375,000 photographs of fine art now in public domain – great resource for illustrating your poems, books and blogs

harvesters_cc0icon

Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today its adoption of a new policy: all images of public-domain artworks in the Museum’s collection are now available for free and unrestricted use. This updated policy, known as Open Access, utilizes the Creative Commons Zero (CC0) designation. This policy change is an update to The Museum’s 2014 Open Access for Scholarly Content (OASC) initiative. The Met’s Open Access policy facilitates the use of more than 375,000 images of public-domain artworks for both scholarly and commercial purposes. The Museum is collaborating with global partners to enable greater access to the collection.

In making the announcement, Mr. Campbell said

We have been working toward the goal of sharing our images with the public for a number of years. Our comprehensive and diverse museum collection spans 5,000 years of world culture and our core mission is to be open and accessible for all who wish to study and enjoy the works of art in our care. Increasing access to the Museum’s collection and scholarship serves the interests and needs of our 21st-century audiences by offering new resources for creativity, knowledge, and ideas. We thank Creative Commons, an international leader in open access and copyright, for being a partner in this effort.”

“Sharing is fundamental to how we promote discovery, innovation, and collaboration in the digital age,” said Ryan Merkley, CEO, Creative Commons.

“Today, The Met has given the world a profound gift in service of its mission: the largest encyclopedic art museum in North America has eliminated the barriers that would otherwise prohibit access to its content, and invited the world to use, remix, and share their public-domain collections widely and without restriction. This is an enormous gift to the world, and it is an act of significant leadership on the part of the institution. I want to congratulate Thomas P. Campbell, the board of trustees, and The Met staff for making such a strong commitment to collaboration and sharing, and I hope that other institutions, both public and private, will follow the path they are setting out here today.”

Middle Kingdom Dynasty:Dynasty 12 Reign:Senwosret I to Senwosret II Date:ca. 1961–1878 B.C. Geography:From Egypt, Middle Egypt, Meir (Mir), Tomb B no. 3 of the nomarch Senbi II, pit 1 (steward Senbi), Khashaba excavations, 1910 Medium:Faience -William the Hippo is the mascot for the Met - public domain photograph

Middle Kingdom
Dynasty:Dynasty 12
Reign:Senwosret I to Senwosret II
Date:ca. 1961–1878 B.C.
Geography:From Egypt, Middle Egypt, Meir (Mir), Tomb B no. 3 of the nomarch Senbi II, pit 1 (steward Senbi), Khashaba excavations, 1910
Medium:Faience -William the Hippo is the mascot for the Met – public domain photograph

To maximize the reach of The Met’s Open Access initiative, the Museum announced its new partnerships with Creative Commons, Wikimedia, Artstor, Digital Public Library of America (DPLA), Art Resource, and Pinterest. The Museum also welcomes its first Wikimedian-in-Residence, Richard Knipel, who will collaborate with Wikimedians around the world to bring images of public-domain artworks into Wikimedia Commons, Wikipedia, and diverse GLAM-Wiki initiatives. Creative Commons will support search and re-use of The Met collection with its CCSearch beta .

“The Met has again proven itself a leader among the world’s great cultural institutions. By opening their vast collection of art and antiquities to be freely available under Creative Commons Zero, they are lighting the way for other institutions to follow,” said Katherine Maher, Executive Director of the Wikimedia Foundation. “Wikipedia’s hundreds of millions of users from around the globe will now be able to experience The Met’s greatest treasures, no matter where they live. This remarkable cultural heritage is now free for anyone to view, share, and use.”

Washington Crossing the Delaware by Emanuel Leutze, MMA-NYC - Public domain photograph

Washington Crossing the Delaware by Emanuel Leutze, MMA-NYC – Public domain photograph

Loic Tallon, The Met’s Chief Digital Officer, said:

“In our digital age, the Museum’s audience is not only the 6.7 million people who visited The Met’s three locations in New York City this past year, but also the three-billion-plus internet-connected individuals around the world. Adopting the CC0 designation for our images and data is one of the most effective ways the Museum can help audiences gain access to the collection and further its use by educators and students, artists and designers, professionals and hobbyists, as well as creators of all kinds. I am particularly delighted to be launching the Museum’s CC0 policy in collaboration with Creative Commons, Artstor, DPLA, Pinterest and the Wikipedia community, and for their support in bringing the Museum’s collection to their users.”

The Met’s new agreement with Artstor, a service affiliated with the education not-for-profit ITHAKA, will make the images discoverable throughout its digital resources, which support a global education community and provide tools to encourage image and data use in research and teaching.

Melencolia I (B. 74; M., HOLL. 75) *engraving *24 x 18.8 cm *1514, public domain photograph

Melencolia I (B. 74; M., HOLL. 75)
*engraving
*24 x 18.8 cm
*1514, public domain photograph

“We are thrilled to help further the impact of The Met’s bold public digital access initiative through our work in the global educational community,” said Kevin Guthrie, President of Artstor and ITHAKA.

“We look forward to making these 375,000 images available so that teachers, students, and researchers around the world can find them, use them, and most importantly re-use them. The CC0 license for these images is a sea change that will help educators and students advance our collective understanding of art and human values by encouraging their use, not only in traditional classrooms and scholarly publications, but also in new digital projects and online courses.” Guthrie added, “Access is just the beginning. We look forward to continuously finding ways to work with those engaged in education to enhance and encourage the reach of this collection.”

The public can also find images offered from this initiative on Pinterest, thus making the collection more easily accessible to their community.

Evan Sharp, co-founder and Head of Product at Pinterest, said:

“Pinterest is where more than 150 million people discover ideas for their lives, whether they collect images of artistic masterpieces or the art of the everyday. We’re honored to partner with The Met to make this unprecedented collection accessible to the Pinterest community.”

The rollout of this change in policy is an ongoing process, as the Museum continues to collaborate with new and existing partners to develop our content-distribution efforts and explore new opportunities.

While all images of works the Museum believes to be in the public domain are included in this initiative, certain works are not available for one or more of the following reasons: the work is still under copyright, or the copyright status is unclear; privacy or publicity issues; the work is owned by a person or an institution other than The Met; restrictions by the artist, donor, or lender; or lack of a digital image of suitable quality.

The Museum continues to work with Art Resource for licensing images of works under copyright or other restrictions, or for images not available on The Met’s website.

The Met’s Open Access initiative is made possible through the  Bloomberg Philanthropies.

“The Metropolitan Museum of Art’s new initiative brings its collection to an even larger audience. One of the first museums to offer audio guides, invest in mobile apps, and develop a robust website, The Met continues to be a leader in providing access to its encyclopedic resources for millions of people all over the world,” said Kate D. Levin of Bloomberg Philanthropies.

Related blog posts about The Met’s new image policy can be found on Now at The Met and Digital Underground, as well as on the websites of our partners Creative Commons, Wikimedia Foundation, and Artstor.

Additional information and instructions can also be found at metmuseum.org/openaccess.

#MetOpenAccess

More detail HERE.

This post courtesy of the Metropolitan Museum of Art, New York City. Please feel free to reblog or link to.  

The BeZine, Vol. 3, Issue 5, February 2017, Overcoming Hate

Originially published on February 15, 2017 on The BeZine.

think how wonderful when all the registries are
…..thrown out with the trash
so that the children of the poor come out ahead
some half-pint future president
on the street the man who stopped you with his
…..pockets inside out
is loading you with fruits & sweets is kissing you
a hero who can send a message into every little head
…..the thought of some enchanted evening
the reciprocal tyranny of fathers & of sons is over
& the need or love grows always stronger makes the
…..master builder stretch the promenades into the
…..farthest outskirts
which is freedom yes & which is love

excerpt from Tyranny or Love by Vítêzlav Nezval in Atilyrik & Other Poems

Love can be a kind of tyranny but hate tyrannizes the hated and the hateful and everyone around them. My godmother used to say that it is harder to hold onto hate than to let go in love.  How do we overcome the hate in ourselves?

Michael Dickel comes to the subject by exploring the biblical story of Yaakov (Jacob) wrestling with himself and God.

“To overcome hate, we must wrestle with our own soul (tendencies toward harsh judgments, anger, hate—that is, wrestle with our own fears and demons) and with God …” Michael Dickel

Naomi explores all the “H” words, some positive and some not so much, including hate and arriving at like-Hearted. She gives us balance. Corina Ravenscraft explores how hate manifests and Priscilla Galasso comes to it from the position of personal growth. She says:

“The more I work with my own feelings and come to understand myself, the more I can begin to understand others. When I see someone who is angry and hateful, I understand that he is suffering.”

The times are challenging us to explore our emotions and how we react to the encroachment by some elements into the domain of compassion, freedom and justice. We see this expressed in Mark Heathcote’s poem, which reminds us that strong emotion needs fuel, and in Michael Dickel’s Hate Is Not the Opposite of Love and my own Time for the Temple Whores To Sleep With Insanity.

“The opposite of love is not hate, it’s indifference. The opposite of art is not ugliness, it’s indifference. The opposite of faith is not heresy, it’s indifference. And the opposite of life is not death, it’s indifference.”  Elie Wiesel

The core issues it turns out are indifference and fear. George Orwell reminds us of what we have to fear if we are not vigilant and proactive. The Rev. Dr. Martin Luther King reminds us that “Darkness cannot drive out darkness: only light can do that. Hate cannot drive out fear: only love can do that.”  Love is freedom, the absence of tyranny, and the more we love, the more we are able to love.

In the spirit of Peace, Love and Community
and on behalf of The Bardo Group Beguines,
Jamie Dedes
Managing Editor


To read this issue of TheBeZine

  • Click HERE to scroll through and read the entire magazine.
  • Or, you can read each piece individually by clicking the links in the Table of Contents below.  Enjoy!

Table of Contents

BeAttitude

“The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command.” George Orwell, 1984

The Animals Are Running the Farm, Jamie Dedes

Overcoming Hate

Lead Features

Your Attention, Please, Corina Ravenscraft
The “H” Word, Naomi Baltuck
Transcending Anger, Power and Fear, Priscilla Galasso
Hate Is Not the Opposite of Love, Michael Dickel

Poetry

Silencing the Lambs, John Anstie
Time for the Temple Whores to Sleep with Insanity, Jamie Dedes
Wrestling with God, two poems, Michael Dickel
Five Glosses from Imaginary Exegesis, Michael Dickel
Deconstruction, Michael Dickel
Flying without dice, Michael Dickel
I remember dreaming, Michael Dickel
Hate, it is a termite mound, Mark Heathcote

– End – 

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