foundation and the Florence Gould Foundation are accepting submissions for the 30th Annual Translation Prize. The Foundations will present a $10,000 monetary award for the best English translation of French in both fiction and non-fiction.

KUDOS

  • Actor Kirk Douglas on his 100th birthday. (I just have to acknowledge that. Can’t even imagine what it’s like to look back at 100 years. Culture shock?)
  • Bulgarian poet, photographer and renaissance woman, Blaga Todorova, on her birthday. And “no”, the party’s not over yet.
  • Woven Tale Press on three years of publication. Appreciate their acknowledgement of activist poets including The Poet by Day.
  • To all the protesters who braved weather and government over the Dakota Pipeline. Bravo! and Love! xo
  • Time Magazine for its subversive political art (Trump “Person of the Year” cover) – details HERE.
  • American-Isreali poet Michael Dickel for his participation this past week in Poetry Now, A Symposium on the Research and Writing of Poetry at Tel Aviv University.
  • 15442360_10157859335005006_4350545347353523027_nAmpat Koshy on the pending publication of his fourteenth book, Scream and Other Urban Legends. 

TIDBITS

SUBSCRIBE, SUBMIT, SHARE: How to Support the Literary Journals You Love by Meghan Pipe

POETRY NOW is a weekly four-minute radio series featuring some of today’s most accomplished and creative poets who offer an acoustically rich and reflective look into a single poem. Produced in partnership by the Poetry Foundation and WFMT. Link HERE.

I’LL TELL YOU HOW THE SUN ROSE

I’ll tell you how the Sun rose —
A Ribbon at a time —
The Steeples swam in Amethyst —
The news, like Squirrels, ran —
The Hills untied their Bonnets —
The Bobolinks — begun —
Then I said softly to myself —
“That must have been the Sun”!
But how he set — I know not —
There seemed a purple stile
That little Yellow boys and girls
Were climbing all the while —
Till when they reached the other side,
A Dominie in Gray —
Put gently up the evening Bars —
And led the flock away —

– Emily Dickinson

THE POET BY DAY SUNDAY POESY

Submit your event, book launch and other announcements at least fourteen days in advance to thepoetbyday@gmail.com. Publication is subject to editorial discretion.

Effective 12/11/2016 Jamie Dedes is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.

GYPSY ROSE FIRE, a poem

gypsy-2-300-ethere’s a noble soul resides in you,
enchanting your three humans,
bound by your beauty and grace,
mystery, adventure, failing kidneys
you with your fiery eyes, your
odd hungers and 3 a.m. run-abouts

“I sometimes longed for someone who, like me, had not adjusted perfectly with his age, and such a person was hard to find; but I soon discovered cats, in which I could imagine a condition like mine, and books, where I found it quite often.”  Julio Cortázar (1914-1984), Argentine novelist, short story writer, and essayist, Around the Day in Eighty Worlds

Grandkitty Gypsy and Pywacket
Pyewacket and  Gypsy, both forever in our hearts

Gypsy Rose died a few years ago and I’d commissioned a set of paintings from Gretchen just in time. Dahlia lives at the Gyp’s house now and I have Baxter living with me, but Gypsy is still much missed and forever loved.

© 2016, poem and photograph, Jamie Dedes; Original watercolor painting of Grandkitty  Gretchen Del Rio, All rights reserved

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PARCHED BLUE MIDNIGHT, a poem

pluie-sur-la-fenetre

A drizzle, not wild rain
No drenching torrents
No puddles forming under
the palm and the birch
No soaking the dry brown earth
while I sit cozy inside
No squall, friend of solitude
to embrace the writing itch, just
a parched blue midnight
an effete sprinkle in the air
Nothing to stir the pen
or green the lawns

This must have been the poetic equivilant of a rain dance. Right after I wrote it we had a soaking downpour.

© 2016, poem, Jamie Dedes; photo courtesy of axelle b, PublicDomainPictures.net