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“Gust Is Deaf, Hills Are Blind”. . . and other responses to the last Wednesday Writing Prompt

“It’s that magnificent interlude in New York between winter and spring, when you feel the warmth stirring, and you remember that the dreadful naked trees will inevitably sprout tiny green buds, soon. Everyone rushes into the parks, the streets–and you even forget that, very soon , summer will come scorchingly, dropping from the sky like a blanket of steam…”  John Rechy, City of Night



In response to the last Wednesday Writing Prompt, Another Kind of Beauty, February 20, 2019, poets Paul Brooks, Cubby (Sonya Annita Song), Irma Do, Jen Goldie, Frank McMahn, Sonja Benskin Mesher, Marta Pombo Sallés, Anjum Wasim Dar share the joy and inspiration they find in nature. Special thanks to Irma and Anjum for the added pleasure of their photographs and to Anjum for her artwork. Nicely done.

Readers will note that links to sites are included when they are available so that you can visit. If there’s no site, it’s likely you can catch up with the poet on Facebook.

Enjoy this nature collection and do join us tomorrow for the next Wednesday Writing Prompt.


Gust Is Deaf, Hills Are Blind

trees can’t walk properly,
Flowers twitch haphazardly.

Grass is mute, rivers are dumb.
Nature is differently abled.

Mountains are too tall,
struggle to talk when they can’t

bend a knee, get down to those smaller
who are in awe when all mountains need

is to speak face to face , dispel their myth.
Same with water that rushes by,

no time to stand and stare, moments pass
before they have time to fully comprehend.

Flux needs a still moment but has to go on.
Still waters wish they could rush.

All hankers after what it Is not,
Cannot accept their place as their lot.

© 2019, Paul Brookes (Wombwell Rainbow / Inspiration. History. Imagination.)

Let Me Pass Through

city walls
that bind all your threads together,

walk through this wood,
let your cityself take same walk, see
buildings as lone trees,
homeless hostel
is an oak, butchers
a willow that bends
down over the stream
where jammed traffic swims.

A dead bird breathes
animated by flies
is a man in the corner who sings
the blues to passers.

That fall of a leaf
tickertape homecoming parade.

Your pavement footfall
echoes in my forest.

© 2019, Paul Brookes (Wombwell Rainbow / Inspiration. History. Imagination.)

Riverbrain, Rivermind. Riverwives

synaptic rivulets
neuron canals
sacred water

riverbrain flows in my head
fountainbrain channels my ideas
lakebrain plays the fey

electric rivulets move earth
inside my head

waterskin neural net
circumnavigates damage
fruited hemispheres
replenish, restore, reimagine

senses water roots
springwaters in my head
well in my head.

sheflow

her flaps of the water
bride of the waveskin
her inner lips of the river,
spring and waterfalls,
fermented honey drip
not dragonfly laced stained glass

faplap
lamina moist make out

fragile weirs into lust
nympha

tongue kindly these guardians

 Excerpt from The Headpoke And Firewedding (Alien Buddha Press, 2017)

© 2019, Paul Brookes (Wombwell Rainbow / Inspiration. History. Imagination.)

Grovemind, Groovemind

synaptic branches
neuron tipped limbs
sacred grove recovery

oakbrain opens doors in my head
ashbrain spears my ideas
elmbrain plays the fey

electric gust moves limbs
inside my head

barkskin neural net
circumnavigates damage
fruited hemispheres
replenish, restore, reimagine

senses water roots
grove in my head
grooves in my head

between oaklimbs
between ashlimbs

her flaps of the wood
bride of the barkskin
her inner lips of the forest
fermented honey drip
not butterfly laced stained glass

fapleaf
lamina mulch make out

fragile doors into lust
nympha

tongue kindly these guardians.

Excerpt from The Headpoke And Firewedding {Alien Buddha Press, 2017)

© 2019, Paul Brookes (Wombwell Rainbow / Inspiration. History. Imagination.)

Prolific Yorkshire Poet, Paul Brookes

FYI: Paul Brookes, a stalwart participant in The Poet by Day Wednesday Writing Prompt, is running an ongoing series on poets, Wombwell Rainbow Interviews. Connect with Paul if you’d like to be considered for an interview. Visit him, enjoy the interviews, get introduced to some poets who may be new to you, and learn a few things.

The Wombwell Rainbow Interviews: Jamie Dedes

  • Paul’s Amazon Page U.S. HERE
  • Paul’s Amazon Page U.K. HERE

More poems by Paul at Michael Dickel’s Meta/ Phore(e) /Play


When Galaxies Cry

When galaxies cry,
The tears that they shed
Are showers of light
We see overhead
That leave us in awe
As we touch our cheeks,
Speechless but listening
When radiance speaks.

So gaze at the sky
When stars shoot above
And hear as they make
Their statements of love,
For they long to be heard
In the vacuum of space,
Stardrops streaming down
A celestial face.

© 2019, Cubby (Reowr, Poetry that purrs. It’s reowr because the cat said so.)

I Long to Climb

I long to climb into the sky
On steps of wisp and smoke;
I long to feel the sweet caress
Of heaven’s velvet cloak.
I long to greet the newborn dawn,
Blushing in its youth;
I long to shoo the honeyed rays
From shadow’s hungry tooth.
I long to hear the faeries sing
Conducted by the moon;
I long to dance with dimpled winds
In Eden’s fair lagoon.
I long to stroke a comet’s tail
Impetuous in flight;
I long to whisper in the dark
Of dreams beyond the night.
I long for things I cannot have
And I will not deny,
For beauty’s sake is why I long
To climb into the sky.

© 2019, Cubby (Reowr, Poetry that purrs. It’s reowr because the cat said so.)

Sonya Annita Song’s (a.k.a. Cubby) Amazon page is HERE.


March Madness – A Haibun

It is March and I am Mad. The sky is a vibrant electric blue. The clouds are soft cotton pillows. The sun is bright but not warm enough to melt the recent snow. It is a fake spring.

But when a gentle wind blows, soothing my brow with the feel of soft yellow daffodils and hot magenta tulips, I release the anger and betrayal.

Disappointment healed

By springs flowers marching on

The promise of hope


Another coming together of prompts! Merrill at dVerse requested a Haibun about “March Madness” while Jamie Dedes’ Wednesday Writing Prompt asked: How does nature inspire joy in you, inspire your creativity and perhaps even your sense of peace? For me, the symptoms of spring sparks joy however where I am now, spring has been a tease – snowing one day then 60 degree temperatures the next. It is enough to drive one mad!

© 2019, Irma Do (I Do Run … And I do a few other things too …)


The Trees are making music

The trees
Are making music
To the sky today,
In apology for
Yesterday’s silence.

Music
With crystal bells
Of questions,
Hanging on the limbs,
Unspoken,
Unanswered.

© 2019, Jen E. Goldie (Starlight and Moonbeams and the occasional cat)

DANCE WITH DESTINY

 

ETHEREAL WHITE SNOWFLAKES GENTLY

FALLING FROM AN UNSTIRRING GREY SKY. STATELY

FIR BOUGHS LADEN AND RELENTING UNDER  

NEW- FOUND WEIGHT. I’VE LOST MY LULLABY.

 

ONE PROLONGED AND LONGING BREATH AFTER

ANOTHER AND ANOTHER AND YET ANOTHER.

 

EYES FILLING WITH TEARS YEARNING FOR BEAUTY

TO ENFOLD ME ONCE AGAIN. MY PENCIL

SCRATCHES PAPER BUT I STILL CANNOT

SEE THE BEAUTY SURROUNDING ME,

 

A FOG OF DISMAY WASHES OVER ME

AS THE MIST DOES THE MEADOW.

THOUGH DESIRE IS ARDENT, MY VISION

IS CLOUDED, MY MUSE HAS ABANDONED ME,

 

ADRIFT IN A SEA OF MISCONCEPTIONS, NEGATIVITY

AND TRAGEDY. SPRING WITHIN MY REACH,

SO MUCH BEAUTY YET TO SEE, MY EYES

WEARY, MY SOUL MIRED AND LOST IN MISERY,

WARRING WITH COMFORT AND CHARITY.

 

JOY BROUGHT DESPAIR ALONG FOR COMPANY,

I TOOK HIS HAND AND HE DANCED WITH ME

THE WORST OF IT, IS, HE HAS STAYED WITH ME,

WHILE JOY LEFT THE FETE WITH HARMONY.

 

MY HEART HAS DONNED AN ICY COAT TO

HIDE ME FROM SADNESS, I CANNOT SEE THE

PATH TO HEAVEN, THOUGH I SEE THE ROAD

TO HELL, AS I DANCE WITH DESTINY.

 

© 2019, Jen E. Goldie (Starlight and Moonbeams and the occasional cat)


Wordsmiths

Letters inscribed in air; branches
write the seasons and their fickle
variations, shredding coherence
as they thresh and whine, blasts and rants
of leaves and barren seeds.

Gift of the wasp’s gall: indelible
tales from the oak’s heart and hearing;
grand hotel and shelter, shade for
transient languor.Acorn fall.
Sap retreats slow to reticence.

Meditation under rimed sky,
the hermit’s calligraphy spread
across the crystal sheet, utterance
of promise laid in autumn’s scatter.

The year turns; dew-varnished beech glints
with angled light. Decipher the forest’s
library: curlicues unfurling
on spring-dancing branches, stickiness
and insect hum, in April’s breeze
the Book of Kells unscrolling.

© 2019, Frank McMahon


.turkey island.

they say it is too cold there. cold as icebergs

none came the year the storm broke, breached

the shingle bank

decisions were made

i hear

to not repair

now there is salt marsh where samphire grows

some eat it

i don’t

i like turkey island

© 2019, Sonja Benskin Mesher

.clean water.

we left early to visit

clear pools of water,

the mountain sloped.

here we wandered,

among sheep.

watched the bug

glide the water,

sucked down

the fish leap.

storm past, this

was a day of sunshine.

we are good friends.

we got better.

so it goes.

© 2019, Sonja Benskin Mesher


I just met a turtle

I just met a turtle in the park.

It was on the way

Not where its mates

Usually are,

Near the lake

Sunbathing.

It was solitary.

I figured out it spoke

To me.

Told me to slow down.

And so I sat

As words began to dance

In flight

Carrying a smell of pine trees,

Rosemary and lavender.

Like butterfly wings

Fluttering in the wind

They intertwined

And slowly began

To land on my paper

One by one.

I pulled my thread,

Took the needle

And began to sow

One after the other.

A word weaver

Just like my friend

Quim

And all the others.

I just met a turtle.

© 2017 Marta Pombo Sallés (Moments)

The Park

Trees and blue sky,
sweet lavender and rosemary
not knowing why
a few lines I could invent.
Soft wind caressing my face
and the birds singing distant
feeling this nature’s embrace
longing to hold.
So much there is now at stake
sunbeams crossing through tree leaves,
peaceful water of the lake
sensing all, what nature presents.
Let us go on rowing
together on our humble boat
even though not knowing
how long to keep it afloat.

© 2016, Marta Pombo Sallés (Moments)

Out of the Shell

Out of the shell!
the tortoise said
out of that hell!
the price was paid.
Now I am cold
but not in vain
as I am told
I won the pain!
I can walk free
did nothing wrong
there is no tree
but I stay strong.

I’m a bit old
and just need love
I’ll be a bit bold
and play the dove.
I found a girl
on a dating site
oh, how I swirl
to her I write.
She’s just too young
or I’m too old
but I’ve begun
and now I’m sold.

My name is Frank
and she’s Nicole
I’m not a prank
yet she’s my goal.
Told her the truth
what will she do?
she’s in her youth
and I feel blue.
Difference in age
is not so good
it is a cage
you think I should?

© 2019. Marta Pombo Sallés (Moments)

Poem inspired by poet Newton Ranaweera’s post: See, we’re free!!: , and by chapter 6 of Mario Savioni’s novel Pickles and Tarts.


Jewels of Joy

Raindrops in heat,
showered  jewels of joy,
a backdrop white dark and grey,
of infinite mercy, yet warning
thunder, of a power beyond –
what joy I felt, as the sun I found
hiding behind a rainbow –

adorned, in grace crowned
unaware yet cautious, masked thorn,
protection visible, smile on the side
why so quiet in repose, love embodied
profound, yet in complete solitude,
few moments in time,when no words formed,
sweet sounds of love’s intense symphony
in two souls, silently merged, a
rose plucked, surrendered to the hand
that controlled, in colorful scent, that
its joyful destiny, meant,in complete
fragrant beauty, drowned-
Nature’s eternal joy in spirit, replete

© 2019, poem (English and Urdu below), photograph and artwork, Anjum Wasim Dar (Poetic Oceans)

rose4.jpg

                             قدرتی حسن کی دلکشی

یہ بارش کی بوندیں  خوشی کے ہی موتی  
ھیں رحمت  کے قطرے  ھے  بخشش برستی

یہ  قدرت کی طاقت  ھے   سب   سے   بڑی 
   خوشی و راحت ملی ، قوس و قزح پہ نظر جو

پڑیدلکش گلاب  محتاط  مسکراھٹ بکھیرتا  ھوا 
وقت کے خطرات سے انجان چند لمہوں میں 

محبت کے ہاتھوں میں مغلوب ،خشبو میں نہایا

ھوا ، کسی چاہنے والے کی خوشی کے لیے 

قربان ھوا، ،کہ قدرت نے اسی لیے ؑبنایا اسے
روح کی گہرایوں میں  اتر کر  خوشی مکمل  ملے

“POETRY PEACE and REFORM Go Together -Let Us All Strive for PEACE on EARTH for ALL -Let Us Make a Better World -WRITE To Make PEACE PREVAIL” Anjum Wasim Dar


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PEN America celebrates the release of Turkish Journalist and Artist, Zehra Doğan

“Art should never be a crime. [Zehra] Doğan is a model of courage for all journalists and artists for standing up against injustice and silence, especially because of her determination to work and create while incarcerated.” Julie Trébault, Director of the Artists at Risk Connection (ARC) at PEN America



Last week PEN America celebrated the release of Turkish painter, journalist and feminist activist, incarcerated Zehra Doğan (Free Zehra Doğan • Zehra Doğan’a özgürlük). Doğan was released on February 24 after spending 600 days in a Turkish jail after courts deemed her journalistic and artistic work to be “terrorist propaganda.”

Doğan was the editor of Jin News Agency (JINHA), a feminist Kurdish news agency. She was arrested on July 21, 2016, and detained until December 2016 when she was released pending trial. On March 7, 2017, Doğan was sentenced to prison for 2 years, 10 months and 22 days on charges of “terrorist propaganda” as a result of her reporting, social media posts, and her paintings about the Turkish military’s operations in the largely Kurdish town of Nusaybin. The indictment stated that one of her paintings, which depicted a real-life scene of Turkish flags on war-torn buildings and was based on a photo circulated by the Turkish military on social media, went ‘beyond the limits of criticism.’ JINHA was also shut down as part of the government crackdown following an attempted coup in 2016.

“We are delighted that Zehra has been released and reunited with family and friends after her unjust imprisonment, which was an appalling affront to free expression,” said Julie Trébault, Director of the Artists at Risk Connection (ARC) at PEN America. “Art should never be a crime. Doğan is a model of courage for all journalists and artists for standing up against injustice and silence, especially because of her determination to work and create while incarcerated. Many other journalists in Turkey remain behind bars. As we celebrate Zehra’s release, we call for the release of all other Turkish journalists, artists, and activists who are in prison for their journalism or their expression.”

While imprisoned, Doğan rigorously continued to work on her paintings using diverse media including pomegranate shells, tincture of iodine, and bedsheets, despite restricted access to painting materials. Following her release, she told BBC Turkish that she had never painted as much as she did in prison. Also while in prison, she founded the 8-page handmade newspaper Özgür Gündem Zindan (Free Agenda Dungeon) with the help of several of her fellow inmates. As an inmate, Doğan received public support from numerous human rights organizations and renowned artists, including the graffiti artist Banksy and prominent Chinese artist Ai Weiwei. During her imprisonment, Doğan became the second woman in Turkey to receive the International Women’s Media Foundation’s “Courage in Journalism” award. She also received the Freethinker Prize from the Swiss Freethinker Association. Most recently, Doğan was shortlisted in the Arts category for the Index on Censorship Awards 2019.

*****

Post and photograph courtesy of PEN America.

PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. It champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.


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On the Razor’s Edge, a poem


“You see the suffering of children all the time nowadays. Wars and famines are played out before us in our living rooms, and almost every week there are pictures of children who have been through unimaginable loss and horror. Mostly they look very calm. You see them looking into the camera, directly at the lens, and knowing what they have been through you expect to see terror or grief in their eyes, yet so often there’s no visible emotion at all. They look so blank it would be easy to imagine that they weren’t feeling much.” Mary Lawson, Crow Lake



Eye-candy, a feast of crocus, bursting
Through the snow-laden ground
Drunk on the promise of spring
The devil behind, that shadow side
Clouds shape shifting, take on
The broad outlines of a memoir

Angels dance on the razor’s edge
Forget that pin stupidity, reductio
ad absurdum, politicians and scholars
Debating, while greed and warring go on
Starving the children, curse the insanity
Dialectic, acquisition, murdering hoards

Clouds, shape shifting, take on
The contours of shame, crocus buries
Itself and the promise of spring
The broad outlines of memoir dissolve
The slashed moon drools ichor

How long can the innocent bear life
On the razor’s edge, coiling the fire
Of their despair around our hearts
Drawn to the verge on the reflux of
Rudimentary souls, vertigo, nausea
Nostalgia for what will never be known

© 2019, poem (first draft), Jamie Dedes, All rights reserved


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“Climate Change, Nature and the Writer’s Eye” on March 20 Will Feature Writers Annie Proulx, Peter Brannen, and Amitav Ghosh

The program, “Climate Change, Nature and the Writer’s Eye,” will honor Annie Proulx, winner of the Prize for American Fiction, on March 20. Photo by Gus Powell.

“Writers who use the wide palette of the natural world command an important vantage point from which to observe the issues of climate change, rising seas, animal and insect extinctions, or the loss of woodlands,” Proulx said.



The U.S. Library of Congress will honor the lifetime achievement of novelist Annie Proulx, winner of the Library’s Prize for American Fiction, in a program titled Climate Change, Nature and the Writer’s Eye.The discussion on March 20 will explore the role of writers and the intersection between literature and the environment.

Proulx is the author of the Pulitzer Prize-winning novel The Shipping News, the renowned short story Brokeback Mountain that was made into an Academy Award-winning film, and the 2016 novel Barkskins, among many other works. Science writer Peter Brannen and Indian novelist Amitav Ghosh will join Proulx to discuss issues of climate change and a writer’s responsibility to represent its realities.

The discussion will be moderated by author Marie Arana, senior literary advisor to the Librarian of Congress. Climate Change, Nature and the Writer’s Eye promises a lively exchange between two great literary masters, a prize-winning journalist and a historian of Latin America, all of whom have written passionately on environmental degradation, mass extinctions and the human quotient.

“Seldom have we seen the arts join science to issue such a vibrant summons to confront the most urgent task of our time,” Arana said.

The event will take place at 7 p.m. on Wednesday, March 20, in the Coolidge Auditorium on the ground floor of the Library’s Thomas Jefferson Building, 10 First Street S.E., Washington, D.C. The event is free, but tickets are required. For tickets, please visit this ticketing site: lc-prize.eventbrite.com.

Each year, the prestigious Library of Congress Prize for American Fiction honors an American literary writer whose body of work is distinguished not only for its mastery of the art but also for its originality of thought and imagination.

Librarian of Congress Carla Hayden chose Proulx for the 2018 prize, honoring her as an “American original,” based on the recommendation of a jury of distinguished authors and prominent literary critics from around the world. The prize was awarded during the National Book Festival in 2018.

About the Speakers

ANNIE PROULX is the author of 10 books, including the novel The Shipping News and the story collection Close Range. Her story Brokeback Mountain, which originally appeared in The New Yorker, was made into an Academy Award-winning film. Proulx’s many honors include a Pulitzer Prize, a National Book Award and a PEN/Faulkner Award. In 2017 and 2018, she was awarded the National Book Foundation’s 2017 Medal for Distinguished Contribution to American Letters, the 2018 Library of Congress Prize for American Fiction and the Ucross Foundation’s inaugural 2018 Award for Distinguished Achievement in the Arts. Proulx’s most recent novel, Barkskins (Scribner, 2016), was a New York Times Notable Book, a Kirkus Prize Finalist for Best Novel and was one of the San Francisco Chronicle’s Top 10 Books of 2016. She lives in Port Townsend, Washington.

PETER BRANNEN is an award-winning science journalist whose work has appeared in The New York Times, The Atlantic, The Washington Post, Wired, The Boston Globe, Slate and The Guardian, among other publications. His book, “The Ends of the World,” about the science behind the five major mass extinctions in Earth’s history, was published by Harper Collins in 2017. It was named a New York Times Editor’s Choice and one of the 10 Best Environment, Climate Science and Conservation Books of 2017 by Forbes. Peter is currently a Scripps Fellow at the Center for Environmental Journalism at the University of Colorado Boulder.

AMITAV GHOSH was born in Calcutta and grew up in India, Bangladesh and Sri Lanka. He is the author of two books of nonfiction, a collection of essays and eight novels. His most recent book is “The Great Derangement: Climate Change and the Unthinkable(2016). His books have won prizes in India, Europe and Myanmar, and he has been awarded honorary degrees by the Sorbonne, Paris, and by Queens College, New York. He is married to the writer Deborah Baker and divides his time between Brooklyn, Goa and Kolkata. Amitav Ghosh’s work has been translated into more than 30 languages, and he has served on the jury of the Locarno Film Festival and the Venice Film Festival.

The Library of Congress Prize for American Fiction seeks to commend strong, unique, enduring voices that—throughout long, consistently accomplished careers—have told us something valuable about the American experience.

For more information on the prize, including previous winners, visit loc.gov/about/awards-and-honors/fiction-prize/.

*****

The Library of Congress is the world’s largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov; access the official site for U.S. federal legislative information at congress.gov; and register creative works of authorship at copyright.gov.

This post courtesy of the U.S. Library of Congress. PhotoCredit-GusPowell.


 

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