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SUNDAY ANNOUNCEMENTS: Calls for Submissions, Contests, Events & other News & Information

img_3303CALLS FOR SUBMISSIONS

Opportunity Knocks

SOUTH 95 JOURNAL accepts submissions of fiction, nonfiction and poetry for its online publication from September 1 through April 30. Artwork and bog submission may be sent year-round. Details HERE.

THEMA Literary Journal seeks “to provide a stimulating forum for established and emerging literary and visual artists, to serve as source material and inspiration for teachers of creative writing and to provide readers with unique and entertaining collection of stories, poems, art and photography.”  Details HERE

CHICAGO LIITERATI, a nonprofit literary magazine is no longer accepting submissions of poetry but does have an interest in fiction and essay and is reading until March 2nd for its Dystopia Issue. Submissions are electronic, so if you have something ready to go, you still have some time.  Details HERE. They also publish a “daily flash” feature of 200-800 word fictions.

FLARE: THE FLAGLER REVIEW publishes poetry, fiction, nonfiction, drama and screenplay genres. Deadline for the summer issue is March 31. Details HERE.

FISHFOOD MAGAZINE literary and arts magazine describes itself as “an independent, free-spirited literary and arts magazine dedicated to all forms of creative expression and talent and publishes micro fiction/flash fiction, poetry, essays, artwork and photography. Details HERE.

EAST JASMINE REVIEW “established in 2013, East Jasmine Review is an electronic literary magazine that publishes quality fiction, nonfiction, poetry, articles and reviews. Our first goal is to publish diverse voices that may not have mainstream access or traditional access to publishing. This includes but is not limited to LGBTQIA, ethnic minorities, women, lower socio-economic status, those who are older or younger, religious minorities, and non-American persons. We are looking to build an inclusive online community and audience for our voices.”  Details HERE.

THE BeZINE, a publication of The Bardo Group Beguines, a virtual arts collective, is a digital publication that is published on the fifteenth of each month. The deadline is always  on the tenth. Submit via email to bardogroup@gmail.com.  Each issue is themed and the themes for each month are included in Submission Guidelines.  Please read the guidelines, one or two issues AND the Mission Statement before submitting. Special issues are April for interNational Poetry Month and September when we host a virtual 100,000 Poets for Change (100TPC) event for reader participation. This year 100TPC will be on September 30 and the September issue will post on the fifteenth as usual. The site was established in 2011 and the Zine is in publication now for three years. The theme for March 2017 is Science in Culture, Politics and Religion. Submissions of poetry, essay, fiction and creative nonfiction, music videos, photography and art are welcome.

CONTESTS/COMPETITIONS

Opportunities Knock

WRITER’S DIGEST SELF-PUBLISHED BOOK AWARD 2017 deadline April 3, 2017. Details HERE.

WRITER’S DIGEST 86TH ANNUAL WRITING COMPETITION deadline May 5, 2017 Details HERE.

EVENTS

SECOND LIGHT NETWORK OF WOMEN POETS announces its Spring Festival The Other Side. “What is ‘the other side’? It certainly fascinates us – a locked door, a closed gate is an invitation to imagine the unknown, what might be… The ‘other side’ (right side) of our brains are the territory of intuition, creativity? What about life-experiences, viewpoints other than our own? Failures to understand ‘the other side’ are rampant, but writers may try to get inside another person’s skin?” Friday 19th and Saturday 20th, May. Details HERE.

Four workshops exploring the theme and our responses to it will be led by Caroline Price, Penelope Shuttle, Sarah Westcott and Dilys Wood (see information flyer for workshop information from tutors). Our traditional ‘Open Mic’ sessions, for women readers only but men are most welcome to join us, will take place from 5 to 6pm on both evenings, with Guest Poet readings from Maggie Butt, June Hall, Penelope Shuttle and Anne Stewart.

All events will take place at The Art Workers Guild: 6 Queen Square, London, WC1N 3AT (near Russell Square). map showing Venue

FORMS & FEATURES AT COMPOUND YELLOW: TANKA Heads-up/this is tomorrow – Monday, February 20th, 6:00 PM–8:00 PM, Compound Yellow, 244 Lake Street, Oak Park, Illinois, 60302 “All experience levels are welcome to a discussion and creative workshop run by Poetry Foundation library coordinator Maggie Queeney. In February, we explore tanka, an ancient Japanese mood poem often composed in sequence or conversation.” Details HERE.

POETS OUT LOUD: Sandra Esteves and Vijay Seshadri tomorrow night February 20 – 7 pm at Fordham University, 113 West 60th Street, Lowenstein Hall, 12th floor lounge (E. Gerald corrigan Center), New York, NY 10023

DISTANCE LEARNING/ONLINE CLASSES/WORKSHOPS

  • Second Light Network of Women Poets (remote/distance class). London-based. Details HERE.
  • Gotham Writers Workshops Online New York based. Details HERE.
  • Writer’s Digest University, Online Writing Workshops (F + W Corporation based in New York) Details HERE.

ABOUT THE POET BY DAY

51ylkyldh7lThe recommended read for this week is Poems That Make Grown Men Cry: 100 Men on the Words That Move Them compiled by the father and son team, Anthony Holden and Ben Holden. I have to thank my good friend Linda F. for this recommendation. A moving book and a unique perspective. This is a poetry anthology in which 100 men from diverse backgrounds share the poems that they can’t read without being moved to tears and they tell us why.  The poems and poets feature span the centuries and the world. Definitely worthy of our time.

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Footprints In Your Heart, Eleanor Roosevelt’s wisdom poem

Anna "Eleanor" Roosevelt from the United States Library of Congress's Prints and Photographs division under the digital ID cph.3c08091.
Anna “Eleanor” Roosevelt from the United States Library of Congress’s Prints and Photographs division, ID cph.3c08091.
The White House Portrait of Mrs. Roosevelt painted by Douglas Chandor, 1949
The White House Portrait of Mrs. Roosevelt painted by Douglas Chandor, 1949

539px-eleanor_roosevelt_signature-svg

Eleanor Roosevelt, the wife of Franklin Delano Roosevelt (32nd President of the United States,  is often referred to as an iconic first lady, as someone who changed the rules. She was active politically, advocated for social justice and human and civil rights, wrote and gave speeches, formed a White House press corp of women reporters and photographers and was the first Chair of the Presidential Commission on the Status of Women (under John F. Kennedy). She is the gold standard for the first ladies who follow her.

 More details Roosevelt with the Spanish version of the Universal Declaration of Human Rights, which includes Franklin Roosevelt's Four Freedoms.
Mrs. Roosevelt with the Spanish version of the Universal Declaration of Human Rights, which includes Franklin Roosevelt’s Four Freedoms.

One of the projects Mrs. Roosevelt was most proud of was the drafting of the Universal Declaration of Human Rights, which included her husband’s four freedoms:

  1. Freedom of speech
  2. Freedom of worship
  3. Freedom from want
  4. Freedom from fear

These are from what is known as President Roosevelt’s Four Freedoms Speech, which was his 1941 State of the Union address. He proposed these freedoms for everyone “everywhere in the world.”

Mrs. Roosevelt’s poem, Footprints in Your Heart, is chock full of wisdom, high ideals and good advice.  If you’ve never read it before, I hope you enjoy it here. If you have read it before, I know you’ll enjoy reading it again. It is not the most well-written poem or  perhaps it’s collection of her sayings that someone might have put together as a “poem.” Either way its sentiment is refined and there lies its value.

Footprints In Your Heart

Many people will walk in and out of your life,
But only true friends will leave footprints in your heart.

To handle yourself, use your head;
To handle others, use your heart.

Anger is only one letter short of danger.

If someone betrays you once, it is his fault;
If he betrays you twice, it is your fault.

Great minds discuss ideas,
Average minds discuss events,
Small minds discuss people.

He who loses money, loses much;
He who loses a friend, loses much more;
He who loses faith, loses all.

Beautiful young people are accidents of nature,
But beautiful old people are works of art.

Learn from the mistakes of others.
You can’t live long enough to make them all yourself.

Friends, you and me.
You brought another friend,
And then there were three.

We started our group,
Our circle of friends,
And like that circle –
There is no beginning or end.

Yesterday is history.
Tomorrow is mystery.
Today is a gift.

That’s why it’s called the present.

Eleanor Roosevelt

The photographs here were all taken as documentary record by government photographers and as such are in the public domain.


2015, Kevin Young at Library of Congress National Book Festival September 5, 2015 Washington, DC, by fourandsixty, CC BY SA 2.0
2015, Kevin Young at Library of Congress National Book Festival September 5, 2015 Washington, DC, by fourandsixty, CC BY SA 2.0

The recommended read for this week is The Art of Losing by Kevin Young.  I find this to be an extraordinarily beautiful anthology about grief and recommend it for all those who work with living and dying, clergy of all faiths, hospice workers, physicians and nurses as well as those grieving a lost family member or friend. It was conceived and edited by Kevin Young, a poet in his own right and the editor of four poetry anthologies. His book Jelly Roll: A Blues was a finalist for both the National Book Award and the Los Angeles Times Book Prize. It won the Paterson Poetry Prize.

51cc7pivgl-_sx329_bo1204203200_By shopping at Amazon through The Word Play Shop or through links in the body of a post, you help to support the maintenance of this site. Thank you!

The WordPlay Shop offers books and other tools especially selected for poets and writers.

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Everyday Saints, a poem

img_5835-1Those everyday saints
Who come comfortably
[sometimes uncomfortably]
Casting their light into our shadow land

Perhaps a trap,
Perhaps safe-haven

The river of remembrance,
Before eons made manifest
One backward glance and …

Forgotten the star-crossed loves, the cross tempers
The spine breaking crosses to bear

Sit in their darshan on the path of the saints
They are everywhere, as populous as fish
in a sea that might otherwise be empty

“The purpose of life seems to be to acquaint a man with himself and whatever science or art or course of action he engages in reacts upon and illuminates the recesses of his own mind. Thus friends seem to be only mirrors to draw out and explain to us ourselves; and that which draws us nearer our fellow man, is, that the deep Heart in one, answers the deep Heart in another, — that we find we have (a common Nature) — one life which runs through all individuals, and which is indeed Divine.” Ralph Waldo Emerson

© Jamie Dedes


2015, Kevin Young at Library of Congress National Book Festival September 5, 2015 Washington, DC, by fourandsixty, CC BY SA 2.0
2015, Kevin Young at Library of Congress National Book Festival September 5, 2015 Washington, DC, by fourandsixty, CC BY SA 2.0

The recommended read for this week is The Art of Losing by Kevin Young.  I find this to be an extraordinarily beautiful anthology about grief and recommend it for all those who work with living and dying, clergy of all faiths, hospice workers, physicians and nurses as well as those grieving a lost family member or friend. It was conceived and edited by Kevin Young, a poet in his own right and the editor of four poetry anthologies. His book Jelly Roll: A Blues was a finalist for both the National Book Award and the Los Angeles Times Book Prize. It won the Paterson Poetry Prize.

51cc7pivgl-_sx329_bo1204203200_By shopping at Amazon through The Word Play Shop or through links in the body of a post, you help to support the maintenance of this site. Thank you!

The WordPlay Shop offers books and other tools especially selected for poets and writers.

THE WORDPLAY SHOP: books, tools and supplies for poets, writers and readers

LITERATURE AND FICTION oo Editor’s Picks oo Award Winners oo NY Times Best Sellers

375,000 photographs of fine art now in public domain – great resource for illustrating your poems, books and blogs

harvesters_cc0icon

Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today its adoption of a new policy: all images of public-domain artworks in the Museum’s collection are now available for free and unrestricted use. This updated policy, known as Open Access, utilizes the Creative Commons Zero (CC0) designation. This policy change is an update to The Museum’s 2014 Open Access for Scholarly Content (OASC) initiative. The Met’s Open Access policy facilitates the use of more than 375,000 images of public-domain artworks for both scholarly and commercial purposes. The Museum is collaborating with global partners to enable greater access to the collection.

In making the announcement, Mr. Campbell said

We have been working toward the goal of sharing our images with the public for a number of years. Our comprehensive and diverse museum collection spans 5,000 years of world culture and our core mission is to be open and accessible for all who wish to study and enjoy the works of art in our care. Increasing access to the Museum’s collection and scholarship serves the interests and needs of our 21st-century audiences by offering new resources for creativity, knowledge, and ideas. We thank Creative Commons, an international leader in open access and copyright, for being a partner in this effort.”

“Sharing is fundamental to how we promote discovery, innovation, and collaboration in the digital age,” said Ryan Merkley, CEO, Creative Commons.

“Today, The Met has given the world a profound gift in service of its mission: the largest encyclopedic art museum in North America has eliminated the barriers that would otherwise prohibit access to its content, and invited the world to use, remix, and share their public-domain collections widely and without restriction. This is an enormous gift to the world, and it is an act of significant leadership on the part of the institution. I want to congratulate Thomas P. Campbell, the board of trustees, and The Met staff for making such a strong commitment to collaboration and sharing, and I hope that other institutions, both public and private, will follow the path they are setting out here today.”

Middle Kingdom Dynasty:Dynasty 12 Reign:Senwosret I to Senwosret II Date:ca. 1961–1878 B.C. Geography:From Egypt, Middle Egypt, Meir (Mir), Tomb B no. 3 of the nomarch Senbi II, pit 1 (steward Senbi), Khashaba excavations, 1910 Medium:Faience -William the Hippo is the mascot for the Met - public domain photograph
Middle Kingdom
Dynasty:Dynasty 12
Reign:Senwosret I to Senwosret II
Date:ca. 1961–1878 B.C.
Geography:From Egypt, Middle Egypt, Meir (Mir), Tomb B no. 3 of the nomarch Senbi II, pit 1 (steward Senbi), Khashaba excavations, 1910
Medium:Faience -William the Hippo is the mascot for the Met – public domain photograph

To maximize the reach of The Met’s Open Access initiative, the Museum announced its new partnerships with Creative Commons, Wikimedia, Artstor, Digital Public Library of America (DPLA), Art Resource, and Pinterest. The Museum also welcomes its first Wikimedian-in-Residence, Richard Knipel, who will collaborate with Wikimedians around the world to bring images of public-domain artworks into Wikimedia Commons, Wikipedia, and diverse GLAM-Wiki initiatives. Creative Commons will support search and re-use of The Met collection with its CCSearch beta .

“The Met has again proven itself a leader among the world’s great cultural institutions. By opening their vast collection of art and antiquities to be freely available under Creative Commons Zero, they are lighting the way for other institutions to follow,” said Katherine Maher, Executive Director of the Wikimedia Foundation. “Wikipedia’s hundreds of millions of users from around the globe will now be able to experience The Met’s greatest treasures, no matter where they live. This remarkable cultural heritage is now free for anyone to view, share, and use.”

Washington Crossing the Delaware by Emanuel Leutze, MMA-NYC - Public domain photograph
Washington Crossing the Delaware by Emanuel Leutze, MMA-NYC – Public domain photograph

Loic Tallon, The Met’s Chief Digital Officer, said:

“In our digital age, the Museum’s audience is not only the 6.7 million people who visited The Met’s three locations in New York City this past year, but also the three-billion-plus internet-connected individuals around the world. Adopting the CC0 designation for our images and data is one of the most effective ways the Museum can help audiences gain access to the collection and further its use by educators and students, artists and designers, professionals and hobbyists, as well as creators of all kinds. I am particularly delighted to be launching the Museum’s CC0 policy in collaboration with Creative Commons, Artstor, DPLA, Pinterest and the Wikipedia community, and for their support in bringing the Museum’s collection to their users.”

The Met’s new agreement with Artstor, a service affiliated with the education not-for-profit ITHAKA, will make the images discoverable throughout its digital resources, which support a global education community and provide tools to encourage image and data use in research and teaching.

Melencolia I (B. 74; M., HOLL. 75) *engraving *24 x 18.8 cm *1514, public domain photograph
Melencolia I (B. 74; M., HOLL. 75)
*engraving
*24 x 18.8 cm
*1514, public domain photograph

“We are thrilled to help further the impact of The Met’s bold public digital access initiative through our work in the global educational community,” said Kevin Guthrie, President of Artstor and ITHAKA.

“We look forward to making these 375,000 images available so that teachers, students, and researchers around the world can find them, use them, and most importantly re-use them. The CC0 license for these images is a sea change that will help educators and students advance our collective understanding of art and human values by encouraging their use, not only in traditional classrooms and scholarly publications, but also in new digital projects and online courses.” Guthrie added, “Access is just the beginning. We look forward to continuously finding ways to work with those engaged in education to enhance and encourage the reach of this collection.”

The public can also find images offered from this initiative on Pinterest, thus making the collection more easily accessible to their community.

Evan Sharp, co-founder and Head of Product at Pinterest, said:

“Pinterest is where more than 150 million people discover ideas for their lives, whether they collect images of artistic masterpieces or the art of the everyday. We’re honored to partner with The Met to make this unprecedented collection accessible to the Pinterest community.”

The rollout of this change in policy is an ongoing process, as the Museum continues to collaborate with new and existing partners to develop our content-distribution efforts and explore new opportunities.

While all images of works the Museum believes to be in the public domain are included in this initiative, certain works are not available for one or more of the following reasons: the work is still under copyright, or the copyright status is unclear; privacy or publicity issues; the work is owned by a person or an institution other than The Met; restrictions by the artist, donor, or lender; or lack of a digital image of suitable quality.

The Museum continues to work with Art Resource for licensing images of works under copyright or other restrictions, or for images not available on The Met’s website.

The Met’s Open Access initiative is made possible through the  Bloomberg Philanthropies.

“The Metropolitan Museum of Art’s new initiative brings its collection to an even larger audience. One of the first museums to offer audio guides, invest in mobile apps, and develop a robust website, The Met continues to be a leader in providing access to its encyclopedic resources for millions of people all over the world,” said Kate D. Levin of Bloomberg Philanthropies.

Related blog posts about The Met’s new image policy can be found on Now at The Met and Digital Underground, as well as on the websites of our partners Creative Commons, Wikimedia Foundation, and Artstor.

Additional information and instructions can also be found at metmuseum.org/openaccess.

#MetOpenAccess

More detail HERE.

This post courtesy of the Metropolitan Museum of Art, New York City. Please feel free to reblog or link to.