On Wednesday, May 4, Danez Smith perform for this Festival from their latest poetry collection, Homie, sharing their perspectives on seeking joy, intimacy, acceptance and safety from discriminatory violence in America. Danez is a member of the Dark Noise Collective, an assemblage of poets and performers of color with a mission to amplify spoken word artists who explore race, religion, gender, queerness, hip-hop culture, and radical truth-telling in their art. After the performance they will talk about the potential of their art to celebrate race, the body, and identity politics.
Among the other Festival poets are: Mahogany L. Browne, Roya Marsh, Porsha Olayiwola, Jamilia Woods, Abdulla Pashew, Oksana Zabuzhko, Ben Okri, and Tatiana Voltskaya.
PEN America shares the highlights of its 16th Edition of the United States’ Leading International Literary Festival, bookended by an opening night event featuring Margaret Atwood, Roxane Gay, and Jia Tolentino in Conversation with Rebecca Traister and a closing performance by Jon Batiste, Suleika Jaouad, Zadie Smith and Tara Westover
Acclaimed authors, writers and poets Including Andrés Barba, Ishmael Beah, Mahogany L. Browne, Lydia Davis, Amitav Ghosh, Nikole Hannah-Jones, Hunter Harris, Jeremy O. Harris, Yuri Herrera, Jill Lepore, Sara Mesa, Lynn Nottage, Ben Okri, Elif Shafak, Jenny Slate, Danez Smith, Brandon Taylor, David Treuer, Jeanette Winterson, Jamila Woods, and other participants in venues around New York.
PEN America presents the 2020 PEN World Voices Festival: These Truths, celebrating literature’s deep illumination of cultural, historical, political, and emotional truths in a complex moment when “truth” is destabilized by the constant undermining of a common set of facts, “objective” histories are being interrogated and upended, and radical candor about lived experiences is fueling powerful social movements. This festival brings together fiction and nonfiction writers, poets, translators, thinkers, and activists for an array of conversations, interviews, readings, and musical performances on this infinitely prismatic subject.
Chip Rolley, Director of the PEN World Voices Festival and Senior Director of Literary Programs at PEN America, describes arriving at this year’s theme: “The crisis in truth in the American political sphere and a hallowed phrase from the U.S. Declaration of Independence were the jumping-off points for a festival that ultimately celebrates truth-telling on a wide range of topics and in myriad forms. We urgently need to hear the deeper truths afforded by literary fiction and by poetry, for literature to engage with contested histories and memory, and for journalists, historians and other non-fiction writers to present the world as it really is, to contest the fabrications served to us on an almost daily basis.”
PEN America CEO Suzanne Nossel says, “At a moment when we can rely on government officials neither to tell nor to face the truth, citizens must step into the breach. Truth-tellers such as investigative journalists, the courageous women behind the #MeToo movement, and the risk-everything whistleblowers attesting to government wrongdoing are driving the discourse while facing unrelenting attacks. Against this norm-defying backdrop, PEN America is proud to convene some of the world’s most transformative writers and thinkers in a show of force on behalf of complexity, facts, and veracity.”
On May 4th, soul-singer, song-writer, poet and recording artist behind LEGACY! LEGACY!, an album that draws inspiration from James Baldwin, Octavia Butler, and other great authors, Jamila Woodswill will present at this Festival. Jamila’s work focuses on themes of Black ancestry, Black feminism, and Black identity, with recurring emphases on self-love and the City of Chicago. After her performance at the Festival, she will talk about the potential of art to celebrate race, the body, and identity politics, offering a message of self-love and healing justice.
The 2020 PEN World Voices Festival opens May 4 with three compelling truth-tellers—Margaret Atwood, Roxane Gay, and Jia Tolentino—speaking with Rebecca Traister at The Town Hall about how women’s lives have been shaped by historical forces, religious and political dogma, today’s resurgent misogyny, and societal and personal gaslighting, that most cunning undermining of lived reality.
On May 6 at the Great Hall at Cooper Union, Nikole Hannah-Jones, creator of The 1619 Project*, delivers the festival’s annual keynote address, the Arthur Miller Freedom to Write Lecture, given in recent years by Arundhati Roy (2019) and former Secretary of State Hillary Rodham Clinton (2018). Hannah-Jones discusses her journalistic mission to reframe how we understand our nation, the legacy of slavery, and the unparalleled role Black people have played in U.S. democracy.
*The 1619 Project is an ongoing project developed by The New York Times Magazine in 2019 with the goal of re-examining the legacy of slavery in the United States and timed for the 400th anniversary of the arrival of the first Africans in Virginia. It is an interactive project by Nikole Hannah-Jones, a reporter for The New York Times, with contributions by the paper’s writers, including essays on the history of different aspects of contemporary American life which the authors believe have “roots in slavery and its aftermath.” It also includes poems, short fiction, and a photo essay. Originally conceived of as a special issue for August 20, 2019, it was soon turned into a full-fledged project, including a special broadsheet section in the newspaper, live events, and a multi-episode podcast series.
The New York Times has said that the contributions were deeply researched, and arguments verified by a team of fact-checkers in consultation with historians. Civil War historians Gordon S. Wood, James M. McPherson and Richard Carwardine are among many who have criticized the 1619 Project, stating that the project has put forward misleading and historically inaccurate claims.
Like Hannah-Jones, bestselling author David Treuer (The Heartbeat of Wounded Knee) offers a powerful counter-narrative to a monolithic history—in this case, rebutting conventional wisdom about Native American experience (May 5 at Brooklyn Historical Society). In an event entitled The Last Archive, on May 7 at Symphony Space, celebrated historian and New Yorker staff writer Jill Lepore (These Truths: A History of the United States) interrogates a question at the heart of this year’s festival: How do we find the truth in the age of Google and “alternative” facts? Amitav Ghosh, Terry Tempest Williams, Maja Lunde, and Emily Raboteaucome together May 9 at the AIA Center for Architecture to consider the role of the writer in a society that denies science and the everyday realities of extreme weather amidst impending apocalypse.
Other events underscore the truth-telling potential of the creative act. On May 6 at the Center for Fiction in Brooklyn, Booker Prize-winning novelist Ben Okri discusses his latest book, The Freedom Artist, which imagines a society where the disappearance of books and diminishment of literacy have led to the creation of a dystopia devoid of truth. On the heels of her Netflix comedy special Stage Fright, Jenny Slate will speak with Vulture writer Hunter Harris about her unclassifiable, keenly personal book Little Weirds (May 6 at the New School). On May 7 at Center for Fiction, Turkish-British writer-activist Elif Shafak and literary critic and Literary Hub Executive Editor John Freeman explore how words themselves have been used to misrepresent and distort reality, and how they can be reclaimed. Also on May 7, at Symphony Space, playwrights Jeremy O. Harris (Slave Play, Daddy, and Black Exhibition) and two-time Pulitzer Prize-winner Lynn Nottage (Sweat, Ruined, and Intimate Apparel) discuss their impulse to expose uncomfortable, often hidden truths about race, class, and sexuality in American society.
PEN America President Jennifer Egan says, “A festival of writers, artists, and intellectuals affords a tonic opportunity to explore pressing topics from creative and unexpected angles. The offerings in “These Truths” include an evening melding dystopian fiction and West African music; a Russian queer poetry reading; and a cross-generational discussion between prominent Mexican novelists about how art can reclaim and subvert cultural stereotypes—to name just a smattering of auspicious events.”
You can visit the PEN AMERICA WORLD VOICES FESTIVAL WEBSITE for complete details and to purchase tickets.
This post is courtesy of Wikipedia, PEN America, Amazon, and The 1612 Project,
PEN America stands at the intersection of literature and human rights to protect open expression in the United States and worldwide. The organization champions the freedom to write, recognizing the power of the word to transform the world. Its mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.
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