This
This is the work of Turkish Artist Uğur Gallenkuş. If you are viewing this post from an email subscription, you’ll likely have to link through to the site to view this video.
This is the work of Turkish Artist Uğur Gallenkuş. If you are viewing this post from an email subscription, you’ll likely have to link through to the site to view this video.
I thought that my voyage had come to its end
at the last limit of my power,—that the path before me was closed,
that provisions were exhausted
and the time come to take shelter in a silent obscurity.
But I find that thy will knows no end in me.
And when old words die out on the tongue,
new melodies break forth from the heart;
and where the old tracks are lost,
new country is revealed with its wonders.
Of Note:
Opportunity Knocks replaces Sunday Announcements.
Links to articles, events and news of interest to poets and writers are regularly published on The Poet by Day FaceBook Page.
You are welcome (encouraged) to share your work and announcements on The BeZine Arts and Humanities Facebook Group Discussion Page.
MARK YOU CALENDAR: SEPTEMBER 28, 2019 is 100,000 POETS FOR CHANGE, GLOBAL, 2019 and THE BeZINE 100,000 POETS FOR CHANGE VIRTUAL EVENT, hosted by Michael Dickel. Look for updates on this site, The BeZine, and at 100tpc.org
Join us for this week’s WEDNESDAY WRITING PROMPT.
“THE BeZINE” CALL FOR SUBMISSIONSthebezine.com is open for the upcoming June edition to be published on June 15, deadline June 10. This is an entirely volunteer effort, a mission. We are unable to pay contributors but neither do we charge for submissions or subscriptions. The theme is sustainability. We publish poetry, fiction, creative nonfiction, feature articles, art and photography, and music videos and will consider anything that lends itself to online posting. There are no demographic restrictions. We do not publish work that promotes hatred or advocates for violence. All such will be immediately rejected. We’d like to see work that doesn’t just point to problems but that suggests solutions. We are also interested in initiatives happening in your community – no matter where in the world – that might be easily picked up by other communities. Please forward your submissions to bardogroup@gmail.com No odd formatting. Submit work in the body of your email along with a BRIEF bio. Work submitted via Facebook or message will not be considered for publication. We encourage you to submit work in your first language, but it must be accompanied by translation into English. / Jamie Dedes
THE BARE LIFE REVIEW publishes fiction, nonfiction and poetry by immigrants and refugees. No submission fees. Paying market. Details HERE.
THE LATEST, an online forum of The Bare Life Review focuses on memoir, criticism, and politics. No submission fees. Paying market. Details HERE.
THE PEDESTAL MAGAZINE is open for submissions of poetrythrough May 26. Paying market. No submission fee. Details HERE.
RED INK seeks “to reflect the expressive voice of Indigenous (Native) America as a social-cultural entity” and is open for submissions of poetry, non-fiction, short fiction, plays, essays, reviews and artwork. No submission fee. Details HERE.
RIVER STYX, Multicultural Literary Explorers Since 1975, publishes poetry and prose and is open for submissions. Submission fee: $2.50. Payment plus subscription. Details HERE.
SANTA FE WRITERS PROJECT ABORTION BAN PROTEST has an open call through June for personal essays, memoir excerpts, flash fiction, short stories, and any other creative prose about your experiences with abortion, delayed birth, wanted pregnancies, child loss, stillbirths, ectopic pregnancies, Plan B mishaps and successes, child support matters, miscarriages, adoption, and anything else related to those topics.No reading fees. Deadline: June 1st. Details HERE.
YEMASSEE JOURNAL, The Official Journal of the University of South Carolina, is open for submissions of poetry, fiction, and flash fiction. Submissions fee: $3. Expedited submission fee: $6. No payment. Details HERE.
RIVER STYX INTERNATIONAL POETRY PRIZE is open through May 31. Entry fee. Cash award. Judge: Oliver de la Paz. Details HERE.
SANTA FE WRITERS PROJECT BOOK AWARD seeks fiction and creative nonfiction entrees in any genre. Cash award. No-obligation book contract. No geographic restrictions. Details HERE.
Many thanks to poet/editor/activist, Reuben Woolley, for featuring four of my poems in “I Am Not a Slilent Poet.”
the century of possible peace
,,,,,,,,,,,,,,,,after Muriel Rukeyser
I lived in the century of world wars and
into the century of “hot spots” and “conflicts,”
those isolated regions of hostility and battle, of
choreographed shows of military cliché and the
violent disaffected eruptions of the marginalized
Every day is an homage to some insanity
Media reports are conveyed with facile intensity
by hyperkinetic journalists – they deliver easy
and ominous conclusions based on seemingly
recondite facts, quickly moving to celebrity
gossip and other insipid topics . . .
I have lived in two centuries of wars
I know what it is to be exhausted by the
vain posturing of the ruling class and
the tired protestations of tribal unity and
supremacy based on accidents of birth
I know what it is to imagine peace across
the circumference of one small blue ball
in a Universe of inestimable size and…
View original post 518 more words

“Petrichor (/ˈpɛtrɪkɔːr/) is the earthy scent produced when rain falls on dry soil. The word is constructed from Greek petra (πέτρα), meaning “stone”, and īchōr (ἰχώρ), the fluid that flows in the veins of the gods in Greek mythology.” Wikipedia … we have John Anstie (My Poetry Library) and friends to thank for an introduction to this word: “Petrichor Rising” and How the Twitterverse Birthed Friendships that in turn birthed a poetry collection
evening rain patters about, plays the
rooftop like a kettle drum, taps a code
on window panes, spills itself and
the scent of petrichor rises from
mud puddles and rain-carved rills
sly stars caper in a game of hide and
seek, shy clouds spoon in the smoky
quartz of a subdued moon, a late
dawn will rise in subtile pewter light
Oh!
how they steal our sleep
these, the beloved nights
so rich in comforting blisses
© 2019, Jamie Dedes; photograph, U.S. Department of Agriculture, public domain
WEDNESDAY WRITING PROMPT
The challenge this week is to write about the emotions rain engenders in you. For me it’s joy (and perfect weather for writing), although I’ve never experienced rain to the point of flooding and I don’t have rheumatoid arthritis as so many of my friends do, so no pain or anger. For some people rain is depressing. How about you? Tell us in your own poetry.
Share your poem/s on theme in the comments section below or leave a link to it/them. All poems on theme are published on the first Tuesday following the current Wednesday Writing Prompt. (Please no oddly laid-out poems.)
No poems submitted through email or Facebook will be published.
IF this is your first time joining us for The Poet by Day, Wednesday Writing Prompt, please send a brief bio and photo to me at thepoetbyday@gmail.com to introduce yourself to the community … and to me :-). These are partnered with your poem/s on first publication.
PLEASE send the bio ONLY if you are with us on this for the first time AND only if you have posted a poem (or a link to one of yours) on theme in the comments section below.
Deadline: Monday, May 27 by 8 pm Pacific Standard Time. If you are unsure when that would be in your time zone, we recommend using The Time Zone Converter.
Anyone may take part Wednesday Writing Prompt, no matter the status of your career: novice, emerging or pro. It’s about exercising the poetic muscle, showcasing your work, and getting to know other poets who might be new to you. This is a discerning non-judgemental place to connect.
You are welcome – encouraged – to share your poems in a language other than English but please accompany it with a translation into English.