Page 6 of 11

CELEBRATING AMERICAN SHE-POETS (#35): Joan Leotta, playing with words on page

“Now each square’s

a pathway back to childhood”


Quilt

Sitting on my couch,

I snuggle under a quilt

made from Grandma’s coats.

Each square’s cut from a day

we went out together

to shop, to lunch, or church.

I would lean against her

in car, streetcar or taxi

when I was weary of it all.

Grandma would hug me,

pull me close— my cheek

against each season’s coat,

comforting me.

Now each square’s

a pathway back to childhood

when my cheek

on grandma’s coat

could quiet the discord of a

too busy world.

© Joan Leotta

Quilt was fist published by the North Carolina Silver Arts Group where it won the state’s Bronze Medal for Poetry in 2017

Pie by Another Name

A few over-ripe

peaches in the fruit bin

beg to be sliced

into the succor

of a single crust

laid onto a flat pan.

Then, from the bowl

where I dusted slices

with cornstarch,

brown sugar,

I lay the peaches

on the crust and

overlay all with pats

of sweet butter.

My baker-trained fingers

seek to shape all into

pie formation,

but I’m left with a

flat pastry whose

edges I twist to hold

in peachy goodness, then

bake, this oddly-shaped

concoction.

Leftover baked peaches in

misshapen dough—

much better

when called,

galette.

© Joan Leotta

Illustration “Starting a New Quilt” courtesy of Anna under CC BY 2.0 license

JOAN LEOTTA  (What Editors Want You to Know, Joan Leotta’s Encouraging Words through pen and performance-interviews with Editors) has been playing with words on page and stage since childhood. She performs regularly for children and adults and writes for both audiences as well–poetry, essays, short fiction, novels, picture books, and magazine and newspaper articles. Her poetry has been published or is forthcoming in Writing in a Woman’s Voice, Silver Birch, Postcard Poems and Prose, The Ekphrastic Review and Creative Inspirations. She delights in finding beauty in the ordinary
and in imagining the story behind a work of art. When not at computer or on stage, you can find her with family, walking the beach, or in the kitchen.
Author, Story Performer
“Encouraging words through Pen and Performance”
Giulia Goes to War, Letters from Korea, A Bowl of Rice, Secrets of the Heart historical fiction in Legacy of Honor Series; Simply a Smile--collection of Short Stories; WHOOSH! Picture book from THEAQ; Download a mini-chapbook of Joan’s poems HERE. Connect with Joan on Facebook HERE. Joan’s Amazon Page HERE.

ABOUT

 

 

Opportunity Knocks: 8 Calls for Submissions, 2 Competitions

Huddart Park, San Francisco Peninsula

The Unfettered Canticle of Trees

Still for a moment the church bells
pealing the ancient canonical hours.
Still the lyric call of the muezzin.
Silence the Shacharit, the Mincha, the Arvit.
Stay the wheels and the flying flags.
Let nature’s prayer alone reverberate
in the unfettered canticle of trees.

– Jamie Dedes



Notes:

Opportunity Knocks replaces Sunday Announcements.  

Links to articles, events and news of interest to poets and writers are regularly published on The Poet by Day FaceBook Page.  

You are welcome (encouraged) to share your work and announcements on The BeZine Arts and Humanities Facebook Group Discussion Page

MARK YOU CALENDAR: SEPTEMBER 28, 2019 is 100,000 POETS FOR CHANGE, GLOBAL, 2019 and THE BeZINE 100,000 POETS FOR CHANGE VIRTUAL EVENT, look for updates on this site and at 100tpc.org

Join us for this week’s WEDNESDAY WRITING PROMPT.



“THE BeZINE” CALL FOR SUBMISSIONS thebezine.com is open for the upcoming June edition to be published on June 15, deadline June 10. This is an entirely volunteer effort, a mission. We are unable to pay contributors but neither do we charge for submissions or subscriptions. The theme is sustainability. We publish poetry, fiction, creative nonfiction, feature articles, art and photography, and music videos and will consider anything that lends itself to online posting. There are no demographic restrictions. We do not publish work that promotes hatred or advocates for violence. All such will be immediately rejected. We’d like to see work that doesn’t just point to problems but that suggests solutions. We are also interested in initiatives happening in your community – no matter where in the world – that might be easily picked up by other communities. Please forward your submissions to bardogroup@gmail.com No odd formatting. Submit work in the body of your email along with a BRIEF bio. Work submitted via Facebook or message will not be considered for publication. We encourage you to submit work in your first language, but it must be accompanied by translation into English. / Jamie Dedes



CALLS FOR SUBMISSIONS

CIMARRON REVIEW, English Department, Oklahoma State University,  publishes poetry, fiction, nonfiction, and art. Details HERE.

FIYAH LIT, a quarterly magazine of fantasy, science fiction, and horror (fiction and poetry) by Black writers will open for submissions to Issue #12 themed “Chains” from July 1 – July 31, 2019. Mark your calendar. Paying market. Details HERE.

GESTURE LITERARY JOURNAL is open for submissions of chapbooks and full-length manuscripts through December 23. No submission fee. Details HERE.

HUDSON REVIEW “publishes fiction, poetry, essays, books reviews; criticism of literature, art, theatre, dance, film, and music; and articles on contemporary cultural developments.” This is among the foremost American literary journals. Reading period for unsolicited poetry manuscripts is open through June 30.  Details HERE.

MSLEXIA  is publishes themed writing, poetry, fiction, and non-fiction four times yearly and hosts a website that supports women writers with information, inspiration, and instruction. Paying market. Details HERE.

34TH PARALLEL INDIE LITMAG DIGITAL & PRINT publishes “fiction, and non-fiction (such as documentary,  straight-out journalism, essay, screenplay, greatest tweets etc)” … “poetry (aka your story that isn’t prose, Nobel prize-winning lyrics, hip-hop, Instagram memes, that kind of thing)” … (art, photography, photo story or essay, comic, cartoon, emojis, all that).”  Submission fees. Details HERE.

TRUE STORY “a monthly mini mag,” publishes long-from nonfiction, 5,000 – 10,000 words, and is open for submission. Submission fee. Paying market. Details HERE.

RELATED:

COMPETITIONS

PHILIP LEVINE PRIZE FOR POETRY, sponsored by Anhinga Press and California State University, Fresno, is open from July 1- September 30. Mark your calendar. Entry fee. Cash award, publication, and author’s copies. Details HERE.

THE NATIONAL POETRY COMPETITION of The Poetry Society (U.K.) “is one of the world’s biggest single poem competitions. The entry fee is £7 for your first poem, and £4 per poem thereafter. Members of The Poetry Society can enter a second poem for free. The closing date is 31 October 2019.” Mark your calendars. Details HERE.

ABOUT

Four Poems from Myra Schneider’s Latest Collection (her tenth!), “Lifting the Sky”

Myra Schneider – Poet, poetry teacher and consultant to Second Light Network of Women Poets

“I believe the role of the poet is to reflect on human experience and the world we live in and to articulate it for oneself and others. Many people who suffer a loss or go through a trauma feel a need for poetry to give voice to their grief and to support them through a difficult time. When an atrocity is committed poems are a potent way of expressing shock and anger, also of bearing witness. I think that the poet can write forcefully, using a different approach from a journalist, about subjects such as climate change, violence, abuse and mental illness and that this is meaningful to others. I very much believe too that poetry is a way of celebrating life. I think it deserves a central place in our world.”  A Life Immersed in Poetry: Myra Schneider, Celebrating Over 50 Years as Poet and Writer



What a delight today to bring you four of Myra Schneider’s poems from her tenth collection, Lifting the Sky.  I believe I’ve read nearly all of Myra’s collections. I’ve reviewed a number of them. I am never disappointed. She soothes and inspires with layers of color and texture and keen and compassionate observations of nature, people and the human condition. I’ve also read and reviewed Writing Your Self: Transforming Personal Material (written with John Killick) and Writing My Way Through Cancer. These too I would recommend without reservation. Yes!  I am an enthusiastic fan.

You can visit Myra HERE and you can purchase her books directly from her. Myra’s Amazon U.S. Page HERE.  Myra’s Amazon U.K. Page HERE. Some of Myra’s books are also available through Anne Stewart’s poetry p f, another recommendation, by the way. Lifting the Sky is available on Kindle.



THE TUBULAR BELLS

were a surprise. At first I thought

they were icicles in a frozen waterfall

but they seemed to be fluid as honey

 

dropping from a comb. Then I noticed

the kitchen table and washing machine

were edgeless, melting away

 

and I wondered if they’d been magicked

by the instrument, its gold that was so unlike

the sleekness of a Pharaoh’s death mask,

 

the solidity of Cellini’s over-elaborate

salt cellar or the jewel-studded crown

worn by Holy Roman Emperors –

 

such symbols of pomp, self-importance.

The bells summoned buttercups, lilies,

their stamens tipped with orange powder,

 

the different ochres of fallen leaves

For moments I believed they were healing

the wounded world but they disappeared.

 

Hopeless, I stood by the January window

until I saw dusk was rivering the sky

with saffron and lemon, took heart.

– Myra Schneider

I PEGASUS

lift my hooves for gallop,

rise as my white wings open.

Wind rushes into my pricked ears.

Excitement whinnies from my mouth,

ripples through my flanks, drives me

towards a place that’s always cloudless.

Below me are snow-spattered peaks,

valleys where rivers wander, where trees

are laden with oranges, small suns

which pay homage to the sphere above.

Below me are huge cities with domes,

spires and innumerable buildings,

the tallest invade the blue of sky.

I miss nothing: the glassy stare

of cars stampeding like maddened cattle,

humans fleeing from burning towns,

forests felled like mighty armies,

the sea hurling itself in fury

at the land, barren fields thirsting

for water, skeletons of starved creatures.

I choose a verdant slope when I land,

hoof its milky grass and a spring

bubbles up from earth that’s rich

with squirming worms. Then I rejoice

for I am the breath in and the breath out,

I am the quickening which comes unbidden  

to the mind, blossoms into words

that tug the heart, I am sounds which bell

the air and enthral the ear, shapes

and colours which come together

to sing. I counter hatred, destruction.

I will not be stamped out.

– Myra Schneider

OH MOON

multiple in shape and mood, I can’t resist you

as slip of an eel with tips longing to touch  

and kiss, as a silent circle of self queening

the measureless iris-blue that’s only

an optical illusion, as an orange sun hung              

low in the sky to herald cornucopia,

as Salome in swirling veils, a saviour who throws

light on dangerous passageways. Oh moon,

ferrier of calm to those enduring pain

in tousled beds, lean over the homeless

lying in sweaty tents, search out the terrified

who’ve fled to the mountains where they ward off

cold at night by huddling in crevices to sleep,

bring them your silvergold bracelets of hope.

– Myra Schneider

LIFTING THE SKY

Plant yourself in the quiet on a familiar floor
or on an uncut summer lawn

and, thinking of seabirds, stretch out your arms,
let them ascend through the unresisting air.

With palms facing upwards, travel your hands
till your fingertips almost meet,

then release your breath, begin to separate yourself
from the weight of all that lies on you.

Allow your mind to open to this moment and your arms
to rise as they lift the palpable blue

high above the crown of your head.
Your wings will fold away

but raise them slowly to the blue again, maybe
a lightness like liquid amber will flow through you.

– Myra Schneider

Lifting the Sky: an exercise in qigong the Chinese practice of breathing, movement and meditation.


ABOUT

Poetry Archive: OPA Anthology of Poetry, 2019: Spirit of Nature, Call for Submissions / Second Light Featured Poets for May

“I felt my lungs inflate with the onrush of scenery—air, mountains, trees, people. I thought, “This is what it is to be happy.”  Sylvia Plath, The Bell Jar



THE POETRY ARCHIVE “extends an open invitation to you to participate in the upcoming OPA ANTHOLOGY of Poetry 2019 “SPIRIT OF NATURE”. The expected date of publication of this Anthology is 10th JULY 2019. We’ll be really obliged if you would contribute to this anthology with at least three poems along with your current profile picture. You can also add your short Bio written only in 3rd person narrative. Submission of poetry to our mail address will be considered as the explicit confirmation of your permission to publish your copyrighted materials in OPA ANTHOLOGY OF POETRY 2019. Please do send your contributions attached only in one single MS-WORD file with your mail at the earliest.”

Deadline: 10th June 2019

The email address for this ANTHOLOGY is opa.anthology@gmail.com
* .pdf file is not acceptable!

Thank You,
The Editorial Board:
Our Poetry Archive.

Thanks to German poet Aprilia Zank for sharing this lead with us.  You can read some of Aprilia’s wonderful work here on The Poet by Day:


THANK YOU to Dilys Wood, Anne Stewart, and Myra Schneider for including me in Second Light Live Featured Poets for May with my poem One Lifetime After Another. The other featured poets with whom I am honored to be included are: Angela Croft, Clare Crossman, Fokkina McDonnell, Jenny Hamlett, Lynne Wycherley, Mimi Khalvati, Pam Zinnemann-Hope, Sue Wood and Vivienne Tregenza. Great little collection for your evening read and my apologies to Anne for not catching her email announcement until this late date. Second Light Live is the website for Second Light Network of Women Poets (UK). SLN publishes fabulous anthologies and “ARTEMISpoetry” one of my fave poetry magazines.


ABOUT