Reading at Fall for the Book 2014, Puerto Rican -American Poet, Martin Espada (b. 1957) – photo courtesy of Slowking4 under GFDL 1.2
“Even the post political poem is an act of faith.” Martin Espada
The Ruth Lilly Poetry Prize is presented annually to a living US poet whose lifetime accomplishments warrant singular recognition. It is one of the most prestigious awards given to American poets and, with a prize of $100,000, one of the nation’s largest literary prizes. The award is sponsored and administered by the Poetry Foundation, publisher of Poetry magazine, and will be presented to Espada at a ceremony at the Poetry Foundation on Monday, June 11.
“Martín Espada’s work and life tell the real and lived story of America, in which the importance of poems and legal rights go hand in hand,” said Don Share, editor of Poetry magazine. “A tenants’ rights attorney before he became a celebrated and cherished poet, Espada’s passions are as compelling and apt as his precisions—both now more timely than ever.”
Espada was born in Brooklyn, New York, in 1957. He earned a BA in history at the University of Wisconsin–Madison and a JD from Northeastern University. As an attorney, he served as supervisor of Su Clínica Legal, a legal services program for low-income, Spanish-speaking tenants in Chelsea, Massachusetts, outside Boston. As a poet, an essayist, an editor, and a translator, he has dedicated himself to the pursuit of social justice, fighting for the rights of Latino/a communities and reclaiming the historical record from oblivion. His greatest influence is his father, Frank Espada, a community organizer, civil rights activist, and documentary photographer who created the Puerto Rican Diaspora Documentary Project and founded East New York action in the ’60s.
“To receive a lifetime achievement award in the form of the Ruth Lilly Prize is a great honor that causes me to reflect: on my father, as artist and activist, who died four years ago; on Jack Agüeros, the first poet I ever met; on the days I sat outside the courtroom, scribbling poems on legal pads; on the people in the poems I write, Whitman’s ‘numberless unknown heroes equal to the greatest heroes known.’”
Espada’s latest collection of poems from Norton is Vivas to Those Who Have Failed (2016). Other books of poems include The Trouble Ball (2011), The Republic of Poetry (2006), Alabanza (2003), A Mayan Astronomer in Hell’s Kitchen (2000), Imagine the Angels of Bread (1996), and Rebellion is the Circle of a Lover’s Hands (1990).
He has received a Shelley Memorial Award, a Robert Creeley Award, a National Hispanic Cultural Center Literary Award, a PEN/Revson Fellowship, and a Guggenheim Fellowship. The Republic of Poetry was a finalist for the Pulitzer Prize. The title poem of his collection Alabanza, about 9/11, has been widely anthologized and performed. Collections of Espada’s poems have been published in Puerto Rico, Spain, Chile, France, Germany, England, and Turkey. His book of essays, Zapata’s Disciple (1998), was banned in Tucson as part of a Mexican American studies program outlawed by the state of Arizona and has been issued in a new edition by Northwestern University Press. Espada is a professor of English at the University of Massachusetts Amherst.
Martin Espada’s website is HERE. His Amazon page is HERE. Follow the Poetry Foundation and Poetry magazine on Facebook at facebook.com/poetryfoundation or on Twitter @PoetryFound.
Dozens of best-selling authors, leading historians, American poets and children’s writers will be featured speakers at the U.S. Library of Congress 2018 National Book Festival. The festival will be held on Saturday, Sept. 1, from 8:30 a.m. to 8 p.m. at the Walter E. Washington Convention Center in Washington, D.C. This year’s schedule includes a wide-ranging mix of authors and genres.
HISTORY and BIOGRAPHY
Former Secretary of State Madeleine Albright will discuss her new book, Fascism: A Warning, a history of fascism in the 20th century and how its legacy shapes the world.
Presidential historian Doris Kearns Goodwin will speak about her new book, Leadership in Turbulent Times, an examination of leadership based on four presidents she has studied most closely.
Historian Jon Meacham will discuss his new book, The Soul of America, about critical times in our history when hope overcame fear and division.
Alexander Hamilton biographer Ron Chernow is back with a new biography of Ulysses S. Grant.
POETRY and WRITING
Poet Laureate Tracy K. Smith will join the festival for a conversation with former Poet Laureate Robert Hass about the making of poetry.
American Author, Amy Tan (b. 1952). Her work explores mother-daughter relationships and the Chinese American experience. Public Domain photo courtesy of Robert Foothorap
Best-selling author Amy Tan will discuss her new memoir, Where the Past Begins, A Writer’s Memoir, delving into memories of her traumatic childhood, the inspiration behind her fiction writings and the workings of her mind as a writer.
CHILDREN and TEENS
Children’s author and Pulitzer Prize winner Junot Diaz will discuss his debut picture book, Island Born, about a girl who can’t remember the island where she immigrated from – so she imagines it with help from family and friends.
Matt de la Peña and Loren Long will discuss their new children’s book, Love.
Leigh Bardugo will speak about her series, Six of Crows, a young adult best-seller.
Jacqueline Woodson, the Library of Congress National Ambassador for Young People’s Literature, will discuss two new books she has been writing.
Novelists
Isabel Allende will discuss her novel In the Midst of Winter. The story is about an academic who rear-ends a car driven by an undocumented immigrant and an adventure that unfolds.
Dave Eggars will discuss his new book, The Monk of Mokha, the true story of a young Yemeni American man’s quest to resurrect the ancient art of Yemeni coffee but is trapped by civil war.
American Novelist and Short Story Writer, Jennifer Egan (b. 1962), is the author of several novels and a short story collection. Her new novel, Manhattan Beach, published last fall, has been awarded the 2018 Andrew Carnegie Medal for Excellence in Fiction. Her last novel, A Visit From the Goon Squad, won the 2011 Pulitzer Prize, the National Book Critics Circle Award, and the Los Angeles Times book prize. Also a journalist, she has written frequently in the New York Times Magazine. Photo courtesy of David Shankbone under CC BY 3.0.
Jennifer Egan will discuss her historical novel Manhattan Beach, set in the docks of Brooklyn during World War II when a girl becomes the first female diver on the squad.
Additional authors—including the Main Stage lineup—and other details of the festival will be announced in the coming months.
More information and updates will be available on the National Book Festival website at loc.gov/bookfest/.
Later this summer, the National Book Festival app will be updated with complete presenter, schedule and wayfinding information for iOS or Android smartphones. Follow the festival on Twitter @librarycongress with hashtag #NatBookFest.
The Main Reading Room of the U.S. Library of Congress courtesy of Carol M. Highsmith. Public domain.
The Library of Congress is the world’s largest library, offering access to the creative record of the United States—and extensive materials from around the world—both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.gov, and register creative works of authorship at copyright.gov.
Anita Shreve. Photograph courtesy of her Amazon page. The copyright holder is not cited there.
“I love paintings within paintings. Stories within stories.” Anita Shreve to Hillary Casavant, Anita Shreve: Solder On, The Writer, March 21, 2014
I was sorry to learn on Friday that Anita Shreve died. She was an American writer, well known for her novels, several of which I read and appreciated. She wrote quite a bit about loss, such a big part of life.
Ms. Shreve started her writing career when she was working as a high school teacher in Reading, Massachusetts. One of her early stories, Past the Island, Drifting (1975), was awarded an O. Henry Prize in 1976.
Anita Shreve spent three years working as a journalist in Nairobi, Kenya. In 1999, while she was teaching Creative Writing at Amherst College, Oprah Winfrey called her with the news that The Pilot’s Wife was selected for Oprah’s book club. Since then, Ms. Shreve’s novels have sold in the millions worldwide.
In 2000, her novel The Weight of Water was made into a movie. It was directed by Kathryn Bigelow. The movie starred Sean Penn, Sarah Polley and Elizabeth Hurley. In 2001, her novel Resistance became a film starring Bill Paxton and Julia Ormond. That same year, CBS released The PIlot’s Wife, a movie of the week. It starred Christine Lahti and John Heard.
Ms. Shreve died of cancer on March 29, 2018, at her home at Newfields, New Hampshire. She was seventy-one.
‘The spirit of the wolf resides in my heart
Mostly peacefully, but ever wild
Running in time to the blowing wind,
Dancing in the clouds that drift in the heavens
The spirit of the wolf resides in my soul.” – Gretchen Del Rio
The Howl or How Wild Women Press Came to Be
by Victoria Bennett
Snow Owl by Gretchen Del Rio
At twenty-six, I met an owl. It turned out to be one of the axis moments on which my life pivoted. It was a cold January day where frost lingered in the shade but the sun was shining, the kind of day where things seems possible because you have survived the darkness of winter. The trees stood bare of leaves, branch-fingers stretched out expectantly, waiting for Spring. I was waiting too, holding a sense of change quietly behind my eyes. I watched the crows fly, black wings against blue sky, looking for carrion, listened only to the sound of water and wind and some crow caw above. This was what I was trying to remember – the feel of my touch, the scent of the sky, the hopeful warmth of sun just after the midwinter. My life had become so much darkness, so much noise and pollution and not seeing. This was the counterbalance and so far, it was working. Slow, slow days, allowing the words to surface and sound and where words could not come, allowing the brush to paint or the body to move. All was changing. I was changing. The woman I was underneath was beginning to take shape, and to my surprise, I liked her.
But first, the owl. I was stood beside the ash, eyes closed, when I heard a scratch from above. I opened my eyes and saw the owl, white feathers thick for winter, watching me. Awake. Not daring to move, I simply looked and allowed it to look at me, until after a few moments, it flew away. The owl came, and I was listening because I was ready to hear, and I was ready, it seemed, to shift shape again.
One week after the owl and I met, I had a dream. In this dream, I was with a woman walking along the river. She told me I was to call the Wild Women together. This did not seem strange or unusually prophetic. I had found a deep resonance with the stories I had found in the Clarissa Pinkola Estes’ book Women Who Run with the Wolves and so the archetype of the Wild Woman was something I was familiar with, but the sense of purpose was surprising, and so, the next morning I got up and started to write the posters for what was to be the very first of the Wild Women workshops.
“The reason that people awaken is because they finally stop agreeing to things that insult their soul.” Gretchen Del Rio
Six weeks later, I stood in my living room, the fire in the stove burning and the tea hot in the pot. Before me sat twelve women, very different in ages and styles, but all sharing something special: they had all responded to the call. And so it came to be, the Wild Women group was born and I was to be their mother-wolf for this journey. As I stood there, faced with women whose individual and collective ages outstripped my own, I felt petrified. Who was I to stand here and say “this is the way of being woman”? Yet, that is exactly what I was to do. I did not know where it would take us, take me. I was just willing to begin, brave enough to speak out and hopeful enough to believe.
‘”Welcome…”
… and in that one word, I started something that would sustain me through my twenties, thirties and into my forties. I had met my clan. Together, we found the courage to stand up and say, “This is who I am…”.
That was nearly twenty years ago. Since then, working with the Wild Women, I have gone on to set up Wild Women Press, published several books of poetry from the group, worked with over 2000 women (and some brave men) on a number of amazing projects, hosted the (in)famous Wild Women Salons, made creative connections around the globe, and performed live at events around the UK and USA. It is a space of celebration and activism. There is no business plan or professional career path. It can lie dormant, hibernating as we nuzzle down and grow our ideas in the dark, or it can awake with passion and create for change on a global scale. We have used our creativity to create positive change, to be part of the world we want to live in andleave for those who follow. Sometimes we act on a very local level, sometimes on a global one.
Recently, I have been collaborating with the creators of the #MeToo poetry anthology. This is a very important movement for me personally, and for us as a group. As soon as I heard Deborah Alma was wanting to put together an anthology of poems from this movement, I offered my support, and the platform of Wild Women Press. It was obvious from the very beginning that there would be many more poems than there were pages in the book, and so #UsTogether was created, to give a platform for some of these other voices. Alongside the launch of the book, Wild Women Press are hosting a selection of these poems, in honour and celebration of the courage and sisterhood of all those who have spoken out as part of the #MeToo movement.
One of the core aspects of the group is the respect and celebration of each individual woman. Although in the beginning it was me who stood at the front of the room, every woman in the group was to go on to inspire and lead, using their own experiences, passions, talents, and knowledge to guide them in how they would to do that. In a similar vein, we will be launching an online Wild Women Press blog later in 2018, sharing our ideas and perspectives. Over the next year, we will be gathering Wild Women from around the globe to contribute, extending our circle of clan further. We would love to hear from other women, who would like to be part of a clan of contributors.If you are passionate about something, and would like to be part of a global group of Wild Women writing, creating, and being part of a positive change, please do get in touch.
In 2019, it will be our 20th Anniversary, and 20 years since we published our first book, Howl at the Moon: Writings By Wild Women. To celebrate this, we will be publishing a new book of poems by Wild Women – and this time, we are extending the howl out to others. We will be putting out the call for submissions soon, on our website, Twitter, and Facebook page.
For now, we continue to meet as a group every couple of months, and once a year, we spend four days at our Wild Women Gathering, celebrating, creating, and sharing our stories (and eating way too much food). We have witnessed births, marriages, divorces, unemployment, career changes, graduations, new beginnings, and painful goodbyes. What began as a workshop group, has become a place we now call home, and a wild family. You can sometimes find us on the fells or beside fires. We howl often, laugh lots, and when prompted, bare our teeth. Our coats are all a little more silver, and our eyes a little more wise, but we are still discovering. We are the Wild Women, and we welcome you.
Poet, publisher, activist and wild woman, Victoria Bennet
VICTORIA BENNET (Wild Woman Press) is an award-winning poet, creative activist and full-time home-educating Wild Mama to her son, Django. Originating from the borderlands below Scotland, she is the Founder of Wild Women Press and has spent the last quarter of a century instigating creative experiences in her community. Her poetry has appeared in print, online and even in the popular video game, Minecraft. She has published four collections and performed live across the UK, from Glastonbury Festival to a Franciscan Convent.
Poetry publications include:
Anchoring the Light
Fragile Bodies
Fragments
Byron Makes His Bed My Mother’s House – a Poetry & Minecraft Collaboration with Adam Clarke, that explores grief and letting go
What We Now Know – digital VR music collaboration with Adam Clarke and The Bookshop Band, inspired by the #MeToo anthology
returned to bite through the umbilical of tradition,
to flick her tongue
and cut loose the animus-god of our parents,
like a panther she roams the earth, she is eve wild in the night,
freeing minds from hard shells
and hearts from the confines of their cages,
she’s entwined in the woodlands of our psyches
and offers her silken locks to the sacred forests of our souls ~
naked but for her righteousness,
she stands in primal light,
in the untrammeled river of dreams
the yin to balance yang
the cup of peace to uncross the swords of war ~
through the eons she’s been waiting for her time
her quiet numinosity hiding in the phenomenal world,
in the cyclical renewal of mother earth,
whispering to us in the silver intuition of grandmother moon
watching us as the loving vigilance of a warming sun ~
she, omen of peace birthed out of the dark,
even as tradition tries to block her return,
her power leaps from the cleavage of time
Illustration ~ the lovely watercolor painting by Gretchen Del Rio with its girl-tree, panther and other spirit animals was the inspiration for my poem, Her Power Leaps, on the return of the divine feminine. The back-story on the painting is interesting. Gretchen says, “I painted this for a fourteen year old Navaho girl. It is for her protection and her power. She sees auras and is very disturbed by this. She is just amazing. Beauty beyond any words. You can see into the soul of the universe when you look at her eyes. She has no idea. I loved her the moment I saw her. My blessings for her well being are woven into the art.” Such a delightful piece. I purposely posted it full-size so that everyone can enjoy the detail. Bravo, Gretchen, and thank you. / Jamie Dedes
Espada’s latest collection of poems from Norton is Vivas to Those Who Have Failed (2016). Other books of poems include The Trouble Ball (2011), The Republic of Poetry (2006), Alabanza (2003), A Mayan Astronomer in Hell’s Kitchen (2000), Imagine the Angels of Bread (1996), and Rebellion is the Circle of a Lover’s Hands (1990).
the Pulitzer Prize. The title poem of his collection Alabanza, about 9/11, has been widely anthologized and performed. Collections of Espada’s poems have been published in Puerto Rico, Spain, Chile, France, Germany, England, and Turkey. His book of essays, Zapata’s Disciple (1998), was banned in Tucson as part of a Mexican American studies program outlawed by the state of Arizona and has been issued in a new edition by Northwestern University Press. Espada is a professor of English at the University of Massachusetts Amherst.
© Gretchen Del Rio
Jamie Dedes' THE POET BY DAY Webzine 