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“Time Fetches” … and other responses to the last Wednesday Writing Prompt

© Original watercolor, colored pencil and acrylic by the multitalented Renee Espiru. Her poem is featured below.

HAPPY HALLOWEEN!  Wishing you all treats and no tricks … and here’s your first treat of the day, a poetic Halloween celebration courtesy of Paul Brookes, Sonja Benskin Mesher, Colin Blundell, Renee Espiru, Kakali Das Gosh, and John Anstie with a link to Joseph Shaw’s audio of John’s poem to music.  Enjoy!  … and do join in tomorrow for a prompt from a special guest poet. All are welcome, no matter where you come from or whether you’re beginning, emerging or pro. The last Wednesday Writing Prompt was “Twas All Hallows Eve, October  25.


Time Fetches

Received English version

Watch yourself as it’ll soon be time
that the tall hawthorn hedge
that bars you from other worlds
becomes thin this season
in it’s cloud ghosted ditch
so folk from the other side
can bleed through to ours
and you’ll see these weird folk
walk outside your door.

Burn a candle in your home
and light lanterns, jack o’lanterns,
candles outdoors to show
the weird folk, spirits and all
the direct way back. We don’t
want them to detour where
they are not welcome. Respect them
and they’ll respect you.

This night light a fire
in your hearth
to protect yourself
or better yourself.

Write on a scrap a paper
a part of your life
that you wish to be rid off,
such as anger, a baneful habit,
misplaced feelings, disease.

Throw it in the flame
so you may lose
that part you’re ashamed of

Yorkshire Dialect version

Watch thee sen as time fetches on
as tall hawthorn hedge that bars
tha from t’other worlds
in its cloud ghosted ditch
gets thin this season so as folk
from other side can fetch them
sens over an bleed through to ours
and tha’ll see these weird folk
take a stride outside thee door.

Blaze a candle in tha home
and set a flicker lanterns, jack o’lanterns,
candles outdoors to show
the weird folk, spirits and all
direct way back to where
they bide from, so as they don’t
detour where they’re not welcome.
Respect them, they’ll respect thee.

This night light a fire
in tha hearth
for to protect thee sen
or better thee sen.

Scribe on a scrap a paper
a part of thee life
tha wish to be rid on
anger, a baneful habit,
misplaced feelings, disease.

Lob it int flame
so tha may lose
that part tha ashamed on.

This Samhain, All Hallows Eve

place on your table a skull,
small animal skeletons
of shrews, mice, rats disgorged by
forest owls. Lay your gravestone
rubbings as welcome placemats.

Down the centre carved pumpkins,
squash, carrots, swede amongst pine nuts,
walnuts and berries, and dark
breads, rye, pumpernickel, dried
yellow, red leaves, open fir cones.

Fill a cornucopia
with abundant fruit, apples, pears,
leeks. Fill each cup with apple cider,
sweet wine, or honey mead.

Light all with fragrant candles,
to flicker over the plenty.

The table is a thankyou,
a blessing on the goodness.

Go outside, collect dead plants,
to twist and turn and mold a man
or woman to bring inside,
and place on the table.

Give thanks to them and your dead
ancestors before you eat.

© 2017, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)


.there is a day.

when i listen to cowboy films

on the radio, carve the pumpkin,

breath held in case they scalp him.

every year the same, festival stress

reduced by wanton knowledge

that none of it matters, that I can achieve,

that maybe even I could be worthy, the same

as you.

a surprise party after,

no one came,

no surprise, no one invited,

only you.

© 2017, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)

.. then there is halloween..

tomorrow.

not on saturday although that may be

more convenient. all hallows,

the reading of the dead.

names.

dust. just

names .

we made the pumpkin again, it comes easier with practice.

he came to tell me about the new baby and said boo . dinner

burned.

the names of the dead

are read.

© 2017, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)


there’s something about a bonfire

that compels you: perhaps it’s the flames
that leap and curl (free engulfing spirits)
or lick gently at the dead waste
calming to eat away at the centre of things
throughout the empty night

perhaps it’s the isolation –
you and Fire alone in the dark night
in which reflecting fires hang forever

perhaps it’s purification –
sterilisation of assembled dross… its reduction
to a usable commodity associated with
the neat feeling of arranging a garden
in the midst of the wilderness

perhaps it’s like death – convenient
tidy cleansing eradicating…
my father knew what he was doing ordering
‘No Mourners’: if they’d been there
it would have been attenuated
hypocritical unholy

fire is none of these things

(1971/72 revised 1982 revised 1992)

© 2017, Colin Blundell  (Colin Blundell, All and Everything)


Autumnal (2)

” Rainbow hues turning
chill air low sun (but) warm hearts
beauteous day-long dawn

pink light (on) timeless trees
yield a golden fleece and warmth
(for) aching Mother Earth

sleeping beauties wake
from enduring frozen night
in Spring refreshing ”

© 2017, John Anstie (My Poetry Library)

Set to music by Joseph Shaw


#Addiction on Halloween #

It was the time of coming winter after fall
And she came from a ball
It was a Halloween evening
She loved and groped that Eve harmonizing
It was the time for feast
She loved the spirit though came from the east
It was the time for fun
She wore gleaming costumes with a bun
It was the time to unfold new spirit
The air blowing felt different autumn waved and heart enlightened bright
It was the eve when the pall between worlds was sleazy
And to rhyme melodies of worlds was so easy
It was the time to taste candy
She relished its flavour with a brandy
It was the time to sense eerieness lurking around the corner
And the eastern country girl addicted to all unknown being just a learner .

© 2017, Kakali Das Ghosh


Goblins, Witches & Ghouls

Every year at Halloween
excitement filled the air
and children waited
on bated breath

to be goblins, witches,
hoboes and clowns
be become something
of a magical flare

where two streets over
lived a witch to bate them
her house decorated
with pumpkins and ghouls

but who could resist the
table laid before them
with all manner of sweet things
to cause you to drool

© 2017 Renee Espriu  (Renee Just Turtle Flight and Inspiration, Imagination & Creativity with Wings, Haibun, AR, Haiku & Haiga)


ABOUT THE POET BY DAY

“Snowball Wars” and other poems in response to the last Wednesday Writing Prompt


Last Wednesday’s Writing Prompt, The Scent of Ma’amoul, October 18 was to write about favorite winter memories and these poems are mostly just that. All are well done. Welcome to Anthony Carl and Lisa Ashley, newcomers to Wednesday Writing Prompt. A warm welcome back to Renee Espiru, Kakali Das Gosh, Colin Blundell, Paul Brookes, Sonja Benskin Mesher and Ginny Brannon. Enjoy this weeks collection and visit the poets at their blogs as well. Join us tomorrow for the next prompt. Everyone are welcome to share their work, no matter the stage of career: beginning, emerging or experience.


winter offering

the first frozen
day and my whole
world is swallowed
in snow. quiet air
chills my bones
as i draw each breath.

exhale.

every grey puff
is winter’s sacred
meditation chime,
an invocation
of gratitude as time
fades quickly away.

© 2017, Anthony Carl (Anthony Carl)

Anthony Carl

ANTHONY CARL majored in English Literature and has worked in the financial services industry for twenty years. Poetry is his outlet for creativity and staying sane. He is the author of one collection of poetry, Awaiting the Images, and his work appears in publications such as Borderlands: Texas Poetry Review, Panoply, and Empirical Magazine.


Snowball Wars

Red rubber boots, unlined and stiff, crackling with the cold,
stuffed with small round snowballs at days’ end,
attached to our snowpant cuffs
like the thistle burrs in summer to our socks,
we seven heedlessly dumped it all out on the kitchen linoleum,
pulling off those puffy clown pants,
draping wet woolen mittens, grandma knit,
over the wooden rack in the corner.
The mittens and hats never dried between forays
into that foot-deep,
knee-deep white stuff,
yet back on they went, wet and clammy next day
our enthusiasm warming the wet threads.

We never tired of building the snow forts
creating our cover, our barricade for attacking the neighbor kids,
defending our clan against them all,
my job to form the balls,
keep the pyramid pile stacked
so my brothers could jump up and fire them
over the top of the u-shaped fort.
I cowered from the enemy’s rock-hard snow bullets,
happy to make the ammunition behind the front line.
Were we catching a sense of what a war would be like,
years before my brother was sent to Vietnam?
I tried hard to follow directions,
pack the snow hard,
slapping the balls together in my smaller hands.

They were older, my brothers, like savages sometimes,
so maybe that’s why they invented the ice ball—
snow dipped in a bucket of water,
then surrounded with more snow—
so dangerous when they connected.
Perhaps our padded clothing kept us safe,
the ice ball dipping the source of their soaked mittens.
Gram had hot chocolate on the stove sometimes
when we came inside in the twilight
on the best winter days.
And no, my balls never measured up to theirs.

© 2017, Lisa Ashley

A Long Winter’s Sleep

The dash says 53 today,
not bad for January.
I glance across the street
into the opening of his tent
pitched there
on the sidewalk
under the overpass.
What tethers his tent there?
His body? His belongings?
He’s a white man, balding.
I can’t stop looking at him.
I check the light.
I invade his tent again.
He’s putting on his shoes, I think,
his tent flap rolled up
to catch the morning light.
Cars move through the intersection
rolling by one after the other.
It’s my turn to go.

Winter’s cut crystal breath
blasts concrete city
and clement countryside alike
as darkness drops down.
We live mostly inside these days.
Some live outside,
connected without choice
to nature’s moods and rhythms.
Gelid wind rushes ‘round corners
down brick and steel canyons,
sneaks beneath crackling tarps
pitched in peril
on grass-barren ground.
Mean homes huddled together,
snugged up behind a stone pole,
the metal dumpster,
a frigid freeway barricade
in hopes of blocking sleety rain.

Who blows on numb hands
inside these rimed plastic walls?
He lies on back-breaking sidewalks
night after night,
hears stiff tarps snapping
with the same indifference
as the taps of sharp-soled boots
skirting his home.

It’s colder than a witch’s tit out there,
we tell each other
over a drink at the bar
while hundreds
hunker down
that frozen-in-time night,
shivering,
waiting for morning
when the tent flap can roll up.

© 2017, Lisa Ashley

LISA ASHLEY, MDiv, Spiritual Director, Chaplain with incarcerated teens at the King County Detention Center, story-catcher and emerging poet, lives on Bainbridge Island, WA, where she meets with clients, writes and blogs at www.lisaashleyspiritualdirector.com  She has also written for The BeZine.


#None keeps promise #

That scarlet evening beside Shilabati is still sleepless
That earthen road through which we did wayfaring
is still waiting for you
That deck bridge across the river
is abiding still now just for you
Some wintry leaves are flying on its chest agonized
On that severe brumal evening
lights of sideway poles were reflecting from the crystalline rivulet
After a long walk we settled on a giant pebble
Grasses -sedges and bamboos were grown most for their foliage
Remains of some aquatic plants were kissing our mortal feet
Divers waterbirds were peeping through hydrilla
You uttered softly witnessing the pole star
,”Jhimli -we will come here again during the next fall of dew .”
and touch the last pole
Now it is a wintry evening anew
I’m tramping again restless and lonely here
Tears rolling down my cheeks are amalgamating with crystalline water of the rivulet
You haven’t kept your words
The mild bridge is calling me
saying -“Don’t wait anymore -none would come –
none would wipe your tears -none keeps promise .”…..

© 2017, Kakali Das Ghosh


..that feeling that..

arrives unexpected from darkness, some winters’ mornings,

opening the door to the sound of one black bran bird calling.

track four repeated. that

comes on waking finding peace and comfort bound in clean

linen.

arises with perfume, an uncertain memory.

it may be chemicals, peptides in the brain as love, what

ever the germ or warfare

I find no word to describe, no random feather nor dust on

my plate. pass a finger.

that feeling of trimmed nails upon the keys pounding

words and silences.

while music plays. that feeling. that.

syrup stings my tongue.

© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA and Sonja’s Drawings)

..twigs again..

it has always been the same,

water going down hill,

thick frost of winter’s morning.

now the birds song at 4 am,

bad news soften by dreams,

new days. it has usually

been the same.

© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA and Sonja’s Drawings)


something there is

that now perceives a full moon in darkness
slightly hazy behind the thinnest of cloud coverings
behind the stark grasp of wintered branches –

a something – but in reality an absolute nothing
dreaming inconsequentially that it’s a something
by reason of the idea that it guides the scudding pen

across the page in the way it learned long ago to do
to produce a modicum of words – just sufficient
to say that there’s a something that perceives…

and so on and on; there will come other occasions
when it will choose to allow itself to be beguiled
into imagining that grand & conspicuous heaps

and heaps of words make some kind of sense –
all the stout metaphors and the dancing images
circumlocutions qualifications periphrastics…

but in these bold moments before this winter dawn
it has a sudden understanding that between words
– whatever words you so carefully choose –

and the infinite scintillations of externality there are
gross mucky swamps and dire deserts monstrous
mountains & galaxies that can never ever be traversed

© From a 2011 collection ‘pseudo-clarities” – Colin Blundell (Colin Blundell, All and Everything)


Magic and a Mystery

The rusted tool chest on wheels now
a silent reminder of childhood wonder
when in mystery it did appear as

the night spread before us and sleep
a distant presence wrapped
in the excitement of holiday magic

we were sent to bed you and I
to await the morning’s sunrise
but I was vigilant and
so were you

as I listened to laughter seeping
beneath the door I smelled the
familiar scent of cigarette smoke
unfurling

from the neighbor who often was seen
visiting but it was late at night….and

I knew something or someone was about
as I saw you quietly push the door
to opening

I wanted to know if the gossip was true
that there was no Santa or St Nicholas
who would magically appear for
wishes come true

as we peeked carefully into the living room
it was mother who busied herself there
with the wonder of
holiday gifts
and fare

a shiny red tool box on wheels she moved
beside the tree as she smiled
with care

© 2017,  Renee Espriu  (Renee Just Turtle Flight and Inspiration, Imagination & Creativity with Wings, Haibun, AR, Haiku & Haiga)


Mile Markers

Gray chalk hills fade one behind another
until they dissolve into oyster sky.
Ice crystals dance on gelid air,
glisten highway’s edge, and settle
in the crooks of sleeping maples.
Evergreens bend with the weight
of their thick winter shawls.
In spite of its bleakness, we are taken by
the stark frost-coated beauty of it all.

Northbound…

my core senses those timeworn mountains
long before my eyes discern them.
Yet, it is not these ancient mounds
that draw me back, but the folks therein
I long to see—those I love who wait for me.

With each mile passed, the years begin to dissipate;
like those hills now veiled by mist and gloam;
my pulse beats faster as this heart anticpates
that final stretch of road that leads me home.

© 2017, Ginny Brannan (Inside Out Poetry)

Comfort Zone

A sudden snow shower,
flakes fly past the panes,
we watch in silence
mugs in hand; steam rising.
You turn on an old movie—
one seen a dozen times,
maybe more…
we laugh in unison,
quoting favorite lines,
echoing off each other,
anticipating what comes next…
as the steam rises

© 2017, Ginny Brannan (Inside Out Poetry)


This Winter Tercet

Cold snuffles wound round lean naked limbs.
Wet wends beneath sinew, soaks into blind bone.
Ice builds crystal by crystal simple net of things.

A cracked miniscus mirrors low sun’s sharp moan.
A fallen ocean blinks between blood red bricks.
As gust raises bare barkskin, snaps rendered stone.

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)

Nudd Offered

At bottom of this Winter ale
had a word about end of the world
with Nudd, Lord of the Underworld

Nudd says “Your wife and kids are dead
and gone with the other Lord
pustuled and poxed, ill fed

come with me below
to the lake beneath the mountain
never age never hunger never ail
meet your wife and kids again

I agree, get up to go
lift the latch
trip and fall in snow.

© 2017, Paul Brookes  (The Wombwell Rainbow, Inspiration, History, Imagination)


ABOUT THE POET BY DAY

“Stories of Hope” …. and other poems in response to the last Wednesday Writing Prompt


Such beautiful and uplifting responses to the last Wednesday Writing Prompt, l’chaim, October 4, 2017. Together, these are a small gift of antidote to news reports. Grab a cup of tea. Take a breath. Read. Ponder. Smile! These are as Paul Brookes says, “happy poems.”

Thanks to Paul, Lady Nimue, Renee Espiru, Sonja Benskin Mesher, Colin Blundell and Kakali Das Gosh for coming out to play.

Please join us for tomorrow’s Wednesday Writing Prompt, always theme – not form – based. You are welcome no matter the stage of your career – beginner, emerging, professional. It’s all about getting to know other poets and having your say.


Stories of Hope

The world thrives on stories of hope,

Little cracked,but surviving homes;

I live each moment in awe

From when life picked me first

So out of line, yet so full of want;

You are home to me,my world,

The only constant reminder,

My prayers and wishes answered;

No matter what changes around,

Am blessed;love can be found

If you raise a toast for the gifts

That equally to strangers, you receive to give.

© 2017, Lady Nimue, Prats Corner: Pages of my mind: collecting words, experiences and memories …

Lady Nimue is new to our pages but has been blogging and posting her poems and other works for years. She says in her “I, Me, Myself” – “I love to experiment in reading, watching and listening to all that suggested to Me by close friends and trusted sources; and then i maintain a record here of my reactions and impressions – what i hear myself say in my head and heart about all the living and non !

“Hope you find something of your liking too !! And  if you don’t let me know about that too ..”

We welcome Lady Nimue to The Poet by Day, Wednesday Writing Prompt.


there was a time

when one bottle of wine
seemed as if it was going to last forever;
the one I’m thinking of (purchased
one dinnertime in summer at 7/6d)
occupied a space in my life
a mile high and spanned the gap
all the way to Tibet; as you drank a glass
that dinnertime it seemed to refill itself
from the dregs of love

when one kiss would last
as long as the Rachmaninov cello sonata
whenever you put the record
on the turntable and let the needle fall –
obliterated in the so well-known cadences
which I could have been whistling
had my lips not been squashed against hers

when a bicycle ride would construct a day
down to the sea and back
across the long valley and over the downs –
magic ride often repeated –
I fill it from these dregs of memory

© 2017, Colin Blundell (Colin Blundell, All and Everything)

From a forthcoming book of poems by Colin Blundell

NOTE: 7/6d old money in 1964 = what would be 36p now
= after inflation in 2017 £6.80 = US$ 8.80


.the year.

gently go forward, then gently back
recreating past deeds and misdemenours
you thought forgotten.

gently go forward knowing we are mostly
all the same, with motes not spoken of,
except disorder.

gently it passed behind you, seen
clearly while looking for god.

gently gather winter leaves to keep
in paper bags. these are the golden
days .

my friend.

© 2017, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)

..earth & heaven..

I have been away, this is the first day back.

not floods, yet death, and roofs flying, to produce home less ness.

I understand nothing of your situation, yet I know some stuff, and mostly i can only listen.

I guess we have to help ourselves. I met some good people away.

© 2017, Sonja Benskin Mesher (Sonja Benskin Mesher, RCA and Sonja’s Drawings)


Every New Beginning

To every newborn baby born
to those that overcome
to family diverse and all

for every new sunrise bright
for every moonlit night

the seasons that bring change
mother nature nurturing growth
remains

as seen in fields of flowers
kaleidoscope colors
in seeding fields & in
fields laid fallow

to harvesting and being thankful
for the celebration of life
& living

within each beginning
lies peace
Meta

© 2017, Renee Espriu (Renee Just Turtle Flight and Inspiration, Imagination & Creativity with Wings, Haibun, AR, Haiku & Haiga)


#An appeal to endure #

A dark tunnel
A murky avenue
A lunatic   storm
Puzzled looks
Embarrassed scenes
Pixilated hearts
A giggling child
A lotus pond
A blooming daffodil
Vanished agony
Annihilated pain
An appeal to endure …

© 2017, Kakali Das Ghosh


A Little Girl

places an autumn oak leaf
in all its yellow and red on my conveyor belt.

I consider my potential responses:

Sorry love you can’t buy that here.

Sorry love it has no barcode, so won’t go through.

That’s a free gift from nature, love.

At the finish I advise

Sorry you can’t put that through, love

and she removes the leaf from the belt.

At the finish it is all child’s play
in the adult buy and sell.

© 2017, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

A Grandkid’s Hug

1.

You’re such a klutz!
as I pull out my wallet
and silver coin falls out

I hold your warm hand
after all these years
and something passes
something does not fall

2.

Magic a grandkids hug
Round the middle
Softens sharp nails
Smooths frayed edges

Unaware hug anyway
any how whatever any why
all hammering
all awkward shaving down.

Gone in an instant.
Grandkids hugs should be
ever prescribed
On NHS

© 2017, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

In A Hush

of winter
from bare limbs silhouetted

against a grey sky
a sudden voice
from tiny lungs

your full heart lifts
as if the tree had blossomed
unexpectedly.

© 2017, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

A Breathless

small boy in an angry bird t shirt,
mock flight jacket,
Hawaiian shorts and trainers
bursts into the shop shouting

“What-What-time-is-it?
When-do-you-close?
I’ve got fifty pee.”

I reply that we close at eight,
so he has an hour.

“Just ran all way here.
What can I buy? he asks
mouth open before a wall of sweets.

I show him in one corner trays full
of small chocolate eggs at 49p.
“Yes. Yes one of these.”

His delight makes me smile.

© 2017, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)


ABOUT THE POET BY DAY

“the moses manifest” … and other poems in response the last Wednesday Writing Prompt


The variety of responses to the last Wednesday Writing Prompt “Archaic Torso of Apollo,” September 27 are a pleasure to read. Thanks to Renee Espiru, Sonja Benskin Meshery, Gary Bowers and Paul Brookes for coming out to play and sharing their fine work.

Join us tomorrow for the next Wednesday Writing Prompt. All are welcome to take part no matter the status of career. Beginners and experienced are welcome to come, be inspired, share their poems and get to know other poets.


A Life Betrayed

She lives the only life
she has ever known
inside someone else’s home

she wonders how she came to this
miles of fields and distance
a breeze touching her
now frail being

did someone leave her here
without her knowing and
will she wake one day
to find she’s dreaming

for she loved him so in her way
but was he a mirage or
just a ruse she wrote of
in her own knowing

before her body did betray
and stole her life
and youth

© 2017, Renee Espriu (Renee Just Turtle Flight and Inspiration, Imagination & Creativity with Wings, Haibun, AR, Haiku & Haiga)


..the flight to egypt..

Edwin Longsden Long RA was an English genre, history, and portrait painter.

**

there are many pictures at this house, two dimensional and more. how can I love one

child above another?

I had only one, so that was easy, then questioned if I loved the late arrival more, I said no just different.

so I talk out loud instead of writing .

a new prose. I talk of formative years, the safe place.

russell coates museum. have you been there? it was free on thursdays a haven from the rain,

the

pain.

indoor fish pond, quiet on the stairs, to the edwin long gallery. the flight to egypt. looking

back now, I never thought of it religious. immense it covered the wall.

I use the past tense, yet it is still in place.

on googling I see the topic is biblical, I remember the procession, the faces, the space as

if his meaning was hidden to me.

now by choice it is.

do I make such pictures? no.

weird stuff as if installed in a museum.

crying.

© 2017, Sonja Benskin Mesher  (Sonja Benskin Mesher, RCA and Sonja’s Drawings)


The Specificity of the Ordinary by Colin Blundell

in Iris Murdoch

the characters for the most part
get themselves into such a muddle
usually intent on mirroring
the messes & muddles of others
closely observed by scheming clowns
with special peculiar insights

how will they get out of the muddle?
a question which keeps you entranced
turning the pages rapidly
never really wanting an unravelling

no linearity just sets of closed circles
of rather bizarre impossibility

occasionally a character will experience
a bright moment of illumination
or clarity which I have come to call
the specificity of the ordinary:
the cat on the terrace dust particles
lizard on a sunny bank
bare gritty floorboards leaves in the wind
ivy climbing on a rock as it might be
to refer it all to myself measuring
the impact of the ordinary

if only the characters had listened
to their author’s commentary
more carefully they might all have been
able to rescue themselves

© 2017, Colin Blundell (Colin Blundell, All and Everything)


the moses manifest

he grips the tablets in his charge, this
courier of commandmenta, and takes umbrage or looks
askance at some person or
persons on
his left. on his head
are zigguratish lumps,
horns, that should have been
unsculptable rays of
light. julius the pope, the vicar
of christ, has left
his mortal remains entombed
here, and moses to guard
them. the likeness
of julius was to be
the capstone of the tomb
but it was never
done. the militant pope
had need of his hireling
visionary elsewhere,
as plasterer and muralist
for a now-renowned chapel.
the tomb was finished in 1545,
decades after julius’s promotion
to resident of Heaven.

© 2017, Gary W. Bowers (One with Clay, Image & Text)


 

The Hay Wain (1821), by John Constable (UK), (1776-1837)

Haywain

Her milkman Grandad often takes
her, his horse, cart and churns on his rounds
gifts her a small pony trap and horse.

Older she hangs a copy of “The Haywain”
above a dark brown oak dining table
with its curved back oak chairs

lit by white light French windows
on to a grey concrete slabbed patio.

She knows the smell of worked horse,
creak of cart and water’s rhythm,
much like milk slap and hooves on cobbles.

© 2017, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

Photograph by Paul Brookes

My Dali

A teenager, I was a poster
Christ crucified in a sky
above a cove
and dried blue tac
on my bedroom wall
lets Christ
lets me
fall at one edge.

I was a swan reflecting elephants
the need for it to be other
my fingers mirrored rocks.

I was a spoon on crutches,
anything but me.

© 2017, Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

Golconde (1953), by Rene Magritte (Belgium), (1898-1967)

These Shapes

are not symbols.
Do not attach meaning.

Bowler hats and gentlemen
may fall on the page

in this frame. The words
do not mean the thing.

Magritte is a mark only.
All that attaches to it

is irrelevant. It does not help.
A birdcage is not a rib cage.

© 2017, ​Paul Brookes (The Wombwell Rainbow, Inspiration, History, Imagination)

The Blood Serape and other ekphrastic poems by Paul Brookes


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