We extend a warm welcome to poet and musician Dick Jones, new to Wednesday Writing Prompt, and a warm thank you to our treasured regulars: Colin Blundell, Paul Brookes, Kakali Das Ghosh, and Sonja Benskin Mesher and to occasional participants Gary W. Bowers and Denise Aileen DeVires. Welcome back!
The Northern Maronite Basilica in Brad (Barad), Aleppo courtesy of Hani Simo under CC BY 2.0
I’m pleased that Dick chose to write about Abu Ward, a citizen of Aleppo, the city from which my family sailed from the Middle East to come to the United States a little more than a century ago. CNN called Abu Ward the “last Syrian gardener.” He’s not, of course, though there are few like him. Nonetheless, how some support their spirit in the face of a tragedy so monumental is remarkable.
Like my Lebanese grandmother before me, I season my cooking with Aleppo Pepper. I know that it no longer comes from these beautiful people and their cultured city, which was one of the oldest in world. To say the heart aches is understatement. Rest in peace, Abu Ward, and all victims of this multifaceted violence. The peoples of Syria are not forgotten.
Join us tomorrow for the next Wednesday Writing Prompt. All are welcome: novice, emerging or pro. See you then … Meanwhile, enjoy – and perhaps be inspired by – this rather special collection.
ABU WARD
‘The presence of the world is flowers’. Abu Ward
This was the man
who planted flowers
where the bombs
were falling.
This is his son
who kneels alone
by the garden gate.
The dust he pushes
around their stems
with his thumb is where
his father lives now.
And each flower
will lift some dust
as it rises in spring.
Abu Ward (from the Arabic for ‘Father of the Flowers’) maintained his carefully nurtured flower garden during the worst of Assad’s systematic bombing of Aleppo. He was killed by a bomb dropped near his home. His son Ibrahim left school at thirteen to help his father. After Abu Ward’s death, Ibrahim attempted to maintain the garden, which is now closed. Sadly, in this instance, environmental justice has been, as so often, a victim of warfare.
DICK JONES says he was initially wooed by the First World War poets and then seduced by the Beats. He has been exploring the vast territories in between since the age of fifteen. His work has been published in a number of magazines, print and online, including Orbis, The Interpreter’s House, Poetry Ireland Review, Qarrtsiluni, Westwords, Mipoesias, Three Candles, Other Poetry, Rattlesnake and Ouroboros Review. In 2010 he received a Pushcart nomination for his poem Sea Of Stars. His first collection, Ancient Lights was published by Phoenicia Publishing and is available from them or via Amazon. His translation of Blaise Cendrars’ epic poem La Prose du Trans-Siberien… was published in an illustrated collaborative edition with artist Natalie D’Arbeloff by Old Stile Press in 2014. Dick writes lyrics and plays bass guitar in acoustic/electric songwriting trio Moorby Jones.
as you take the road to Paradise
about half-way there
you come to an inn
which even as inns go is admirable
you go into the garden of it
and see the great trees and the wall
of Box Hill shrouding you all round
it is beautiful enough (in all conscience)
to arrest you without the need of history
or any admixture of pride of place
but as you sit in a seat in the garden
you are sitting where Nelson sat
when he said goodbye to Emma;
if you move a yard or two you will be
where Keats sat biting his pen
thinking out some new line of poem
bagged sugar cherry extract oil
of cloves buckminsterfullerene
essences pantheonized for delectation
bottled genies at our command
we so love purities
fleece white as snow
anthracite darkly dense
radial 24-caratotomy
kruggerrandom acts
and we feel godlike
magicmongering
we soupify the sky
we landfillet the lakes
sadsaturate soil
slagsilt the seven seas
it is a remorseless juggernaut
this megamodular magicker
and some of us are waking up
some of us want a different magic
the magic of the camper
who goes sees enjoys records
leaves the site none the worse
some of us want a reckoning
a calling to account
shame and punishment
some of us want to be sheriffs
but YOU STOP THAT NOW
is just like any other war
on any other badguy
and artificial value
has yielded unartificial power
and corruptive pushback
and corrosive continuance
deliverance must come
as with any other childbirth
spasmodically and with some blood
crowning and pushing through membrane
a slap and a gasp and a wail
our magical recording
and
transmitting devices will help
ill-gotten gains though they be
our one-person choices will help
at least
the enormity of the challenge
the size and perversity of the beast
will be revealed
as you yes you
give up your midas’s vehicles
stop eating the factory-farmed
children of hell’s misery
and reduce
the
“places you must see before you die”
to
zero
serve up justice to yourselves
and fire the single brick
of your life’s commitment
in the kiln
of paradise
Raise your head
I’m your benevolent mother
My eyes -your azure sky
When you are blown by caustic fervor
My brimming watery eyes turn into serene raindrops to alleviate you
My hands -your verdurous trees
When you lie wearily on my verdant lap
My hands spread florid twigs to shade you
My moist lips -your rivers
When your thirst touches me
Words of my lips turn into rivulets to kiss you to mitigate your thirst
Now -my son
Why are you burning my eyes with your voluminous black smoke
Why are you cutting my hands with your severe axe so grimly
Why are you tearing my lips throwing poisonous blues
I’m your mother earth
I’m your reason of survival -with snowy peaks
-golden flowers
-dancing rivers
Wouldn’t you be just to me
Wouldn’t you be fair to me
Not only for me but also
For your nourishment
For your children’s nutriment
For your future’s sustenance ages after ages …
Here are the responses to the last Wednesday Writing Prompt, January 3, Too Late for Miracles, which asked poets to share what’s on their minds as we move into the new year.
Welcome to newcomers: Isadora De La Vega, Miquel Escobar, Sheila Jacob, Elaine Reardon and Anjum Wasim Dar. As is custom for new poets, their bios are included by way of intro.
Thanks to Colin Blundel, Paul Brookes, Denise Aileen DeVries, Renee Espriu and Sonja Benskin Mesher for coming out to play again.
Together these poets have given voice to joys and concerns that we all share and they’ve done so beautifully from their diverse perspectives.
Anyone who would like to join in tomorrow for the next Wednesday Writing Prompt is welcome to do so no matter the status of career: beginning, emerging or pro. All work shared on theme will be posted in the next collection on the following Tuesday. If you are sharing work for the first time, please send your bio and a photograph to me at thepoetyday@gmail.com. Meanwhile, enjoy these poems. I hope they delight you as they do me.
ISADORA DE LA VEGA, my homegirl (we’re both from New York) is: “Intriguing, sensitive, mysterious, loving, artistic and crackling with excitement for life is a pretty good description of who I am. I’m retired from the art world where I sold my Artfully Designed Handmade Jewelry for 28 years. Art will always be a part of who I am no matter what venue I choose to express it. I’m always dreamin’ of ways to touch the hearts of those who visit me in far greater ways then before they happened upon my blog. ”
Everyone Counting
a lost year
just gone by
just gone
just
oh hell
one argues as much there
lost as hope wants to bubble
up ahead uncreated
winter
— built-in grace period up
until thawing
the real bear the lost was —
is in hibernation
the carryover is pure genius
the straddling
the picture
sitting on the fence
absence of go-go dancers
ultimately
ten weeks in the grand
scheme of things
means
there is no good answer
to the question
yet
while the northern
axis observes
this tilt
can we
respect metaphorical roots
as much as continue to use them as
excuses
After a long career in software technology that is in its last few years, MIGUEL ESCOBAR is newly living alone and channeling what he calls his other Self from bygone years: poet, musician, songwriter, aspiring editor, appreciator and sometimes critic of the Arts. He shared regularly on social media off and on in 2007-2008 and now again since 2015. He’s had a small number of poems published with Luciole Press, and Diaphanous Press and looks forward to a future of defining, developing and evolving a personal Art life that right now feels almost like a religious calling.
As the old year ends
Days and nights
bring silver moons
and tangerine sunlight
melting snow
from the mountains;
tell of a rose bush
bearing crumpled flowers
and branches scarred
by summers long gone,
summers to come.
SHEILA JACOB was born and raised in Birmingham, England and now lives in North Wales with her husband. She has three children and five grandchildren. She resumed writing poetry in 2013 after a long absence. Since then her work has been published in various U.K. magazines and websites. Her ambition is to have a collection of her poems published before her seventieth birthday in three years.
New Year
The cold.
Unrelenting.
Pushes through each
thin crack by frigid wind
I greet the two degree temperature
happily. It’s climbing! Housebound,
I walk the stairs between the woodpile
and couch, hot water bottle ready.
I aim the heater to the back of the cabinet,
so it warms the pipes on the outside wall.
I cut my compost into small pieces,
lay them on the snow to feed the hungry
driven to my front door in the full moon’s light.
The radio on is on for company, against
the all day quiet. I hear about North Korea first,
then President Trump’s bigger button. Is this his
New Year’s address? I remember us all
crouching beneath our desks at school drills,
head tucked in, dog tag on, when I was a kid.
Was that the Bay of Pigs? Maybe there is some
hope, if we now send cruise ships to Havana.
Maybe one day NorthKorea will welcome cruise ships, too.
ELAINE REARDON is a poet, herbalist, educator, and member of the Society of Children’s Book Writers & Illustrators. Her chapbook, The Heart is a Nursery For Hope, published September 2016, won first honors from Flutter press as the top seller of the year. Her writing includes featured poet in the January 2017 issue of stanzaicstylings.com ezine,Bella,Three Drops from a Cauldron Journal and yearly anthology, poetrysuperhighway.com, naturewriting. com, And MA Poet of the Moment. Elaine also published global curriculum through University of Massachusetts Press. She lives tucked into hillside forest in Western Massachusetts.
Who Knows What Life May Have in Store
The year ends,
leaving gifts joys and blessings
reunions , joining relationships
for some the time is joyful
for some full of pain
as days of sorrow and parting
come back again
this year I feel peace and joy
yet sorrow and fear move along
for life manifests hungry poverty
threats to security and liberty
enemies restless firing bullets
innocent killing goes on…
some enjoy the snow and play
for them cold snow is a game
some lie shivering,no name
some build bonfires the same
sing dance and be merry
for tomorrow is,no blame
will come to shine and light
my heart says forgive more
make happiness and space
for others to share, spend less
save more, war looms ahead
who knows what life may have
in store,
work work and work
make life meaningful and easy
for others,help them if you can
smile smile smile
be grateful for all the blessings
look around there are miles
and miles and miles of them
ANJUM WASIM DAR says she is Srinagar born and Kashmiri educated at St. Anne’s presentation Convent High School Rawalpindi. She has a Masters Degree in English & History and is a professional ELT /TEFL teacher and trainer. Anjum is dedicated to serving the cause of education and English Language Training in Pakistan.
Impulse is potential.
Emotion without mind is violence.
The mind without heart is sterile.
The unfiltered will is scattered.
The untethered will is impotent.
Harmony is passion and reason,
refined and anchored, to perfect,
that conscience may be as leaven
in Humanity, to honour and express
the Beauty of the cosmic sum.
The heart beats. The mind’s job is to justify its rhythm to the soul.
It was the year of air raid drills,
learning to crouch under desks
in the third grade classroom.
Little did we know, the world had ended the year before.
By my high school graduation,
I had survived five annihilation
predictions, not counting
my personal teenage tragedies.
After four more apocalypse dates,
I finished college, married,
moved closer to ground zero.
The world ended six more times
and my first child was born,
a sign of hope in a hopeless world.
Four more Armageddons passed
and I gave birth twice, still hopeful.
Twenty-three holocausts later,
my last child was born. Life
persisted. The world
has not ended, despite predictions
and even our heartfelt wishes.
I have stopped counting cataclysms.
It’s time to do the dishes.
Little miracles happen every night in life.
That’s what the old blind man told me, leaning against the rugged bench in the park. And at this point, a ladybug shone in front of my eyes. He saw – he smiled at me – it was the mother of the seven-color arc.
He smiled again
and
went over the rainbow.
Paul’s most recent collection, She Needs That Edge (Nixes Mate Books, 2018) is available now from Amazon US HERE and Amazon UK HERE. Another fabulous read by this indefatigable Yorkshire poet. This time with his singular style and and acute insight into the human condition, Paul takes us through five stories, pictures of the great and small ironies of life drawn as we observe the daily routines, rituals and reactions in lives where birds have jam sessions on rooftops, mausoleums live on fridge doors, the memory of a touch stays with the skin; lives where hands are telling and people hunger, give what’s not wanted and take what’s not given. In short, Life with all its pathos and ethos. SheNeedsthatEdge is well worth your time and pennies.
Dreams of Flight
Closing my eyes dream like synapses
coalesce images of youthful fears
tainted by mountain high and
valley lows of emotions
feathered wings in flight I fancied
releasing me from my humble dawning
with the smell of lemons and lilacs
growing against a backdrop of cement
tainted with the odors of asphalt
on the other side of town peppered
with factory workers, shop owners
life ached for gleaming upscale as
housewives tended children crying
dutiful lives of status quo
but only dreams took me flying
into the darkness of night
smelling of sweet honeysuckle
scaling walls of rising freedom
as now all dreams of tender youth
have left me I no longer fear
nor struggle from whence I came
for the spring of my soul
bubbles forth a peace within
This may be one of our finest collections yet, poetry written and/or shared in response to Ecce Panis [Take This Bread], Wednesday Writing Prompt, December 6, “What event or experience or time in your life (doesn’t have to be associated with religion) birthed for you the freedom to explore beyond the boundaries set for you?” These poets have certainly risen to the occasion. Much thanks to Denise DeVries, Paul Brookes, Mike Stone, bogpan (Bozhidar Pangelov), Gary W. Bowles and Sonja Benskin Mesher.
Join THE NEXT WRITING PROMPT, JANUARY 3, 2018. Once I put The BeZine to bed on the 15th, I’ll be offline for family time and taking a rest until January 3. Many blessings for joy in this season that is sacred to so many and for your peace of heart in the new year.
Thank you for your support, kind comments and sharing through The Poet by Day site this past year. In a world gone mad, you are the hope, the grace, and the voices of sanity. Poetry is the flagpole around which we gather in compassion and acceptance. You are valued.
All are welcome to come out to play for these writing prompts no matter the stage of your poetry career: beginning, emerging or pro. It’s about sharing and friendship, discretion not judgement.
A Town Where Nothing Ever Happens
I lived in a small landlocked town
and would probably never go anywhere.
My parents rejected the foreign
language teacher’s offered lessons.
They didn’t like the looks of him.
Something could happen…
Years later, I find myself
in Central America, in a town
where nothing ever happens,
except me, trying to speak Spanish.
In the market, the black
head of a calf stares up at me.
A tiny tiny old woman in
native dress embraces me
and kisses my hand, speaking
a language I’ve never heard before.
Beggars wait on cathedral steps
for the priest to finish asking God
in his North American accent,
“Quita los pecados del mundo.
Danos paz.” The children want
to know why I am crying.
That I know what my wife is feeling,
That my love will be enough to protect her
From the lovelessness around her,
That my particular being might have some worth
In the eye of the Grand Schemer of Things,
That the sun will climb over the eastern mountains tomorrow,
That the ground on which I walk
Is as solid as any reality,
These are small beliefs I think
That won’t hurt anyone else,
At least I don’t believe so.
But there are grander beliefs
That grow stronger
With every man and woman who believes them,
That only the grandest edifices
Can house them,
These beliefs,
Like who’s a chosen people
And who’s a virgin, an only son, or a true prophet,
Beliefs that hurt those who don’t believe them.
These are the beliefs I don’t believe
Are any good for anything
That’s not a building.
“An Agnostic’s Prayer”
(Raanana, January 23, 2014)
Just for the record
I don’t believe in you
So there’s no point in capitalizing, is there?
That doesn’t mean I don’t wish you were
Here, there, somewhere.
God knows I do,
Well, maybe not the you
Of everybody else.
You know exactly what I mean,
Someone who’s not always
Making clever excuses
Why he’s never around
When we need him.
I’d like to see you try that on my wife.
She wouldn’t fall for it.
She’d tell you
You’re either here or you’re not here,
So don’t bother trying to be
Somewhere in between.
She’d say if you want someone to believe in you
Then be there, front and center,
Instead of hiding behind the guy
Who’s hiding behind the curtain
Hoodwinking the true believers.
Then tell them they have only
One life in this godforsaken universe
And that one life is so gut-twistingly precious
That they should get up off their knees,
Walk out into the sunshine,
And smell just how blue the sky is.
Frozen shards of light litter the dusty ground and
The moon-colored skulls of creatures whose blood
Once warmed the earth and sated its thirst
If only for a moment.
There is a trail I must follow
Through this forest dark and mordant
That snakes its wending way from
The womb of my first love
To the parched throat of my last.
I think sometimes of the ancient ones
And the things of their world
Of which they were certain.
It is not so hard to believe in a God,
An animus for every animal
Or a hoary herald above the spheres.
But a monstrous God
Who plots to devour our innocence
And rend our hearts with the cruel beauty of its beings,
Indifferent yet demanding our prayers and oblations;
Such a God I believe in:
A God of holocausts and broken promised lands.
There is a certain silence
On a day like this
That carries you on its wide wings
But only those whose souls are weightless
A silence that muffles the shouts of children
And banal chatter of adults on mundane matters
But only for those whose souls are transparent
A silence that vows to be true
Even when we live among lies
But only among those
Whose souls are consumed by other souls.
The Repentant Peter (El Greco c. 1600 Spain), Phillips Collection, Washington D.C., U.S., public domain photograph of the painting
Repenting Peter (El Greco)
since as
everything is Uttered
a land to even up
the eye
you touch grope about
the walls
more and more high
(on) cracks
the third road is the hardest
nowhere somewhere
the third road is the easiest
am I
I
cursed
cursing
swear
in net
(Peter)
“that the mighty angel tugs
along with net of fishermen”*
A legend has
A courier
Who ran and ran
And told, and died,
Per Lucian,
Pheidippides’
“We win–rejoice!”
The dying words
Of this young man.
A summer day
In ’84
Ten thousand ran
On Market Street,
And skirted San
Francisco Bay,
And saw through fog
The Golden Gate,
And past its Park,
And up a hill
So steep a man
In wheelchair
Went but four in-
Ches at a time.
We crossed the thrice-
Blessed Finish Line
At Union Square
To cheering crowds,
To honor dead
Pheidippides,
Who, truth be told,
Did not exist,
Or, if he did,
Not quite the way
The legend tells.
But there WAS strife
In ancient Greece,
And Persians died
At Marathon,
The site now known
As the event,
A footrace long
and arduous.
And when I ran
In ’84,
I briefly WAS
Pheidippides,
Defiant of
Impossible,
Horizon breached,
My battle won,
And I rejoiced
And did not die.
A wonderful collection today that illustrates just how complex relationships are, as complex as the human beings who compose them. These are the responses to the last Wednesday Writing Prompt, Hero of the Practicalities, November 22, 2017. Welcome and thanks to newcomer, Denise Aileen DeVries. Thanks also to stalwart participants: bogpan, Colin Blundel, Sonja Benskin Mesher and Paul Brookes.
Anyone who would like to join in tomorrow for the next Wednesday Writing Prompt is welcome to do so no matter the status of career: beginning, emerging or pro. All work shared on theme will be published in the next collection on the following Tuesday. Meanwhile, enjoy these …
Delivery
The dark and fire
of the linotype and the roar
of the press were safe for her,
more than the house, plastic-
covered from lampshades to floors.
At home, nothing was ever finished,
mute dishes dirtied themselves,
yolks broke in the skillet,
shirts weighted the end
of the ironing board.
She had nothing to prove
to men who thought they owned
the secrets of melted lead.
She knew the language of em and en;
she could read upside-down.
At home, my father’s mood
could tip the day,
luminous floors becoming
ominous, two silent children
eating her mistakes.
Work meant
achievement, putting words
to lead, to ink, to bed.
Newspapers of two small towns
passed through her hands
from formation
in cooled lead slugs
to inky rollers, to birth
off the end of the press,
delivery.
Mind-reading in marriage is somewhat unpredictable. The other day, we were sitting in front of the TV, and I wanted my husband to get me some dessert. It took me at least 2 minutes of focused thought before he said, “shall we have some ice cream?” Yet, a few days later, while he was three miles away at the grocery store, I thought, “I wish I had some chocolate,” and when he came home, he handed me a bar of milk chocolate. Mind-reading seems to work best with food, but even after 20 years, it’s not infallible. I would have preferred dark chocolate.
Because we each grew up speaking a different language, mind-reading comes in handy when our vocabulary fails us. It’s quite normal for our dinner conversation to go something like this: “can you pass the…” “donde está el…” “next time we go to the tienda, hay que comprar…”
This is not to say that we think alike. In fact, the list of things on which we disagree is much longer than those on which we agree. This may be confusing for people who think that in marriage “two become one.” I’ve often been horrified by people’s assumptions that one of us can express the opinion of both. Especially if that opinion isn’t mine!
This is Denise’s first time responding to Wednesday Writing Prompt. (Welcome!) This is what she tells us, “I was the girl who squeezed through the barbed-wire fence behind the sheep pen and disappeared for hours all alone looking for cactus flowers and mariposas. The dry side of the dam is where I live now,
past all that water under the bridge, the history and humidity, reflections and memories all under water.”
that moment
when I said – this symphony
is so full of beautiful tunes
which just go on and on
you smiled such a caressingly
honest smile that I sensed
the light of your Being
touching mine (mine yours)
I feel sorry for Ray
tells me his fat
girlfriend just sits
around house,
no housework.
He prepares all meals.
She just sits
reading Mills and Boon.
drinks and sleeps
Never together when out.
She with her friends, he with his.
He goes out,
returns she’s brandishing a knife,
interrogates him
where he’s been.
He is a designer
witty with it.
Manager at my workplace
he sends me a picture
of an American Indian
with palm up
and five statements on how
we should get together.
How did he know
the guardian angel who appears
bottom of my bed
is a North American Indian?
Two
I ask
“Why haven’t you moved out?”
He says
“When my last marriage broke up
my wife got house and everything
and my girlfriend won’t move out.”
He makes sense.
I want a boyfriend with either
motorbike or a landrover.
He’s just sold his bike.
Landrover is soft topped.
Takes me and Ben out walking
to Dark Peak.
We enjoy pictures rather than
words.
He makes meals for the family.
My friends said if my last husband
turns up Ray
would not hesitate to lay him out.
We spend evenings planning places
things we can do, together.
He smokes
socially when he drinks, like me.
Suddenly,
Christmas he moves in.
On way out to a Parents evening
at Ben’s school I tell him
“We’ll talk when I return.”
On return I find all drink gone
him crashed out drunk in my bed.
In morning he says
“Please forgive me.”
Over the next month we go out
hold hands, and are gentle
down by the bridge while Ben plays
ahead with our dog.
Three
Over next month he fills my
wardrobes with his clothes
my shelves with his CD’s.
Then I notice
him going to pub straight after
work returns home crashes
out to sleep.
He works drinks sleeps.
Comes from work after pub
says he’s tired,
sleeps rest of night.
I wait for him downstairs.
I sit alone in house on an evening
or when he is in
he gawps at TV in bedroom.
He does not let me to go
out with my friends.
We go out again after I have words.
Two weeks later he is back
drunk and sleeping again.
On few occasions we go out
he leaves me on my own
he spends evening talking
to a biker or someone at bar.
I talk to his fat girlfriend Sophie.
She’d been holding a knife
because she was cutting veg
as she always did
preparing meals for him while he
went out and got drunk.
He catches me talking to her
says
“Don’t believe her, she’s a liar. She’ll say
anything to get me back with her.”
Tells me all the girls at work
are after him.
I talk to them.
They wouldn’t touch him.
He promises me he’ll not go drinking
starts excuses when I smell it on
his breath.
I tell him so.
I say
“I’ll go to a counselling session with you.”
He’s having none of it.
His tears when I phone him at local
pub and tell him
“Your stuffs in the driveway.”
Down on his knees he is,
tears and moans, begging me to
reconsider.
He says
“Your right in everything you say.
I’m at fault and I’ll change.”
He is really suffering.
I nearly break
but people never change.
I meet him a month or two later while out with my mates.
He comes in pub.
Sends one of his mates over to me
“Ray wants a private word”
I say
“Whatever Ray has to say he can say while my mates are present.”
Anyway he comes over.
I ask
“How’s Sophie?”
he tells me
“Eff off!”
I feel nothing.
Mark is the man for me,
but he is married
and she is kind.
I have known the family for ten years now.
It is only recently I admit to myself I love Mark.
I would not hurt their kids .
I have seen them settle down
round meal table of an evening.
I come home, collapse on sofa
and cry for I know we would be good together.
I want to settle down.
For a time with Ray I forget about Mark.
Ray never knew about him.
I see Mark less.
I will not move from this cul de sac
because I feel safe with Mark down the road
and the fabulous view of the moors.
Perhaps because I love Mark I find it difficult
to love anyone else.
Steve says his wife often
comes into their bedroom
and says “Where’s Steve?”
And he says to her.
“I’m here love. We’ve
been married forty years.”
And she says,
“Of course you are. We have.”
And she laughs.
“How did we first
get together?”
At the end of the next day,
when they’ve been out
to the shops and visiting
old friends she’ll say,
“What have we done today,
Steve?” And she remembers
none of it.
At mealtimes she picks
up her knife and fork
and holds them very close
to her glazed eyes.
She shows him her
fingers, and he sees
they are no longer fat
but thin to the bone.
“Come on,love.
They must have dropped off.
I’ll help you look for them.”
He offers.
“In the place you’ve hid
them. I bet. I know
your game, Steve.
I’m wise to you.”
We do not know each other.
The fog is carving the ghostly
silhouettes of houses, people
and hopes.
And like a sound the hand is –
a semitone of the scream
of seagulls “Arriva … Arriva”
Nothing is coming.
Nothing has come.
I am trying to breathe –
in a time beyond.
In the gardens of the cascades
before the dawn and after the rain.
We do not know each other.
You’ve melted in the sun,
a sun in the fog
and you’ve never been here.
The paper remembers some passed
sounds come from the outer
world – Arriva.
DICK JONES says he was initially wooed by the First World War poets and then seduced by the Beats. He has been exploring the vast territories in between since the age of fifteen. His work has been published in a number of magazines, print and online, including Orbis, The Interpreter’s House, Poetry Ireland Review, Qarrtsiluni, Westwords, Mipoesias, Three Candles, Other Poetry, Rattlesnake and Ouroboros Review. In 2010 he received a Pushcart nomination for his poem Sea Of Stars. His first collection, Ancient Lights was published by Phoenicia Publishing and is available from them or via Amazon. His translation of Blaise Cendrars’ epic poem La Prose du Trans-Siberien… was published in an illustrated collaborative edition with artist Natalie D’Arbeloff by Old Stile Press in 2014. Dick writes lyrics and plays bass guitar in acoustic/electric songwriting trio Moorby Jones.
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