The Poet by Day is on hiatus from February 24 through March 21 when the next Wednesday Writing Prompt will post

“Do not be dismayed by the brokenness of the world.
All things break. And all things can be mended.
Not with time, as they say, but with intention.
So go. Love intentionally, extravagantly, unconditionally.
The broken world waits in darkness for the light that is you.”
American author and counselor, L.R. Knost

Got new digs and I’m putting this site on hiatus to implement the relocation. Meanwhile …

will post on March 21
See you then …

The March issue of The BeZine will be published on March 15 as scheduled.

Check Sunday’s Announcements here on March 25 for Calls for Submissions, Contests, Events and Other Information and News

As I can I will post info that I think might be necessary, interesting or pleasureable to you on The Poet by Day Facebook Page.

Don’t forget to Resist, Reimagine, and Reform.




insomnia, a poem

pillow of night and blanket of stars,
a mermaid swims and the spittle of the sea
pickles REM images in gray-green brine,
a coral complex of hallucination dissolves
in an ocean of unrelenting wakefulness

the mind tossed on waves, rides a
maverick of lost memories, spirit bobbing,
holding on through the night, aching
to do little but consort with dreams

© 2018, poem, Jamie Dedes, All rights reserved.

“#MeToo: rallying against sexual assault and harassment, a women’s poetry anthology” edited by Deborah Alma; “Persephone’s Daughters,” empowering readers and writers who’ve experienced gendered abuse

Will be out on March 8. Pre-order HERE.

#MeToo Anthology, The Back Story

by Deborah Alma, Editor

The #MeToo (Fair Acre Press, March 8, 2018) anthology came straight out of a long thread on my Facebook page in October 2017, just as we were talking about the Harvey Weinstein allegations on the news and before I had even heard of the #MeToo campaign. I asked women friends of mine to add their name on the thread if they hadn’t experienced any form of sexual harassment in their lives and I was surprised to find that of the 200 women that started to share some of their stories , 2 or 3 told us that it had never happened to them. My surprise was not that there were so few, but that there were any women at all.

Of course over the years we have shared these stories with our friends, sisters, mothers, partners and sometimes with the police, or in court. It has been the water we swim in as women. But saying something publicly has always been difficult and brave. The words would stick in our throats, for so many reasons.

But something was released and given a space within social media. It was easy to add our voice to the rising shout of #MeToo. We felt the sisterhood. Many women were emboldened by this to share more difficult stories, more details.

I’m a poet, and an editor and someone suggested we collect these stories somehow and it was obvious to collect them as poems. It was what I could do.

I am very proud of this book, proud of the poets for sharing and for the courage in putting their names to their words. I have been amazed by the wonderful collaboration in its making; all of us women.  Jessamy Hawke is the daughter of an online friend and she came forward and offered to make new line drawings for the book, the striking cover was made for the book by my friend Sandra Salter and all the work of editing and publishing was donated. Jess Phillips MP gave us her introduction and it’s been endorsed by Amanda Palmer and Rachel Kelly amongst others.

I do recognise that it is a painful and difficult to read a great deal of the time. But when taken slowly, and with reading only what you can bear, I trust the reader will hear its rallying cry of anger and impatience. We have had enough.

© 2018, Deborah Alma

DEBORAH ALMA (Emergency Poet) is a UK poet, with an MA in Creative Writing, taught Writing Poetry at Worcester University and works with people with dementia and in hospice care. She is also Emergency Poet prescribing poetry from her vintage ambulance. She is editor of Emergency Poet-an anti-stress poetry anthology, The Everyday Poet- Poems to live by (both Michael O’Mara), and her True Tales of the Countryside is published by The Emma Press. She is the editor of #Me Too – rallying against sexual harrassment- a women’s poetry anthology (Fair Acre Press, March 2018). Her first full collection Dirty Laundry is published by Nine Arches Press (May 2018). She lives with her partner the poet James Sheard on a hillside in Powys, Wales.


#MeToo: rallying against sexual assault and harassment


Freeing the sources of light

Make friends with the light.

It’s been years

since you watched summer turn bad,


felt warm grass chafe your bare legs

and his old man’s fingers

trespass beneath the dress


you never wore again.

That hot summer

you dashed to your childhood garden


but the sun glared,

music buzzed from the wireless,

stung a secret place, the Everlies


and Elvis called heart:

always tender, baby,

always untrue.


And summers afterward

echoed bus rides to city parks

where he kissed your mouth,


fondled your arms.

The sun blurred, twinned

into headlamps,


pinned shadows on the wall-

but it was decades ago.

Welcome the light,


you don’t need a sky’s worth,

just a lodestar for the journey.

White roses in a glass vase,


candle-flame at dusk and the moon

in winter, carrying

its bowl of borrowed sun.

© 2018, Sheila Jacob      


Always just within reach, it is the desk-drawer revolver

or the switch that is flicked when a woman says No

and means No and knows her own mind

and makes herself inconveniently clear;


it is the cocksure roar of boy used to his own way,

one more of the ones we warn each other about,

whose reputations we pass around like classroom

secrets, names itching from girl-hand to woman-hand,


the ones who just adore women, who say their wives

really don’t mind, the ones who wonder, aloud,

and publicly, what hitch qualifies you to claim

this space for your small fierce self,


the ones who will scrape back their chair, stand up

in the kitsch restaurant, tongue catching on the latch

of that single syllable,the alarmed door he will shoulder

open becoming the exit she will depart through. 

© 2018, Jane CommaneAssembly Lines (Bloodaxe, 2018)

Irish Twins

attic rain

the backyard swing

off kilter

We share an attic room. In the corner is an old double bed that smells and sags on one side. My side. Late at night I hear my heart beat. Loud. So loud he will hear it. He will think my heart is calling him up the attic stairs. His footsteps are heavy. He smells of old spice and cherry tobacco. My eyes shut tight. I know he is there. I feel his weight. Never on my side. Always on the side she sleeps. When the bed-springs sing their sad song I fly away. Up to the ceiling. My sister is already there. Together we hold hands. Looking down we see our bodies. We are not moving. We are as still as the dead.

© 2018, Roberta BearyContemporary Haibun Vol.14 (Red Moon Press)


The Return of Persephone, c.1891 (oil on canvas) by Leighton, Frederic (1830-96); 203×152 cm; Leeds Museums and Galleries (City Art Gallery) U.K.; English, public domain

PERSEPHONE’S DAUGHTERS is published online, in print and in film. This magazine’s content is based on a mission to empower women / femme individuals who have experienced various forms of gendered abuse (sexual, emotional, physical, racial, verbal, etc), or other forms of degradation (harassment, catcalling, threats, etc).  Persephone’s Daughters welcomes all identities.

Online Sunday Stories feature personal accounts of those surviving abuse. There is also a film submission category that aligns with the mission. Accepted works are featured online on Film Fridays.  Of note is a post-election mini-issue, a writing and art collection by people who are negatively effected by the outcome of the 2016 U.S. election. Proceeds from the sales of that collection go to the Young Center for Immigrant Children’s Rights, which provides services, legal help, and advocacy to unaccompanied immigrant children fleeing trafficking, conflict, poverty and more.

The editor’s say that submissions for Issue 5 will likely open in April. The theme is “Sexual Assault Awareness.” Sunday Stories and Film Fridays are currently open for submissions. Link HERE.


RESIST, REIMAGINE and REFORM: 100,000 Poets for Change honor the Students from Marjory Stoneman Douglas High School and address gun control; PEN World explores pathways through turmoil

“It is no measure of health to be well-adjusted to a profoundly sick society.”  Jiddu Krishnamurti

USING OUR WORDS: Michael Rothenberg and Terri Carrion, cofounders of 100,000 Poets for Change, are wonderful at finding ways for us gather online and off and to use our words to raise awareness of justice issues, encourage one another, make connections with like-minded, become a force for positive change, and show those in turmoil that we are present.

Michael announced today ..

“So far Coconut Creek, Miami, Orlando, Tampa, Jacksonville, St. Augustine, and Tallahassee have scheduled 100 Thousand Poets for Change associated readings as tribute to the students murdered at Marjory Stoneman Douglas High School in Parkland. These readings will be held in March and address the topic of gun control. We are waiting for confirmation for Pensacola, St. Petersburg and Gainesville and welcome additional organizers in Florida and around the country who wish to participate in this initiative.”

Look for events near you or publish your event info on 100,000 Poets for Change Communication Hub.  You are also welcome to post events on The BeZine 100,000 Poets for Change, 2018 Discussion Page and A World with Peace, A Place to Lament and Resist Gun Violence.

PEN America presents the 2018 PEN World Voices Festival: Resist and Reimagine, this year’s incarnation of the renowned international literary festival, which will bring together the world’s foremost authors and other luminaries at a time when many are turning to literature and the arts not for escapism, but as a guide to navigate contemporary crises.

Salman Rushdie founded the festival in the isolationist aftermath of September 11, 2001, to fortify links with the rest of the world; now again the need to connect and draw inspiration from beyond America’s borders is pressing.

PEN America Festival Director Chip Rolley explains, “For the first time in its history, we are deliberately training the Festival’s wide lens on America itself, probing the fissures and inconsistencies in our own culture, alongside those of writers visiting from overseas. We will examine different kinds of resistance—the internal and the external, the political and the personal—and tap into the imagination that is at the core of the best fiction, nonfiction, and poetry, joining together in a week that reaffirms our faith in the power of the word to transform our society, our politics, and our daily lives.”

The Festival will unfold across sixty-plus events in dozens of venues in four of the five New York City boroughs, April 16-22. It kicks off on April 16 with Resist and Reimagine: Opening Night in Three Acts. Colson Whitehead will speak about applying one’s imagination to elucidate historical truths, as the novelist did for his “carefully built and stunningly daring” (The New York Times), Pulitzer Prize-winning novel The Underground Railroad.

Novelist Leila Slimani—a Muslim immigrant from Morocco to France whose novel The Perfect Nanny won France’s prestigious Prix Goncourt—will speak with New Yorker staff writer Adam Gopnikabout how worlds can be reimagined by bending the lenses of ethnicity and geography.

Australian performance poet and author Maxine Beneba Clarke will read from “A Letter from Manus Island: A Refugee Resistance Manifesto,” by Behrouz Boochani, the Iranian Kurdish poet and journalist who has been held for over four years in Australia’s detention center on Manus Island while awaiting asylum. Boochani writes here about how “the refugees were able to reimagine themselves in the face of the detention regime.”

In a separate opening night event, Dave Eggers will talk with Mokhtar Alkhanshali, the Yemeni-American historian, community organizer, and coffee innovator whose aim to revitalize Yemen’s coffee industry through worker empowerment is the subject of Eggers’ latest book, The Monk of Mokha.

The resistance embodied in the disclosures of the #MeToo movement has inspired a number of events in this year’s festival, which extend the examination of gender and power begun in the 2017 festival. On April 20, critically acclaimed, best-selling author Roxane Gay will speak with #AMtoDM co-host and BuzzFeed Books founding editor Isaac Fitzgerald on the intersecting subjects her writing famously tackles. Zeroing in on the ongoing fight for female autonomy, Handmaid in America (April 21) will bring together a group of women writers, including Siri Hustvedt and Leni Zumas, who will discuss literature and its responses to encroachments on women’s reproductive rights. On April 17, Us Too, a powerful program of poetry, readings and conversation about violence against women will include Tishani Doshi, Maxine Beneba Clarke, Dunya Mikhail, and Mona Eltahawy. These open conversations on the traumas the female body endures strive to liberate women during this movement of reckoning.

With The M Word: Hasan Minhaj and Wajahat Ali (April 22), comedian and Daily Show senior correspondent Minhaj and writer/lawyer Ali will speak about the varieties of Muslim American experiences, the pressures of being public ambassadors for a vastly multifaceted group that America just as vastly generalizes, and how comedy and creativity have changed under Trump. The M Word: No Country for Young Muslim Women (April 18) will see Sudanese-Australian author/mechanical engineer Yassmin Abdel-Magied and MuslimGirl founder Amani Al Khatahtbeh—both of whom left their home countries, Australia and America, respectively, due to harassment and vilification—discussing the complexities of being Muslim and female in Western countries. Abdel-Magied will also speak with Sick author Porochista Khakpour, and Anita Sarkeesian, the feminist media critic who endured a barrage of #GamerGate harassment and death threats in Take Back the Net: Fighting Online Hate (April 21). Looking into the real-world impact of virtual bullying, those who have refused to be silenced will discuss productive means for resisting and reimagining the Internet as a free and fearless space.

Addressing authorship and cultural alienation, Cry, the Beloved Country (April 19) will unite Ryszard Krynicki, Serhiy Zhadan, Marcos Aguinis, Domenico Starnone, Ngugi wa Thiong’o, Hwang Sok-yong, Basma Abdel Aziz, and Negar Djavadi to articulate the particular rage of oppressed populations in their home countries. Meditations on Exile (April 20) will feature Chinese novelist Xiaolu Guo, Iraqi-Assyrian poet Dunya Mikhail, and Iranian screenwriter/novelist Hossein M. Abkenar. They will discuss their experiences of having fled their home countries to avoid censorship and the potentially severe repercussions of their self-expression, and how these experiences have shaped the way they write about place. The Trick of Translation (April 21), will speak to a more formal means of border transcendence—the attempt to capture the spirit of a work in another language. Jhumpa Lahiri will talk with Domenico Starnone about Starnone’s novels Trick and Ties, translated from Italian to English by Lahiri.

The chronicled lessons from the past can act as living guides, particularly as threats to key rights swell. Taking a moment to look back to America’s most fearless activists and writers, Jelani Cobb, Nikole Hannah-Jones, and Pulitzer Prize-winner Gregory Pardlo mark the 50th Anniversary of Martin Luther King Jr.’s assassination in Where Do We Go from Here? (April 20), which asks, with hope at its core, the titular question of Dr. King’s last book. Looking further back in history, biographer Ron Chernow talks to MSNBC host and author Chris Hayes about Ulysses S. Grant, one of our most underappreciated presidents, who worked for justice and the political enfranchisement for African Americans. Exploring what should be inalienable rights, Mother Jones reporter Ari Bermanand historian Carol Anderson will delve into racialized voter suppression in Killing Democracy (April 19). One of the festival’s central aims is to defend and provide a platform for open discourse; Masha Gessen, Patrisse Cullors, and PEN America Executive Director Suzanne Nossel will shed light on first amendment tensions in America today in Resistance Report Card: Grading the Groundswell(April 21).

In Legacy of an LGBTQ Countercultural Icon (April 21), translators Bonnie Huieand Ari Larissa Heinrich and poet Eileen Myles will examine the work of the late Qiu Miaojin, whose cinematically experimental novels dauntlessly depict lesbian life in Taiwan long before any form of queerness was socially accepted. While she was writing up through the 90s, to this day, globally queer communities remain vulnerable.

As so much of what literature explores politically and personally is inherently connected to place, several events will probe location’s distinct impact on personhood. The city of New York has functioned as an iconic and figurative setting across myriad art forms: in New York Stories (April 21), Salman Rushdie,Sergio De La Pava, and others will talk about encapsulating the city in fiction. With a more panoramic gaze, in America, Real and Imagined (April 22), authors from different corners of the country will discuss their shared interest in the American landscape’s profound ability to shape identity. Francisco Cantú—a former-border-patrol-agent-turned-author—will join acclaimed Sunshine Stateauthor Sarah Gerard and poet/author Joy Harjo, a member of the Mvskoke Nation whose memoir Crazy Brave won the 2013 PEN Center USA prize for creative nonfiction. Cantú, who wrote the “sharply political and deeply personal” (New York Magazine) The Line Becomes a River, will also look into a particularly fraught section of the American landscape, the Mexican-United States border in Borders of Our Imagination, where he will speak with novelist and essayist Valeria Luiselli and playwright and DREAMer Amalia Rojas (April 20).

Young people are just as likely as adults to be curious about the often puzzling, sometimes troubling, world around them, and there is a growing body of books and other publications that cater to this curiosity. For the first time in its history, the festival will feature a day of storytelling, interactive events, comics and freestyle poetry workshops for children, tweens, and young adults as part of its new Next Generation Now series curated by Meg Lemke of MUTHA Magazine. Little Activists: A Workshop and Mini-March (April 21) will encourage children to express their own ideas of democracy, equality, and freedom, and learn how to translate their thoughts into political engagement. Leila Sales, who will lead he workshop, created The Little Book of Little Activists after being inspired by children in the Women’s March. R.J. Palacio, author of the best-settling novel Wonder (recently adapted as a live-action film with Jacob Tremble in the leading role) will speak on the importance of acceptance, and the pivotal lessons that literature can teach us from a young age. Tony Medina, Ilyasah Shabazz, and Toni Blackman are also among the featured Next Generation Now authors.

PEN America Executive Director Suzanne Nossel says, “While the present political moment in the United State feels unprecedented and unparalleled, when we turn toward the rest of the world the tide of revanchism we are enduring is neither new nor confined to our own borders. International writers and thinkers offer a well of lessons and insights on how to thwart and protest, to sustain and nurture resistance, to shore up threatened values, and to look beyond the present impasse. PEN America has always worked as a bridge across cultures and geographies, forging relationships and solidarity that are a counterweight against hatreds and polarization. In the digital age, with so much of our discourse reduced to tweets and sound bites, face-to-face conversation across cultures about how to realize a different collective future is essential. If frayed relationships between the world’s governments are ever to be repaired, it will be because we nurtured relationships, empathy, and understanding among peoples—that’s what the PEN World Voices Festival does.”

Peter Barbey, President and Chief Executive Officer of The Village Voice, which co-sponsors the 2018 PEN World Voices Festival, says, “This year’s theme, Resist and Reimagine, couldn’t be more timely or topical.  It resonates here at The Village Voice since those very same principles have been reflected in our mission since our inception in 1955, at the beginning of an American cultural revolution. As Official Media Sponsor of the Pen World Voices Festival, we call on all New Yorkers to join the conversation.”