15 April 2016
I. The Burial of the Dead
APRIL is the cruelest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten.
And drank coffee, and talked for an hour.…
A tidal wave of poetry, perhaps.
Michael Dickel, Contributing Editor
While Eliot declares the cruelty of April, April also happens to be National Poetry Month in the United States and Canada. In our online, social media world, it has become an international celebration of poetry as well. To join in this celebration, we in the Bardo Group Beguines dedicate the April issue each year to poetry. Many of us who write regularly for The BeZine are poets, and we usually include poetry. So, for us, it is a happy celebration—nothing cruel about it!
And what a wide-ranging celebration we offer in the 2016 National Poetry Month The BeZine issue! W. B. Yeats is oft quoted as saying, “What can be explained is not poetry.” So I won’t explain. I will tell you that Terri Muuss’ poem, “Thirteen Levels of Heaven,” takes you far and wide in a few grains of sand. “The Other Woman,” Imen Benyoub’s heart-wrenching poem, is not who you think—but in the current global storm of conflict and national political climate, indeed, she is Other. Michael Rothenberg’s “Poem for Mitko” personalizes the news we hear by imagining its impact on our mutual friend, Macedonian poet Mitko Gogov.
What these three featured poems have in common is their ability to take the intimate, the personal, the real moments of every day life, and reflect in and from them larger issues of humanity and life. Each describes very specific, personal scenes. According to Joy Harjo, “It’s possible to understand the world from studying a leaf.” And all of these poems open our eyes wide to the world. Sharon Olds tells an interviewer about poets she admires: “Their spirits and their visions are embodied in their craft. And so is mine.” And so are the spirits and visions of the authors gathered here.
“It may also be the case that any genuine work of art generates new work,” Donald Barthelme tells us in a Paris Review interview. As you read the poems, essays, interviews, and reviews in this month’s issue, I imagine that they will generate new art for you. Whether the art of living, the art of knowing others, or “the Arts,” you will want to do more of it after reading what we offer this month.
Last year, the Second Light Network of Women Poets (SLN) collaborated with The BeZine during April to present poetry from the SLN. In this year’s issue, you can read more about the network in “SECOND LIGHT NETWORK, showcasing the ambitious poetry of ambitious women.” Jamie Dedes’ essay “POET, TEACHER, INSPIRATION: Dilys Wood and the Latter-day Saphos” also sheds light on Dilys Wood, founder of the SLN. This year, in my dual roles of contributing editor here at The BeZine and associate editor at The Woven Tale Press, I have served as liaison in a new collaboration. The works specifically from the collaboration appear in their own section in the table of contents below.
However, the whole issue represents collaboration—not only between the two publications, but between all of the writers. We work together, as a community. In putting this all together with Jamie Dedes and my Bardo Group Beguines and Woven Tale Press colleagues, I came to realize how many of the poets here I know personally—separately from these two publications. We all come from an organic online writing community. By organic, I mean through no organized effort or special social website.
After years of knowing Michael Rothenberg through email and Facebook, I only finally met him in person this past summer. Terri Muuss and I met at Cornelia Street Café in Greenwich Village, also years ago, where her husband, Matt Pasca (who also has appeared in The BeZine), Adeena Karasick, and I performed one lovely evening. All four of us keep in touch through Facebook now. I met gary lundy a long time ago and have spent time together, including road trips and as roommates for a few months. However, most of our friendship has been sustained and maintained by email and online connections—dating back to before any of us had heard of Facebook. UK poet Reuven Woolley, Romanian poet Liliana Negoi, Natasha Head, as well as Jamie Dedes and the rest of the Bardo Group Beguines, I only know “virtually.” Until a few months ago, the same was true for The Woven Tale Press publisher and editor-in-chief, Sandra Tyler.
Today, the world of poetry, as with everything else, has transformed under the influences of technology and social media. Last year, I spoke to a graduate-student seminar about social media, poetry, and the latest wave of “democratization of poetry.” That discussion evolved into the foreword of The Art of Being Human, Vol. 14, which you can read in this issue as “(Social) Media(ted) (Democratic) Poetry.”
I won’t try to count how many waves of “democratic” trends in poetry have washed up on the beach. A couple of centuries ago, poets were concerned “just anybody” might write poetry, and they didn’t think that was such a good idea. Some probably still don’t. Free verse and the Beats in the mid-Twentieth Century have been associated with the idea, for better or worse, depending on who made the association.
Today, poetry slams usually involve actual voting, as do many online sites. Self-publishing has become easy and cheap, so anyone could have a book who wants to, now. As a result of all of this, editors—such as those putting together a special poetry issue—serve much more as curators than as the gate-keepers of old. So, we may be in one of the greatest ever waves of “democratic” poetry.
A tidal wave of poetry, perhaps.
Don’t worry. While it will wash over you and change you, you won’t drown. Enjoy the poetry, writing about poetry, and other work presented here for your celebratory pleasure!
“There is something in me maybe someday
to be written; now it is folded, and folded,
and folded, like a note in school.”
― Sharon Olds
Table of Contents
- Karma — Terri Muuss
- God’s Spine — Terri Muuss
- points — Liliana Negoi
- Caught — Myra Schneider
- Field — Myra Schneider
- The Foothills of the White Mountains — Myra Schneider
- these drought-full days, three short poems — Jamie Dedes
- If I Were God — Sharon Frye
- The Wailing Wall — Sharon Frye
- Ecco Panis — Jamie Dedes
- St. Thomas Aquinas — Ham — Carolyn O’Connell
- Second Cease Fire — Carolyn O’Connell
- Exclusive — Priscilla Galasso
- Rape of Arevik – Silva Merjanian
- early spring — Aprilla Zank
- prayers for shadows — Aprilla Zank
- symphony 15 in A major — Aprilla Zank
ESSAYS, INTERVIEWS, REVIEWS
- Poetic Evolution, Corina Ravenscraft
- FORGING NEWBORN CRIES OF HOPE: An Interview with Team Member, Romanian Poet, Liliana Negoi
- “POETRY,” a review of the movie
- Natasha Head:”Pulse” & ”Nothing Left to Lose”, a book review
- A LIFE IMMERSED IN POETRY: Myra Schneider celebrating over 50 years as a poet and writer, an interview
- Three by Ann Emerson, one of the original Bardo Group members (essay and poems)
WOVEN TALE PRESS COLLABORATION
- Ars poetica and Inspiration — Michael Dickel (poems)
- Enjoy the Show — Donna Kuhn (video poem)
- the old crow welcomes winter — Reuben Woolley
- Michael Castro—Poetry (poems)
- In His Own Words — Poet-Activist Michael Castro (flash essay)
- Aung Aan Suu Kyi’s Pseudo Ex-boyfriend — Ilya Sumanto (poem)
- In Memoriam — Sandra Tyler
- gary lundy — three poems
- (Social) Media(ted) (Democratic) Poetry — Michael Dickel (essay)
- Three Poems — Michael Dickel (poems)
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Access to the biographies of our core team contributing writers and guest writers is in the blogroll to your left along with archived issues of The BeZine, our Mission Statement and Submission Guidelines.