“Climate Change, Nature and the Writer’s Eye” on March 20 Will Feature Writers Annie Proulx, Peter Brannen, and Amitav Ghosh

The program, “Climate Change, Nature and the Writer’s Eye,” will honor Annie Proulx, winner of the Prize for American Fiction, on March 20. Photo by Gus Powell.

“Writers who use the wide palette of the natural world command an important vantage point from which to observe the issues of climate change, rising seas, animal and insect extinctions, or the loss of woodlands,” Proulx said.



The U.S. Library of Congress will honor the lifetime achievement of novelist Annie Proulx, winner of the Library’s Prize for American Fiction, in a program titled Climate Change, Nature and the Writer’s Eye.The discussion on March 20 will explore the role of writers and the intersection between literature and the environment.

Proulx is the author of the Pulitzer Prize-winning novel The Shipping News, the renowned short story Brokeback Mountain that was made into an Academy Award-winning film, and the 2016 novel Barkskins, among many other works. Science writer Peter Brannen and Indian novelist Amitav Ghosh will join Proulx to discuss issues of climate change and a writer’s responsibility to represent its realities.

The discussion will be moderated by author Marie Arana, senior literary advisor to the Librarian of Congress. Climate Change, Nature and the Writer’s Eye promises a lively exchange between two great literary masters, a prize-winning journalist and a historian of Latin America, all of whom have written passionately on environmental degradation, mass extinctions and the human quotient.

“Seldom have we seen the arts join science to issue such a vibrant summons to confront the most urgent task of our time,” Arana said.

The event will take place at 7 p.m. on Wednesday, March 20, in the Coolidge Auditorium on the ground floor of the Library’s Thomas Jefferson Building, 10 First Street S.E., Washington, D.C. The event is free, but tickets are required. For tickets, please visit this ticketing site: lc-prize.eventbrite.com.

Each year, the prestigious Library of Congress Prize for American Fiction honors an American literary writer whose body of work is distinguished not only for its mastery of the art but also for its originality of thought and imagination.

Librarian of Congress Carla Hayden chose Proulx for the 2018 prize, honoring her as an “American original,” based on the recommendation of a jury of distinguished authors and prominent literary critics from around the world. The prize was awarded during the National Book Festival in 2018.

About the Speakers

ANNIE PROULX is the author of 10 books, including the novel The Shipping News and the story collection Close Range. Her story Brokeback Mountain, which originally appeared in The New Yorker, was made into an Academy Award-winning film. Proulx’s many honors include a Pulitzer Prize, a National Book Award and a PEN/Faulkner Award. In 2017 and 2018, she was awarded the National Book Foundation’s 2017 Medal for Distinguished Contribution to American Letters, the 2018 Library of Congress Prize for American Fiction and the Ucross Foundation’s inaugural 2018 Award for Distinguished Achievement in the Arts. Proulx’s most recent novel, Barkskins (Scribner, 2016), was a New York Times Notable Book, a Kirkus Prize Finalist for Best Novel and was one of the San Francisco Chronicle’s Top 10 Books of 2016. She lives in Port Townsend, Washington.

PETER BRANNEN is an award-winning science journalist whose work has appeared in The New York Times, The Atlantic, The Washington Post, Wired, The Boston Globe, Slate and The Guardian, among other publications. His book, “The Ends of the World,” about the science behind the five major mass extinctions in Earth’s history, was published by Harper Collins in 2017. It was named a New York Times Editor’s Choice and one of the 10 Best Environment, Climate Science and Conservation Books of 2017 by Forbes. Peter is currently a Scripps Fellow at the Center for Environmental Journalism at the University of Colorado Boulder.

AMITAV GHOSH was born in Calcutta and grew up in India, Bangladesh and Sri Lanka. He is the author of two books of nonfiction, a collection of essays and eight novels. His most recent book is “The Great Derangement: Climate Change and the Unthinkable(2016). His books have won prizes in India, Europe and Myanmar, and he has been awarded honorary degrees by the Sorbonne, Paris, and by Queens College, New York. He is married to the writer Deborah Baker and divides his time between Brooklyn, Goa and Kolkata. Amitav Ghosh’s work has been translated into more than 30 languages, and he has served on the jury of the Locarno Film Festival and the Venice Film Festival.

The Library of Congress Prize for American Fiction seeks to commend strong, unique, enduring voices that—throughout long, consistently accomplished careers—have told us something valuable about the American experience.

For more information on the prize, including previous winners, visit loc.gov/about/awards-and-honors/fiction-prize/.

*****

The Library of Congress is the world’s largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov; access the official site for U.S. federal legislative information at congress.gov; and register creative works of authorship at copyright.gov.

This post courtesy of the U.S. Library of Congress. PhotoCredit-GusPowell.


 

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Ah, Yes! I remember it well … Atlantic Avenue, reading coffee grinds, and the French novelist and woman of letters, Colette

Sidonie-Gabrielle Colette (1873-1954)

“Sit down and put down everything that comes into your head and then you’re a writer. But an author is one who can judge his own stuff’s worth and, without pity, destroy most of it.” Collette, Casual Chance, 1964



I remember it well: my first encounter with Sidonie-Gabrielle Colette. Picture it.  Brooklyn. A Lebanese restaurant someplace on Atlantic Avenue, ambiance of the Middle East, redolent with fragrances of cinnamon and cardamom and the mouth-watering smell of lamb roasting.

It was 1958. We had just seen the movie, Gigi, starring Leslie Caron, which is based on Colette’s novella of the same name.  You might remember that in the early scenes Ms. Caron wore a wide-brimmed straw hat with a ribbon tied in a bow. The ribbon trailed gracefully down her back. I had such a hat and suffered the illusion that I looked just like Gigi in the film. This illusion was strongly supported by the fact that Gigi is my childhood nickname. In fact, from that day on and until her death, my mother would tell everyone  – as she did at the restaurant on this occasion – that I was Gigi before Gigi. I knew it wasn’t true. I’d read in the newspaper that there was a book written in 1944, which would predate me by six years. I was hungry to get my hands on it.

As the adults talked, I mentally replayed scenes from the movie and imagined a woman sitting at her desk writing the story that became the movie. I might have felt smart and pretty and even glamorous and certainly rather grown-up, but I would soon be relieved of my illusions. My mother allowed one of the restaurant patrons – an artist – to do a picture of me. Much to my dismay all he saw and drew was a scrawny olive-skinned kid with a rather gauche hat that sat too far back on her head. Nothing at all approaching the light, elegant, grown-up beauty of Ms. Caron. Then our supposed* distant cousin, Julia, the restaurant owner, worked her special magic.  She told fortunes by reading the sludge left in the cup after drinking Lebanese coffee. Julia would provide this service . . . “reading” coffee grounds . . . for her favorite (i.e., frequent) patrons.

*Note: Honestly, everyone we met from Lebanon was pronounced a cousin, so I’m skeptical.  Cousin in spirit and language, maybe. Blood cousin? Not so sure. 

At Julia’s my special treat was one cup of Lebanese coffee with my baklava. On this day, Mom let Julia do a reading for me. It had none of Julia’s usual romantic niceties: “You are like the sun and the moon. He is the sun that warms your heart. You are the moon that reflects his strength.” Or, “I see a key. Many doors will open for you. And, see there?  There are two bells entwined with a string.  There will be much love shared.”  There was to be no romance like the fictional Gigi’s for me. No. No.  For me there was: “See that, Gigi. Two books. You must keep up your studies. Therein is your happiness.” Maybe Julia did have something of a seer’s eye. I turned out to be better at reading books than reading men and I’m content with that.


“Then, bidding farewell to The Knick-Knack, I went to collect the few personal belongings which, at that time, I held to be invaluable: my cat, my resolve to travel, and my solitude.” Colette, Gigi, Julie de Carneilhan, and Chance Acquaintances: Three Short Novels


As for Sidone-Gabrielle Colette (a.k.a. Colette), the Nobel nominated (1948, Literature) French novelist, actress, and mime, this was my introduction and the beginning of my appreciation for her life and work.

Colette was a prodigious writer of many popular literary works. The Claudine stories were the first. For La Belle Époque, Colette’s writings were racy but – perhaps unfortunately – by today’s often jaded tastes, not so much.  While Colette’s life was too much on the wild side for me, I appreciate her courage and honesty and I do love her writing, so full of an appreciation for life and so rich in perfume, color, and humor, occasionally wry.


Publicity still of Colette for Rêve d’Égypte at the Moulin Rouge.

Quotable Colette

For the romantics among us:

“I am going away with him to an unknown country where I shall have no past and no name, and where I shall be born again with a new face and an untried heart.”


The story of Gigi is about a young Parisian who – in her family’s tradition – is being groomed for a career as courtesan. A handsome, wealthy, and well-placed young man is targeted by her grandmother (Mamita) and aunt for Gigi’s first relationship. For the movie version, the story is sanitized to get by the American censors. It was 1958 after all.


“You will do foolish things, but do them with enthusiasm.”


Colette’s life and work are honored in film, song and story by (among others) The Year I Read Colette (YouTube video) by singer-songwriter Roseanne Cash, The White Rose by Truman Capote (describes his first meeting with Colette), and the movies Colette and Becoming Colette. Les Vrilles de la vigne is number fifty-nine on Le Monde’s 100 Best Books of the [20th] Century. When Colette died, she was denied a religious burial by the Catholic Church because of her divorces but the French people justly honored her literary significance with a state funeral.

If you are reading this post from an email subscription, you’ll likely have to link through to the site to view these trailers from two movies about Colette.

© 2019, words, Jamie Dedes; photo credits – 1.) Colette’s photo, public domain, 2.) Rêve d’Égypte photograph copyright unknown (probably in public domain), 3.) the different types of Arabic coffees with the Hejazi / Najdi golden coffee seen on the left and the Levantine black “qahwah sādah” (plain coffee) on the right 

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